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1268:(Thesis). California State University, Northridge. pp. xvi (catalog), 56–111 (history), 59 (assessment), 60 (founding), 67 (IURW), 74 (new location), 75-77 (chapters), 76-90 (national convention), 80 (periodicals), 90-91 (school), 91-92 (Foster-Ford), 92 (publications), 93 (women members), 93-94 (African-Americans), 94 (size), 95 (slogan), 96-97 (Rivera), 101 (chapters), 101-103 (Hitler), 103-105 (2nd conference), 112–150 (proletarian literature), 127 (novels), 130 (anthologies), 133 (publications).
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and removed "class war" from his paintings. He became interested in delicate lines and low-toned colors, a reaction against "the preoccupation with light and shade that has victimized
Western art since the Renaissance." By this time, he saw paintings as "space, not objects" and sought humanism not in subject but "of the line." By this time, he was already residing in
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was reporting the "angry man calms down." The paintings on exhibit showed "delicately colored, wiry-lined pictures of beaches, towns, and harbors... without a park of sorrow or anger in them." Jones (then, 42 years old) did not want to "sit on top of a reputation," had lost interest in
Communism,
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in 1938. This mural was done at the height of Jones' fame and is a classic subject for Jones. It depicts the harvest of wheat in a very labor-intensive manner showing the cutting, gathering, and stacking of it onto a wagon. Under a cloudy dark sky, wheat dominates the perspective with the farmers
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magazine ran its first story about Jones: "Housepainter" (June 3, 1935). It reported that Jones had contributed a painting to the "Sixteen Cities Show" in
Manhattan's Museum of Modern Art, whose autobiography read, "Joe Jones. Born St. Louis, 1909. Self-taught." By this time, Jones had become a
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in
Magnolia, Arkansas, in 1938. All the murals depicted some process during a wheat harvest. Of the "revolutionary element" his early work, Jones wrote to Green, it is "not warped to bias to any party" except for the "militant struggle of the working class," which he contrasted to artists who
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announced his addition to "the small group (about 80 men over the past 38 years) who have painted a Time cover." According to a Letter from the
Publisher, Jones, who had done little foreign travel, "riffled through scads of travel photographs" and produced a work depicting a girl from
31:
236:, others have stated that he was in fact "anti-Regionalist". By then, Jones had only from magazines; art historian Andrew Hemingway surmises that Jones absorbed Modernist and Cubist ideas also from paintings. Upon his return to St. Louis, Jones lived in a houseboat.
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Jones' experiments in painting won him a series of prizes at the St. Louis Art Guild exhibitions. Following these came a commission to paint a mural at the KMOX radio station and a solo exhibition by the guild.
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Communist... Back in St. Louis, Jones promoted such thinking in his art classes at the St. Louis
Artists Guild. In response, the city's Public Safety director had Jones removed.
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433:, supported him, stating that Jones was "willing to swear that he never had any intention or obligation to disrupt the American Government". Jones was assigned to the
349:
reported on both of these one-man shows in New York, first at the ACA Gallery in 1935, followed by the Walker
Gallery in 1936. The first show included the paintings
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Jones worked in his native St. Louis, Missouri, until age 27, then spent the rest of his life based in or around New York City. His work is in the collection of the
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Jones was born in St. Louis, Missouri, April 7, 1909. Self-taught, he quit school at age fifteen to work as a house painter, his father's profession.
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used one of his paintings for their annual
Christmas issue. (Jones based the painting on "impressions of the seasonal scene in Atlanta.")
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acquired at least one Joe Jones painting as part of (then) 85 paintings of living
American artists. The same year Jones was awarded a
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In 1933, ten patrons led by
Elizabeth Green in St. Louis formed a "Joe Jones Club" and financed his travel to the artists' colony in
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with the corpse of a half-naked black woman who has been raped and lynched against a background of quietly chatting
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394:. His work was still being classed as "proletarian" in a Time article,"Art:Year." in 1938 and a second article on
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The John Reed Clubs: A Historical Reclamation of the Role of Revolutionary Writers in the Depression
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and his name is closely associated with its artistic members, most of them also contributors to the
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551:. For his later, "softer Japanese-like style," it cited his December 1961 cover and a mural of
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in Ste. Genevieve, Missouri. He visited there and also taught. He served as direction in 1936
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An American art colony : the art and artists of Ste. Genevieve, Missouri, 1930-1940
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1295:"JOE JONES, ARTIST NOTED FOR MURALS; Landscape Painter Dead-- Designed Magazine Covers"
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228:. While some critics have considered his early paintings as typical of the Midwestern
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Perhaps Jones' first appearance in New York came with his painting "Wheat" at the
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1441:"A Show In St. Joseph Finally Remembers The Forgotten Missouri Artist Joe Jones"
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had cited him as one of 48 artists whose 250 paintings had been commissioned by
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Artists on the Left: American Artists and the Communist Movement, 1926-1956
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magazine followed him throughout his career. Jones was associated with the
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mentioned Jones with other of the 48 artists by name: the other two were
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1496:: Life of the People - The American Scene (Joe Jones, "Wasteland," 1937)
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Jones died on April 9, 1963, in Morristown, New Jersey. As reported by
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he was 54 years old. Of his early, radical work, the magazine cited
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296:'s Second Biennial of Contemporary American Painting (1934–1935).
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providing a great deal of motion. Another New Deal mural entitled
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celebrated his arrival on February 2, 1936. Participating were
868:. St. Louis, Mo.: McCaughen & Burr Press. p. 69.
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mural for the post office in Charleston, Missouri, titled
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was published by the Saint Louis Art Museum. In 2017 the
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Gateway Arch National Park (U.S. National Park Service)
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Army History, the Professional Bulletin of Army History
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Joe Jones : radical painter of the American scene
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cover story in its Modern Living section on travel.
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In August 1935, Jones painted a mural series at the
1054:. Time magazine. September 19, 1938. Archived from
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1416:"Joe Jones: Radical Painter of the American Scene"
1238:. Time magazine. December 22, 1961. Archived from
1211:. Time magazine. December 15, 1961. Archived from
1103:. Time magazine. October 22, 1951. Archived from
948:. Time magazine. February 6, 1936. Archived from
1027:. Time magazine. January 3, 1938. Archived from
572:Joe Jones: Radical Painter of the American Scene
307:When Jones came to New York, a symposium by the
1367:. Time magazine. April 19, 1963. Archived from
1130:. Time magazine. August 4, 1952. Archived from
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264:in 1941 for the Dexter, Missouri, post office,
260:was painted by Joe Jones in 1940, followed by
1513:The Restless Regionalist: The Art of Joe Jones
580:The Restless Regionalist: The Art of Joe Jones
1184:. Time magazine. May 19, 1961. Archived from
1157:. Time magazine. May 19, 1961. Archived from
975:. Time magazine. June 7, 1937. Archived from
896:. Time magazine. June 3, 1935. Archived from
398:'s first exhibition of "Labor in Art" at the
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280:In the 1930s Jones was associated with the
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1584:Section of Painting and Sculpture artists
1003:John Simon Guggenheim Memorial Foundation
667:. Yale University Press. pp. 34–39.
578:held a retrospective exhibition entitled
425:In 1943, Joe Jones was enlisted into the
532:In the 1930s, Jones was a member of the
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1394:. St. Louis, MO: St Louis Art Museum.
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453:By 1951, for a new show in New York,
209:(1939), mural for the post office in
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325:(literary critic and founder of the
1544:Members of the Communist Party USA
1484:on Smithsonian American Art Museum
922:. Comrades in Arms. Archived from
14:
864:Dick, R. H.; Kerr, Scott (2004).
411:Anthony United States Post Office
333:(fellow painter and cartoonist),
232:style exemplified by the work of
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744:Detroit Institute of Arts Museum
628:"Joseph James Jones (1909–1963)"
604:Encyclopedia of the Great Plains
343:, and Roger Baldwin (chairman).
1515:catalogue by Cori Sherman North
920:"Individual Artists: Joe Jones"
819:Smithsonian American Art Museum
268:in 1939 in Anthony, Kansas and
187:Smithsonian American Art Museum
1554:20th-century American painters
1490:on the Living New Deal website
1262:Alexandre, Laurie Ann (1977).
844:Whitney Museum of American Art
390:to document conditions in the
321:(American Artists' Congress),
191:Whitney Museum of American Art
1:
576:Albrecht-Kemper Museum of Art
570:In 2010 a monograph entitled
492:For May 1961, Jones painted
117:(1909–1963) was an American
1182:"Letter from the Publisher"
555:in the dining salon of the
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1594:20th-century lithographers
1589:United States Army artists
1488:images of Jones' WPA mural
1079:"The 1943 War Art Program"
663:Hemingway, Andrew (2002).
471:Standard Oil of New Jersey
384:Metropolitan Museum of Art
1088:(Spring-Summer 2002): 11.
946:"Workers and Wheatfields"
366:The second show included
282:Ste. Genevieve Art Colony
175:Detroit Institute of Arts
28:
973:"Metropolitan's Moderns"
600:"Jones, Joe (1909–1963)"
513:, a Greek island, and a
481:and Thomas Hart Benton.
1445:KCUR NPR in Kansas City
769:National Gallery of Art
693:Cleveland Museum of Art
528:Personal life and death
417:, was painted in 1939.
400:Baltimore Museum of Art
179:National Gallery of Art
167:Cleveland Museum of Art
1579:American lithographers
1569:Painters from Missouri
1564:Artists from St. Louis
1559:American male painters
1322:Jones, Joe (1909-1963)
1101:"Angry Man Calms Down"
794:Saint Louis Art Museum
460:Morristown, New Jersey
435:Alaska Defense Command
213:
183:Saint Louis Art Museum
71:Morristown, New Jersey
1482:images of Jones' work
632:Missouri Encyclopedia
388:Guggenheim Fellowship
204:
108:Guggenheim Fellowship
1478:at Wikimedia Commons
1371:on December 22, 2008
1209:"Christmas Shopping"
1155:"The Faraway Places"
1134:on November 25, 2010
1128:"The Pride of Tulsa"
952:on December 15, 2008
900:on December 22, 2011
247:. Jones painted a
241:Commonwealth College
1539:American communists
1494:Library of Congress
1390:Jones, Joe (2010).
1188:on February 5, 2011
1161:on October 17, 2007
1107:on November 5, 2012
1077:Harrington, Peter.
1058:on November 5, 2012
979:on January 25, 2012
520:For December 1961,
55:St. Louis, Missouri
1574:American muralists
1476:Joe Jones (artist)
1299:The New York Times
494:The Faraway Places
234:Thomas Hart Benton
214:
205:Jones's study for
1549:American Marxists
1474:Media related to
1052:"Labor Esthetics"
1031:on April 17, 2008
719:Denver Art Museum
695:. 31 October 2018
443:Anchorage, Alaska
364:American Justice.
362:and the shocking
171:Denver Art Museum
123:landscape painter
115:Joseph John Jones
112:
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42:Joseph John Jones
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1500:Art of the Print
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1447:. 17 August 2017
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545:American Justice
407:Turning a Corner
378:Threshing No. 1.
376:and his latest,
273:believed in the
266:Turning a Corner
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16:American painter
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1507:Further reading
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1301:. 10 April 1963
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415:Anthony, Kansas
371:Garbage Eaters,
354:Garbage Eaters,
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331:William Gropper
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1451:15 September
1449:. Retrieved
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1425:15 September
1423:. Retrieved
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1385:
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1502:: Joe Jones
1025:"Art: Year"
999:"Joe Jones"
840:"Joe Jones"
815:"Joe Jones"
765:"Joe Jones"
715:"Departure"
315:Louis Bunin
230:Regionalist
77:Nationality
1523:Categories
1279:10 October
930:2010-05-27
586:References
479:Peter Hurd
449:New Jersey
441:, outside
405:His mural
368:We Demand,
351:We Demand,
327:New Masses
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153:Background
149:magazine.
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1338:cite book
1236:"Letters"
515:Portofino
465:By 1952,
396:Baltimore
392:Dust Bowl
299:In 1935,
270:Threshing
23:Joe Jones
557:SS
517:harbor.
288:New York
249:New Deal
197:Missouri
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89:Painting
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507:Tahiti
496:for a
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161:Career
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105:Awards
1082:(PDF)
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