Knowledge

John Cort (impresario)

Source đź“ť

42: 214: 460: 152:(a cross between a variety theater, a saloon, and—often—a brothel), which he turned into the city's leading such establishment. A pioneer of theater circuits—booking the same act successively into multiple cities to make it worth their while to tour to his remote part of the country—he was so successful that in 1888 he built a new 800-seat Standard Theater at the southeast corner of Occidental and Washington streets. This was Seattle's first theater with electric lighting, more modern than the gas-lit 242:
Circuit. At this point, he was Seattle's leading theatrical impresario. However, Klaw and Erlanger were more focused on box-office potential than artistic merit, and Cort's position in the market had given him an audience with some critical faculties. If people were being offered badly produced
254:, these added up to 1200 theaters nationally. They eventually forced Klaw and Erlanger to allow theaters to book both Klaw/Erlanger productions and others. Still, while the fight was on, Klaw and Erlanger had backed construction of Seattle's new Metropolitan Theatre in the prestigious 120:, Cort focused on legitimate theater. At one time, he owned more legitimate theaters than anyone else in the United States, and he eventually became part of the New York theatrical establishment. His Cort Theatre (since renamed the 225:
By 1903, Cort's Northwestern Theatrical Association controlled 37 theaters in the American West, allowing him to compete with some success against the Eastern entertainment establishment. He signed an agreement with
163:(June 6, 1889) burned this new Standard and nearly all of Seattle's other places of entertainment. Cort reopened two weeks later in a tent, and by November he had erected a replacement for the Standard. 475: 258:. Cort, in turn, headed for New York, where he became a notable producer and manager, as well as the founder of New York's Cort, now James Earl Jones, Theatre. 485: 140:-born Cort started his career as a stage actor of little distinction and as part of a comedy duo, Cort and Murphy. He first became a theater manager in 372: 247: 388: 273:
Cort's Grand Opera House suffered several fires; one of these, in 1917, gutted it, and the building has been a parking garage since 1923. The
490: 274: 218: 184: 414: 480: 255: 180: 455: 306: 41: 199: 213: 251: 250:, a group of circuits that tried to break away from the New York-based syndicates. Allied with the independent 121: 101: 153: 195: 495: 188: 171:
Like John Considine, Cort left Seattle during the depression (and anti-vice reaction) that followed the
500: 207: 203: 116:
into an impact on America's national theater scene. While Considine and Pantages focused mainly on
109: 438:, Klondike Gold Rush National Historical Park, National Park Service. Accessed December 22, 2007. 176: 160: 113: 105: 410: 239: 332: 262: 231: 125: 187:", Yesler Way, out of the vice-ridden "restricted zone". Artistically, he had crossed from 141: 459: 373:
Syndicate Denies a Truce; But Opinion Is That a Sort of Agreement Has Been Made with Cort
344: 17: 469: 356: 235: 172: 137: 59: 451: 434: 429: 302: 243:
plays, they would skip legitimate theater entirely and go see a vaudeville show.
227: 117: 93: 78: 149: 112:-based entrepreneurs who parlayed their success in the years following the 145: 183:(opened 1900) on Cherry Street. Geographically he had crossed north of " 265:), travelled with the show, watching her elder sister Mildred perform. 194:
With Considine, he played a major role in one of the country's rising
198:: just before the turn of the century they founded what became the 435:
Hard Drive to the Klondike: Promoting Seattle During the Gold Rush
277:, Cort's last Seattle flagship, is still going strong as of 2007. 212: 148:, then headed west to take over the Standard Theater, a Seattle 379:, November 3, 1910, p. 9. Accessed online December 22, 2007. 100:
was one of the first national theater circuits. Along with
335:, HistoryLink, August 9, 2001. Accessed December 22, 2007. 395:, May 8, 1910, p. 13. Accessed online December 22, 2007. 238:
of dramatic talent, and his theaters became part of the
261:
In the summers of 1916-1918, Ruby Stevens (the future
156:, the city's leading legitimate theater at the time. 92:(ca. 1861 – November 17, 1929) was an American 74: 66: 53: 48: 32: 246:In 1910, Cort helped organize the Independent 8: 347:, Reeds Tickets. Accessed December 22, 2007. 458: 40: 29: 409:. New York: Coward-McCann. p. 249. 476:American theatre managers and producers 286: 363:, Ballantine Books (1960), p. 144–146. 327: 325: 323: 321: 319: 317: 315: 70:November 1929 (aged 67–68) 7: 248:National Theatre Owner's Association 217:Graphics for a program from Cort's 389:1,200 Theatres Are Independent Now 293:Flom says 1861; IBDB says ca. 1859 25: 486:Businesspeople from New York City 1: 407:Barbara Stanwyck: a Biography 309:. Accessed December 22, 2007. 234:, then the country's leading 491:Businesspeople from Seattle 206:, soon bolted to found the 202:(F.O.E.). A third founder, 517: 456:Internet Broadway Database 307:Internet Broadway Database 200:Fraternal Order of Eagles 191:into legitimate theater. 175:, but returned after the 39: 122:James Earl Jones Theatre 18:John Cort (Cort circuit) 430:Moore Theatre and Hotel 196:fraternal organizations 124:) remains a fixture of 333:Cort, John (1861–1929) 222: 108:, Cort was one of the 49:Background information 221:, Seattle, circa 1907 216: 189:variety entertainment 132:Variety theater years 481:American impresarios 345:Cort Theater Tickets 252:Shubert Organization 208:Loyal Order of Moose 405:Diorio, Al (1983). 27:American impresario 393:The New York Times 377:The New York Times 256:Metropolitan Tract 223: 177:Klondike Gold Rush 161:Great Seattle Fire 154:Frye's Opera House 114:Klondike Gold Rush 106:Alexander Pantages 240:Klaw and Erlanger 181:Grand Opera House 84: 83: 16:(Redirected from 508: 462: 439: 427: 421: 420: 402: 396: 386: 380: 370: 364: 354: 348: 342: 336: 329: 310: 300: 294: 291: 269:Seattle remnants 263:Barbara Stanwyck 232:Abraham Erlanger 167:Going legitimate 44: 30: 21: 516: 515: 511: 510: 509: 507: 506: 505: 466: 465: 448: 443: 442: 428: 424: 417: 404: 403: 399: 387: 383: 371: 367: 355: 351: 343: 339: 330: 313: 301: 297: 292: 288: 283: 271: 169: 134: 87: 62:, United States 58: 35: 28: 23: 22: 15: 12: 11: 5: 514: 512: 504: 503: 498: 493: 488: 483: 478: 468: 467: 464: 463: 447: 446:External links 444: 441: 440: 422: 415: 397: 381: 365: 349: 337: 331:Eric L. Flom, 311: 295: 285: 284: 282: 279: 270: 267: 236:booking agents 168: 165: 133: 130: 102:John Considine 86:Musical artist 85: 82: 81: 76: 72: 71: 68: 64: 63: 55: 51: 50: 46: 45: 37: 36: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 513: 502: 499: 497: 494: 492: 489: 487: 484: 482: 479: 477: 474: 473: 471: 461: 457: 453: 450: 449: 445: 437: 436: 431: 426: 423: 418: 416:0-698-11247-4 412: 408: 401: 398: 394: 390: 385: 382: 378: 374: 369: 366: 362: 358: 357:Murray Morgan 353: 350: 346: 341: 338: 334: 328: 326: 324: 322: 320: 318: 316: 312: 308: 304: 299: 296: 290: 287: 280: 278: 276: 275:Moore Theatre 268: 266: 264: 259: 257: 253: 249: 244: 241: 237: 233: 229: 220: 219:Moore Theatre 215: 211: 209: 205: 204:H. L. Leavitt 201: 197: 192: 190: 186: 182: 179:to build the 178: 174: 173:Panic of 1893 166: 164: 162: 157: 155: 151: 147: 143: 139: 138:New York City 131: 129: 127: 123: 119: 115: 111: 107: 103: 99: 95: 91: 80: 77: 73: 69: 65: 61: 60:New York City 56: 52: 47: 43: 38: 31: 19: 496:1860s births 433: 425: 406: 400: 392: 384: 376: 368: 360: 352: 340: 298: 289: 272: 260: 245: 224: 193: 185:the Deadline 170: 158: 135: 98:Cort Circuit 97: 89: 88: 501:1929 deaths 228:Marcus Klaw 470:Categories 118:vaudeville 94:impresario 79:Impresario 75:Occupation 452:John Cort 361:Skid Road 303:John Cort 150:box house 90:John Cort 34:John Cort 146:Illinois 126:Broadway 57:ca. 1861 454:at the 305:at the 110:Seattle 413:  96:; his 281:Notes 142:Cairo 411:ISBN 230:and 159:The 136:The 104:and 67:Died 54:Born 472:: 432:, 391:, 375:, 359:, 314:^ 210:. 144:, 128:. 419:. 20:)

Index

John Cort (Cort circuit)

New York City
Impresario
impresario
John Considine
Alexander Pantages
Seattle
Klondike Gold Rush
vaudeville
James Earl Jones Theatre
Broadway
New York City
Cairo
Illinois
box house
Frye's Opera House
Great Seattle Fire
Panic of 1893
Klondike Gold Rush
Grand Opera House
the Deadline
variety entertainment
fraternal organizations
Fraternal Order of Eagles
H. L. Leavitt
Loyal Order of Moose

Moore Theatre
Marcus Klaw

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑