Knowledge (XXG)

John Arthur Fraser

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483: 408: 249: 310: 177: 30: 236:. His studio became a center for members of the artistic community of Montreal and visitors from elsewhere. In 1867 Fraser, Sandham, and Fraser's brother William Lewis Fraser were charter members of the Society of Canadian Artists, which was organized in Notman's studio. In May 1868 Fraser was elected a member of the New York-based 320:
In February 1877 Fraser again became a member of the OSA, and in summer of 1877 went by rail on a sketching trip to New Brunswick. In May 1878 he submitted a large number of oils and watercolors from his sketches to the OSA exhibition, where he received much praise for his work. That year he first
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gave Fraser's Rocky Mountain watercolours high praise for their uniquely Canadian qualities. In June 1886 Fraser was sent on a sketching trip along the CPR line from Montreal to Vancouver Island and back. He arrived back in Toronto on 19 October 1886 with many watercolours, including sketches and
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painters popular in Britain at the time. They have strong and original composition and colour, with photographic clarity and detail. His 1878 New Brunswick landscapes are larger and more original both in composition and in use of colour than his earlier landscape. Most of Fraser's paintings were
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In the spring on 1888 Fraser returned to Britain, visited Scotland and Kent, then worked on his pictures in London until his health failed in the summer of 1889. The Royal Academy of Arts accepted one of his Scottish watercolours for their 1889 exhibition. Fraser and his wife then settled in
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Over time Fraser's art department grew to employ a large staff that coloured photographs, retouched negatives and painted backgrounds. Painted photographs were made from the carte-de-visite size, 3.5 by 2.25 inches (89 by 57 mm), or the cabinet photograph size, 5 by 3.5 inches (127 by
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89 mm). The negatives were projected onto sensitized paper and processed in the normal way. The paper was then pasted onto canvas on a stretcher frame, or onto cardboard, and after the artist had done their work was place in an ornamental guilt frame by Notman's framing department.
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of the CPR. In November 1884 Van Horne invited Fraser to illustrate a proposed guidebook for the CPR. After some delay, Fraser accepted the commission in October 1885. Van Horne was demanding, and felt free to give Fraser criticism and advice. For example, he said of a sketch of
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to join his wife and daughters, leaving his sons to run the photographic business. He became a member of the Boston Art Club and was one of the founders of the Boston Water Color Society. He found steady work making illustrations for New York magazines such as
168:, describing himself as an artist on his marriage certificate. They had three sons and three daughters. Very soon after his marriage he moved with his wife and parents to Stanstead, Lower Canada, where his grandmother had lost her husband two years earlier. 372:(CPR) was an art connoisseur, and gave commissions to professional artists including Fraser and Lucius Richard O'Brien to make paintings of the Rockies for exhibitions promoting the CPR. In 1883 Fraser made a trip on the newly-completed CPR line to 442:
larger more complete pictures. By the end of November he was back in Boston with his family. The CPR helped Fraser with an exhibition of his CPR pictures at the Canadian Club in New York in March 1887, and with a dealer in London in May 1887.
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art editor, Lucius O’Brien, president of the Royal Canadian Academy of Arts. Fraser was often involved in bitter arguments with other artists. In the summer of 1883 Fraser was employed by a Chicago publisher to make a 2-week trip to northern
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John Arthur had moved to Montreal by 1860, looking for work as a decorative painter. His father also moved to Montreal and worked as a book agent while writing on politics until his death in 1872. Fraser became a photograph tinter with
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Fraser also exhibited oil paintings of New Hampshire and Eastern Township landscapes with the Art Association of Montreal, and sold these paintings through dealers. Notman was a charter member and ongoing supporter of the
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to make sketches that illustrated an article that he wrote about his expedition. The Notman and Fraser partnership was wound up in 1883 and in June 1884 Fraser and Sons was launched as a photographic firm in Toronto.
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Fraser's early work as a tinter of small head and shoulders studies for Notman is skillful and sensitive, giving the impression of miniature paintings. One his first known landscapes was the picturesque and romantic
228:. The text by Thomas Davies King said that the artist "has not had more opportunity of following a branch of art in which he would be successful", an allusion to Fraser's work supervising Notman's art department. 325:. In October 1876 the Government of Ontario agreed to give the OSA a grant of $ 1,000 to open the first art school in Ontario at 14 King Street West in Toronto. Fraser was elected to the council of the 482: 865:
Canada's Entrepreneurs: From the Fur Trade to the 1929 Stock Market Crash : Portraits from the Dictionary of Canadian Biography Under the Direction of John English and Réal Bélanger
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that it "will hardly answer our purpose, the mountain not being sufficiently imposing...". Fraser was willing to accept this advice, and maintained a good relationship with Van Horne.
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Fraser left Notman's firm in Montreal in October 1868 and in November 1868 opened the partnership of Notman and Fraser in Toronto. In Toronto, Fraser employed young painters such as
1097: 407: 498:(1866), which showed that he was already an accomplished artist. It has a dramatic sky and lighting, and meticulous detail in the foreground. Two of his oils from 1873, 271:
to provide high-quality artistic work. In 1876 Notman and Edward Wilson formed the Centennial Photographic Company, which obtained a monopoly on photography at the 1876
237: 974: 352:, but the publishers rejected his submissions. Fraser publicly accused them in October 1880 of using the work of non-Canadian artists. He also attacked the 282:(OSA). On 25 June 1872 he arranged a meeting at his home with six other artists who decided to form the OSA. The founders were Fraser, J. W. Bridgman, 275:
in Philadelphia. Fraser was employed as art supervisor by the company, which had 100 employees working in a large building on the exhibition grounds.
437:. The critics were more interested in the work of younger Canadian figure painters, but the report on the exhibition by the librarian of the 1008: 937: 873: 462:. He mostly showed his British watercolours but included a few American subjects. He also exhibited in Boston and Canada, and in 1891 at the 400: 248: 419: 115:(9 January 1838 – 1 January 1898) was an English artist, photography entrepreneur and teacher. He undertook various paintings for the 1053: 434: 341: 111: 523: 511:
watercolours. His work was praised for its photographic realism, attention to detail and mastery of colour and light.
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on commission, but was not satisfied with his work. He engaged Fraser in 1860 as his main artist, with the young
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in 1878, and in September that year became general supervisor of paintings at the school. His pupils included
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Early in 1886 Van Horne gave Fraser a commission to paint three large watercolours from photographs of the
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in 1894–95. Some of his work was auctioned in Toronto in October 1897. Fraser died in
156:(Quebec) as pioneers in 1831. Fraser may have taken evening classes in drawing at the 1076: 539: 471: 447: 382: 194: 72: 264: 153: 29: 463: 566:
John Arthur Fraser (1887), "An artist's experiences in the Canadian Rockies",
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in 1880. In the summer he returned to the east coast to make sketches for the
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Lerner, Loren (2012), "William Notman's "Photographic Selections" (1863)",
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Klinkhoff, Alan; Klinkhoff, Craig; Potter-Bienvenu, Karen (28 March 2015),
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Relatively few of Fraser's paintings have survived. Some are held by the
145: 966: 1045: 373: 141: 979:(From the AGO catalogue), AGO: Art Gallery of Ontario, archived from 394: 376:, and after his return sold paintings from the trip to Van Horne and 137: 53: 1037: 1024:
Ruggles, Mervyn (Spring 1985), "Paintings on a Photographic Base",
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The work of Fraser and Sandham was included in Notman's first book
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painting of a pond with children in the foreground was entitled
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Summit Lake near Lenchoile, Bow River, Canadian Pacific Railway
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as his assistant. Fraser was paid a salary of $ 125 per month.
404:. Fraser and Sons and all its assets was sold by March 1886. 208:(1863), which also included work by Montreal artists such as 180:
Alice Starr Chipman Tilley (1868) watercolour over photograph
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From Telegrapher to Titan: The Life of William C. Van Horne
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around 1852, and later he was described as "a pupil of the
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John Arthur Fraser (1884), "A scamper in the Nor'-west",
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La Traversée de la glace de la Pointe de Lévy à Québec
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His parents were John Fraser of 28: 17: 1003:, Springer Science & Business Media, 450:, and in 1890 he began to exhibit at the 821: 804: 773: 741: 729: 674: 662: 650: 635: 581: 756: 686: 500:September afternoon, Eastern Townships 253:September Afternoon, Eastern Townships 148:. His father's parents had moved to 7: 845: 792: 717: 597: 401:Century Illustrated Monthly Magazine 340:Fraser was a charter member of the 14: 1052:Wallace, W. Stewart, ed. (1948), 999:, in Francess G. Halpenny (ed.), 926:Knowles, Valerie (1 March 2004), 1001:Dictionary of Canadian Biography 189:'s firm. Notman had been paying 955:Journal of Canadian Art History 868:, University of Toronto Press, 504:A shot in the dawn, Lake Scugog 92:Artist, businessman and teacher 435:Colonial and Indian Exhibition 393:Early in 1885 Fraser moved to 342:Royal Canadian Academy of Arts 1: 294:. The honorary president was 290:, Charles Stuart Millard and 524:Montreal Museum of Fine Arts 321:exhibited his work with the 152:in the Eastern Townships of 468:American Watercolor Society 452:Society of American Artists 366:William Cornelius Van Horne 323:American Watercolor Society 234:Art Association of Montreal 1114: 1058:The Encyclopedia of Canada 542:(London, Ontario) and the 516:National Gallery of Canada 460:National Academy of Design 280:Ontario Society of Artists 894:The Canadian Encyclopedia 536:Toronto Reference Library 506:resemble the work of the 27: 456:New York Watercolor Club 370:Canadian Pacific Railway 162:South Kensington Schools 117:Canadian Pacific Railway 559:Outing and the Wheelman 528:Art Gallery of Hamilton 520:Beaverbrook Art Gallery 304:Frederick Arthur Verner 269:Frederick Arthur Verner 218:Robert Stuart Duncanson 206:Photographic selections 132:Early years (1838–1860) 862:English, John (2011), 532:Art Gallery of Ontario 490: 426: 389:Last years (1885–1898) 317: 300:Lucius Richard O'Brien 296:William Holmes Howland 256: 181: 997:"FRASER, JOHN ARTHUR" 995:Reid, Dennis (1990), 973:Murray, Joan (1972), 530:(Hamilton, Ontario), 485: 439:Royal Academy of Arts 410: 335:Ernest Thompson Seton 327:Ontario School of Art 314:Coast Scene, Tide Out 312: 273:Centennial Exposition 251: 179: 158:Royal Academy Schools 1054:"John Arthur Fraser" 890:"John Arthur Fraser" 210:Otto Reinhold Jacobi 172:Montreal (1860–1869) 121:watercolor paintings 474:on 1 January 1898. 292:Thomas Mower Martin 244:Toronto (1868–1885) 226:Sunshine and Shower 166:Forest Hill, London 896:, Historica Canada 491: 427: 414:. (1886) Possibly 354:Picturesque Canada 350:George Monro Grant 348:project edited by 346:Picturesque Canada 318: 288:Marmaduke Matthews 257: 182: 99:John Arthur Fraser 22:John Arthur Fraser 1010:978-0-8020-3460-1 983:on 2 October 2013 939:978-1-4597-1460-1 875:978-1-4426-4478-6 665:, pp. 95–96. 331:George Agnew Reid 284:Robert Ford Gagen 146:Chartist movement 96: 95: 1105: 1068: 1067: 1065: 1048: 1020: 1019: 1017: 991: 990: 988: 969: 949: 948: 946: 922: 921: 919: 904: 903: 901: 885: 884: 882: 849: 843: 837: 831: 825: 819: 808: 802: 796: 790: 777: 771: 760: 754: 745: 739: 733: 727: 721: 715: 690: 684: 678: 672: 666: 660: 654: 648: 639: 633: 620: 614: 601: 595: 571: 562: 424:British Columbia 378:Richard B. Angus 114: 68: 49: 47: 32: 18: 1113: 1112: 1108: 1107: 1106: 1104: 1103: 1102: 1093:British artists 1073: 1072: 1071: 1063: 1061: 1051: 1038:10.2307/3179450 1023: 1015: 1013: 1011: 994: 986: 984: 972: 952: 944: 942: 940: 925: 917: 915: 907: 899: 897: 888: 880: 878: 876: 861: 857: 852: 844: 840: 832: 828: 820: 811: 803: 799: 791: 780: 772: 763: 755: 748: 740: 736: 728: 724: 716: 693: 685: 681: 673: 669: 661: 657: 649: 642: 634: 623: 615: 604: 596: 583: 579: 574: 568:Canadian Leaves 565: 556: 552: 522:(Fredericton), 480: 431:Rocky Mountains 420:Sherbrooke Lake 391: 246: 191:William Raphael 174: 134: 129: 110: 101:(also known as 76: 70: 66: 57: 51: 45: 43: 35: 23: 12: 11: 5: 1111: 1109: 1101: 1100: 1095: 1090: 1085: 1075: 1074: 1070: 1069: 1049: 1021: 1009: 992: 970: 950: 938: 923: 905: 886: 874: 858: 856: 853: 851: 850: 848:, p. 338. 838: 826: 824:, p. 183. 809: 807:, p. 349. 797: 795:, p. 337. 778: 776:, p. 389. 761: 746: 744:, p. 276. 734: 732:, p. 275. 722: 720:, p. 336. 691: 679: 667: 655: 640: 638:, p. 274. 621: 602: 600:, p. 335. 580: 578: 575: 573: 572: 563: 553: 551: 548: 544:Glenbow Museum 508:Pre-Raphaelite 479: 476: 390: 387: 286:, James Hoch, 261:Horatio Walker 245: 242: 187:William Notman 173: 170: 133: 130: 128: 125: 103:John A. Fraser 94: 93: 90: 86: 85: 82: 78: 77: 71: 69:(aged 59) 65:1 January 1898 63: 59: 58: 52: 50:9 January 1838 41: 37: 36: 34:Fraser c. 1875 33: 25: 24: 21: 13: 10: 9: 6: 4: 3: 2: 1110: 1099: 1096: 1094: 1091: 1089: 1086: 1084: 1081: 1080: 1078: 1059: 1055: 1050: 1047: 1043: 1039: 1035: 1032:(2): 92–103, 1031: 1027: 1022: 1012: 1006: 1002: 998: 993: 982: 978: 977: 971: 968: 964: 960: 956: 951: 941: 935: 931: 930: 924: 913: 912: 906: 895: 891: 887: 877: 871: 867: 866: 860: 859: 854: 847: 842: 839: 836:, p. 15. 835: 830: 827: 823: 818: 816: 814: 810: 806: 801: 798: 794: 789: 787: 785: 783: 779: 775: 770: 768: 766: 762: 758: 753: 751: 747: 743: 738: 735: 731: 726: 723: 719: 714: 712: 710: 708: 706: 704: 702: 700: 698: 696: 692: 689:, p. 35. 688: 683: 680: 677:, p. 96. 676: 671: 668: 664: 659: 656: 653:, p. 95. 652: 647: 645: 641: 637: 632: 630: 628: 626: 622: 618: 613: 611: 609: 607: 603: 599: 594: 592: 590: 588: 586: 582: 576: 569: 564: 560: 555: 554: 549: 547: 545: 541: 540:Museum London 537: 533: 529: 525: 521: 517: 512: 509: 505: 501: 497: 488: 484: 477: 475: 473: 472:New York City 469: 465: 461: 457: 453: 449: 448:New York City 443: 440: 436: 432: 425: 421: 417: 413: 409: 405: 403: 402: 396: 388: 386: 384: 383:Mount Stephen 379: 375: 371: 367: 363: 360: 355: 351: 347: 343: 338: 336: 332: 328: 324: 315: 311: 307: 305: 301: 297: 293: 289: 285: 281: 276: 274: 270: 266: 262: 254: 250: 243: 241: 239: 235: 229: 227: 223: 219: 215: 211: 207: 202: 198: 196: 195:Henry Sandham 192: 188: 178: 171: 169: 167: 163: 159: 155: 151: 147: 143: 139: 131: 126: 124: 122: 118: 113: 108: 104: 100: 91: 89:Occupation(s) 87: 83: 79: 74: 73:New York City 64: 60: 55: 42: 38: 31: 26: 19: 16: 1062:, retrieved 1057: 1029: 1025: 1014:, retrieved 1000: 985:, retrieved 981:the original 975: 961:(1): 16–45, 958: 954: 943:, retrieved 928: 916:, retrieved 910: 898:, retrieved 893: 879:, retrieved 864: 841: 829: 822:Knowles 2004 805:English 2011 800: 774:Wallace 1948 742:English 2011 737: 730:English 2011 725: 682: 675:Ruggles 1985 670: 663:Ruggles 1985 658: 651:Ruggles 1985 636:English 2011 567: 558: 550:Publications 513: 503: 499: 495: 492: 486: 444: 428: 411: 399: 392: 364: 353: 345: 339: 319: 313: 277: 265:Homer Watson 258: 252: 230: 225: 205: 203: 199: 183: 154:Lower Canada 135: 107:J. A. Fraser 106: 102: 98: 97: 67:(1898-01-01) 15: 1088:1898 deaths 1083:1838 births 932:, Dundurn, 757:Murray 1972 687:Lerner 2012 546:(Calgary). 464:Paris Salon 220:. Fraser's 81:Nationality 1077:Categories 561:(5): 83–90 416:Paget Peak 46:1838-01-09 846:Reid 1990 793:Reid 1990 718:Reid 1990 598:Reid 1990 570:: 233–246 359:Wisconsin 214:C. J. Way 150:Stanstead 56:, England 967:42616579 458:and the 1064:13 June 1046:3179450 1016:15 June 987:14 June 945:15 June 918:15 June 900:13 June 881:15 June 855:Sources 374:Calgary 368:of the 142:Portsoy 84:English 1044:  1007:  965:  936:  872:  489:(1866) 454:, the 395:Boston 316:(1877) 255:(1873) 138:London 54:London 1042:JSTOR 963:JSTOR 577:Notes 222:genre 75:, USA 1066:2018 1018:2018 1005:ISBN 989:2018 947:2018 934:ISBN 920:2018 902:2018 883:2018 870:ISBN 502:and 478:Work 418:and 333:and 302:and 267:and 216:and 127:Life 105:and 62:Died 40:Born 1034:doi 422:in 112:RCA 1079:: 1056:, 1040:, 1030:24 1028:, 959:33 957:, 892:, 812:^ 781:^ 764:^ 749:^ 694:^ 643:^ 624:^ 605:^ 584:^ 538:, 534:, 526:, 337:. 263:, 240:. 212:, 123:. 109:) 1036:: 759:. 619:. 48:) 44:(

Index


London
New York City
RCA
Canadian Pacific Railway
watercolor paintings
London
Portsoy
Chartist movement
Stanstead
Lower Canada
Royal Academy Schools
South Kensington Schools
Forest Hill, London

William Notman
William Raphael
Henry Sandham
Otto Reinhold Jacobi
C. J. Way
Robert Stuart Duncanson
genre
Art Association of Montreal
American Society of Painters in Water Colors

Horatio Walker
Homer Watson
Frederick Arthur Verner
Centennial Exposition
Ontario Society of Artists

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