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John Ardoin

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who "knocked me for a loop. From then on, I was searching for that same sort of incandescence in others... Mödl was electricity – from her toes to the top of her head. Never once a second out of character. I mean, the concentration was so fierce".
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it wasn't until I was about 16 or 17 I saw my first opera – the old Charles Wagner Company, which used to barnstorm around towns, with
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He was given an honorary doctorate from the University of North Texas for his work in criticism in 1987, and, after retiring from the
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Upon returning to the US, he went to New York in the late 1950s and, for seven years, wrote about music. He was editor of
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An overview of the conductor's career and his place in the mainstream of the German school of conducting.
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after her 1958 appearances there. He became friendly with Callas during the 1960s and his 1977 book,
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for thirty-two years, he was particularly known for his friendship with the opera
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A detailed analysis of every recording made by Maria Callas from 1949 to 1977.
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magazine, managing editor of the program books for Philharmonic Hall (now
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The Callas Legacy: The Complete Guide to Her Recordings on Compact Disc
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However, in the same interview, he recounts a visit to the opera in
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is an overview of her recordings, now in its 4th edition.
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University of Texas at Austin College of Fine Arts alumni
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Index

The Dallas Morning News
soprano
Maria Callas
Alexandria, Louisiana
Met broadcasts
The Voice of Firestone
The Bell Telephone Hour
Beverly Sills
La bohème
La traviata
John Alexander
New Orleans
Risë Stevens
University of North Texas
Denton
University of Texas
Austin
University of Oklahoma
Norman
Michigan State University
East Lansing, Michigan
Stuttgart
Ring cycle
Tristan und Isolde
Martha Mödl
Musical America
Avery Fisher Hall
Lincoln Center
Saturday Review of Literature
The Times

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