260:, claiming ownership of the recording and simultaneously distributing the album (with different cover artwork as illustrated, but essentially identical content) for several months in 1970. Reprise, with whom Sebastian signed as a solo artist in 1969, ultimately sued MGM, Sebastian's former distributor, for copyright infringement to settle the dispute, with the MGM release of the album subsequently withdrawn from the market.
583:... the important thing was losing that year and a half. Because music, especially our popular music, changes so fast that the shelf life on a style can be six months, and I was very aware of that. It was one of the first of the sort of singer-songwriter … but you couldn't realize it by the time the album came out, 'cause so many other guys with the same approach by then had gotten out there.
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is consistently misspelled as "Brooke" on the MGM cover). Warner/Reprise would quickly sue MGM for copyright infringement over their issuing a recording they no longer had contractual rights to; MGM claimed in response that the Lovin' Spoonful's owing them an album, plus the marketing support they gave to the Kama Sutra single release of "She's a Lady," gave them the right to release
518:... I went to Woodstock as a member of the audience. I did not show up there with a road manager and a couple of guitars. I showed up with a change of clothes and a toothbrush. It just so happened that because most of my friends were musicians I ended up backstage. the stage had filled up with water and it was impossible to put electric instruments onstage. At that time
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new Lovin' Spoonful album featuring
Sebastian would be more marketable than a John Sebastian solo album. Having left the Spoonful a year before, Sebastian felt no obligation to cover their contractual commitments, and declined, telling MGM that rebranding his album as a group effort would be "incredibly dishonest" to potential record buyers.
307:, the Lovin' Spoonful enjoyed considerable success during 1965–67, scoring consecutive "top 10" chart hits with its first eight singles. By late 1967, however, the band's popularity had begun to wane, and in early 1968 Sebastian decided to leave the Spoonful to pursue a solo career. He quickly began writing the songs that would comprise
219:. The album, released in January 1970, includes several songs that would become staples of Sebastian's live performances during the early and mid-1970s. Most notably, the album included "She's a Lady", Sebastian's first solo single (released in December 1968), and an alternate version of "I Had a Dream" which was used to open
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wrote "Sebastian is as on for this solo debut as he ever was for the Lovin' Spoonful, and when he's on, the hummability quotient of his songs is dizzying – a good half of these imprint themselves upon impact. But just like
Spoonful albums used to, this drags in the second half, and I feel vaguely let
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MGM was asking me for more Lovin' Spoonful albums, claiming that I owed them … At that point, Bob
Cavallo went to Mo Ostin. They had a very good relationship, and it was Mo's feeling that MGM was asking me for something that wasn't theirs to ask. He said, "Look, I'll buy this contract out." That was
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shortly after
Reprise did (catalog no. SE-4654, the same number issued to the album by MGM in early 1969). MGM's version used the album's originally commissioned cover art, and contained similar liner notes to the Reprise version (with some inaccuracies; in particular, bassist Harvey Brooks's name
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on the MGM label (catalog no. SE-4654). They also made an unexpected request, asking
Sebastian to rebrand his album as a Lovin’ Spoonful record. MGM's rationale for the request was twofold: they claimed that the now-defunct Spoonful still owed the label an album under their contract, and thought a
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was completed during the autumn of 1968. By
December, Kama Sutra and MGM began planning the album's release, assigning it a catalog number (Kama Sutra no. KLP/KLPS 8069) and commissioning album cover artwork. The album's first single, "She's a Lady" b/w "The Room Nobody Lives In," was also issued
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s release: the disbanding of the Lovin' Spoonful, and Kama Sutra
Records' terminating its distribution agreement with MGM Records. Neither event was completely unexpected. The Lovin' Spoonful had struggled to maintain a presence on the pop charts after Sebastian left the band, and broke up after
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after leaving the Lovin' Spoonful, noting that "The songs continued
Sebastian's trend toward a more personal writing style, many of them containing images of travel that corresponded to his peripatetic lifestyle... the album was an eclectic but low-key introduction to the solo career of a former
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under
Sebastian's name as originally planned, but their behavior disturbed Sebastian and Cavallo, particularly since Sebastian was contracted not to MGM, but to Kama Sutra. As Kama Sutra had suspended operations upon ending their MGM distribution arrangement (temporarily; the label would be
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In selecting musicians to work with on the album, Sebastian likewise looked to friends from his pre-Lovin' Spoonful days as a New York City session man; he would later be quoted as saying "I wanted this opportunity to play with the same guys I'd been playing with when we were all broke ...
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All songs written by John
Sebastian, who also provides lead vocals (except on "Fa-Fana-Fa," which is an instrumental) and accompanies himself on guitar, piano and/or harmonium. Musician credits are as per the liner notes to both Reprise's and MGM's releases of the album.
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in January 1970 (catalog no. RS 6379), over a year after the album was recorded, and about a year after its originally scheduled release on the Kama Sutra label. The album would be Sebastian's most successful release as a solo artist, reaching No. 20 on the
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and making arrangements for recording sessions. Ten new songs were ultimately included in the album, as well as a solo acoustic version of "You're a Big Boy Now," which Sebastian originally wrote and performed with the Lovin' Spoonful in 1966 in support of
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that called "She's a Lady" the first of "an incredible new series of songs now being written by one of the most creative composers of contemporary rock." The single performed disappointingly despite the advertising campaign, peaking at No. 84 on the
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despite the artist's no longer being associated with them. The lawsuit was adjudicated in Warner/Reprise's favor in late 1970, but not before MGM released a second, unauthorized album taken from a July 1970 John Sebastian concert performance,
363:, most of the album's recording sessions would be convened at that label's Los Angeles studios. The album was the first of three Sebastian solo projects Rothchild would produce; Holzman is acknowledged with a "special thanks" credit in
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would be issued following the album's eventual release in 1970, these songs were not among them, and no further singles from the album – nor any further John Sebastian material of any kind – would be issued on the Kama Sutra label.
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Sheet music copyright listings for the songs "I Had a Dream" and "Baby, Don't Ya Get Crazy" suggest that those songs may have been considered for release as a second single from the album. However, while additional singles from
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and go on … it was not anything I had planned for. It was just one of those nice accidents and it resulted in my career then taking another step forward. Now, I was the Summer Concert Guy. I played every summer concert there
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said to me "Look, we need somebody who can go out there with an acoustic guitar and hold while we go out and sweep the water off the stage and let it dry up and you're elected." So, I had to run and borrow a guitar from
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subsidiary, and quickly reached agreement on a five-album commitment. As part of the deal, Ostin purchased Sebastian's Kama Sutra contract, ultimately receiving (after delays in delivery from MGM) the master tapes to
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re-established as a Buddah Records subsidiary in late 1969), Sebastian and Cavallo began considering options for a new contract with another label. They contacted
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has never been reissued, but its release would inspire Sebastian, Paul Rothchild and Paul Harris to record a live album as Sebastian's second Reprise project (
456:, failed to chart. Kama Sutra's relationship with MGM began deteriorating in mid-1967, when Kama Sutra's owners founded a new label not affiliated with MGM,
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would be one of Rothchild's first projects as an independent producer, but as both Rothchild and Sebastian maintained good relationships with Elektra founder
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would begin a three-year working relationship between Harris and Sebastian. Other notable musicians of the period, including David Crosby, Graham Nash,
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album chart. Despite the album's success, however, Sebastian would for years harbor frustration that the album did not reach the marketplace sooner:
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in December 1968 (Kama Sutra catalog no. KA-254). The single's release was accompanied by photo advertisements in the music industry trade papers
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Following the above events, MGM Records contacted Sebastian and his manager, Bob Cavallo, to advise them that they now planned to release
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Sebastian, Stephen Stills, David Crosby, Ray Neopolitan. Strings and wind instruments by Mr. & Mrs. Stanley Beutens and friends.
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music genre, with new artists that might previously have been contracted to Kama Sutra/MGM now being routed to Buddah instead.
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John Sebastian co-founded the Lovin’ Spoonful in early 1965, following brief (and sometimes simultaneous) tenures with
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in August 1969. Sebastian would later discuss the circumstances leading to his set at Woodstock in a 1996 interview:
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group member whose band was known for more elaborate productions, and all the more effective for that." Music critic
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1372:, Big 3 Publishing, catalog no. B3-649, issued 1970. This music folio is packaged using the MGM cover art for
331:. Rothchild, previously a longtime Elektra staff producer, had by mid-1968 become well known from his work on
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for release, Sebastian's solo career received an unanticipated boost through his impromptu appearance at the
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Follow the Music – The Life and High Times of Elektra Records in the Great Years of American Pop Culture,
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Follow the Music – The Life and High Times of Elektra Records in the Great Years of American Pop Culture,
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Follow the Music – The Life and High Times of Elektra Records in the Great Years of American Pop Culture,
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A further cause of frustration – and potential public confusion – was MGM's releasing its own version of
320:, and which also appears in the latter film's soundtrack album (Kama Sutra catalog no. KLP/KLPS 8058).
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Sebastian, the Ikettes, Bruce Langhorne, Reinol Andino, Stills, Taylor, Brooks, Harris, Weis.
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Sebastian, Gayle Levant, Taylor, Harris, Neopolitan. Orchestral arrangement by Paul Harris.
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would be the artist's most successful solo album, ultimately peaking at No. 20 on the U.S.
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Sebastian, Graham Nash, Buddy Emmons, Taylor, Harris. Horns by Burt Collins and friends.
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including photographs taken during Sebastian's Woodstock set, and Reprise's sister label
460:. The Buddah label developed a strong identity in 1968 through its association with the
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Sebastian, Linhart, Taylor, Brooks, Harris, with Jose Cuervo and Yesterday's Horns.
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The album's release was marred by legal controversy, with two record companies,
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As referenced on Knowledge's page regarding the band, and in the lyrics to
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were pulled from the marketplace upon settlement of Warner/Reprise's suit;
603:(MGM catalog no. SE-4720, released September 1970). Both MGM's version of
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Mr. and Mrs. Stanley Beutens and Friends – flute, lute, viola, recorder
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As can be verified via footage of Sebastian's performance included in
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Elektra Album Discography, Part 2: EKL-100/EKS-7100 Series (1956–1967)
440:
Two events took place in early 1969 that together would work to delay
452:(Kama Sutra catalog no. KLP/KLPS 8073), fronted by drummer/vocalist
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Reprise Album Discography, Part 5: F/FS-2001 to MS-2199 (1961–1974)
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Reprise Album Discography, Part 3: R/RS-6200 to RS-6399 (1966–1970)
38:
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Sebastian, Dallas Taylor, Harvey Brooks, Paul Harris, Danny Weis.
386:." In particular, Harris' work as a keyboardist and arranger on
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MGM Album Discography, Part 10: SE-4601 to SE-4800 (1969–1972)
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John Sebastian – vocals, guitar, harmonica, piano, percussion
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Cheapo-Cheapo Productions Presents Real Live John Sebastian
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several months before that trio agreed to work together as
548:, "I Had a Dream" and "Rainbows All Over Your Blues", in
1222:(55). Straight Arrow Publishers, Inc.: 14 April 2, 1970.
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Reprise would subsequently commission new cover art for
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Kama Sutra Records advertisement for "She's a Lady" in
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Christgau's Record Guide: Rock Albums of the Seventies
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would include two songs from the set also featured in
619:, Reprise catalog no. MS 2036, released March 1971).
1449:
Interview with John Sebastian of the Lovin' Spoonful
1347:
Liner Notes for John Sebastian's "John B. Sebastian"
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was an old friend from his days at Elektra Records,
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207:is the debut album by American singer-songwriter
436:1969: Release delays, label change and Woodstock
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1083:Doug Bartenfeld – Audio arrangement consultant
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833:Sebastian, Buzzy Linhart, Taylor, Neopolitan.
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279:1968: Going solo, recording and first single
566:1970: Release and "bootlegging" controversy
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1711:Reissue liner notes by Richie Unterberger.
1676:MusicHound Rock: The Essential Album Guide
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497:in return. Sebastian would later state:
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475:MGM agreed to go forward with releasing
295:. He played on the label's 1964 sampler
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1193:Crosby, Stills and Nash – The Biography
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18:1970 studio album by John Sebastian
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980:– pedal steel guitar, Moog synthesizer
859:Sebastian, Emmons, Taylor, Neopolitan.
852:"Rainbows All Over Your Blues" – 2:27
303:. Signed to the MGM-distributed label
233:also featured support performances by
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1191:Zimmer, Dave and Henry Diltz (1984),
1182:magazine, December 14, 1968, edition.
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7:
1880:Albums produced by Paul A. Rothchild
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1152:Holzman, Jac and Gavan Daws (2000).
556:'s documentary film of the festival
1389:The Kama Sutra/Buddah Records Story
1671:"Lovin' Spoonful / John Sebastian"
1453:. ClassicBands.com. Archived from
898:"The Room Nobody Lives In" – 3:13
885:"Baby, Don't Ya Get Crazy" – 3:00
879:Sebastian, Taylor, Brooks, Harris.
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1623:– via robertchristgau.com.
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291:, and as a session musician for
1890:Collectors' Choice Music albums
1216:"WB Sues MGM for Bootlegging".
813:"What She Thinks About" – 3:04
347:the Paul Butterfield Blues Band
839:"You're a Big Boy Now" – 2:49
765:was reissued on CD in 2006 by
323:Sebastian's choice to produce
1:
1640:Encyclopedia of Popular Music
1534:. Both Sides Now Publications
1508:. Both Sides Now Publications
1477:Woodstock: The Director’s Cut
1422:. Both Sides Now Publications
1393:. Both Sides Now Publications
1314:. Both Sides Now Publications
1310:Kama Sutra Album Discography,
1283:. Both Sides Now Publications
1262:Holzman, Jac and Gavan Daws.
1232:Holzman, Jac and Gavan Daws.
1080:Catherine Sebastian – artwork
696:Encyclopedia of Popular Music
223:of the 1970 documentary film
1059:Edison Youngblood – engineer
826:"Magical Connection" – 2:49
1370:John B. Sebastian Anthology
872:"How Have You Been" – 4:12
1911:
1056:Douglas Botnick – engineer
570:Reprise ultimately issued
450:Revelation: Revolution '69
787:"Red-Eye Express" – 2:57
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28:
1674:. In Graff, Gary (ed.).
1594:"Consumer Guide '70s: S"
956:– guitar, harmony vocals
950:– guitar, harmony vocals
767:Collectors' Choice Music
684:Christgau's Record Guide
1668:Rucker, Leland (1996).
1645:Oxford University Press
1351:. RichieUnterberger.com
1247:the Mamas and the Papas
924:"I Had a Dream" – 2:46
285:the Even Dozen Jug Band
1885:Reprise Records albums
905:Sebastian, Neopolitan.
800:"She's a Lady" – 1:45
623:Reception and reissues
585:
550:their soundtrack album
530:
504:
335:' first three albums,
299:, which also featured
1895:John Sebastian albums
1678:. Detroit, Michigan:
1345:"Unterberger, Richie
1101:– reissue liner notes
992:Reinol Andino – conga
989:Ray Neopolitan – bass
502:really what happened.
318:film of the same name
1853:Welcome Back, Kotter
1682:. pp. 422–423.
1604:Ticknor & Fields
911:"Fa-Fana-Fa" – 2:48
628:Professional ratings
486:Warner Bros. Records
314:Francis Ford Coppola
221:the soundtrack album
1847:The Lovin' Spoonful
1837:Even Dozen Jug Band
1770:John Sebastian Live
1019:Gayle Levant – harp
1010:– background vocals
1001:Burt Collins – horn
629:
613:John Sebastian Live
609:John Sebastian Live
600:John Sebastian Live
506:As Reprise readied
217:the Lovin' Spoonful
152:John Sebastian Live
1556:Ruhlman, William.
1099:Richie Unterberger
1004:Jose Cuervo – horn
986:– organ, keyboards
627:
512:Woodstock Festival
349:'s landmark album
305:Kama Sutra Records
270:pop albums chart.
1875:1970 debut albums
1862:
1861:
1762:John B. Sebastian
1680:Visible Ink Press
1590:Christgau, Robert
1560:John B. Sebastian
1481:Warner Home Video
1374:John B. Sebastian
1201:978-0-306-80974-3
1195:, Da Capo Press,
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1136:
1040:Paul A. Rothchild
763:John B. Sebastian
751:John B. Sebastian
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605:John B. Sebastian
594:John B. Sebastian
589:John B. Sebastian
572:John B. Sebastian
546:John B. Sebastian
534:John B. Sebastian
508:John B. Sebastian
495:John B. Sebastian
477:John B. Sebastian
469:John B. Sebastian
448:their last album
442:John B. Sebastian
429:John B. Sebastian
403:John B. Sebastian
388:John B. Sebastian
365:John B. Sebastian
357:John B. Sebastian
329:Paul A. Rothchild
325:John B. Sebastian
309:John B. Sebastian
297:The Blues Project
262:John B. Sebastian
247:a performing unit
231:John B. Sebastian
204:John B. Sebastian
200:
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160:
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143:John B. Sebastian
121:Paul A. Rothchild
54:January 1970
24:John B. Sebastian
1902:
1830:Related articles
1813:Well, Well, Well
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1694:Internet Archive
1692:– via the
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1457:on April 6, 2015
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756:Robert Christgau
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370:s liner notes.
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293:Elektra Records
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1705:External links
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1654:978-0195313734
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948:Stephen Stills
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458:Buddah Records
437:
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401:Recording for
280:
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239:Stephen Stills
209:John Sebastian
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1251:Creeque Alley
1249:' 1967 song "
1248:
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1219:Rolling Stone
1212:
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1163:
1162:0-9661221-1-9
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1097:
1095:– photography
1094:
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1079:
1077:– photography
1076:
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1051:Bruce Botnick
1049:
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1023:Buzzy Linhart
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996:Harvey Brooks
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966:Dallas Taylor
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773:Track listing
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633:Review scores
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462:bubblegum pop
459:
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399:
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396:Buzzy Linhart
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380:Harvey Brooks
377:
376:Dallas Taylor
371:
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16:
1851:
1842:The Mugwumps
1820:Welcome Back
1792:
1786:Welcome Back
1784:
1776:
1768:
1761:
1760:
1675:
1663:
1639:
1629:
1617:. Retrieved
1597:
1569:. Retrieved
1562:> Review"
1559:
1536:. Retrieved
1529:
1522:
1512:December 22,
1510:. Retrieved
1503:
1496:
1476:
1471:
1461:December 19,
1459:. Retrieved
1455:the original
1448:
1426:December 17,
1424:. Retrieved
1417:
1395:. Retrieved
1388:
1387:"Hyde, Bob,
1381:
1373:
1369:
1365:
1355:December 19,
1353:. Retrieved
1346:
1316:. Retrieved
1309:
1285:. Retrieved
1278:
1271:
1263:
1258:
1241:
1233:
1228:
1217:
1192:
1187:
1179:
1156:FirstMedia,
1153:
1148:
1127:
1093:Jim Marshall
1038:Produced by
1025:– vibraphone
1016:– tambourine
978:Buddy Emmons
954:David Crosby
928:
927:
915:
914:
902:
901:
889:
888:
876:
875:
856:
855:
843:
842:
830:
829:
817:
816:
804:
803:
791:
790:
776:
762:
761:
750:
745:Writing for
744:
732:
694:
682:
616:
612:
608:
604:
598:
593:
588:
586:
582:
576:
571:
569:
557:
545:
533:
531:
525:Timmy Hardin
517:
507:
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500:
494:
476:
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468:
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449:
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420:
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372:
364:
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324:
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308:
296:
289:the Mugwumps
282:
265:
261:
251:
235:David Crosby
230:
224:
203:
202:
201:
150:
142:
141:
39:Studio album
15:
1778:Tarzana Kid
1397:February 7,
1130:Pop Albums
1087:Ed Thrasher
1075:Henry Diltz
1071:– mastering
1008:The Ikettes
984:Paul Harris
960:Graham Nash
384:Paul Harris
361:Jac Holzman
243:Graham Nash
1869:Categories
1613:089919026X
1140:References
1069:Bob Ludwig
1065:– engineer
1053:– engineer
1047:– engineer
1045:John Haeny
972:Danny Weis
929:Musicians:
916:Musicians:
903:Musicians:
890:Musicians:
877:Musicians:
857:Musicians:
846:Sebastian.
844:Musicians:
831:Musicians:
818:Musicians:
805:Musicians:
792:Musicians:
520:Chip Monck
454:Joe Butler
392:Danny Weis
130:chronology
1794:Satisfied
1619:March 12,
1538:March 24,
1318:March 24,
1287:March 24,
1180:Billboard
1128:Billboard
1119:Position
939:Personnel
577:Billboard
559:Woodstock
538:Cotillion
421:Billboard
409:Billboard
352:East-West
333:the Doors
301:Bob Dylan
267:Billboard
226:Woodstock
213:folk-rock
69:Late 1968
1637:(2007).
1592:(1981).
1566:Allmusic
1203:, p. 79.
974:– guitar
747:AllMusic
647:AllMusic
562:(1970).
482:Mo Ostin
116:Producer
66:Recorded
51:Released
41: by
1805:Singles
1571:July 9,
968:– drums
759:down."
423:chart.
415:Cashbox
342:Da Capo
274:History
254:Reprise
187:release
156:(1970)
147:(1970)
109:Reprise
58:1970-01
56: (
1797:(2007)
1789:(1976)
1781:(1974)
1773:(1970)
1765:(1970)
1754:Albums
1686:
1651:
1610:
1487:
1266:p. 79.
1236:p. 73.
1199:
1160:
1116:Chart
1106:Charts
998:– bass
867:Side 2
782:Side 1
641:Rating
638:Source
345:, and
87:Length
82:, rock
1124:1970
1113:Year
445:'
368:'
215:band
104:Label
75:Genre
1684:ISBN
1649:ISBN
1621:2019
1608:ISBN
1573:2011
1540:2013
1514:2012
1485:ISBN
1463:2012
1428:2012
1399:2010
1357:2012
1320:2013
1289:2013
1197:ISBN
1158:ISBN
607:and
528:was.
412:and
394:and
337:Love
256:and
241:and
229:.
80:Folk
1133:20
739:4/5
552:of
355:.
339:'s
316:'s
258:MGM
185:MGM
1871::
1647:.
1606:.
1602:.
1596:.
1581:^
1564:.
1548:^
1483:,
1479:,
1436:^
1407:^
1328:^
1297:^
1253:."
1208:^
1169:^
769:.
488:'
382:,
287:,
249:.
237:,
96:50
92:31
1822:"
1818:"
1815:"
1811:"
1739:e
1732:t
1725:v
1696:.
1657:.
1575:.
1558:"
1542:.
1532:"
1528:"
1516:.
1506:"
1502:"
1465:.
1451:"
1430:.
1420:"
1416:"
1401:.
1391:"
1376:.
1359:.
1349:"
1322:.
1312:"
1308:"
1291:.
1281:"
1277:"
689:B
540:/
94::
60:)
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