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Jaś Elsner

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360:) to the more recent collecting and display of art as well as its modern historiography and receptions. Since the art of antiquity has such a privileged, indeed canonical, position in our culture, the study of its receptions is an exploration of more recent history's varied, competing and often ideologically charged understandings of its own past." 355:
Elsner describes his work as follows: "My main interest is the art of the Roman empire, broadly conceived to include late antiquity and the early middle ages including Byzantium as well as the pre-Christian Classical world. I began my researches by looking at the way art was viewed in antiquity – and
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of art history, and is a prolific writer on these and other topics. Elsner has been described as "one of the most well-known figures in the field of ancient art history, respected for his notable erudition, extensive range of interests and expertise, his continuing productivity, and above all, for
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this has led to an interest in all kinds of reception from ritual and pilgrimage in the case of religious art to the literary description of art (including the rhetorical technique known as
352:, "to understand the creation of religious iconographies and their relationships with state formation from the Mediterranean World to South Asia and the Borders of China, c. 200–800 AD". 966: 931: 322: 936: 550:, London (Reaktion Books), Cambridge Mass. (Harvard University Press) and Melbourne (Melbourne University Press), 1994. Japanese: Tokyo (Kenkyusha), 1998 976: 971: 941: 795: 344:, and on the editorial boards of a number of journals. He is the project leader of "Empires of Faith", a five-year research project by the 956: 265:, a colleague at Chicago, as "the predominant contemporary scholar of the relationship between classical art and ancient subjectivity". 865: 858: 502: 562: 537: 520: 454: 412: 289:
completed in 1991. His doctoral thesis was titled "Art and the Roman viewer: the transformation of art from Augustus to Justinian".
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John Richard Elsner was born on 19 December 1962 in London, England. He studied Classics and art history at the universities of
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He is director of the Corpus Christi College Centre for the Study of Greek and Roman Antiquity, joint editor of the series of
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Philostratus Visualises the Tragic: Some Ekphrastic and Pictorial Receptions of Greek Tragedy in the Roman Era
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Images and Texts on the Artemidorus Papyrus: Working Papers on P. Artemid. (St John's College Oxford, 2008)
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Reflections on the 'Greek Revolution': From Changes in Viewing to the Transformation of Subjectivity
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Seeing the Face, Seeing the Soul: Polemon’s Physiognomy from Classical Antiquity to Medieval Islam
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From Empirical Evidence to the Big Picture: Some Reflections on Riegl’s Concept of Kunstwollen
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Piety and Passion: Contest and Consensus in the Audiences for Early Christian Pilgrimage
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Art and the Roman Viewer: The Transformation of Art from the Pagan World to Christianity
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Pilgrimage Past and Present: Sacred Travel and Sacred Space in the World Religions
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Art and the Roman viewer: the transformation of art from Augustus to Justinian
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Imperial Rome and Christian Triumph: The Art of the Roman Empire A.D. 100–450
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Corpus Christi College Centre for the Study of Greek and Roman Antiquity
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Pilgrimage in Greco-Roman and Early Christian Antiquity: Seeing the Gods
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Pilgrimage in Greco-Roman and Early Christian Antiquity: Seeing the Gods
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Viewing Ariadne: From Ekphrasis to Wall Painting in the Roman World
333:. Since 2014, he has been Professor of Late Antique Art at Oxford. 493:. Cambridge: Cambridge University Press 2007 (Festschrift for 305:
in London, where he was lecturer and then reader. He moved to
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Sacrifice and Narrative in the Arch of the Argentarii in Rome
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in: Art History 25 (2002) pp. 358–379, pp. 419–420
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Classical Pasts: The Classical Traditions of Greece and Rome
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Elsner's doctorate was followed by a research fellowship at
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The Rhetoric of Buildings in the De Aedificiis of Procopius
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Senior Research Fellow in Classical Archaeology and Art at
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The Birth of Late Antiquity: Riegl and Strzygowski in 1901
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Reflections of Nero. Culture, history and representation
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Roman Eyes: Visuality and Subjectivity in Art and Text
167: 141: 127: 122: 94: 89: 74: 48: 34: 614:, in Classical Philology 102 (2007) pp. 20–44 325:in Paris, the Institute for the Humanities at the 632:The Cambridge Companion to the Age of Constantine 244:(since 2003). He is mainly known for his work on 317:. He has had visiting teaching positions at the 424:, Cambridge, New York and Melbourne (CUP), 1995 967:Classical scholars of the University of Oxford 368:Jaś Elsner is married, and has four children. 649:Rethinking Revolutions Through Ancient Greece 624:, Princeton (Princeton U.P), 2006, S. 270–297 407:, Oxford: Oxford History of Art (OUP), 1998, 8: 782:. Oxford University Press. 1 December 2017. 323:École des Hautes Études en Sciences Sociales 679:, in: J. Elsner and Ian Rutherford (eds.), 667:, Oxford (Blackwell) 2005, pp. 300–318 634:, Cambridge (CUP), 2006, pp. 255–77, 515:, Oxford (Oxford University Press), 2005, 31: 932:Fellows of Corpus Christi College, Oxford 768: 766: 735: 733: 731: 729: 727: 725: 384:for the humanities and social sciences. 699: 598:, Cambridge (CUP), 2007, pp. 33–57 340:"Greek Culture in the Roman World" for 872:(quoted), both accessed 10 March 2013 608:, Oxford (OUP) 2007, pp. 309–337 588:, Oxford (OUP) 2007, pp. 203–224 261:the originality of his mind", and by 216:(born 19 December 1962) is a British 7: 788:10.1093/ww/9780199540884.013.U275838 760:, page at Princeton University Press 937:Fellows of Jesus College, Cambridge 774:"Elsner, Prof. John Richard, (Jaś)" 376:In July 2017, Elsner was elected a 25: 828:(Ph.D). The British Library Board 743:. Corpus Christi College, Oxford. 663:, in: Stephen J. Harrison (ed.), 651:, Cambridge, 2006, pp. 68–95 401:, Princeton (Princeton U.P), 2007 710:. Corpus Christi College, Oxford 665:A Companion to Latin Literature 977:Fellows of the British Academy 972:University of Michigan faculty 576:Critical Terms for Art History 315:Corpus Christi College, Oxford 238:Corpus Christi College, Oxford 185:Corpus Christi College, Oxford 80:Corpus Christi College, Oxford 1: 942:University of Chicago faculty 912:Page at University of Chicago 818:Elsner, John Richard (1990). 530:Art and text in Roman culture 378:Fellow of the British Academy 459:with C. Kraus, Helen Foley, 380:(FBA), the United Kingdom's 758:, "Additional endorsements" 582:Physiognomics: Art and Text 993: 957:British classical scholars 863:BM Project curator vacancy 620:, in: James Porter (ed.), 548:The Cultures of Collecting 342:Cambridge University Press 303:Courtauld Institute of Art 175:Courtauld Institute of Art 643:, in: Simon Goldhill and 630:, in: Noel Lensky (ed.): 596:Art and Text in Byzantium 584:, in: Simon Swain (ed.), 287:King's College, Cambridge 193: 85: 532:, Cambridge: CUP, 1996, 309:in 1999 as Humfry Payne 299:Jesus College, Cambridge 269:Early life and education 826:E-Thesis Online Service 708:"President and Fellows" 618:Classicism in Roman Art 104:University of Cambridge 927:British art historians 868:6 October 2012 at the 861:, British Museum; and 606:Visualizing the Tragic 594:, in: E. James (ed.), 465:Visualizing the Tragic 427:(with Simon Coleman): 327:University of Michigan 319:British School at Rome 311:Senior Research Fellow 285:, with a doctorate at 952:Academics from London 546:with Roger Cardinal: 511:with Ian Rutherford: 388:Selected publications 301:. He then joined the 242:University of Chicago 27:British art historian 553:with Jamie Masters: 350:University of Oxford 331:Princeton University 230:University of Oxford 180:University of Oxford 114:University of London 628:Perspectives in Art 487:Stephen J. Harrison 480:Classical Philology 467:, Oxford (OUP) 2007 90:Academic background 53:John Richard Elsner 859:"Empires of Faith" 485:with Simon Swain, 109:Harvard University 78:Vice-President of 797:978-0-19-954088-4 569:Selected articles 307:Oxford University 256:, as well as the 197: 196: 16:(Redirected from 984: 899: 898: 896: 894: 879: 873: 856: 850: 844: 838: 837: 835: 833: 815: 809: 808: 806: 804: 770: 761: 751: 745: 744: 737: 720: 719: 717: 715: 704: 382:national academy 215: 66: 63:19 December 1962 62: 60: 43: 32: 21: 992: 991: 987: 986: 985: 983: 982: 981: 917: 916: 908: 903: 902: 892: 890: 887:British Academy 881: 880: 876: 870:Wayback Machine 857: 853: 845: 841: 831: 829: 817: 816: 812: 802: 800: 798: 772: 771: 764: 752: 748: 739: 738: 723: 713: 711: 706: 705: 701: 696: 571: 557:. London 1994, 491:Severan Culture 438: 395: 390: 374: 366: 295: 293:Academic career 271: 211: 189: 163: 118: 70: 69:London, England 67: 64: 58: 56: 55: 54: 44: 39: 37: 28: 23: 22: 15: 12: 11: 5: 990: 988: 980: 979: 974: 969: 964: 959: 954: 949: 944: 939: 934: 929: 919: 918: 915: 914: 907: 906:External links 904: 901: 900: 874: 851: 839: 810: 796: 779:Who's Who 2018 762: 746: 721: 698: 697: 695: 692: 691: 690: 684: 674: 668: 658: 652: 638: 625: 615: 609: 599: 589: 579: 570: 567: 566: 565: 551: 544: 527: 509: 503:978-0521859820 483: 468: 461:Simon Goldhill 457: 437: 434: 433: 432: 425: 419: 402: 394: 391: 389: 386: 373: 370: 365: 362: 346:British Museum 294: 291: 270: 267: 258:historiography 250:Late Antiquity 232:(since 2014), 195: 194: 191: 190: 188: 187: 182: 177: 171: 169: 165: 164: 162: 161: 159:Late antiquity 156: 151: 145: 143: 142:Sub-discipline 139: 138: 129: 125: 124: 120: 119: 117: 116: 111: 106: 100: 98: 92: 91: 87: 86: 83: 82: 76: 72: 71: 68: 52: 50: 46: 45: 38: 35: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 989: 978: 975: 973: 970: 968: 965: 963: 962:Living people 960: 958: 955: 953: 950: 948: 945: 943: 940: 938: 935: 933: 930: 928: 925: 924: 922: 913: 910: 909: 905: 889:. 2 July 2017 888: 884: 878: 875: 871: 867: 864: 860: 855: 852: 848: 843: 840: 827: 823: 822: 814: 811: 799: 793: 789: 785: 781: 780: 775: 769: 767: 763: 759: 757: 750: 747: 742: 736: 734: 732: 730: 728: 726: 722: 709: 703: 700: 693: 688: 685: 682: 678: 675: 672: 669: 666: 662: 659: 656: 653: 650: 646: 645:Robin Osborne 642: 639: 637: 633: 629: 626: 623: 619: 616: 613: 610: 607: 603: 600: 597: 593: 590: 587: 583: 580: 577: 573: 572: 568: 564: 563:0-7156-2479-2 560: 556: 552: 549: 545: 543: 539: 538:0-521-43030-5 535: 531: 528: 526: 522: 521:0-199-25079-0 518: 514: 510: 508: 504: 500: 496: 492: 488: 484: 481: 477: 473: 472:Shadi Bartsch 469: 466: 462: 458: 456: 455:3-515-09426-1 452: 448: 444: 443:Kai Brodersen 440: 439: 435: 430: 426: 423: 420: 418: 414: 413:0-192-84201-3 410: 406: 403: 400: 397: 396: 392: 387: 385: 383: 379: 371: 369: 364:Personal life 363: 361: 359: 353: 351: 347: 343: 339: 334: 332: 328: 324: 320: 316: 312: 308: 304: 300: 292: 290: 288: 284: 280: 276: 268: 266: 264: 263:Shadi Bartsch 259: 255: 254:Byzantine art 251: 247: 243: 239: 235: 231: 227: 223: 219: 218:art historian 214: 209: 205: 201: 192: 186: 183: 181: 178: 176: 173: 172: 170: 166: 160: 157: 155: 154:Byzantine art 152: 150: 147: 146: 144: 140: 137: 133: 130: 126: 123:Academic work 121: 115: 112: 110: 107: 105: 102: 101: 99: 97: 93: 88: 84: 81: 77: 73: 65:(age 61) 51: 47: 42: 33: 30: 19: 891:. Retrieved 886: 877: 854: 842: 830:. Retrieved 825: 820: 813: 801:. Retrieved 777: 755: 749: 712:. Retrieved 702: 686: 680: 676: 670: 664: 661:Art and Text 660: 654: 648: 640: 636:google books 631: 627: 621: 617: 611: 605: 601: 595: 591: 585: 581: 575: 574:"Style", in 554: 547: 542:google books 529: 525:Google books 512: 507:Google books 490: 479: 475: 464: 446: 428: 421: 417:Google books 404: 398: 375: 367: 354: 335: 296: 272: 248:, including 234:Humfry Payne 207: 203: 200:John Richard 199: 198: 168:Institutions 29: 947:1962 births 132:Art history 18:John Elsner 921:Categories 832:1 November 803:1 November 756:Roman Eyes 753:Both from 714:20 October 694:References 495:Ewen Bowie 482:102 (2007) 338:monographs 222:classicist 128:Discipline 96:Alma mater 59:1962-12-19 36:Jaś Elsner 476:Ekphrasis 436:As editor 358:ekphrasis 275:Cambridge 246:Roman art 149:Roman art 866:Archived 647:(eds.): 348:and the 226:Classics 136:classics 893:29 July 849:webpage 372:Honours 279:Harvard 228:at the 794:  561:  536:  519:  501:  453:  411:  329:, and 321:, the 283:London 208:Elsner 470:with 441:with 393:Books 75:Title 895:2017 834:2018 805:2018 792:ISBN 716:2018 559:ISBN 534:ISBN 517:ISBN 499:ISBN 451:ISBN 409:ISBN 281:and 252:and 220:and 134:and 49:Born 784:doi 523:, 497:), 313:of 213:FBA 204:Jaś 41:FBA 923:: 885:. 824:. 790:. 776:. 765:^ 724:^ 540:, 505:, 489:: 478:, 474:: 463:: 445:: 415:, 277:, 210:, 206:" 61:) 897:. 836:. 807:. 786:: 718:. 202:" 57:( 20:)

Index

John Elsner
FBA
Corpus Christi College, Oxford
Alma mater
University of Cambridge
Harvard University
University of London
Art history
classics
Roman art
Byzantine art
Late antiquity
Courtauld Institute of Art
University of Oxford
Corpus Christi College, Oxford
FBA
art historian
classicist
Classics
University of Oxford
Humfry Payne
Corpus Christi College, Oxford
University of Chicago
Roman art
Late Antiquity
Byzantine art
historiography
Shadi Bartsch
Cambridge
Harvard

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