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196:, who at the time was studying at the École des Beaux-Arts in Paris. John wrote Julian asking for information about how the school was run and how classes were taught. He also asked Julian to send him examples of life drawings, copies of Old Master paintings and studies of heads, done by Julian or his fellow students, that he could use in his classes at Yale. Thus, though John was working at an American university, the curriculum and organization of the school was based largely on European methods, which coincided with the multicultural nature of all three Weirs’ painting careers. When Julian returned to America after living in Paris for four years, he carried on the family legacy and took a teaching position at the Women’s Art School of the Cooper Union, in New York. He, like his brother, participated in the education of women artists at a time when they had few opportunities for formal study in this country. Julian’s teaching was perhaps the most forward-looking among his family, as he embraced both old and new sources, extolling the importance of Old Master paintings, but also promoting the radical style of the Impressionists.
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181:, 1868. It was also painted at the West Point Foundry, but after the end of the Civil War, and showed the creation of a great shaft for the propeller of an ocean liner. Exhibited at the Academy in 1868, it was also very well received. It was destroyed by fire in 1869, and Weir painted a replica between 1874 and 1877.
143:, New York. As a young man, he worked on still life paintings and became proficient at landscapes. In 1862, around the time of his 21st birthday, he was commissioned by the art patron Robert Leighton Stuart to paint a landscape scene of
174:, 1866, an unusual interior factory scene that depicts the casting of a Parrott Gun. This work was well received at the 1866 spring exhibition of the National Academy of Design and led to his election as a full academician.
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Weir became fascinated with the West Point Iron and Cannon
Factory, across the Hudson from West Point, a factory that manufactured most of the large guns for the Union during the Civil War. His third major work was
155:. This commission introduced him to the art world of New York City, and led to his renting a small room in the Tenth Street Studio, where he became acquainted with many of the rising young artists of the day.
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103:(1841–1926) was an American painter, sculptor, writer, and educator. He was a son of painter
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In 1868 he studied abroad. After his return he was named first director (later dean) of the
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Weir also served in the Union Army briefly at the beginning of the Civil War. He died in
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John
Ferguson Weir papers (MS 550). Manuscripts and Archives, Yale University Library.
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In 1866 John married Mary Hannah French, daughter of West Point professor The
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658: This article incorporates text from a publication now in the
667:; Peck, H. T.; Colby, F. M., eds. (1905). "Weir, John Ferguson".
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115:, also became a well-known artist who painted in the style of
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Robert Walter Weir, "Portrait of John
Ferguson Weir", 1864–65
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The Weir Family and the
Flowering of American Art Education.
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John
Ferguson Weir (1841-1926: And the Weir Family Legacy
211:) was a noted painter of miniatures, studying under
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368:"View of the Hudson Highlands, West Point", 1862
612:. Lebanon NH: University Press of New England.
416:"Mary French" (the artist's future wife), 1862
261:Hudson Highlands, West Point, Summer Afternoon
149:Hudson Highlands, West Point, Summer Afternoon
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440:"A Study in Black and Gold, Miss Coe", 1882
584:. Newark NJ: University of Delaware Press.
464:Statue of Theodore Dwight Woolsey, 1895–96
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192:, John enlisted the help of his brother,
16:American painter and sculptor (1841–1926)
511:This article includes a list of general
248:Human Destiny in the Light of Revelation
153:View of the Hudson Highlands, West Point
107:, long-time professor of drawing at the
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488:"The Rest, his daughter Edith", 1900–01
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186:School of Fine Arts at Yale University
673:(1st ed.). New York: Dodd, Mead.
404:"Forging the Shaft", replica, 1874–77
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702:Works by or about John Ferguson Weir
631:John Ferguson Weir: The Labor of Art
582:John Ferguson Weir: The Labor of Art
119:. His niece was artist and educator
230:He designed the public fountain on
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752:19th-century American male artists
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670:New International Encyclopedia
177:His fourth major painting was
135:, and studied with his father
109:Military Academy at West Point
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283:Metropolitan Museum, New York
637:University of Delaware Press
608:Wardle, Marian, ed. (2011).
772:Painters from New York City
713:"Weir, John Ferguson"
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610:The Weir Family, 1820-1920
380:"An Artist's Studio", 1864
234:. Among his writings are:
164:National Academy of Design
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220:Providence, Rhode Island
190:Yale School of Fine Arts
158:His next major work was
73:Providence, Rhode Island
767:Yale University faculty
627:Fahlman, Betsy (1997).
580:Fahlman, Betsy (1997).
532:more precise citations.
392:"The Gun Foundry", 1864
329:Theodore Dwight Woolsey
111:. His younger brother,
83:Grove Street Cemetery,
757:American male painters
719:Encyclopedia Americana
213:Lucia Fairchild Fuller
151:. It is also known as
117:American Impressionism
85:New Haven, Connecticut
452:"Bride's Roses", 1890
428:"Autumn Lights", 1866
349:Milford, Pennsylvania
133:West Point, New York
55:West Point, New York
289:Tapping the Furnace
209:James De Wolf Perry
201:Rev. John W. French
267:An Artist's Studio
222:on April 8, 1926.
203:. Their daughter,
160:An Artist's Studio
137:Robert Walter Weir
105:Robert Walter Weir
101:John Ferguson Weir
94:Mary Hannah French
23:John Ferguson Weir
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339:Benjamin Silliman
279:Forging the Shaft
194:Julian Alden Weir
179:Forging the Shaft
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67:(1926-04-26)
777:Weir family
742:1841 births
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530:introducing
207:, (wife of
139:and at the
731:Categories
513:references
337:Professor
327:President
305:President
145:West Point
121:Irene Weir
47:1841-08-28
538:July 2013
345:Lafayette
295:Portraits
255:Paintings
127:Biography
722:. 1920.
704:at the
685:. 2013.
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621:Sources
526:improve
355:Gallery
322:Statues
281:(1868,
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515:, but
307:Dwight
275:(1866)
269:(1864)
263:(1862)
250:(1903)
244:(1902)
91:Spouse
494:Notes
226:Works
641:ISBN
62:Died
41:Born
331:of
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564:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
