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334:, directly from nature. He always had a sketchbook or a box of 8 x 10 inch canvasboards with him, ready to capture any scene that caught his eye. He and Leith-Ross were famous for spending afternoons sketching on the bridge at New Hope (and for tossing anything that displeased them into the Delaware River). From his wheelchair, Folinsbee could manage "paintings as large as 24 X 30." Larger works were painted in his studio from drawings and oil sketches. He frequently repeated the same scene on different sized canvases, or as an
342:. To paint a large work, he would lean a canvas against the studio wall and sit on the floor before it, his withered legs tucked under him. Relying on notes made on the spot about color and light, he would edit the scene as he painted, emphasizing or eliminating elements to enhance the overall mood. "The larger studio paintings were never simply blown-up versions of a successful small painting: rather they were developments of a theme along expressive lines, with memory and emotional reaction playing an important role."
323:
1861:
438:
174:
533:
Folinsbee was represented by
Ferargil Gallery in New York City for most of his career, and his paintings were exhibited across the country and in several international exhibitions. He won nearly every award given by the National Academy of Design, receiving some of them multiple times. He exhibited
470:
did in painting the heavy folds of his drapery. The quick turn of the waves is like that of his folds, in that the darkest dark is against the lightest light. The greatest contrast comes at the sharpest point where the wave turns up—where there is a dark, there is a light—it is that way
301:
His basic aim was the communication of feeling; the subject had to be felt to be worth painting. The communication of that feeling was what a painting was all about; without that excitement in the subject, a painting was merely a dead reproduction of nature or of natural phenomena. — Peter G.
296:
style in which he painted for the remainder of his career. His palette darkened, his brushstrokes loosened further, and his sense of light and atmosphere became more dramatic. These later works are concerned with conveying a sense of mood and an intense emotional response to the world around him.
291:
in the summer of 1926. The paintings that resulted from this trip, and those that followed later in the decade, reflect a deep understanding of CĂ©zanne's compositional strategies and a desire to reveal the underlying structure of forms. Folinsbee's exploration of structure led eventually to an
396:
dealt a heavy blow to artists, with little market for luxury goods such as landscape paintings. Folinsbee resorted to bartering his works for services, including dentistry for his daughters. Portraits – for which he typically charged $ 400 to $ 500 for a head-and-bust and $ 1,000 for a
282:
style, with an interest in light and atmosphere that grew directly from his time with
Harrison and Carlson in Woodstock. By the late nineteen-teens, he had moved away from tonalism into a more structured, impressionist style. In the mid-1920s, Folinsbee began studying the work of
420:
Folinsbee was also a teacher. One of his better-known students, Peter G. Cook (who married his daughter Joan in 1938), became a colleague and friend. The pair collaborated on murals for two other federal projects: the
Federal Building and U.S. Courthouse in
461:
was awarded the 1952 Palmer Marine Prize by the
National Academy of Design. With the prize money, Folinsbee bought a 25-foot motorized Hampton dory (flat-bottomed open boat) that he named "Sketch" and equipped as a floating studio.
275:– whom he had met in Washington, Connecticut. The couple moved to New Hope in 1916, and had two daughters, Elizabeth (1917–2016, married Elmer W. Wiggins, 1940); and Joan (1919–2016, married Peter G. Cook, 1938).
969:
224:, the middle son of Harrison and Louise Mauger Folinsbee. Beginning at age nine, he attended children's classes at the Art Students' League of Buffalo, but received his first formal training with the landscape painter
345:
The
Folinsbees purchased an acre of riverfront land about a quarter-mile upstream from the bridge, across the street from the house they were renting. In 1924, they hired architect (and landscape painter)
471:
in the folds of El Greco's garments. I've always been fascinated with the way he twists those big folds—exaggeration perhaps, but true in expressing the play of light on form. — John
Folinsbee
377:, an arts center housed in a former grist mill, and Ruth Folinsbee served as the first vice-president of its community association. He participated in art exhibitions there from 1929 into the 1960s. His
1777:
2063:
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503:(1940), Peyton Boswell, Jr. placed him among the "Lyricists"—"the moody ones, dreamers and mystics," who "work sometimes in pattern, but more often in terms of light, shadow and
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2023:
2083:
267:, who became a lifelong friend and later followed him to New Hope. In 1914, Folinsbee married Ruth Baldwin (August 8, 1890 – February 13, 1991) – daughter of
2033:
582:, and the Pennsylvania Academy of the Fine Arts. A bronze bust of him by his friend Harry Rosin is in the collection of the Pennsylvania Academy of the Fine Arts.
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475:
Folinsbee was diagnosed with cancer in the late 1960s, which further weakened his right arm. He stopped painting in 1971, and died a year later in New Hope.
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2018:
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2008:
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three-quarter-length – became a larger part of his output. Edward Beatty Rowan, assistant chief of the Public
Buildings Administration's
886:
535:
608:. The Michener Museum maintains an online version of the catalogue raisonné, which is updated as additional Folinsbee works are identified.
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and industrial: depicting the town's church spires peeking out from among the autumnal-colored hills, but also featuring the town's massive
2038:
527:
499:. This man sees the rhythm of beauty coupled with a color harmony in many workaday nooks that may seem ugly to the average passerby." In
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Folinsbee's students included artists Peter G. Cook and Evelyn Allen
Faherty. Cook became his son-in-law, and wrote a personal memoir,
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1954:
1919:
1898:
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In the mid-1930s, Folinsbee and his family began spending their summers in Maine. He bought a farmhouse at Murphy's Corner, between
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315:
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at age 14, which rendered his legs useless, weakened his right arm, and left him permanently reliant on a wheelchair. He attended
2013:
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1959) was awarded the 1963 First Patron's Prize by
Phillips' Mill. The Folinsbees were also founding members of the
1932:
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354:-style house and studio. Folinsbee painted dozens of views of the river from the property – most notably
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205:
1705:
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831:(1930), private collection. Awarded the 1931 Jessie Sesnan Medal by the Pennsylvania Academy of the Fine Arts.
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Museum, Providence, Rhode Island. Awarded the 1925 Gedney Bunce Prize by the
Connecticut Academy of Fine Arts.
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876:
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237:
1452:
Robert Emerson Baum, "John Folinsbee, One of New Hope's Pioneers, Nationally Known as a Landscape Artist,"
453:, in 1949. Despite his intense wariness of the ocean, he embarked on a new aspect of his career—as a
370:(1970) – and some views of the house itself. They lived at 160 North Main Street until their deaths.
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240:, from 1907 to 1911, where he studied with Elizabeth Kempton and Herbert Faulkner. He later studied with
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2003:
1998:
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The Annual Exhibition Record of the Pennsylvania Academy of the Fine Arts, Volume III 1914–1968
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776:
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543:
253:
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812:
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249:
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625:(1914), private collection. Awarded the 1914 Isidore Prize by the Art Students League of New York.
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656:
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519:
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1939:. Exh. cat. Fort Lauderdale: The Fort Lauderdale Museum of Art and Richard Stuart Gallery, 1985.
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1950:
1915:
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1001:
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64:
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765:, Huntington, West Virginia. Awarded a bronze medal at the 1926 Sesquicentennial Exposition.
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660:
450:
393:
264:
165:
1973:
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1492:
A Legacy of Art: Paintings and Sculptures by Artist Life Members of the National Arts Club
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Geoff Gehman, "Phillips' Mill in Bucks still leaving lasting impressions after 75 years,"
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932:, Portland, Maine. Awarded the 1952 Palmer Marine Prize by the National Academy of Design.
554:, the Salmagundi Club, and other arts organizations, including a bronze medal at the 1926
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1347:
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1323:
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322:
879:, Trenton, New Jersey. Awarded the 1941 Altman Prize by the National Academy of Design.
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454:
233:
209:
1942:
Jensen, Kirsten M. "Contour, Bones, and Skin: CĂ©zanne's Influence on John Folinsbee."
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1992:
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Kirsten M. Jensen, "Contour, Bones and Skin: CĂ©zanne's Influence on John Folinsbee."
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965:(1938), Folinsbee's mural at the United States post office in Freeland, Pennsylvania
1949:
Jensen, Kirsten M. "Folinsbee Considered." New York, NY: Hudson Hills Press, 2014.
1914:. Philadelphia: James A. Michener Art Museum and University of Pennsylvania Press.
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1100:(1964), National Academy of Design Museum, New York City. Folinsbee's son-in-law.
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Folinsbee's work is in the permanent collections of major museums, including the
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most years from 1915 to 1952, and was awarded the 1931 Jessie Sesnan Medal (for
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1982:
976:(1939), mural at the Federal Building and U.S. Courthouse, Paducah, Kentucky
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Paintings and Sculpture in the Collection of the National Academy of Design
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Ernest W. Watson, "John Folinsbee: An Appraisal of His Recent Paintings,"
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467:
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One day I suddenly realized that the waves of a heavy sea duplicate what
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in 1919, and a full academician in 1928. He was elected a member of the
507:. They use color and form for emotional rather than aesthetic reasons."
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Folinsbee's work has been described as the "rural counterpart" to the
1967:
288:
1430:, exhibition catalogue, Newman Galleries, March 2 to April 7, 1990.
491:) saw in him "the power, frankness, and story-telling quality of a
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173:
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1929-32), James A. Michener Art Museum, Doylestown, Pennsylvania.
948:(1960), James A. Michener Art Museum, Doylestown, Pennsylvania.
843:(1936), James A. Michener Art Museum, Doylestown, Pennsylvania.
177:"Cloud Shadowed" by John Fulton Folinsbee, 24 x 30 inches,1924.
853:
1936), James A. Michener Art Museum, Doylestown, Pennsylvania.
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Freeland (Study for Freeland, Pennsylvania Post Office Mural)
779:, Pennsylvania State University, State College, Pennsylvania.
208:, particularly the factories, quarries, and canals along the
1117:
NAD awarded Folinsbee the 3rd Hallgarten Prize in 1916 (for
805:(1927), Huntington Museum of Art, Huntington, West Virginia.
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1950-51), National Academy of Design Museum, New York City.
1428:
John Folinsbee, 1892–1972: Following His Own Course
1060:(1942), National Academy of Design Museum, New York City.
1042:(1928), National Academy of Design Museum, New York City.
859:(1938), Smithsonian American Art Museum, Washington, D.C.
725:(1923), National Academy of Design Museum, New York City.
1469:, (New York: Dodd, Mead & Company, 1940), pp. 89-90.
1052:, Northampton, Massachusetts. Folinsbee's mother-in-law.
905:(1970), private collection. Folinsbee's last major work.
922:
1950), Woodmere Art Museum, Philadelphia, Pennsylvania.
401:, offered him a commission for a post office mural in
184:(March 14, 1892 – May 10, 1972) was an American
837:(1936), Reading Public Museum, Reading, Pennsylvania.
326:
Phillips' Mill Arts Center, 2619 River Road, New Hope
1929:. Cranbury, NJ: Associated University Presses, 1997.
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Members of the American Academy of Arts and Letters
2029:
John F. Carlson School of Landscape Painting alumni
1284:
Obituary: "Ruth Baldwin Folinsbee, Volunteer, 100,"
373:In 1929, the Folinsbees were among the founders of
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153:
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107:
97:
89:
71:
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21:
510:Folinsbee was elected an associate member of the
1387:, from John Fulton Folinsbee Catalogue Raisonné.
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405:. Completed in 1938, Folinsbee's mural is both
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1903:Culver, Michael. "The Art of John Folinsbee."
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1519:, (PAFA, Sound View Press, 1989), pp. 187-88.
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1125:), and the 1st Hallgarten Prize in 1923 (for
8:
1412:, from John F. Folinsbee Catalogue Raisonné.
1362:, from John F. Folinsbee Catalogue Raisonné.
1350:, from John F. Folinsbee Catalogue Raisonné.
1338:, from John F. Folinsbee Catalogue Raisonné.
1326:, from John F. Folinsbee Catalogue Raisonné.
1314:, (National Academy of Design, 1965), p. 30.
645:, Dartmouth College, Hanover, New Hampshire.
278:Early in his career, Folinsbee painted in a
1985:, from Solebury Township Historical Society
1983:1984 interview with Ruth Folinsbee (age 93)
1976:, from Bucks County Artists Online Database
1937:American Impressionism: The New Hope Circle
1646:, (New York, NY: Hudson Hills Press, 2004).
1422:
1420:
1418:
1400:(Doylestown, Pennsylvania), June 30, 2005.
715:, Washington, D.C. Awarded the 1923 First
252:art colony (Summers, 1912–1914), and with
192:and portrait painter, and a member of the
35:Folinsbee, seated in a wheelchair in front
18:
2084:Section of Painting and Sculpture artists
1262:. New York, NY: Hudson Hills Press, 2014.
1121:), the 2nd Hallgarten Prize in 1917 (for
659:, New York City. Awarded the 1917 Second
592:Kirsten M. Jensen, senior curator at the
1562:, from Princeton University Art Museum.
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1200:
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1174:
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1007:Early Town (Lewis and Clark in Paducah)
487:. Critic Robert E. Baum (son of artist
2034:Art Students League of New York alumni
2024:Art Students' League of Buffalo alumni
1970:, from the John F. Folinsbee Art Trust
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1000:Federal Building and U.S. Courthouse,
1494:(New York: National Arts Club, 2007).
1157:); and the Palmer Prize in 1952 (for
887:Pennsylvania Academy of the Fine Arts
536:Pennsylvania Academy of the Fine Arts
7:
1968:John F. Folinsbee Catalogue Raisonné
1910:Peterson, Brian H. (Editor) (2002).
1153:); the Anonymous Prize in 1949 (for
528:American Academy of Arts and Letters
1946:4, no. 4 (July/August 2007): 51–55.
1302:4, no. 4 (July/August 2007): 51-55.
1129:); the Carnegie Prize in 1921 (for
2079:20th-century American male artists
2059:National Academy of Design members
2054:People from New Hope, Pennsylvania
719:by the National Academy of Design.
663:by the National Academy of Design.
604:(2014), a scholarly biography and
526:in 1937. He was inducted into the
14:
1907:13, no. 4 (August 2001): 106–111.
1141:); the Altman Prize in 1936 (for
1133:); the Murphy Prize in 1921 (for
399:Section of Painting and Sculpture
200:. He is best known today for his
1893:. New York: Kubaba Books, 1994.
544:Connecticut Academy of Fine Arts
366:1936), and his last major work,
111:landscapes, seascapes, portraits
29:
2019:American Impressionist painters
1927:The Pennsylvania Impressionists
1622:, from National Academy Museum.
1586:, from The Phillips Collection.
1481:, from National Academy Museum.
1220:(New York: Kubaba Books, 1994).
867:Ogunquit Museum of American Art
713:Smithsonian American Art Museum
633:Princeton University Art Museum
572:Smithsonian American Art Museum
542:). He also won awards from the
425:(1939), and the post office in
258:Art Students League of New York
102:Art Students League of New York
2074:Members of the Salmagundi Club
2049:Artists from Buffalo, New York
2009:20th-century American painters
1642:David Bernard Dearinger N.A.,
518:in 1913, a life member of the
292:analytical, highly individual
228:in 1907. Folinsbee contracted
1:
1816:, from Farnsworth Art Museum.
1720:, from Reading Public Museum.
1696:, from Reading Public Museum.
1456:(Pennsylvania), June 3, 1940.
1075:
1013:The River (Paducah, Kentucky)
919:
889:, Philadelphia, Pennsylvania.
850:
822:
815:, Philadelphia, Pennsylvania.
787:Rhode Island School of Design
772:
748:
701:, Washington, D.C. (ex coll.
684:
670:
652:
548:Rhode Island School of Design
522:in 1922, and a member of the
479:Critical reception and honors
382:
363:
42:
1802:Off Seguin (Ellingwood Rock)
1780:, from Allentown Art Museum.
1684:, from Palmer Museum of Art.
1660:, from Dallas Museum of Art.
926:Off Seguin (Ellingwood Rock)
753:James A. Michener Art Museum
689:North Carolina Museum of Art
639:February (Village in Winter)
594:James A. Michener Art Museum
459:Off Seguin (Ellingwood Rock)
316:New Hope–Lambertville Bridge
182:John Fulton "Jack" Folinsbee
16:American painter (1892–1972)
2039:Painters from New York City
1840:, from Library of Congress.
1828:, from Library of Congress.
1804:, from Portland Art Museum.
1792:, from Woodmere Art Museum.
1708:, from Woodmere Art Museum.
1274:, from Michener Art Museum.
1066:(1942), private collection.
755:, Doylestown, Pennsylvania.
731:(1923), private collection.
556:Sesquicentennial Exposition
318:, from the New Jersey side.
2100:
2069:Pennsylvania Impressionism
2044:Painters from Pennsylvania
1912:Pennsylvania Impressionism
1574:, from Hood Museum of Art.
1548:Bucks County Courier-Times
1515:Peter Hastings Falk, ed.,
1090:, Trenton. Justice of the
1032:National Academy of Design
1015:(1942), with Peter G. Cook
1009:(1942), with Peter G. Cook
995:Burgettstown, Pennsylvania
899:, Allentown, Pennsylvania.
691:, Raleigh, North Carolina.
580:National Academy of Design
512:National Academy of Design
427:Burgettstown, Pennsylvania
148:Pennsylvania Impressionism
1426:Michele Pavone Stricker,
287:, which led to a trip to
28:
1876:, April 18, 1958, p. 20.
1544:Obituary: Evelyn Faherty
1467:Modern American Painting
1092:New Jersey Supreme Court
1088:New Jersey State Capitol
863:Evening at Swan's Island
799:, Reading, Pennsylvania.
763:Huntington Museum of Art
635:, Princeton, New Jersey.
598:Doylestown, Pennsylvania
501:Modern American Painting
206:Lambertville, New Jersey
1874:Princeton Alumni Weekly
1744:, from Michener Museum.
1732:, from Michener Museum.
1672:, from Michener Museum.
1670:Mill by the River, Fall
1443:, November 1959, p. 36.
877:New Jersey State Museum
745:Mill by the River, Fall
703:Corcoran Gallery of Art
699:National Gallery of Art
675:The Phillips Collection
576:National Gallery of Art
552:Corcoran Gallery of Art
269:William H. Baldwin, Jr.
265:Harry (Tony) Leith-Ross
238:Washington, Connecticut
236:, a boarding school in
204:scenes of New Hope and
2014:American male painters
1479:"John Fulton Folinsbee
1064:Self-Portrait at Fifty
1034:Museum, New York City.
986:Freeland, Pennsylvania
977:
966:
930:Portland Museum of Art
819:Canal Bridge, New Hope
729:Mending the Canal Bank
473:
442:
403:Freeland, Pennsylvania
387:Bucks County Playhouse
327:
319:
304:
198:New Hope, Pennsylvania
178:
157:Ruth Baldwin Folinsbee
83:New Hope, Pennsylvania
39:Mending the Canal Bank
1862:Ruth Standish Baldwin
1532:(1945) by Harry Rosin
1465:Peyton Boswell, Jr.,
1046:Ruth Standish Baldwin
993:(1942), Post Office,
984:(1938), Post Office,
972:
960:
940:Farnsworth Art Museum
797:Reading Public Museum
558:in Philadelphia (for
440:
325:
314:
273:Ruth Standish Baldwin
263:At Woodstock, he met
176:
23:John Fulton Folinsbee
1944:Fine Art Connoisseur
1706:Slate Quarry, Bangor
1300:Fine Art Connoisseur
1289:, February 16, 1991.
1260:Folinsbee Considered
997:, with Peter G. Cook
991:View of Burgettstown
897:Allentown Art Museum
883:Skaters, Dark Hollow
809:Slate Quarry, Bangor
777:Palmer Museum of Art
759:Outskirts of Trenton
739:Dallas Museum of Art
602:Folinsbee Considered
560:Outskirts of Trenton
254:Frank Vincent DuMond
132:Outskirts of Trenton
1905:American Art Review
1560:Gloucester Hillside
1550:, January 25, 2015.
1272:Folinsbee and Maine
1258:Kirsten M. Jensen,
1149:) and in 1950 (for
1137:) and in 1926 (for
1098:Peter Geoffrey Cook
813:Woodmere Art Museum
629:Gloucester Hillside
623:Poughkeepsie Bridge
600:, is the author of
524:Century Association
489:Walter Emerson Baum
1778:Hazelton Brickyard
1454:The Allentown Call
1287:The New York Times
1083:A. Dayton Oliphant
1057:James Kellum Smith
978:
967:
942:, Rockland, Maine.
893:Hazelton Brickyard
783:Canal at Goat Hill
677:, Washington, D.C.
657:National Arts Club
643:Hood Museum of Art
606:catalogue raisonné
520:National Arts Club
443:
350:to design them an
330:Folinsbee painted
328:
320:
179:
1608:By the Upper Lock
1312:Annual Exhibition
1131:Jersey Waterfront
1127:By the Upper Lock
1002:Paducah, Kentucky
869:, Ogunquit Maine.
709:By the Upper Lock
423:Paducah, Kentucky
352:Arts & Crafts
222:Buffalo, New York
171:
170:
166:Hallgarten Prizes
127:By the Upper Lock
65:Buffalo, New York
2091:
1925:Folk, Thomas C.
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1398:The Morning Call
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1147:Hunterdon County
1145:), in 1941 (for
1115:
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1039:Harry Leith-Ross
921:
873:Hunterdon County
852:
824:
774:
750:
741:, Dallas, Texas.
723:Canal at Trenton
717:Hallgarten Prize
686:
672:
661:Hallgarten Prize
654:
394:Great Depression
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1889:Cook, Peter G.
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1884:Further reading
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1694:Winter Nocturne
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1596:Oncoming Clouds
1594:
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1584:Along the Canal
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1123:Canal in Winter
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829:Canal and River
793:Winter Nocturne
681:Oncoming Clouds
667:Along the Canal
649:Canal in Winter
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540:Canal and River
516:Salmagundi Club
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356:Winter Nocturne
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220:He was born in
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1962:External links
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1521:
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1504:List of awards
1496:
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587:John Folinsbee
567:
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493:George Bellows
480:
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455:marine painter
434:
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375:Phillips' Mill
308:
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1979:
1957:. 322 Pages.
1943:
1936:
1926:
1911:
1904:
1890:
1873:
1869:
1857:
1845:
1833:
1821:
1814:Lopaus Point
1809:
1797:
1785:
1773:
1768:, from PAFA.
1761:
1756:, from SAAM.
1749:
1737:
1725:
1713:
1701:
1689:
1682:Lehigh Canal
1677:
1665:
1658:Grey Coryell
1653:
1643:
1615:
1610:, from SAAM.
1603:
1598:, from NCMA.
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1555:
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1539:
1534:, from PAFA.
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1427:
1405:
1397:
1392:
1355:
1348:Zero Morning
1343:
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1267:
1259:
1217:
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1126:
1122:
1119:Winter Quiet
1118:
1113:
1097:
1081:
1071:William Thon
1069:
1063:
1055:
1045:
1037:
1027:
1012:
1006:
990:
981:
973:
962:
945:
936:Lopaus Point
935:
925:
915:
903:Zero Morning
902:
892:
882:
872:
862:
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834:
828:
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782:
769:Lehigh Canal
768:
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735:Grey Coryell
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411:coal breaker
391:
378:
372:
368:Zero Morning
367:
359:
355:
344:
332:en plein air
329:
300:
277:
262:
246:John Carlson
219:
181:
180:
136:
131:
126:
121:
117:Notable work
77:(1972-05-10)
75:May 10, 1972
38:
2004:1972 deaths
1999:1892 births
1933:Hunter, Sam
1766:Dark Hollow
1718:Storm Light
835:Storm Light
505:chiaroscuro
348:Morgan Colt
234:The Gunnery
90:Nationality
1993:Categories
1826:Early Town
1410:Shag Ledge
1385:Chronology
1169:References
1159:Off Seguin
1155:River Wall
1135:High River
961:Study for
775:1924-25),
751:1923-25),
673:1916-21),
655:1916-17),
617:Landscapes
379:Shag Ledge
340:lithograph
194:art colony
137:Off Seguin
57:1892-03-14
1838:The River
1790:Shag Rock
1742:River Ice
1506:from NAD.
1336:River Ice
1022:Portraits
974:The River
916:Shag Rock
910:Seascapes
847:River Ice
803:Shad Boat
695:Grey Thaw
530:in 1953.
451:Wiscasset
429:(1942).
415:culm dump
360:River Ice
250:Woodstock
226:Jonas Lie
216:Biography
186:landscape
98:Education
1754:Freeland
1572:February
1086:(1958),
1048:(1929),
1030:(1919),
982:Freeland
963:Freeland
938:(1957),
928:(1952),
895:(1950),
885:(1945),
875:(1940),
865:(1938),
811:(1929),
795:(1926),
785:(1925),
761:(1924),
737:(1923),
711:(1922),
697:(1920),
641:(1916),
631:(1916),
589:(1994).
468:El Greco
407:pastoral
358:(1926),
307:New Hope
280:tonalist
144:Movement
93:American
687:1918),
534:at the
336:etching
285:CĂ©zanne
256:at the
248:at the
37:of his
1980:AUDIO:
1953:
1918:
1897:
1139:Bourré
953:Murals
578:, the
574:, the
566:Legacy
550:, the
546:, the
457:. His
289:France
190:marine
162:Awards
154:Spouse
139:(1952)
134:(1924)
129:(1922)
124:(1917)
1151:Night
1105:Notes
495:or a
433:Maine
230:polio
45:1937.
1951:ISBN
1916:ISBN
1895:ISBN
449:and
447:Bath
441:Dory
392:The
302:Cook
271:and
244:and
72:Died
51:Born
596:in
562:).
338:or
196:at
1995::
1935:.
1627:^
1546:,
1417:^
1367:^
1225:^
1177:^
1161:).
1076:c.
920:c.
851:c.
823:c.
773:c.
749:c.
705:).
685:c.
671:c.
653:c.
417:.
389:.
383:c.
364:c.
260:.
212:.
188:,
43:c.
41:,
1922:.
1094:.
1074:(
918:(
849:(
821:(
771:(
747:(
683:(
669:(
651:(
381:(
362:(
59:)
55:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
