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Henning also made half-scale models which he hoped to reproduce for more modest buildings. Henning found that they were very popular but the business was captured across Europe by others who had unauthorised copies of his work. Equally distressing to
Henning was the low quality of some of the copies.
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of a portrait medallion inspired
Henning to realise that he could use his drawings to create slate moulds that could be used to reproduce the friezes in miniature. Henning also took advantage of his sittings with the Princess to introduce her to more radical reading. This task was to last twelve
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He was noted for his ability as a sculptor when he created cameos of his friends and family. After marrying
Catherine Sunter when aged 28 and encouraged by his early cameos he went into business in Glasgow and then Edinburgh attracting clients that included
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years although
Henning decided to also add the Bassae frieze to his work, and this did not arrive in England until a few years into his work. One miniature version of the Parthenon frieze was just two inches high, but over twenty four feet long.
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In 1827, Henning and his son created sculptures in the style of the
Parthenon frieze for a screen erected at Hyde Park Gate in London. The following year, John Jr. confirmed that he would recreate a copy of the Parthenon frieze for London's
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Henning's eldest son John
Henning (1801-1857) was also a sculptor. He won the Society of Art's Silver Isis Medal for a relief entitled "The Good Samaritan". In 1825 he was commissioned to repair the statue of Queen Anne in front of
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In 1845, Henning again invested his time based around the friezes. This time he intended to recreate the two friezes as engravings. Trial proofs were made but unfortunately his partner in the enterprise,
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By 1820, Henning was ready to sell his work and it was obvious that he had not copied the remains of the friezes, but recreated them. In the case of the
Parthenon frieze he had used drawings taken by
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for Β£42 in 1821 but its location is not known. He failed to gain a copyright on this work and others profited by making copies. Very few original copies of these miniatures are known to exist.
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friezes. These took him twelve years to complete. Many others then copied this idea but he could not copyright the work of a long-dead artist, and could do nothing to prevent this.
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150:. Josiah Wedgwood was impressed by his work and agreed to champion them for Henning. In 1810 he is listed as a "portrait modeller" living at 48 Rose Street in the
212:. Although only just over half the length of the 524 feet long original this model was at the correct scale and was constructed from Bath stone in agreement with
122:(2 May 1771 β 8 April 1851) was a Scottish sculptor who began his career as a carpenter. His masterpieces were the one-twentieth-scale models he created of the
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228:(1794β1846), died before either of the works were completed. Henning died on 8 April 1851, two years after his wife. He was buried as a pauper in
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Because of this
Henning became a supporter of the emerging laws on copyright but also was unhappy that his success was going unrewarded.
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Samuel
Henning (c.1802-1832) aided his father in the restoration of the Elgin Marbles. He designed the tomb of Duncan Sinclair in
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in 1938. The
Athenaeum Club and the screen at Hyde Park are extant. Copies of Henning's work are still being discovered.
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became an artist and he has a few paintings in public collections in the United Kingdom. Archibald died aged 59 in
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the son of Samuel Henning a carpenter and builder. He trained in wood-carving under his father.
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by Lord Elgin before they were moved to England and importantly drawings made by
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In 1811, John and Catherine moved to London where Henning saw the newly arrived
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That Most Ingenious Modeller: The Life and Work of John Henning, Sculptor
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to allow him to draw and copy them. It was said that a commission from
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311:, Robert Scott Lauder, c. 1840, National Gallery, retrieved June 2010
257:. In 1836 he created the figurative panels on the front of
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One copy of the miniature Parthenon frieze was sold to
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John Henningβs miniature casts of the Parthenon frieze
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Henning's original slate models were obtained by the
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406:2 artworks by or after Archibald Skirving Henning
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476:19th-century Scottish sculptors
486:19th-century British sculptors
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272:during the epidemic of 1832.
32:John Henning (disambiguation)
471:18th-century Scottish people
27:Scottish sculptor, 1771β1851
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277:Archibald Skirving Henning
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327:Henning, John (1771β1851)
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18:John Henning (1771-1851)
481:Scottish businesspeople
446:Scottish male sculptors
226:Alfred Robert Freebairn
259:Manchester Art Gallery
266:Kensal Green Cemetery
138:Henning was born in
30:For other uses, see
255:St Paul's Cathedral
57:Robert Scott Lauder
441:Scottish sculptors
285:Archibald Skirving
191:Feodor Ivanowitsch
179:Princess Charlotte
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376:Wall, John
97:self-taught
86:Nationality
435:Categories
291:References
281:Manchester
202:William IV
175:Lord Elgin
156:Edinburgh
134:Biography
124:Parthenon
94:Education
422:Obituary
230:Finchley
110:Children
89:Scottish
270:cholera
140:Paisley
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