294:
736:
40:
715:
807:
581:
394:
652:
788:
674:
696:
319:
fibrous materials, it was not expected that these works would endure beyond the fair's closing, but the scale, not merely for Boyle's work, but for 1893 America, went well beyond projects previously achieved. "For the sculptors whose works were displayed outdoors on the fairgrounds as well as in the Fine Arts
Building, the World's Columbian Exposition was a professional and aesthetic coming of age," a "full flowering" of a naturalistic Beaux-Arts aesthetic that left the static formalism of neo-classicism behind.
628:
767:
603:
200:
1162:
1141:
1157:
1136:
735:
318:
Transportation
Building, work that was to include "five huge bas-reliefs, and eight triads of figures of heroic size, besides eight symbolical as well as allegorical figures," employing a staff of sculptors to complete his designs. Executed in "staff," an impermanent mixture of plaster of Paris and
313:
delegated the "career-enhancing commissions for monumental sculptures that promoted the exposition's overarching theme of national identity," to a select group of sculptors it was felt would portray young
America in its most promising light. He entrusted with the responsibility of supervising the
301:
Boyle's prominence in the
Philadelphia art scene by the 1890s was reflected by commissions for the Art Club of Philadelphia, including the design of their gold medal award, a prestigious form of social recognition. Along with other noted artists and architects of the 1890s, Boyle was invited to
346:
of 1901. He was appointed a member of the Art
Commission of Greater New York January 1, 1906. In New York, he and his wife spent their later years. He was a member of many artistic clubs, including the National Sculpture Society, The Architectural League of New York, the T-Square Club of
243:
had begun to see expression in the United States, particularly in the artistic circle centered at
Philadelphia's PAFA, moving away from the "Grand Style" of the first part of the 19th century. John Boyle, "authentic in his rude strength," was among those active in this form.
236:). Although he returned to the United States to secure commissions ~1880, he continued to show his works in Paris, joining company with the generation of Philadelphia artists who moved back and forth between Europe and the United States during this period.
714:
580:
293:
651:
806:
985:
Art, Pennsylvania
Academy of the Fine Arts Museum of American; Pa.), Museum of American Art (Philadelphia; James-Gadzinski, Susan; Cunningham, Mary Mullen; Mott, Jacolyn A.; Bantel, Linda (1997).
39:
1325:
721:
482:
335:
1384:
673:
1394:
1239:
787:
695:
151:
in the last decades of the 19th century, known for his large-scale figurative bronzes in public settings, and, particularly, his portraiture of Native
Americans.
627:
322:
The success of Boyle's work in this venue cemented his reputation as a sculptor for
American ideals, leading to commissions in Washington in the newly built
1379:
1374:
876:
766:
1085:
942:
1404:
1285:
348:
1399:
996:
602:
269:
in
Chicago, was intended to commemorate local Ottawa tribes, as part of a monument which originally included four bas-relief panels entitled
248:
175:
102:
1059:
818:
358:
174:
Boyle attended public schools in Philadelphia, then served an apprenticeship as a stone-cutter. In 1872, he began studying art at the
1389:
303:
229:
183:
167:
prior to his first birthday. After his father's death in 1857, Boyle's remaining family, in straitened circumstances, moved to
105:
1333:
773:
542:
491:
1341:
813:
564:
353:
1111:
1278:
20:
726:
536:
487:
402:
233:
225:
186:
in Paris for three years, returning to the United States and marrying Elizabeth Carroll in Philadelphia in 1882.
665:
453:
393:
1089:
741:
523:
510:
343:
285:
on its base (these original panels were stolen in the 1960s and replaced with sand-blasted reproductions).
1271:
778:
661:
590:
586:
547:
449:
310:
917:
949:. Vol. LXIX, new series XLVII (Nov 1904 - Apr 1905). New York: The Century Company. pp. 723–4.
342:
for the Philadelphia Post office followed (1896–1899), followed by an invitation to participate in the
1369:
1364:
1317:
960:
634:
431:
247:
This was a period of many firsts for American artists. Boyle would become known for his portraits of
205:
347:
Philadelphia, and the National Arts Club and was still actively at work on a public project for the
705:
683:
475:
462:
323:
1258:
1063:
1309:
1179:
1043:
992:
870:
609:
527:
514:
415:
339:
262:
257:
125:
988:
American Sculpture in the Museum of American Art of the Pennsylvania Academy of the Fine Arts
986:
896:
687:
466:
362:
401:
Boyle spent the last years of his life in New York City. In 1910, he was elected into the
1166:
1145:
840:
326:
building (figures of Sir Francis Bacon and Plato, bronze, 1894–1896) in Washington, D.C.
209:, completed in 1887 and now on display at the Ellen Philips Memorial Sculpture Garden in
797:
745:
639:
557:
436:
315:
221:
199:
1358:
1016:
865:
378:
217:
179:
160:
66:
841:"John Joseph Boyle - Artist, Fine Art Prices, Auction Records for John Joseph Boyle"
643:
614:
440:
421:
266:
210:
168:
164:
148:
1215:
240:
1086:"Public Art in Chicago: Lincoln Park [Indian Alarm - by John J. Boyle]"
216:
Boyle's time in Paris established him as a successful, medaled ornament to the
1060:"National Academicians | National Academy | National Academy Museum"
381:
on February 10, 1917. Behests by his wife to the PAFA in his memory included
1115:
495:
374:
147:(January 12, 1851 – February 10, 1917) was an American sculptor active in
1017:"American Sculpture at the World's Columbian Exposition, Chicago, 1893"
991:. Museum of American Art of the Pennsylvania Academy of the Fine Arts.
880:. Vol. 4 (11th ed.). Cambridge University Press. p. 354.
618:
425:
869:
297:
Statuary, Transportation Building, 1893 Columbian Exposition, Chicago
392:
292:
252:
198:
1263:
385:
a bronze statue of a Native American subject completed in 1887.
1267:
1259:
http://www.arcadja.com/auctions/en/boyle_john_j_/artist/132914/
163:
in 1851 to Samuel Boyle and Katharine McCauley. They moved to
1203:
503:(1900) at the University of Pennsylvania in Philadelphia
182:
and other faculty. Beginning in 1877, he studied at the
898:
The National Cyclopedia of American Biography ... V.1-
901:. Vol. XIII. J. T. White. 1906. pp. 73–74.
251:, bolstered by an 1880 two month domicile among the
1301:
1048:. The American Federation of the Arts. p. 320.
302:participate in the Chicago World Fair of 1893 (the
134:
119:
111:
98:
90:
74:
55:
30:
1023:. Series:Heilbrunn Timeline of Art History; Essays
568:(1911–1914) at Franklin Square in Washington, D.C.
490:in Philadelphia. A replica was exhibited at the
943:"Philadelphia's Contributions to American Art"
1279:
961:"The Alarm | Artwork | Chicago Park District"
8:
1395:Pennsylvania Academy of the Fine Arts alumni
1112:"FPAA: Discover Public Art in Philadelphia!"
1385:American alumni of the École des Beaux-Arts
1286:
1272:
1264:
27:
397:John J. Boyle, 1914 (Library of Congress)
1216:"Rebecca Darby Smith 2814 by Mister Max"
758:The Savage Age in the Western Hemisphere
754:The Savage Age in the Eastern Hemisphere
658:Tammany, 42nd New York Infantry Memorial
535:(1907) at the James V. Brown Library in
520:The Savage Age in the Western Hemisphere
507:The Savage Age in the Eastern Hemisphere
446:Tammany, 42nd New York Infantry Memorial
947:Century Illustrated Monthly Magazine ..
832:
576:
19:For other people named John Boyle, see
232:being the visual arts division of the
239:By the mid to late 19th century, the
103:Pennsylvania Academy of the Fine Arts
7:
1010:
1008:
936:
934:
912:
910:
908:
891:
889:
887:
1240:"Commodore John Barry, (sculpture)"
1042:Levy, Florence Nightingale (1917).
1380:20th-century American male artists
1375:19th-century American male artists
288:
14:
1045:American Art Directory, Volume 14
365:, when he died in February 1917.
805:
786:
765:
734:
713:
694:
672:
650:
626:
601:
579:
38:
1405:Sculptors from New York (state)
1:
492:1904 Saint Louis World's Fair
314:sculptural decoration of the
45:
16:American sculptor (1851–1917)
1400:Sculptors from New York City
941:Morris, Harrison S. (1905).
965:www.chicagoparkdistrict.com
21:John Boyle (disambiguation)
1421:
727:University of Pennsylvania
537:Williamsport, Pennsylvania
488:University of Pennsylvania
403:National Academy of Design
289:World's Fair Participation
203:Boyle's bronze sculpture,
44:An illustration of Boyle,
18:
1169:from Library of Congress.
1148:from Library of Congress.
171:to live with relatives.
37:
666:Gettysburg, Pennsylvania
454:Gettysburg, Pennsylvania
405:as an Associate member.
155:Early life and education
1390:American male sculptors
1184:atthefair.homestead.com
1015:Tollis, Thayer (2016).
877:Encyclopædia Britannica
742:Pan-American Exposition
524:Pan-American Exposition
511:Pan-American Exposition
501:Bust of Charles Lenning
344:Pan-American Exposition
226:Académie des Beaux-Arts
1334:John Christian Bullitt
1204:James V. Brown Library
1165:April 6, 2012, at the
1144:April 6, 2012, at the
918:"John Boyle, sculptor"
871:"Boyle, John J."
774:John Christian Bullitt
662:Gettysburg Battlefield
591:Philadelphia City Hall
587:John Christian Bullitt
543:John Christian Bullitt
533:Bust of James V. Brown
450:Gettysburg Battlefield
398:
311:Augustus Saint-Gaudens
298:
213:
178:, taking classes with
396:
296:
202:
1342:Commodore John Barry
1318:Stone Age in America
927:. February 11, 1917.
814:Commodore John Barry
635:Stone Age in America
565:Commodore John Barry
432:Stone Age in America
357:, now on display in
354:Commodore John Barry
304:Columbian Exposition
206:Stone Age in America
184:École des Beaux Arts
106:École des Beaux Arts
821:in Washington, D.C.
794:Rebecca at the Well
752:is center. Boyle's
725:(1896–1899) at the
708:in Washington, D.C.
706:Library of Congress
704:(1894–1896) at the
684:Library of Congress
682:(1894–1896) at the
554:Rebecca at the Well
486:(1896–1899) at the
478:in Washington, D.C.
476:Library of Congress
474:(1894–1896) at the
463:Library of Congress
461:(1894–1896) at the
324:Library of Congress
85:New York City, U.S.
1092:on August 13, 2011
925:The New York Times
399:
299:
261:, commissioned by
214:
159:Boyle was born in
1352:
1351:
1326:Benjamin Franklin
1138:Sir Francis Bacon
1066:on March 14, 2016
1021:www.metmuseum.org
998:978-0-295-97692-1
722:Benjamin Franklin
680:Sir Francis Bacon
528:Buffalo, New York
515:Buffalo, New York
483:Benjamin Franklin
459:Sir Francis Bacon
340:Benjamin Franklin
309:Artistic advisor
241:Romantic Movement
142:
141:
138:Elizabeth Carroll
78:February 10, 1917
60:John Joseph Boyle
1412:
1288:
1281:
1274:
1265:
1246:
1237:
1231:
1230:
1228:
1226:
1212:
1206:
1201:
1195:
1194:
1192:
1190:
1180:"Sculpture- Hub"
1176:
1170:
1155:
1149:
1134:
1128:
1127:
1125:
1123:
1114:. Archived from
1108:
1102:
1101:
1099:
1097:
1088:. Archived from
1082:
1076:
1075:
1073:
1071:
1062:. Archived from
1056:
1050:
1049:
1039:
1033:
1032:
1030:
1028:
1012:
1003:
1002:
982:
976:
975:
973:
971:
957:
951:
950:
938:
929:
928:
922:
914:
903:
902:
893:
882:
881:
873:
862:
856:
855:
853:
851:
837:
809:
790:
769:
738:
717:
698:
688:Washington, D.C.
676:
654:
630:
605:
583:
467:Washington, D.C.
418:, (Indian Alarm)
373:Boyle died from
363:Washington, D.C.
255:in the Dakotas.
249:Native Americans
122:
81:
63:January 12, 1851
50:
47:
42:
28:
1420:
1419:
1415:
1414:
1413:
1411:
1410:
1409:
1355:
1354:
1353:
1348:
1297:
1292:
1255:
1250:
1249:
1238:
1234:
1224:
1222:
1214:
1213:
1209:
1202:
1198:
1188:
1186:
1178:
1177:
1173:
1167:Wayback Machine
1156:
1152:
1146:Wayback Machine
1135:
1131:
1121:
1119:
1118:on May 19, 2011
1110:
1109:
1105:
1095:
1093:
1084:
1083:
1079:
1069:
1067:
1058:
1057:
1053:
1041:
1040:
1036:
1026:
1024:
1014:
1013:
1006:
999:
984:
983:
979:
969:
967:
959:
958:
954:
940:
939:
932:
920:
916:
915:
906:
895:
894:
885:
864:
863:
859:
849:
847:
839:
838:
834:
829:
822:
819:Franklin Square
817:(1911–1914) at
810:
801:
800:in Philadelphia
791:
782:
781:in Philadelphia
770:
761:
750:Fountain of Man
739:
730:
729:in Philadelphia
718:
709:
699:
690:
677:
668:
655:
646:
631:
622:
606:
597:
584:
575:
560:in Philadelphia
550:in Philadelphia
411:
391:
377:at his home in
371:
359:Franklin Square
349:U.S. government
332:
291:
220:, the official
197:
192:
157:
120:
86:
83:
79:
70:
64:
62:
61:
51:
48:
33:
24:
17:
12:
11:
5:
1418:
1416:
1408:
1407:
1402:
1397:
1392:
1387:
1382:
1377:
1372:
1367:
1357:
1356:
1350:
1349:
1347:
1346:
1338:
1330:
1322:
1314:
1305:
1303:
1299:
1298:
1293:
1291:
1290:
1283:
1276:
1268:
1262:
1261:
1254:
1253:External links
1251:
1248:
1247:
1232:
1207:
1196:
1171:
1150:
1129:
1103:
1077:
1051:
1034:
1004:
997:
977:
952:
930:
904:
883:
868:, ed. (1911).
866:Chisholm, Hugh
857:
845:www.askart.com
831:
830:
828:
825:
824:
823:
811:
804:
802:
798:Fairmount Park
792:
785:
783:
771:
764:
762:
746:Charles Grafly
740:
733:
731:
719:
712:
710:
700:
693:
691:
678:
671:
669:
656:
649:
647:
640:Fairmount Park
632:
625:
623:
607:
600:
598:
585:
578:
574:
571:
570:
569:
561:
558:Fairmount Park
551:
539:
530:
522:(1901) at the
517:
509:(1901) at the
504:
498:
479:
469:
456:
443:
437:Fairmount Park
428:
410:
409:Selected works
407:
390:
387:
370:
367:
331:
328:
316:Louis Sullivan
290:
287:
275:The Corn Dance
271:The Peace Pipe
263:Martin Ryerson
228:in Paris (the
222:art exhibition
196:
193:
191:
188:
156:
153:
140:
139:
136:
132:
131:
123:
117:
116:
113:
112:Known for
109:
108:
100:
96:
95:
92:
88:
87:
84:
82:(aged 66)
76:
72:
71:
65:
59:
57:
53:
52:
43:
35:
34:
31:
15:
13:
10:
9:
6:
4:
3:
2:
1417:
1406:
1403:
1401:
1398:
1396:
1393:
1391:
1388:
1386:
1383:
1381:
1378:
1376:
1373:
1371:
1368:
1366:
1363:
1362:
1360:
1344:
1343:
1339:
1336:
1335:
1331:
1328:
1327:
1323:
1320:
1319:
1315:
1312:
1311:
1307:
1306:
1304:
1300:
1296:
1295:John J. Boyle
1289:
1284:
1282:
1277:
1275:
1270:
1269:
1266:
1260:
1257:
1256:
1252:
1245:
1241:
1236:
1233:
1225:September 11,
1221:
1217:
1211:
1208:
1205:
1200:
1197:
1189:September 11,
1185:
1181:
1175:
1172:
1168:
1164:
1161:
1160:
1154:
1151:
1147:
1143:
1140:
1139:
1133:
1130:
1117:
1113:
1107:
1104:
1091:
1087:
1081:
1078:
1065:
1061:
1055:
1052:
1047:
1046:
1038:
1035:
1022:
1018:
1011:
1009:
1005:
1000:
994:
990:
989:
981:
978:
966:
962:
956:
953:
948:
944:
937:
935:
931:
926:
919:
913:
911:
909:
905:
900:
899:
892:
890:
888:
884:
879:
878:
872:
867:
861:
858:
850:September 11,
846:
842:
836:
833:
826:
820:
816:
815:
808:
803:
799:
795:
789:
784:
780:
776:
775:
768:
763:
759:
755:
751:
747:
743:
737:
732:
728:
724:
723:
716:
711:
707:
703:
697:
692:
689:
685:
681:
675:
670:
667:
663:
659:
653:
648:
645:
641:
637:
636:
629:
624:
620:
616:
612:
611:
604:
599:
596:
595:John J. Boyle
592:
589:sculpture on
588:
582:
577:
572:
567:
566:
562:
559:
555:
552:
549:
545:
544:
540:
538:
534:
531:
529:
525:
521:
518:
516:
512:
508:
505:
502:
499:
497:
493:
489:
485:
484:
480:
477:
473:
470:
468:
464:
460:
457:
455:
451:
447:
444:
442:
438:
434:
433:
429:
427:
423:
419:
417:
413:
412:
408:
406:
404:
395:
388:
386:
384:
380:
379:New York City
376:
368:
366:
364:
360:
356:
355:
350:
345:
341:
337:
329:
327:
325:
320:
317:
312:
307:
305:
295:
286:
284:
280:
276:
272:
268:
264:
260:
259:
254:
250:
245:
242:
237:
235:
231:
227:
223:
219:
212:
208:
207:
201:
194:
189:
187:
185:
181:
180:Thomas Eakins
177:
172:
170:
166:
162:
161:New York City
154:
152:
150:
146:
145:John J. Boyle
137:
133:
130:
128:
124:
118:
114:
110:
107:
104:
101:
97:
93:
89:
77:
73:
68:
67:New York City
58:
54:
41:
36:
32:John J. Boyle
29:
26:
22:
1340:
1332:
1324:
1316:
1308:
1294:
1243:
1235:
1223:. Retrieved
1219:
1210:
1199:
1187:. Retrieved
1183:
1174:
1158:
1153:
1137:
1132:
1120:. Retrieved
1116:the original
1106:
1094:. Retrieved
1090:the original
1080:
1070:November 26,
1068:. Retrieved
1064:the original
1054:
1044:
1037:
1025:. Retrieved
1020:
987:
980:
968:. Retrieved
964:
955:
946:
924:
897:
875:
860:
848:. Retrieved
844:
835:
812:
793:
772:
757:
753:
749:
720:
701:
679:
657:
644:Philadelphia
633:
615:Lincoln Park
610:Indian Alarm
608:
594:
563:
553:
541:
532:
519:
506:
500:
481:
471:
458:
445:
441:Philadelphia
430:
422:Lincoln Park
414:
400:
382:
372:
352:
333:
330:Public works
321:
308:
300:
282:
278:
274:
270:
267:Lincoln Park
256:
246:
238:
215:
211:Philadelphia
204:
173:
169:Philadelphia
165:Pennsylvania
158:
149:Philadelphia
144:
143:
126:
121:Notable work
80:(1917-02-10)
25:
1370:1917 deaths
1365:1851 births
1345:(1911–1914)
1329:(1896–1899)
1027:January 14,
970:January 14,
195:Paris Salon
91:Nationality
49: 1906
1359:Categories
1302:Sculptures
827:References
796:(1908) at
777:(1907) at
660:(1891) at
638:(1887) at
621:, Illinois
613:(1884) at
556:(1908) in
546:(1907) at
1310:The Alarm
1122:April 18,
1096:April 18,
779:City Hall
760:is right.
756:is left;
548:City Hall
496:St. Louis
416:The Alarm
383:Tired out
375:pneumonia
258:The Alarm
127:The Alarm
115:Sculpture
99:Education
1163:Archived
1142:Archived
744:(1901).
448:(1891),
435:(1887),
420:(1884),
334:Boyle's
283:The Hunt
279:Forestry
234:Académie
94:American
619:Chicago
573:Gallery
426:Chicago
224:of the
1337:(1907)
1321:(1887)
1313:(1884)
995:
389:Legacy
336:statue
190:Career
135:Spouse
129:(1884)
69:, U.S.
1244:SIRIS
1220:PBase
1159:Plato
921:(PDF)
702:Plato
472:Plato
369:Death
253:Sioux
230:École
218:Salon
1227:2018
1191:2018
1124:2011
1098:2011
1072:2013
1029:2022
993:ISBN
972:2022
852:2018
281:and
265:for
176:PAFA
75:Died
56:Born
748:'s
686:in
664:in
642:in
617:in
593:by
526:in
513:in
494:in
465:in
452:in
439:in
424:in
361:in
338:of
306:).
1361::
1242:.
1218:.
1182:.
1019:.
1007:^
963:.
945:.
933:^
923:.
907:^
886:^
874:.
843:.
351:,
277:,
273:,
46:c.
1287:e
1280:t
1273:v
1229:.
1193:.
1126:.
1100:.
1074:.
1031:.
1001:.
974:.
854:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
