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356:; however, the melancholic pavans, meditative fantasias and vigorous allemands of Jenkins are closer in era, antique style and temperament, to his Norfolk contemporary than Bach. Jenkins may even have socially met or performed in the presence of Browne while employed in his retirement years by Sir
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341:; indeed, Jenkins's music was more conservative than that of many of his contemporaries. It is characterised by a sensuous lyricism, highly skilled craftsmanship, and an original usage of tonality and counterpoint.
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he was certainly a happy person,....of an easy temper, superior in his profession, well accepted by all, knew no want, saw himself outrun by the world, and having lived a good
Christian, died in peace
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Little is known of his early life. The son of Henry
Jenkins, a carpenter who occasionally made musical instruments, he may have been the "Jack Jenkins" employed in the household of
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Tho' he for many years was incapable to attend, the Court musicians had so much value for him, that advantage was not taken, but he received his salary as they were paid
137:, in the absence of much competition or organised music-making, that Jenkins took the occasion to write more than 70 suites for amateur household players.
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broke out in 1642 it forced
Jenkins, like many others, to migrate to the rural countryside. During the 1640s he was employed as music-master to two
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he obtained a place as a musician to the Royal Court. Although the viol consort was less fashionable in the court of king
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352:'s Orchestral Suites No. 3 and No. 4 in D major (BWV 1068–69) recalled the sensibility of the physician-philosopher Sir
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depicting the clash of opposing sides, the mourning for the dead and the celebration of victory after the siege of
171:, he was a pious, reticent, and private person. Workmanlike and industrious in composition, he wrote dances
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in
Cambridgeshire, whose son Roger wrote his biography. It was in these years, during the Commonwealth under
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in 1603. The first positive historical record of
Jenkins is amongst the musicians who performed the
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Jenkins was a long-active and prolific composer whose many years of life, spanning the time from
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Geoffrey Keynes (ed.), The Works of Sir Thomas Browne (London: Faber & Faber, 1964), 4 vols.
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Something of
Jenkins's own temperament is indicated by his setting the religious poetry of
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297:, being influenced in the 1630s by an earlier generation of English composers including
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Pavan Ă 6 in F, VdGS No.2, Oxford. Bodleian
Library, Mus.Sch. c.83, II/2 (ca.1667)
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66:. Charles commented that Jenkins did "wonders on an inconsiderable instrument."
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The
Consort Music of William Lawes, 1602–1645, John Patrick Cunningham, page 184
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290:, witnessed great changes in English music. He is noted for developing the
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All in a Garden Green: Pavan, Newarke Seidge, 4-Part Ayres, Fantasia-Suite
870:(Subscription ed.). Canterbury: Cross & Jackman. pp. 80–81.
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Double Reed
Ensemble of New York Kammermusicker, Dorian DOR-90189 (1995)
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of
Kimberley as correspondence between Browne and Wodehouse survives.
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106:, an archaic form for a consort of viols, based upon a traditional
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Jenkins is buried in the nave of St. Peter's Church, Kimberley,
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The Mirrour and Wonder of his Age: John Jenkins Consort Music
93:(1602–1645), who was shot and died in battle at the siege of
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Six Airs: Almain, Pavane, Courante, Courante, Almain, Almain
236:
333:, and he breathed new life into the antiquated form of the
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Performed by Phillip W. Serna, Treble, Tenor & Bass
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The Consort of Music, dir. Trevor Jones, Decca (1983)
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In the 1650s Jenkins became resident music-master of
31:(1592–1678), was an English composer who was born in
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from the Viola da Gamba Society of America (VdGSA).
772:Ensemble Jérôme Hantaï, Naive-Astrée E 8895 (2004)
508:for 6 Viols (Trebles, Tenors, Basses) and Organ
491:for 6 Viols (Trebles, Tenors, Basses) and Organ
423:for 6 Viols (Trebles, Tenors, Basses) and Organ
403:for 6 Viols (Trebles, Tenors, Basses) and Organ
313:. Jenkins composed numerous 4, 5, and 6 part
8:
337:. He was less experimental than his friend
623:. London: Smith, Elder & Co. 1885–1900.
62:. Jenkins was considered a virtuoso on the
854:International Music Score Library Project
823:Fretwork, Signum SIGCD 528 (year unknown)
19:For other people named John Jenkins, see
760:Les Voix Humaines, Atma ACD2 2205 (2001)
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222:In anno seventy eight he went to Heaven.
89:. He was also a friend of the composer
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834:Fantasias in four, five, and six parts
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175:according to North, who also stated –
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697:Consort Music for Viols in Six Parts
217:Aged eighty six October twenty seven
110:theme. He wrote a notable piece of
468:Pavan and Galliard “Newarke Seidge”
207:Whom from the Earth the God on High
212:Called up to Him to bear his part.
14:
614:"Jenkins, John (1592-1678)"
197:Under this Stone Rare Jenkins lie
49:Anne Russell, Countess of Warwick
930:English male classical composers
920:17th-century classical composers
748:, Virgin 7243 5 45230 2 1 (1996)
620:Dictionary of National Biography
273:Problems playing this file? See
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100:Around 1640 Jenkins revived the
77:families, the Derham family at
935:People from Kimberley, Norfolk
925:17th-century English composers
299:Alfonso Ferrabosco the younger
1:
900:English Renaissance composers
587:Fantasy 16 (in d) for 4 Viols
570:Fantasy 15 (in C) for 4 Viols
553:Fantasy 12 (in D) for 4 Viols
536:Fantasy 09 (in c) for 4 Viols
519:Fantasy 07 (in c) for 4 Viols
451:Pavan for 4-Part Viol Consort
58:in 1634 at the court of King
21:John Jenkins (disambiguation)
844:Choral Public Domain Library
202:The Master of the Musick Art
940:17th-century male musicians
850:Free scores by John Jenkins
840:Free scores by John Jenkins
802:Music for the Viol Lyra-Way
434:Air for 4-Part Viol Consort
956:
868:Men of Kent and Kentishmen
18:
895:English Baroque composers
860:Hutchinson, John (1892).
679:, Meridian E 77020 (1978)
632:Oxford Companion to Music
383:(unless needed for title)
190:, with this inscription:
905:Musicians from Maidstone
817:Four-Part Consort Music
721:, Naxos 8.550687 (1993)
35:, Kent and who died at
706:, Astrée E 8724 (1991)
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796:Phantasm, Avie (2008)
784:Phantasm, Avie (2007)
719:Rose Consort of Viols
485:Pavan 1 “Bell” (in a)
240:
910:English viol players
863:"John Jenkins"
56:The Triumph of Peace
811:, Lyra-Viol (2014)
778:Five-Part Consorts
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915:English lutenists
790:Six-Part Consorts
634:(10th edn.). OUP.
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460:ChChMus 367-70/34
443:ChChMus 367-70/35
344:The musicologist
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167:to music. Like
131:Lord Dudley North
71:English Civil War
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809:Jonathan Dunford
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373:(key is nominal)
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358:Philip Wodehouse
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173:by the cart-load
114:consisting of a
83:Hamon le Strange
16:English composer
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348:claimed that
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704:Hespèrion XX
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677:Peter Holman
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376:Year written
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319:viol consort
292:viol consort
284:William Byrd
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169:Joseph Haydn
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79:West Dereham
68:
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29:John Jenkins
28:
27:
25:
890:1678 deaths
885:1592 births
663:Discography
474:for 4 Viols
303:Thomas Lupo
150:Roger North
142:Restoration
39:, Norfolk.
879:Categories
606:References
350:J. S. Bach
275:media help
146:Charles II
140:After the
87:Hunstanton
754:Fantasias
415:In nomine
395:In nomine
386:Cat. ref.
335:In Nomine
315:fantasias
108:plainsong
103:In Nomine
69:When the
64:lyra viol
60:Charles I
43:Biography
37:Kimberley
33:Maidstone
766:Fantazia
746:Fretwork
630:(1995).
463:VdGS 45
417:2 (in g)
397:1 (in e)
389:Remarks
327:courants
295:fantasia
126:(1646).
120:galliard
75:Royalist
856:(IMSLP)
852:at the
842:in the
511:MB39/16
494:MB39/15
446:VdGS 1
426:MB39/14
406:MB39/13
381:Scoring
331:pavanes
188:Norfolk
152:wrote:
95:Chester
323:almans
124:Newark
116:pavane
53:masque
371:Title
264:Viols
596:MB26
590:1650
579:MB26
573:1650
562:MB26
556:1650
545:MB26
539:1650
528:MB26
522:1650
505:1630
488:1630
477:MB26
471:1646
454:1650
437:1650
420:1630
400:1630
329:and
317:for
309:and
118:and
81:and
286:to
85:of
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.