513:
344:
429:
306:
362:
411:
528:
326:
498:
158:
396:
451:
466:
96:
381:
29:
483:
688:
214:
He painted many subjects like the "St John
Preaching", the "Covenant of Abraham", and the "Journey to Emmaus", in which, while the landscape is usually prominent the figures are of sufficient importance to supply the title of the work. But it is mainly in connexion with paintings of pure landscapes
218:
Linnell commanded large prices for his pictures, and about 1850 he purchased a property at
Redhill, Surrey, where he lived till his death on 20 January 1882, painting with unabated powers until within the last few years of his life. He devoted himself to painting landscapes notably of the
215:
that his name is known. His works commonly deal with some scene of typical uneventful
English landscape, which is made impressive by a gorgeous effect of sunrise or sunset. They are full of true poetic feeling, and are rich and glowing in colour.
512:
361:
410:
343:
168:
In 1808, the 16-year-old
Linnell moved into Mulready's house, whose wife had accused him of infidelity with both other women and boys. Linnell's association with Mulready may have caused the breakup of Mulready's marriage.
670:
305:
428:
737:
325:
527:
122:. He was in contact with artists from an early age, and by the age of ten was drawing and selling portraits in chalk and pencil. His first art teacher was the American-born artist
395:
172:
In 1817 Linnell married Mary Ann Palmer in
Scotland and they had nine children together including their first born, Hannah Linnell, who later married the landscape painter
701:
497:
450:
727:
992:
465:
157:
957:
848:
805:
766:
747:
380:
967:
977:
312:
203:. At first he supported himself mainly by miniature painting and execution of larger portraits, such as the likenesses of Mulready,
972:
706:
982:
739:
The
Clairmont correspondence : letters of Claire Clairmont, Charles Clairmont, and Fanny Imlay Godwin. Volume 1: 1080-1834
962:
488:
987:
20:
420:
131:
243:. He gave him the two largest commissions he received for single series of designs—£150 for drawings and engravings of
472:
335:
789:
456:
95:
482:
533:
908:
838:
631:
255:
143:
127:
72:
736:
Clairmont, Clara Mary Jane; Clairmont, Charles; Godwin, Fanny Imlay; Stocking, Marion
Kingston (1995).
952:
947:
263:
139:
84:
880:
858:
997:
928:
797:
236:
782:
28:
890:
868:
844:
811:
801:
762:
743:
503:
192:
180:
68:
52:
721:
635:
135:
784:
English
Drawings and Watercolors, 1550-1850: In the Collection of Mr. and Mrs. Paul Mellon
274:
232:
204:
918:
884:
862:
547:
518:
248:
208:
191:, and, in 1840, superintending the issue of a selection of plates from the pictures in
188:
60:
150:, where he obtained medals for drawing, modelling and sculpture. He was trained as an
941:
716:
692:
240:
173:
147:
123:
80:
76:
924:
656:
609:
John
Linnell - A Centennial Exhibition, Fitzwilliam Museum, Cambridge catalogue 1982
282:
777:
317:
184:
285:
sculpture of a man posed in imitation of the ancient Roman sculpture known as the
793:
353:
278:
259:
220:
64:
894:
872:
697:
286:
111:
56:
671:"Oil Painting | William Linnell | Travellers in a Wooded Landscape"
932:
267:
224:
200:
44:
270:. The plaque mentions that William Blake stayed with Linnell as his guest.
151:
48:
119:
912:
196:
115:
720:
691: This article incorporates text from a publication now in the
277:(1826-1906) was also an artist most noted for his 1840 drawing of
228:
156:
94:
27:
815:
597:
43:(16 June 1792 – 20 January 1882) was an English
546:
Linnell has over 150 oil paintings in public ownership in the
211:. Several of his portraits he engraved in line and mezzotint.
239:. Linnell was one of the best friends and kindest patrons of
632:"Linnell, John (1792-1882) & Blake, William (1757-1827)"
154:, and executed a transcript of Varley's "Burial of Saul."
566:
235:. He also published several pamphlets and treatises of
581:
579:
577:
575:
146:
and others. In 1805 he was admitted to study at the
118:on 16 June 1792, where his father was a carver and
781:
126:, and he spent a year in the house of the painter
63:. He had a taste for Northern European art of the
183:, publishing, in 1833, a series of outlines from
889:. Vol. 2. London: Richard Bentley and Son.
867:. Vol. 1. London: Richard Bentley and Son.
759:The great age of British watercolours: 1750-1880
179:In later life Linnell occupied himself with the
227:. His leisure was occupied with a study of the
138:were also pupils, and made the acquaintance of
79:, to whom he introduced the painter and writer
710:. Vol. 33. London: Smith, Elder & Co.
742:. Baltimore: Johns Hopkins University Press.
71:. He also associated with the amateur artist
8:
731:(11th ed.). Cambridge University Press.
618:
247:, and a like sum for those illustrative of
843:. Cambridge: Cambridge University Press.
19:For other people named John Linnell, see
585:
559:
446:
301:
262:commemorates Linnell at Old Wyldes' at
840:John Linnell, a centennial exhibition
567:Baskett, Snelgrove & Egerton 1972
7:
757:Wilton, Andrew; Lyles, Anne (1993).
776:Baskett, John; Snelgrove, Dudley;
374:1827), Yale Center for British Art
14:
993:19th-century English male artists
368:The Rest on the Flight into Egypt
245:The Inventions to the Book of Job
707:Dictionary of National Biography
686:
526:
511:
496:
481:
464:
449:
427:
417:The Prophet Balaam and the Angel
409:
394:
379:
360:
342:
324:
304:
199:landscape, which he engraved in
657:"The True Story of Smugglerius"
254:He was a friend of the painter
32:Self-portrait of John Linnell (
1:
958:19th-century English painters
371:
103:
33:
21:John Linnell (disambiguation)
909:Artworks by or after Linnell
421:Museum of Fine Arts, Houston
473:Portrait of Sir Robert Peel
336:Yale Center for British Art
1014:
968:English landscape painters
796:(1st ed.). New York:
59:and a rival to the artist
18:
16:British artist (1792–1882)
978:English portrait painters
837:Cruan, Katharine (1982).
110:John Linnell was born in
925:The John Linnell Archive
886:The life of John Linnell
864:The life of John Linnell
973:English watercolourists
790:Pierpont Morgan Library
728:Encyclopædia Britannica
619:Wilton & Lyles 1993
983:People from Bloomsbury
534:Augustus Wall Callcott
313:Kensington Gravel Pits
165:
107:
37:
963:English male painters
722:"Linnell, John"
598:Clairmont et al. 1995
435:Reapers, Noonday Rest
256:Edward Thomas Daniell
160:
98:
73:Edward Thomas Daniell
31:
988:Painters from London
881:Story, Alfred Thomas
859:Story, Alfred Thomas
800:. pp. 132–133.
437:(1865), Tate Britain
404:(1858), Tate Britain
389:(1853), Tate Britain
761:. Munich: Prestel.
187:'s frescoes in the
929:Fitzwilliam Museum
659:. 8 December 2012.
237:Biblical criticism
166:
108:
38:
850:9-780-52124-737-5
807:978-0-87598-035-5
768:9-783-79131-879-0
749:9-780-80184-633-5
504:William Coningham
233:original language
195:, one of them, a
193:Buckingham Palace
53:landscape painter
1005:
898:
876:
854:
826:
824:
822:
798:Harper & Row
787:
772:
753:
732:
724:
711:
690:
689:
675:
674:
667:
661:
660:
653:
647:
646:
644:
642:
636:English Heritage
628:
622:
616:
610:
607:
601:
595:
589:
583:
570:
564:
530:
515:
500:
485:
468:
453:
431:
413:
398:
383:
373:
364:
346:
328:
308:
162:View in Dovedale
136:William Mulready
105:
35:
1013:
1012:
1008:
1007:
1006:
1004:
1003:
1002:
938:
937:
921:(ArtCyclopedia)
905:
879:
857:
851:
836:
833:
831:Further reading
820:
818:
808:
775:
769:
756:
750:
735:
715:
700:, ed. (1893). "
696:
687:
684:
679:
678:
669:
668:
664:
655:
654:
650:
640:
638:
630:
629:
625:
617:
613:
608:
604:
596:
592:
584:
573:
565:
561:
556:
544:
537:
531:
522:
516:
507:
501:
492:
486:
477:
469:
460:
457:William Collins
454:
445:
438:
432:
423:
414:
405:
399:
390:
384:
375:
365:
356:
350:Kingsey Village
347:
338:
329:
320:
309:
300:
295:
275:William Linnell
273:His eldest son
205:Richard Whately
93:
67:, particularly
24:
17:
12:
11:
5:
1011:
1009:
1001:
1000:
995:
990:
985:
980:
975:
970:
965:
960:
955:
950:
940:
939:
936:
935:
922:
919:Linnell online
916:
904:
903:External links
901:
900:
899:
877:
855:
849:
832:
829:
828:
827:
806:
773:
767:
754:
748:
733:
719:, ed. (1911).
717:Chisholm, Hugh
683:
680:
677:
676:
662:
648:
623:
621:, p. 339.
611:
602:
590:
571:
569:, p. 132.
558:
557:
555:
552:
548:United Kingdom
543:
540:
539:
538:
532:
525:
523:
519:Thomas Carlyle
517:
510:
508:
502:
495:
493:
487:
480:
478:
470:
463:
461:
455:
448:
444:
441:
440:
439:
433:
426:
424:
415:
408:
406:
400:
393:
391:
385:
378:
376:
366:
359:
357:
348:
341:
339:
330:
323:
321:
310:
303:
299:
296:
294:
291:
281:, which is an
249:Dante Aligheri
209:Thomas Carlyle
189:Sistine Chapel
92:
89:
83:and others of
69:Albrecht DĂĽrer
61:John Constable
15:
13:
10:
9:
6:
4:
3:
2:
1010:
999:
996:
994:
991:
989:
986:
984:
981:
979:
976:
974:
971:
969:
966:
964:
961:
959:
956:
954:
951:
949:
946:
945:
943:
934:
930:
926:
923:
920:
917:
914:
910:
907:
906:
902:
896:
892:
888:
887:
882:
878:
874:
870:
866:
865:
860:
856:
852:
846:
842:
841:
835:
834:
830:
817:
813:
809:
803:
799:
795:
791:
786:
785:
779:
778:Egerton, Judy
774:
770:
764:
760:
755:
751:
745:
741:
740:
734:
730:
729:
723:
718:
714:
713:
712:
709:
708:
703:
702:Linnell, John
699:
694:
693:public domain
681:
672:
666:
663:
658:
652:
649:
637:
633:
627:
624:
620:
615:
612:
606:
603:
599:
594:
591:
587:
586:Chisholm 1911
582:
580:
578:
576:
572:
568:
563:
560:
553:
551:
549:
541:
535:
529:
524:
520:
514:
509:
505:
499:
494:
490:
489:Thomas Baring
484:
479:
475:
474:
467:
462:
458:
452:
447:
442:
436:
430:
425:
422:
418:
412:
407:
403:
397:
392:
388:
387:The Last Load
382:
377:
369:
363:
358:
355:
351:
345:
340:
337:
333:
327:
322:
319:
316:(1811–1812),
315:
314:
307:
302:
297:
292:
290:
288:
284:
280:
276:
271:
269:
265:
261:
257:
252:
250:
246:
242:
241:William Blake
238:
234:
230:
226:
225:Kentish Weald
222:
216:
212:
210:
206:
202:
198:
194:
190:
186:
182:
177:
175:
174:Samuel Palmer
170:
163:
159:
155:
153:
149:
148:Royal Academy
145:
141:
137:
133:
129:
125:
124:Benjamin West
121:
117:
113:
101:
97:
91:Life and work
90:
88:
86:
82:
81:Samuel Palmer
78:
77:William Blake
74:
70:
66:
62:
58:
54:
50:
46:
42:
30:
26:
22:
911: at the
885:
863:
839:
819:. Retrieved
783:
758:
738:
726:
705:
685:
665:
651:
639:. Retrieved
626:
614:
605:
600:, p. 4.
593:
562:
545:
471:
434:
416:
402:Harvest Moon
401:
386:
367:
349:
331:
318:Tate Britain
311:
272:
253:
244:
217:
213:
185:Michelangelo
178:
171:
167:
161:
132:William Hunt
109:
99:
85:the Ancients
41:John Linnell
40:
39:
25:
953:1882 deaths
948:1792 births
794:Paul Mellon
698:Lee, Sidney
354:Calke Abbey
332:In Dovedale
279:Smugglerius
260:blue plaque
221:North Downs
207:, Peel and
128:John Varley
75:, and with
65:Renaissance
55:. He was a
942:Categories
895:1048309161
873:1048309161
821:17 October
554:References
298:Landscapes
287:Dying Gaul
112:Bloomsbury
57:naturalist
998:Engravers
933:Cambridge
443:Portraits
268:Hampstead
264:North End
201:mezzotint
883:(1892).
861:(1892).
816:77190656
780:(1972).
641:14 March
419:(1859),
352:(1826),
334:(1814),
152:engraver
130:, where
49:portrait
45:engraver
927:at the
695::
682:Sources
293:Gallery
283:écorché
231:in the
140:Shelley
913:Art UK
893:
871:
847:
814:
804:
765:
746:
542:Legacy
536:(1847)
521:(1844)
506:(1842)
491:(1842)
476:(1838)
459:(1831)
197:Titian
164:(1815)
144:Godwin
120:gilder
116:London
47:, and
229:Bible
181:burin
106:1860)
100:Wheat
36:1860)
915:site
891:OCLC
869:OCLC
845:ISBN
823:2023
812:LCCN
802:ISBN
792:and
763:ISBN
744:ISBN
643:2022
258:. A
223:and
134:and
51:and
704:".
944::
931:,
810:.
788:.
725:.
634:.
574:^
550:.
372:c.
289:.
266:,
251:.
176:.
142:,
114:,
104:c.
87:.
34:c.
897:.
875:.
853:.
825:.
771:.
752:.
673:.
645:.
588:.
370:(
102:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
