222:, he studied with Kenneth Hayes Miller and Thomas Hart Benton. Benton’s sinewy anatomical style influenced McCrady’s work, while Miller introduced McCrady to a multistage technique used to paint oil transparencies over a tempera underpainting—a technique McCrady continued for the rest of his life. McCrady developed a style influenced by the
264:, a communist paper, calling his work “a flagrant example of racial chauvinism.” Shocked by these comments, McCrady drew back his artistic production for a decade. When he resumed his work he focused less attention to African American communities and concentrated on rural life,
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146:. McCrady went on to become one of the best-known twentieth-century southern artists and was known for depicting scenes from the South, particularly images of southern African Americans. He also founded the McCrady Art School in 1942 on
218:. McCrady took courses at the New Orleans Art School in 1932. McCrady won a scholarship in 1933 to the Art Students League of New York after submitting "Portrait of a Negro" a portrait of an African American man. In
186:. In 1938 McCrady married Mary Basso, a classmate from the New Orleans School of Art. They had a daughter three years later. In 1942 he opened the John McCrady School of Art; his students included Alan Flattmann,
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to experiment with lithography. Under her direction, McCrady produced four silkscreens to aid the war effort. He produced only 9 lithographs in his career.
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178:. At 21 John McCrady left Mississippi and studied at the Arts and Crafts Club of New Orleans School of Art. He also studied at the
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movement; he often painted the religious and social life of
African-Americans and, received positive reviews for his work.
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McCrady's father was an
Episcopal minister named Edward McCrady, and his mother was Mary Ormond Tucker. They lived in
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In 1942 McCrady made a series of war posters for the
Graphic Section of the War Services Office, which was under the
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when he suddenly died. He had been diagnosed with cancer three weeks prior. Collections of his work are in the
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maintains some of McCrady’s papers, as well as the records of the John McCrady School of Art.
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in 1939 “to paint the life and faith of the southern Negro.” In 1940 he joined the
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in 1921 when Edward McCrady accepted a position to teach philosophy at the
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and created murals for other federal buildings. He earned a
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for his "Portrait of a Negro," McCrady studied art with
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School of Art. From 1930 to 1932 McCrady attended the
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122:(September 11, 1911 – December 24, 1968) was a
206:At twenty-one John McCrady studied art at the
237:in the Amory, Mississippi post office titled
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126:painter and printmaker. McCrady was born in
260:. In 1946 McCrady received criticism from
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134:. After winning a scholarship from the
543:Art Students League of New York alumni
275:In 1949 he received a grant from the
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277:American Academy of Arts and Letters
208:Arts and Crafts Club of New Orleans
578:20th-century American male artists
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216:Pennsylvania Academy of Fine Arts
297:University of Mississippi Museum
563:People from Canton, Mississippi
301:Historic New Orleans Collection
180:Art Students League of New York
136:Art Students League of New York
108:Art Students League of New York
79:Art Students League of New York
553:20th-century American painters
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258:Works Progress Administration
235:Treasury Section of Fine Arts
247:Associated American Artists
85:, New Orleans School of Art
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184:University of Pennsylvania
573:Painters from Mississippi
333:Robert E. Lee and Natchez
328:The Shooting of Huey Long
249:and he was encouraged by
239:Amory, Mississippi, 1889
212:University of Mississippi
176:University of Mississippi
83:University of Mississippi
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548:Artists from New Orleans
435:"John McCrady Biography"
323:Swing Low, Sweet Chariot
214:and took courses at the
568:Painters from Louisiana
558:American male painters
414:The Johnson Collection
293:Louisiana State Museum
289:Saint Louis Art Museum
164:Greenwood, Mississippi
130:and was raised in the
285:Georgia Museum of Art
243:Guggenheim Fellowship
196:Robert Malcolm Rucker
112:Guggenheim Fellowship
144:Kenneth Hayes Miller
445:on 14 December 2013
313:Portrait of a Negro
281:Oxford, Mississippi
231:Federal Art Project
172:Oxford, Mississippi
128:Canton, Mississippi
52:Canton, Mississippi
538:American muralists
270:The French Quarter
229:He worked for the
168:Hammond, Louisiana
140:Thomas Hart Benton
48:September 11, 1911
495:livingnewdeal.org
491:"Living New Deal"
390:on 5 January 2015
318:Frightened Horses
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66:December 24, 1968
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386:. Archived from
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357:Bonner, Judith.
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262:The Daily Worker
251:Caroline Durieux
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16:American painter
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470:. 16 June 2010
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410:"John McCrady"
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120:John McCrady
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68:(1968-12-24)
23:John McCrady
533:1911 births
528:1968 deaths
501:11 December
497:. p. 1
224:Regionalism
152:New Orleans
517:Categories
339:References
295:, and the
266:Mardi Gras
182:, and the
98:Silkscreen
44:1911-09-11
124:Louisiana
75:Education
489:Murals.
474:14 March
449:22 March
419:22 March
394:14 March
365:14 March
361:. KnowLA
94:Painting
468:"Verso"
299:. The
291:, the
287:, the
268:, and
194:, and
104:Awards
202:Works
503:2014
476:2013
451:2013
421:2013
396:2013
367:2013
158:Life
142:and
63:Died
38:Born
150:in
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
