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John Scougal

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of the William and Mary from "Mr Scougal, limner (painter) in Edinburgh," for £27 sterling, was approved. Payment for the Queen Anne was ordered to be made on 2 August 1712, to "John Scougal, elder, painter, fifteen pounds sterling."
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In the City of Glasgow collection are three full-lengths of William III, Queen Mary, and Queen Anne. Of these, Queen Mary is by far the best – well drawn, good in colour, and suggestive of the influence of
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was on the east side of the Advocates' Close, where John Scougal the painter rented or owned a house, to which he had added an upper story arranged as a studio. It stood opposite the house of
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The Glasgow Council entries indicate he had a son of the same name; Andrew Bell, the engraver, who had several of Scougal's works in his possession, married his granddaughter.
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Scougal had a very extensive practice, which latterly led him into some hasty work, said to be observable in the portrait of
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Sir Thomas Steuart of Kirkfield and Coltness, Bart, MP, (1631–1698) c.1685 (University of Edinburgh Art Collection)
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In the latter part of the seventeenth century, one of the resorts of the fashion and beauty in
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had a residence, and where several of his works were still in the
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The house of John Scougal (left) at the foot of Advocates Close
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Isabel, daughter of Charles Maitland, 3rd Earl of Lauderdale
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Index

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Patrick Scougal
Bishop of Aberdeen
John Scougal, Lord Whitekirk
Leith
David
Town Hall
Edinburgh
Sir James Stewart
George Heriot
Paul van Somer
George Heriot's School
Van Dyke
Provost
Prestonpans
Charles Maitland, 3rd Earl of Lauderdale
Thirlestane Castle
Haltoun
Thirlestane Castle
Archibald Primrose, Lord Carrington
Lord Justice Clerk
Lord Rosebery
John Leslie, 8th Earl of Rothes
George Heriot
Clerks of Penicuik

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