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Whitechocolatespaceegg

Source πŸ“

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powerfully reaffirms. For track-to-track subtlety, poignant wit, and no- bullshit pronouncements that carry real poetic weight, Phair is the backstairs bard without peer...Phair is a truly affecting songmaker. Moreover, she can take the pop vernacular in all its jukebox/folk-pop/dancefloor
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praised the album, noting "droll in her truth-telling, devastating in her offhand insights, and dazzling in her homespun rock dominion, Liz Phair is arguably the most original talent of the decade, as
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called it "engagingly intimate" while at the same time "playful and pop-y, with just enough dry humor". The magazine also praised the album for its storytelling-esque lyrics.
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wrote that Phair had successfully proved she was "no longer an unbridled twentysomething but now, at 31, a wife and mother, has grown as an artist as well as a woman."
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familiarity and make it subversive again on superb material like "Uncle Alvarez," "Only Son," "Ride," and "What Makes You Happy."
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Assistant engineers: Victor Janacua, Matt Judah, Brad Kopplin, Julie Last, Chris Sabold, Al Sanderson, David Schiffman
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focused more on motherhood and family, as Phair had recently gotten married and given birth to a son.
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Engineers: John Hiler, Liquid Grooves, Chris Sabold, David Schiffman, Ed Tinley, Brad Wood
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allmusic ((( whitechocolatespaceegg > Charts & Awards > Billboard Albums )))
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Sullivan, Caroline (March 5, 1999). "Liz Phair: Whitechocolatespaceegg (Matador)".
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Liz Phair grows confident about music. (Arts) | Article from The Washington Times
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Whitechocolatespaceegg : Liz Phair : Review : Rolling Stone
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Jason Chasko – bass, guitar, piano, drums, background vocals
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Art direction: Liz Phair, Frank Longo, Jon Mathias, Mark O.
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Producers: Liz Phair, Jason Chasko, Scott Litt, Brad Wood
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is the third studio album by American singer-songwriter
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John Hiler – organ, piano, keyboards, background vocals
1354:"Liz Phair, 'Whitechocolatespaceegg,' Matador/Capitol" 1776: 1709: 1684: 1624: 915: 907: 653: 642: 241: 192: 163: 142: 126: 114: 84: 76: 61: 48: 34: 1235: 580:, released in 1998. It peaked at number 35 on the 1226:"Fun Phair // New album soars despite slow start" 1048:Mixing: Victor Janacua, Tom Lord-Alge, Brad Wood 599:The album received generally positive reviews. 1269:Christgau's Consumer Guide: Albums of the '90s 387: 354: 1589: 8: 527: 482: 444: 316: 1596: 1582: 1574: 1195:"A shocking, conflicted Phair to remember" 1075: 291: 40: 31: 987:Nathan December – guitar, electric guitar 901: 639: 1120: 930: 887: 1449: 1447: 1058:Programming: John Hiler, Randy Wilson 931: 888: 297: 7: 1524:. No. 1 August 1998. p. 18 1164:"whitechocolatespaceegg – Liz Phair" 1126: 1124: 1420:"Liz Phair: whitechocolatespaceegg" 1387:"Liz Phair: Whitechocolatespaceegg" 1264:"Liz Phair: Whitechocolatespaceegg" 389: 356: 1366:from the original on March 5, 2016 29:1998 studio album by Liz Phair 25: 1544:"γƒ›γƒ―γ‚€γƒˆγƒγƒ§γ‚³γƒ¬γƒΌγƒˆγ‚ΉγƒšγƒΌγ‚Ήγ‚¨γƒƒγ‚° | γƒͺズ・フェを" 1352:Hochman, Steve (August 9, 1998). 950:Liz Phair – guitar, piano, vocals 529: 484: 446: 318: 548: 543: 538: 533: 528: 498: 493: 488: 483: 465: 460: 455: 450: 445: 403: 398: 393: 388: 370: 365: 360: 355: 337: 332: 327: 322: 317: 1466:"Ask Billboard: Kylie 'Fever'" 1418:Lukas, Paul (September 1998). 1131:Chonin, Neva (July 30, 1998). 908: 643: 1: 1830:Albums produced by Scott Litt 1825:Albums produced by Brad Wood 1020:Ed Tinley – guitar, clapping 1563:Library and Archives Canada 1385:Moll, Susan (August 1998). 668:, Jason Chasko, Doug Stoley 662:"White Chocolate Space Egg" 1846: 633:All tracks are written by 415:Christgau's Consumer Guide 1611: 1102: 1088: 920: 912: 874: 860: 846: 832: 818: 804: 790: 776: 762: 745: 731: 717: 703: 689: 675: 658: 650: 647: 305: 302: 286: 252: 237: 200: 65:August 11, 1998 39: 1515:"Reviews & Previews" 1309:"whitechocolatespaceegg" 1160:Erlewine, Stephen Thomas 1133:"Whitechocolatespaceegg" 1023:Randy Wilson – keyboards 247:Whitechocolatespaceegg 1820:Capitol Records albums 1815:Matador Records albums 1647:Whitechocolatespaceegg 1193:(September 13, 1998). 1064:Treatments: Scott Litt 836:"What Makes You Happy" 621:Whitechocolatespaceegg 589:Whitechocolatespaceegg 573:Whitechocolatespaceegg 216:Whitechocolatespaceegg 96:Chicago Trax (Chicago) 35:Whitechocolatespaceegg 1061:Loops: Liquid Grooves 1522:Billboard Music Week 1399:on December 17, 2005 1314:Entertainment Weekly 1274:Macmillan Publishers 1240:on November 19, 2018 966:, bass guitar, drums 864:"Shitloads of Money" 637:, except where noted 608:The Washington Times 427:Entertainment Weekly 293:Professional ratings 1307:(August 14, 1998). 1224:(August 11, 1998). 1104:Canada Albums Chart 904: 682:Phair, Jason Chasko 294: 1661:Somebody's Miracle 990:Tommy Furar – bass 903:Japan bonus track 902: 292: 1792: 1791: 1633:Exile in Guyville 1359:Los Angeles Times 1260:Christgau, Robert 1231:Chicago Sun-Times 1200:The Baltimore Sun 1112: 1111: 941: 940: 924:"Hurricane Cindy" 898: 897: 735:"Love Is Nothing" 721:"Polyester Bride" 707:"Johnny Feelgood" 569: 568: 477:Los Angeles Times 382:Chicago Sun-Times 349:The Baltimore Sun 290: 289: 233: 232: 99:Louie's Clubhouse 16:(Redirected from 1837: 1805:Liz Phair albums 1777:Related articles 1598: 1591: 1584: 1575: 1568: 1567: 1554: 1548: 1547: 1540: 1534: 1533: 1531: 1529: 1519: 1511: 1505: 1500: 1494: 1489: 1483: 1482: 1480: 1479: 1462: 1456: 1451: 1442: 1441: 1439: 1437: 1415: 1409: 1408: 1406: 1404: 1395:. Archived from 1382: 1376: 1375: 1373: 1371: 1349: 1343: 1342: 1332: 1326: 1325: 1323: 1321: 1301: 1295: 1294: 1292: 1290: 1256: 1250: 1249: 1247: 1245: 1239: 1234:. Archived from 1218: 1212: 1211: 1209: 1207: 1191:Considine, J. D. 1187: 1181: 1180: 1178: 1176: 1156: 1150: 1149: 1147: 1145: 1128: 1076: 1014:Troy Niedhart – 962:Scott Bennett – 934: 910: 905: 891: 749:"Baby Got Going" 645: 640: 553: 552: 551: 547: 546: 542: 541: 537: 536: 532: 531: 503: 502: 501: 497: 496: 492: 491: 487: 486: 470: 469: 468: 464: 463: 459: 458: 454: 453: 449: 448: 408: 407: 406: 402: 401: 397: 396: 392: 391: 375: 374: 373: 369: 368: 364: 363: 359: 358: 342: 341: 340: 336: 335: 331: 330: 326: 325: 321: 320: 295: 279: 276: 266: 263: 202: 201: 138: 137: 133: 72: 70: 44: 32: 21: 1845: 1844: 1840: 1839: 1838: 1836: 1835: 1834: 1795: 1794: 1793: 1788: 1772: 1705: 1680: 1620: 1607: 1602: 1572: 1571: 1566:. 17 July 2013. 1556: 1555: 1551: 1542: 1541: 1537: 1527: 1525: 1517: 1513: 1512: 1508: 1501: 1497: 1490: 1486: 1477: 1475: 1464: 1463: 1459: 1452: 1445: 1435: 1433: 1417: 1416: 1412: 1402: 1400: 1384: 1383: 1379: 1369: 1367: 1351: 1350: 1346: 1334: 1333: 1329: 1319: 1317: 1303: 1302: 1298: 1288: 1286: 1284: 1258: 1257: 1253: 1243: 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1282: 1251: 1222:DeRogatis, Jim 1213: 1182: 1151: 1119: 1118: 1116: 1113: 1110: 1109: 1106: 1100: 1099: 1096: 1086: 1085: 1080: 1073: 1070: 1069: 1068: 1065: 1062: 1059: 1056: 1049: 1046: 1043: 1040: 1035: 1032: 1031: 1030: 1024: 1021: 1018: 1012: 1006: 1000: 994: 991: 988: 985: 982: 976: 967: 960: 951: 946: 943: 939: 938: 935: 929: 928: 925: 922: 918: 917: 914: 911: 900: 896: 895: 892: 886: 885: 882: 879: 876: 872: 871: 868: 865: 862: 858: 857: 854: 851: 848: 844: 843: 840: 837: 834: 830: 829: 826: 823: 820: 816: 815: 812: 809: 806: 802: 801: 798: 795: 792: 788: 787: 784: 781: 778: 774: 773: 770: 767: 764: 760: 759: 756: 750: 747: 743: 742: 739: 736: 733: 729: 728: 725: 722: 719: 715: 714: 711: 708: 705: 701: 700: 697: 694: 691: 687: 686: 683: 680: 679:"Big Tall Man" 677: 673: 672: 669: 663: 660: 656: 655: 652: 649: 646: 631: 629: 626: 596: 593: 567: 566: 563: 555: 554: 525: 517: 516: 513: 505: 504: 480: 472: 471: 442: 434: 433: 430: 422: 421: 418: 410: 409: 385: 377: 376: 352: 344: 343: 314: 308: 307: 304: 300: 299: 288: 287: 284: 283: 281: 280: 278:Released: 1998 267: 265:Released: 1998 253: 250: 249: 239: 238: 235: 234: 231: 230: 221: 212: 198: 197: 190: 189: 188: 187: 182: 177: 172: 167: 161: 160: 159: 158: 153: 146: 140: 139: 128: 124: 123: 118: 112: 111: 110: 109: 106: 100: 97: 94: 86: 82: 81: 78: 74: 73: 63: 59: 58: 53: 46: 45: 37: 36: 28: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1842: 1831: 1828: 1826: 1823: 1821: 1818: 1816: 1813: 1811: 1808: 1806: 1803: 1802: 1800: 1785: 1782: 1781: 1779: 1775: 1768: 1767:Spanish Doors 1764: 1761: 1757: 1754: 1753:Extraordinary 1750: 1747: 1743: 1740: 1736: 1733: 1729: 1726: 1722: 1719: 1715: 1714: 1712: 1708: 1702: 1701: 1697: 1695: 1694: 1690: 1689: 1687: 1683: 1677: 1676: 1672: 1670: 1669: 1665: 1663: 1662: 1658: 1656: 1655: 1651: 1649: 1648: 1644: 1642: 1641: 1637: 1635: 1634: 1630: 1629: 1627: 1625:Studio albums 1623: 1617: 1614: 1613: 1610: 1606: 1599: 1594: 1592: 1587: 1585: 1580: 1579: 1576: 1565: 1564: 1559: 1553: 1550: 1545: 1539: 1536: 1523: 1516: 1510: 1507: 1504: 1499: 1496: 1493: 1488: 1485: 1473: 1472: 1467: 1461: 1458: 1455: 1450: 1448: 1444: 1431: 1427: 1426: 1421: 1414: 1411: 1403:September 24, 1398: 1394: 1393: 1388: 1381: 1378: 1370:September 24, 1365: 1361: 1360: 1355: 1348: 1345: 1340: 1339: 1331: 1328: 1316: 1315: 1310: 1306: 1305:Browne, David 1300: 1297: 1289:September 24, 1285: 1283:0-312-24560-2 1279: 1275: 1271: 1270: 1265: 1261: 1255: 1252: 1238: 1233: 1232: 1227: 1223: 1217: 1214: 1202: 1201: 1196: 1192: 1186: 1183: 1175:September 24, 1171: 1170: 1165: 1161: 1155: 1152: 1144:September 24, 1140: 1139: 1138:Rolling Stone 1134: 1127: 1125: 1121: 1114: 1107: 1105: 1101: 1097: 1095: 1093: 1087: 1081: 1079:Chart (1998) 1078: 1077: 1071: 1066: 1063: 1060: 1057: 1054: 1050: 1047: 1044: 1041: 1038: 1037: 1033: 1028: 1025: 1022: 1019: 1017: 1013: 1010: 1007: 1004: 1001: 998: 995: 992: 989: 986: 983: 980: 977: 975: 971: 968: 965: 961: 959: 958:acoustic bass 955: 952: 949: 948: 944: 936: 933:Total length: 926: 923: 919: 906: 893: 890:Total length: 883: 880: 878:"Girls' Room" 877: 873: 869: 866: 863: 859: 855: 852: 849: 845: 841: 838: 835: 831: 827: 824: 821: 817: 813: 810: 807: 803: 799: 796: 794:"Go on Ahead" 793: 789: 785: 782: 779: 775: 771: 768: 765: 761: 757: 755: 751: 748: 744: 740: 737: 734: 730: 726: 723: 720: 716: 712: 709: 706: 702: 698: 695: 692: 688: 684: 681: 678: 674: 670: 667: 664: 661: 657: 641: 638: 636: 628:Track listing 627: 625: 622: 618: 617: 612: 610: 609: 604: 603: 602:Rolling Stone 594: 592: 590: 586: 584: 579: 575: 574: 564: 562: 561: 557: 556: 526: 524: 523: 522:Rolling Stone 519: 518: 514: 512: 511: 507: 506: 481: 479: 478: 474: 473: 443: 441: 440: 436: 435: 431: 429: 428: 424: 423: 419: 417: 416: 412: 411: 386: 384: 383: 379: 378: 353: 351: 350: 346: 345: 315: 313: 310: 309: 301: 298:Review scores 296: 285: 274: 268: 261: 255: 254: 251: 248: 244: 240: 236: 227: 226: 222: 218: 217: 213: 209: 208: 204: 203: 199: 195: 191: 186: 183: 181: 178: 176: 173: 170: 169: 168: 166: 162: 157: 154: 152: 149: 148: 147: 145: 141: 129: 125: 122: 119: 117: 113: 107: 104: 101: 98: 95: 92: 89: 88: 87: 83: 79: 75: 64: 60: 56: 51: 47: 43: 38: 33: 27: 19: 1746:Why Can't I? 1725:Fuck and Run 1700:Comeandgetit 1698: 1691: 1673: 1666: 1659: 1652: 1646: 1645: 1638: 1631: 1561: 1552: 1538: 1526:. Retrieved 1521: 1509: 1498: 1487: 1476:. Retrieved 1474:. 2010-07-16 1469: 1460: 1434:. Retrieved 1429: 1423: 1413: 1401:. Retrieved 1397:the original 1390: 1380: 1368:. Retrieved 1357: 1347: 1338:The Guardian 1336: 1330: 1318:. Retrieved 1312: 1299: 1287:. Retrieved 1267: 1254: 1242:. Retrieved 1237:the original 1229: 1216: 1204:. Retrieved 1198: 1185: 1173:. Retrieved 1167: 1154: 1142:. Retrieved 1136: 1091: 632: 620: 614: 613: 606: 600: 598: 588: 582: 572: 571: 570: 558: 520: 508: 475: 439:The Guardian 437: 425: 413: 380: 347: 246: 223: 215: 214: 205: 171:Jason Chasko 108:Velvet Shirt 50:Studio album 26: 1810:1998 albums 1784:Girly-Sound 1616:Discography 1432:(9): 186–87 1206:January 10, 1051:Mastering: 850:"Fantasize" 105:(Hollywood) 1799:Categories 1739:Whip-Smart 1718:Never Said 1640:Whip-Smart 1478:2012-02-17 1115:References 1053:Ted Jensen 1034:Production 1009:Mike Mills 997:Scott Litt 979:Peter Buck 970:Bill Berry 954:Leroy Bach 808:"Headache" 780:"Only Son" 754:Scott Litt 207:Whip-Smart 196:chronology 175:Scott Litt 121:Indie rock 69:1998-08-11 1760:Bollywood 1732:Supernova 1693:Juvenilia 1654:Liz Phair 1605:Liz Phair 1471:Billboard 1392:Pitchfork 1320:March 18, 1092:Billboard 1084:position 1027:Brad Wood 1016:accordion 945:Personnel 666:Liz Phair 651:Writer(s) 635:Liz Phair 616:Billboard 595:Reception 583:Billboard 578:Liz Phair 510:Pitchfork 225:Liz Phair 194:Liz Phair 185:Brad Wood 180:Liz Phair 103:Ocean Way 93:(Chicago) 80:1996–1998 55:Liz Phair 1675:Soberish 1668:Funstyle 1528:July 23, 1364:Archived 1262:(2000). 1169:AllMusic 1005:– guitar 981:– guitar 312:AllMusic 165:Producer 77:Recorded 62:Released 52: by 1436:May 28, 1244:May 28, 752:Phair, 243:Singles 229:(2003) 220:(1998) 211:(1994) 156:Capitol 151:Matador 67: ( 1558:"Item" 1280:  1072:Charts 1011:– bass 974:bongos 916:Length 881:  867:  853:  839:  825:  822:"Ride" 811:  797:  783:  769:  738:  724:  710:  696:  654:Length 515:6.4/10 306:Rating 303:Source 127:Length 85:Studio 1710:Songs 1518:(PDF) 964:organ 937:54:04 913:Title 894:51:10 648:Title 245:from 144:Label 116:Genre 1530:2024 1438:2016 1425:Spin 1405:2012 1372:2012 1322:2020 1291:2012 1278:ISBN 1246:2016 1208:2019 1177:2012 1146:2012 1082:Peak 927:2:54 884:1:46 870:3:39 856:1:55 842:3:36 828:3:04 814:2:53 800:2:53 786:5:08 772:3:52 758:2:02 741:2:16 727:4:05 713:3:22 699:2:15 685:3:49 671:4:35 565:6/10 560:Spin 1108:69 1098:35 1094:200 1089:US 921:17. 909:No. 875:16. 861:15. 847:14. 833:13. 819:12. 805:11. 791:10. 644:No. 585:200 91:CRC 1801:: 1560:. 1520:. 1468:. 1446:^ 1430:14 1428:. 1422:. 1389:. 1362:. 1356:. 1311:. 1276:. 1272:. 1266:. 1228:. 1197:. 1166:. 1162:. 1135:. 1123:^ 972:– 956:– 777:9. 763:8. 746:7. 732:6. 718:5. 704:4. 690:3. 676:2. 659:1. 432:Aβˆ’ 136:10 132:51 1769:" 1765:" 1762:" 1758:" 1755:" 1751:" 1748:" 1744:" 1741:" 1737:" 1734:" 1730:" 1727:" 1723:" 1720:" 1716:" 1597:e 1590:t 1583:v 1546:. 1532:. 1481:. 1440:. 1407:. 1374:. 1341:. 1324:. 1293:. 1248:. 1210:. 1179:. 1148:. 420:A 275:" 271:" 262:" 258:" 134:: 71:) 20:)

Index

Johnny Feelgood

Studio album
Liz Phair
CRC
Ocean Way
Genre
Indie rock
Label
Matador
Capitol
Producer
Scott Litt
Liz Phair
Brad Wood
Liz Phair
Whip-Smart
Liz Phair
Singles
Polyester Bride
Johnny Feelgood
AllMusic
The Baltimore Sun
Chicago Sun-Times
Christgau's Consumer Guide
Entertainment Weekly
The Guardian
Los Angeles Times
Pitchfork
Rolling Stone

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