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Johannes Evert Hendrik Akkeringa

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100: 22: 188:(1865–1934). At the academy the courses Akkeringa took focussed on anatomical drawing, drawing from models, as well as studying the arts of perspective and composition. After class Akkeringa, like many of his fellow students, left the city to explore and practice the art of drawing nature, discovering that he was most inspired by the landscape around The Hague. In the spring of 1883 Akkeringa received his degree, though he continued to take classes at the academy until 1885. 90: 403:. In 1918, Akkringa passed his secondary vocational-course at the Royal Academy of Art in The Hague, and he was appointed teacher for hand-drawing. In December 1921 Akkeringa had his first retrospective exhibition in the rooms of the Pulchri Studio. The exhibition was organized by the art dealer Van Wisselingh. In early 1924 Akkeringa's contract with Van Wisseling, which included a monthly allowance, ended. 488: 301:
On 15 September 1892 Akkeringa married his niece Willemina Suzanna (Mien) Reedijk (1866–1909), and the young couple moved to a house on the outskirts of The Hague. Shortly afterwards two sons were born, Leonard Johannes (Leo) (1893–1959) and Johannes Evert (Jan) (1894–1983). During their marriage the
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In May 1942 the last retrospective exhibition of Akkeringa's work opened in commemoration of the painter. After this exhibition Akkeringa, and mostly his work, was largely forgotten by the public. In mid-2005, the painter and his work were brought to the attention of the public again by an
306:. Akkeringa preferred to live in homes on the outskirts of the city; not only did the landscapes of where he lived inspire him, but often his sons and their friends became the subjects of his paintings. In April 1903 the family, including his mother-in-law, moved to the village of 406:
A jubilee exhibition was organized at Pulchri Studio in January 1932 on Akkeringa's seventy-first birthday. On 17 January 1932 an anniversary celebration was organized at Pulchri Studio, at which Akkeringa received a portfolio by his friends and admirers.
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On 20 April 1917, when Akkeringa was sixty-five, he married the thirty-two-year-old Elsje Wilhelmine Enter (1895–1969). On 27 August 1921 his third son, Evert Hendrik Jan Akkeringa, was born. In 1932 Akkeringa visited his oldest son Leo, who lived in
329:. In May that year an exhibition was held by members of the Pulchri Studio to commemorate his life and work. On 23 March 1943 the contents of Akkeringa's studio were auctioned off by the Amsterdam auction house Frederik Muller & Cie. 377:(1913). From 1903 to 1914 Van Wisselingh organized a yearly exhibition at the Pulchri Studio where the work of Akkeringa was regularly shown with, in April 1904, a joint exhibition of the works of Akkeringa and fellow Dutch 235:(1867–1932) and several others. The artists of the Hague School were attracted to Loosduinen and the surrounding dunes, because the area was viewed as one of the last remaining authentic natural landscapes in the region. 314:. Their home was known as 'Villa Erica'. The landscape of Heeze is the subject of many of Akkeringa's paintings. In 1905 the family went to live in Scheveningen, where Akkeringa's wife Mien died on 12 December 1909. 445:
In 1905 Akkeringa received a silver medal from Queen Mother Emmaeen, for his work at the exhibition Gemeentelijkse Tentoonstellingen van Kunstwerken van Levende Meesters in Arnhem (derde Vierjaarlijksche).
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A first official token of recognition came on 28 February 1887, when Akkeringa won the Royal subsidy for the year 1887, by the commission of the Royal Subsidies of
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Johannes Evert Akkeringa artworks (paintings, watercolours, drawings), biography, pictures, images, information and signatures
263: 136:. He was the second child of Johannes Evert Akkeringa (1829–1863), an engineer in the tin mines of the Billiton-Company at 269:
In February 1892, Akkeringa, Jan Toorop, Marius Bauer and Willem de Zwart were commissioned to illustrate a collection of
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to focus entirely on his painting. During this period, the so-called ‘Loosduinse painters colony’, or ‘The Hague
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Amsterdam, called: 'J.E.H. Akkeringa; schilders van tuin en duin'. His work is regularly sold at auction today.
290: 44: 38: 30: 392:. The studio was financed by Van Wisselingh and served as a classroom in which Akkeringa taught his students. 216: 250:. Unlike the Pulchri Studio, The Hague Art Circle included art forms other than painting. On 26 June 1892, 228: 55: 509: 569: 278: 243: 499: 539: 534: 247: 477:
Sarah de Clercq, Johannes Evert Hendrik Akkeringa, schilder van het onbezorgde leven, Schiedam 2010.
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of women and playing children at the beach, women mending nets and intimate tea-time conversations.
452:, and received a second gold medal in June on the exhibition X-Internationale Kunst Ausstellung in 117: 285:
and was published in 1893. From November 1892 to October 1896 Akkeringa continued to work as an
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Akkeringa died at the age of eighty-one. He was buried on 15 April 1942 at Rusthof cemetery in
184:(1867–1932). It is likely that during this period Akkeringa met and became close to the artist 425: 259: 255: 133: 251: 224: 185: 396: 212: 173: 149: 89: 439: 431:
In January 1890, Akkeringa won the Willink van Collen-competition with his watercolour
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couple regularly moved around the growing city of The Hague and the nearby village of
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Late in 1887, Akkeringa moved to The Hague. Several months later, he moved again to
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branch of the company. He participated in several international exhibitions in
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In the spring of 1878, at the age of seventeen, Akkeringa enrolled at the
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From August 1886 until the end of 1887 Akkeringa took a course at the
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In October 1889, Akkeringa became a member of The Hague art society,
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In 1909 Akkeringa again received a gold medal on the exhibition in
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In May 1910 Akkeringa won a bronze medal with a beach view at the
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In 1903, Akkringa was offered a contract by the Amsterdam-based
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ethnic origin. Following the death of his father in 1864 from
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painters. Akkeringa is primarily known for his paintings and
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E.J. van Wisselingh. His work was not only exhibited in
435:. In February 1894, he won the prize for a second time. 258:'. On 25 February 1897 Akkeringa along with his friend 266:', of which he was a board member from 1912 to 1917. 293:' (the 'Illustrated Monthly'), to earn extra money. 144:. His mother, Sariedje (born in 1842), was of mixed 254:
proposed Akkeringa as a friend of the art society '
172:in The Hague. He quickly befriended fellow student 160:, where they grew up in the household of his aunt. 156:, Akkeringa moved with his brother and sister to 43:but its sources remain unclear because it lacks 384:. In mid-1909 Akkeringa built a studio in the 283:A Book of Imagination, Fairy Tales and Stories 262:(1864–1925), was adopted as a member of the ' 8: 273:published by the Amsterdam publishing house 438:In 1900 Akkeringa won a gold medal at the 74:Learn how and when to remove this message 461:Exposición Internacional del Centenario 411:exhibition, organized by auction house 580:Royal Academy of Art, The Hague alumni 395:In 1914 Akkeringa participated in the 7: 388:at Meijendel, between The Hague and 545:Dutch people of Indonesian descent 14: 486: 373:(1910) and the Canadian city of 110:Johannes Evert Hendrik Akkeringa 20: 590:20th-century Dutch male artists 585:19th-century Dutch male artists 264:Hollandsche Teekenmaatschappij 242:. Among others, Akkeringa and 104:Young Girl in regional costume 1: 575:20th-century Dutch painters 555:19th-century Dutch painters 606: 565:People from Bangka Regency 291:Geïllustreerd Maandschrift 433:Een Wandeling in het duin 493:Johannes Evert Akkeringa 246:established a board for 93:Johannes Evert Akkeringa 29:This article includes a 365:(1904, 1907 and 1909), 217:George Hendrik Breitner 58:more precise citations. 550:Realism (art movement) 128:Akkeringa was born in 106: 96: 505:His death certificate 495:at Wikimedia Commons 333:Works and exhibitions 229:Hendrik Otto van Thol 102: 92: 248:The Hague Art Circle 170:Royal Academy of Art 560:Dutch male painters 500:His second marriage 310:in the province of 345:, but also at the 279:Louse Ahn-De Jongh 244:Théophile de Brock 107: 97: 31:list of references 515:Knowledge Commons 491:Media related to 426:Arti et Amicitiae 260:Floris Arntzenius 256:Arti et Amicitiae 193:Rotterdam Academy 134:Dutch East Indies 84: 83: 76: 597: 490: 289:for Elsevier's ' 252:Hendrik Haverman 225:Theo van Hoytema 180:(1861–1927) and 79: 72: 68: 65: 59: 54:this article by 45:inline citations 24: 23: 16: 605: 604: 600: 599: 598: 596: 595: 594: 525: 524: 484: 474: 421: 397:Venice Biennale 335: 299: 277:. The book, by 213:Willem de Zwart 201: 174:Willem de Zwart 166: 140:, and later at 126: 94: 87: 80: 69: 63: 60: 49: 35:related reading 25: 21: 12: 11: 5: 603: 601: 593: 592: 587: 582: 577: 572: 567: 562: 557: 552: 547: 542: 537: 527: 526: 523: 522: 517: 512: 507: 502: 483: 482:External links 480: 479: 478: 473: 470: 469: 468: 457: 446: 443: 436: 429: 420: 417: 334: 331: 298: 295: 240:Pulchri Studio 200: 197: 178:Floris Verster 165: 162: 125: 122: 85: 82: 81: 39:external links 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 602: 591: 588: 586: 583: 581: 578: 576: 573: 571: 568: 566: 563: 561: 558: 556: 553: 551: 548: 546: 543: 541: 538: 536: 533: 532: 530: 521: 518: 516: 513: 511: 508: 506: 503: 501: 498: 497: 496: 494: 489: 481: 476: 475: 471: 466: 462: 458: 455: 451: 447: 444: 441: 437: 434: 430: 427: 423: 422: 418: 416: 414: 408: 404: 402: 398: 393: 391: 387: 383: 380: 376: 372: 368: 364: 360: 356: 352: 348: 344: 340: 332: 330: 328: 323: 321: 315: 313: 312:North Brabant 309: 305: 296: 294: 292: 288: 284: 281:, was titled 280: 276: 272: 267: 265: 261: 257: 253: 249: 245: 241: 236: 234: 231:(1859–1902), 230: 227:(1863–1917), 226: 223:(1858–1928), 222: 219:(1857–1923), 218: 214: 210: 206: 199:Art societies 198: 196: 194: 189: 187: 186:Isaac Israëls 183: 179: 175: 171: 163: 161: 159: 155: 151: 147: 143: 139: 135: 131: 123: 121: 119: 115: 111: 105: 101: 91: 86:Dutch painter 78: 75: 67: 57: 53: 47: 46: 40: 36: 32: 27: 18: 17: 570:Hague School 485: 465:Buenos Aires 440:World's Fair 432: 409: 405: 394: 367:Buenos Aires 336: 324: 316: 304:Scheveningen 300: 282: 268: 237: 233:Marius Bauer 202: 190: 182:Marius Bauer 167: 127: 118:watercolours 114:Hague School 109: 108: 103: 70: 61: 50:Please help 42: 540:1942 deaths 535:1861 births 297:Family life 287:illustrator 271:fairy tales 56:introducing 529:Categories 472:References 413:Christie's 382:Jan Toorop 363:Pittsburgh 339:art dealer 327:Amersfoort 221:Jan Toorop 205:Loosduinen 142:Buitenzorg 95:(ca. 1890) 510:Biography 442:in Paris. 390:Wassenaar 343:Amsterdam 158:The Hague 375:Winnipeg 371:Brussels 369:(1910), 361:(1908), 357:(1908), 355:Budapest 353:(1902), 275:Elsevier 209:Barbizon 150:Javanese 64:May 2022 401:Batavia 351:Hamburg 164:Academy 146:Chinese 132:in the 130:Blinjoe 52:improve 454:Munich 450:Arnhem 419:Prizes 359:Berlin 347:London 154:typhus 138:Bangka 386:dunes 320:Paris 308:Heeze 124:Youth 37:, or 379:Indo 148:and 463:in 531:: 41:, 33:, 467:. 456:. 428:. 77:) 71:( 66:) 62:( 48:.

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Hague School
watercolours
Blinjoe
Dutch East Indies
Bangka
Buitenzorg
Chinese
Javanese
typhus
The Hague
Royal Academy of Art
Willem de Zwart
Floris Verster
Marius Bauer
Isaac Israëls
Rotterdam Academy
Loosduinen
Barbizon
Willem de Zwart
George Hendrik Breitner
Jan Toorop

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