392:," it was completed in 1994 and won "Best Feature" Award at the New York Underground Film Festival. It played the film fest circuit and received tremendous attention, with Moritsugu saying, "Mod Fuck blew-up in Germany, Scandinavia, and the Benelux countries—they really responded to the angst, death, and Amy as a hot blonde walking on raw meat." In America, the movie opened in a number of cities including a 13-week engagement in Los Angeles at the Laemmle Sunset 5 and sold-out runs in Seattle and Baltimore.
33:
348:, filmed in Panavision 16mm, was a vicious sitcom parody laying to waste the studious image of the "model minority". The director himself played twins - a drug-dealing son and a repressed and closeted math nerd - in a radically dysfunctional Asian American family. The movie was an extreme challenge for Moritsugu, who again worked with producer
327:
in 16mm. It featured a dream sequence set in a garden of meat, which was filmed in
Rosenthal's garage with 800 pounds of raw, rotting beef. After wrapping, and in the middle of post-production in 1993, Moritsugu received word that he had received a grant from ITVS to create a PBS television show. He
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wrote: "Jon
Moritsugu's cinema is aggressive, abrasive, and it doesn't stop. His zero-budget movies have spastic editing, disorienting post-sync sound, and bright neon colors; they're a treat for the senses, and poison for the mind... While watching his films, you may feel tired, weak, or nauseous,
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said about the movie: "Jon
Moritsugu hit some weird epiphany during the making of this film, which was his first mass-watchable work. Jon's wife Amy Davis plays a performance art girl who's caught in a rumble between a small group of mods and a Japanese motorcycle gang. The performances are weird,
272:
named it one of the "25 Greatest Punk Rock Movies of All Time" and said: "Underground filmmaker/art terrorist Jon
Moritsugu reimagines a rise-and-fall showbiz narrative as a scuzzy, 16mm skullfuck opus set in a lo-fi punk world...This movie feels like punk rock: dirty, angry, righteous, handmade,
252:, but an industrial accident in which his right arm was pulled into a conveyor belt and nearly severed postponed the project. After a lengthy hospital stay and rehabilitation, he was able to restart the movie, which he looked at as a form of "physical therapy".
143:
for a gritty, visceral quality. He states that he often "pay(s) less attention to narrative flow and storyline and put(s) more emphasis on sight, sound and spectacle" to create a movie that is "like a live punk/hardcore show." The works themselves are often
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intentionally screwed up, and dumb, but that's part of the film's brilliance. If you're a fan of strange flicks, you'll start remembering the lines and using them. Awesome soundtrack by Unrest and Karyo
Tengoku". The movie was picked by the readers of
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was completed, it caused a firestorm of controversy with the conservative right because it had been funded with taxpayer money. It screened at the
Toronto and Rotterdam Film Festivals and was broadcast on television in over 200 cities across America.
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was released theatrically in
America and gained noticeable notoriety. Picked up for European distribution, the movie was a hit in the Netherlands, Switzerland and France, playing non-stop in Paris for over one year at the Action Christine Cinema.
595:, where Moritsugu and Davis won the "Jack Smith Lifetime Achievement Award." The movie screened at a number of US and international film festivals and also made it onto several "Best Films of 2013" lists including one compiled by critic
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but you will have had an experience, and a physical one at that – an effect to which many moving images can't lay claim... The gallery is showing these works simultaneously and blasting them at full volume; you'll feel the noise."
574:. As described by writer Rani Molla: "Santa Fe filmmakers Jon Moritsugu and Amy Davis veer (very slightly) from their underground experimental base with a music video released today for popular Brooklyn experimental band
356:. In addition to complications with insurance, payroll, salaries and a large unionized cast and crew, the production itself was fraught with problems including a major outbreak of scabies on the set. Executive produced by
319:. This low-budget riff on the teen film loosely revolved around a lonely girl's search for a leather jacket while a turf war between mods and bikers looms. The movie, produced by Henry S. Rosenthal and co-produced by
655:
In
September 2016, an exhibition of seven Moritsugu features opened at the Ramiken Crucible in NYC. Entitled "Semiotics of Sleaze," the movies were projected simultaneous on the gallery's walls for a one-month run.
511:), the movie was a deadpan comedy capturing the lives of fringe-art rebels dealing with the perils of turning 30 with little to show for their avant-gardness. After receiving a post-production grant from
683:
Moritsugu landed a book deal in 2018. His memoir titled "SKULLFUCK: The
Brutalist Cinema of Jon Moritsugu" was released in January 2022 and was published by Kaya. He is completing post-production for
599:. It then opened theatrically across America and also played with the Moritsugu retrospective of 7 features and 9 shorts in select cities including Los Angeles, New York and San Francisco.
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672:. Shot in New Mexico, the movie aims to "satirize and deconstruct the high art scene in an eyeball-scorching onslaught of mind-blowing narrative madness and honey-laced pathos"." It stars
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in 1999, but it was rejected on a technicality because it had opened in Los
Angeles in 16 mm, and at the time, all Academy Award considerations had to be shown in 35 mm.
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2008:
515:, the movie's footage was decimated and completely degenerated, Moritsugu's intent being to drag it into the gutter and destroy any sheen or aura of a "pristine digital look".
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is crude, edgy and energetic, and its stars throw themselves into their roles with welcome gusto." The movie opened theatrically throughout the US and Europe, screening at
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289:, it follows several terminally bored students at a pretentious art school, perfectly nailing the pervasive jadedness of wannabe artists. Top indie label
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546:, Moritsugu took a break from "cinema", focusing on musical and other creative outlets and moving with Davis to Honolulu, Seattle, and finally Santa Fe.
634:, the movie was digitally scanned, remastered, reprinted in 16mm and described as, "one of the most impressive and precocious student films ever made".
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filmmaker and musician. His movies are satiric, protopunk deconstructions of popular genres and formats with scabrous and pointedly garish results. The
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contract on fire and tore the CD negatives apart with his teeth (we didn't have the guts to tell him the test pressings arrived that day)."
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Garber-Paul, Tim Grierson,Sam Adams,David Fear,Elisabeth; Grierson, Tim; Adams, Sam; Fear, David; Garber-Paul, Elisabeth (9 August 2016).
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described it as "a 23-minute jolt of highly controlled chaos." Upon graduating in 1987, he commenced production on his first feature,
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in digital video, the movie was shot in the wilds of New Mexico over 12 days with a small crew. In spring 2011 and in the middle of
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2013:
1803:"JonnyCunt. "PIG DEATH MACHINE – Jon Moritsugu & Amy Davis' First Film In a Decade! ." THE END OF BEING . Web. 27 Jan. 2011"
364:), Moritsugu stated: "I sort of blew it. I was young, full of myself, no one could help me. I basically spit in his face". When
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Film Critics Poll as "Best of 2003" and then opened theatrically in the US and Canada in 2004, receiving rave reviews from the
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was to release the movie's soundtrack, but after numerous and lengthy delays, Moritsugu terminated the deal. Stated label head
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2018:
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Carlson, Zack and Bryan Connolly. (2010). Destroy All Movies!!! The Complete Guide to Punks on Film. Fantagraphic Books.
1321:"Jun 17-23: This is Celluloid: 35mm continues, Re-Visions: Jon Moritsugu 16mm films, EC: Dreyer's JOAN OF ARC and more!"
411:
195:
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652:: "Jon is a true cinema original. I'd rather be spit on by Jon than kissed by 95 percent of the directors out there."
641:'s fall 2015 collection, the project was co-written and photographed by Davis and featured the music of Low on High.
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523:, following that up with a "Best Feature" Award at the 2003 New York Underground Film Festival. It was selected by
446:
Award. It received "Best Feature" and "Festival Choice" honors at the New York Underground Film Festival and the
434:, which reprised sitcom mockery and absurdism in service of three parallel stories critiquing fame and featuring
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exhilirating." The movie was self-released theatrically, after which Moritsugu moved to the West Coast in 1990.
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Moritsugu also fronted (1997–1998) a punk band with Andy Matinog and Mike Masatsugu called, No-No Boy, after
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Carr, Cynthia. (1993). On Edge: Performance at the End of the Twentieth Century. Wesleyan University Press.
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1998:
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was edited on a VHS cuts-only system and upon completion in 2002, it won the "Best Feature" Award at the
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says: "I completed (the script) in 42 hours... and it got the green light. So right after shooting
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of New York City completed a two-year restoration project of Moritsugu's 1987 senior thesis film,
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485:. This budget proved to be elusive so we cut it down to $ 50,000. And alas, we ended up shooting
382:
330:
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218:, where he studied semiotics and critical theory. Classmates in his department included director
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describes them as "funny, anarchic, provocative and exhilarating". Influenced by the nihilism of
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584:". In 2012, the project received a Grammy Nomination in the "Long Form Music Video" category.
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to be a $ 2 million, 35mm picture. I thought it was totally do-able, what with the success of
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Harvey. "Jon Moritsugu - Back with a Vengeance." Fandor.com. 04 June 2013. Web. 04 June 2013.
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Later that year, Moritsugu wrote and directed his first fashion video lookbook. Created for
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784:; Best Feature at Honolulu Underground Film Festival; Feature Competition Semi-finalist at
256:, about an all-girl rock band playing music for the beef industry, starred his future wife
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and numerous other festivals and museums. In 2001 he received the Moving Image award from
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Since 2011, he is in a lo-fi indie garage rock band with Amy Davis called, Low on High.
386:. "A defiantly rough-hewn return to barely-aboveground roots despite some overlaps with
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in 1991, a 16 mm black-and-white feature which shot for 10 days. Redolent of early
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578:. The video is one in a movie-length series of music videos for the band's new album
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Okada, Jun. (2015). Making Asian American Film and Video. Rutgers University Press.
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Chin. "One Indie Pioneer to Another." Fandor.com. 17 March 2010. Web. 17 March 2010.
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Moritsugu started filmmaking in high school in the early 1980s and then attended
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James, David. (1996). Power Misses: Essays Across (Un)Popular Culture. Verso.
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post-production, Moritsugu directed with Davis a music video for the song "
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Hawkins, Joan. (2015). Downtown Film and TV Culture 1975-2001. Intellect.
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958:"A Conversation with Jon Moritsugu (PIG DEATH MACHINE) – Hammer to Nail"
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After a European promotional tour and American appearances to support
1635:"Films of Jon Moritsugu, Upending Stereotypes With a Wig and a Sneer"
908:"Films of Jon Moritsugu, Upending Stereotypes With a Wig and a Sneer"
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as one of the "Wildest Exploitation Movies," sharing the honor with
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Stevenson, Jack. (2003). Land of a Thousand Balconies. Headpress.
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comedies that feature actress, co-writer, stylist, and wife,
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In 2010, Moritsugu began production on his seventh feature,
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1879:
Stevenson, Jack. (2003). Dogme Uncut. Santa Monica Press.
1757:"SKULLFUCK: The Brutalist Cinema of Jon Moritsugu |"
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http://jonmoritsugu.com/films/reviews2.php?film=pig_death
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http://jonmoritsugu.com/films/reviews.php?film=fame_whore
469:
In late 1999 Moritsugu started work on his next feature,
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Moritsugu immediately started pre-production in 1992 for
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http://jonmoritsugu.com/films/awards2.php?film=pig_death
1442:
http://jonmoritsugu.com/films/awards.php?film=fame_whore
558:. Starring Davis (who was also co-writer) and lensed by
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http://jonmoritsugu.com/films/reviews.php?film=scumrock
493:(who also was co-writer and director of photography),
1203:. New Jersey: Rutgers University Press. p. 72.
936:. New Jersey: Rutgers University Press. p. 71.
260:. It played at a number of film festivals including
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1733:Skullfuck: The Brutalist Cinema of Jon Moritsugu
438:as a stoner, trust-fund brat. Produced again by
135:, Moritsugu's films are often defined by their "
1348:"Wildest Exploitation Movies, as Picked by You"
1059:""Biography." JON MORITSUGU. Web. 04 Feb. 2011"
489:for $ 5,000 using a $ 150 camcorder." Starring
458:in NYC and running for 5 weeks in Los Angeles.
281:Settling in San Francisco, Moritsugu completed
244:"one of the top 50 films of the eighties." The
16:American cult-underground filmmaker (born 1965)
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1557:"SF Filmakers Work Part of Grammy Nomination"
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117:(born February 15, 1965) is an American cult-
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1147:: CS1 maint: multiple names: authors list (
822:Nomination "Long Form Music Video" category)
380:, Moritsugu resumed post-production work on
2009:American film directors of Japanese descent
1555:Writer, Kathaleen Roberts – Journal Staff.
1012:. Boston: Premier Press. pp. 442–444.
780:(1997, Best Feature and Festival Choice at
644:Also in 2015, James Schamus, former CEO of
1124:"25 Greatest Punk Rock Movies of All Time"
859:
857:
632:Andy Warhol Foundation for the Visual Arts
158:, Moritsugu's films have been screened at
31:
20:
1710:"Numbskull Revolution full cast and crew"
984:"Jon Moritsugu - Original BB in da house"
838:(2015, fashion video lookbook for Mishka)
1685:"Reel World: Bueller? ... Mrs. Bueller?"
866:"Their Love Built on Chicken Sandwiches"
477:. He stated: "The original plan was for
1225:"Mod Fuck Explosion full cast and crew"
853:
722:Lil' Debbie Snackwhore of New York City
152:. Perhaps best known for his cult film
139:" aesthetic and were initially shot on
1507:. creative-capital.org. Archived from
1481:. creative-capital.org. Archived from
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442:, the 16mm movie was a recipient of a
1876:. Reviews/descriptions of 4 features.
828:(2013, Lifetime Achievement Award at
628:National Film Preservation Foundation
7:
1397:. shockingimages.com. Archived from
1201:Making Asian American Film and Video
934:Making Asian American Film and Video
430:Moritsugu's next feature was 1997's
1034:"Alumni - Modern Culture and Media"
1731:Moritsugu, Jon (24 October 2023).
802:New York Underground Film Festival
782:New York Underground Film Festival
772:New York Underground Film Festival
664:In August 2017, Moritsugu wrapped
603:received glowing reviews from the
230:. Moritsugu's senior thesis film,
14:
1247:"Terminal USA full cast and crew"
830:Chicago Underground Film Festival
806:Chicago Underground Film Festival
593:Chicago Underground Film Festival
521:Chicago Underground Film Festival
2004:American experimental filmmakers
1373:"Fame Whore full cast and crew"
507:(who would later join the band
1346:Hart, Hugh (13 October 2010).
1:
864:Mayfield, Dan (5 July 2009).
424:Faster, Pussycat! Kill! Kill!
1967:Interview with Jon Moritsugu
1848:Mommy Mommy Where's My Brain
716:Mommy Mommy Where's My Brain
412:The Texas Chain Saw Massacre
352:and director of photography
268:walked out after 7 minutes.
1778:"SFR Picks—Week of 25 July"
1633:Hale, Mike (17 June 2015).
1269:"Mod Fuck Explosion Awards"
906:Hale, Mike (17 June 2015).
676:as artist "Futurecide" and
334:, I got $ 360,000 to shoot
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2024:Film directors from Hawaii
1361:– via www.wired.com.
844:(2017, in post production)
1861:. Includes chapter about
473:, produced once again by
297:, "Jon Moritsugu set the
226:and studio head-producer
30:
1660:"Datebook - Latest News"
668:for his eighth feature,
626:. With support from the
570:" by Brooklyn rock band
497:("Frank the Bunny" from
418:Night of the Living Dead
186:, New York Underground,
2014:Brown University alumni
1924:. Semiotic analysis of
1890:Dean, Michael. (2003).
1505:"Jon Moritsugu Project"
800:(2002, Best Feature at
770:(1994, Best Feature at
620:Anthology Film Archives
1842:. Includes chapter by
1008:Dean, Michael (2003).
462:was considered for an
444:Rockefeller Foundation
2019:Artists from Honolulu
1902:. Includes interview.
666:principal photography
1664:www.villagevoice.com
842:Numbskull Revolution
786:Austin Film Festival
685:Numbskull Revolution
670:Numbskull Revolution
1813:on 16 February 2011
1421:"Fame Whore Awards"
1199:Okada, Jun (2015).
932:Okada, Jun (2015).
870:Albuquerque Journal
605:Wall Street Journal
581:Nine Types of Light
188:Chicago Underground
1639:The New York Times
1608:shop.mishkanyc.com
1561:www.abqjournal.com
912:The New York Times
804:; Best Feature at
767:Mod Fuck Explosion
383:Mod Fuck Explosion
331:Mod Fuck Explosion
312:Mod Fuck Explosion
155:Mod Fuck Explosion
96:Mod Fuck Explosion
1939:. Includes first
1894:. Premier Press.
1874:978-1-60699-363-7
1859:978-0-8135-6501-9
1840:978-1-78320-422-9
1807:theendofbeing.com
1782:Santa Fe Reporter
1535:Santa Fe Reporter
1531:"Music to Movies"
1210:978-0-8135-6501-9
1180:on 12 August 2013
826:Pig Death Machine
812:"No Future Shock"
680:as twin sisters.
658:The Village Voice
609:Los Angeles Times
601:Pig Death Machine
591:premiered at the
589:Pig Death Machine
564:Pig Death Machine
556:Pig Death Machine
529:Los Angeles Times
525:The Village Voice
448:Los Angeles Times
237:The Village Voice
184:USA Film Festival
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50:February 15, 1965
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1960:Official website
1892:$ 30 Film School
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814:music video for
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513:Creative Capital
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277:West Coast years
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224:Christine Vachon
216:Brown University
204:Creative Capital
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73:Brown University
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746:My Degeneration
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572:TV on the Radio
568:No Future Shock
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509:TV on the Radio
475:Andrea Sperling
440:Andrea Sperling
360:(former CEO of
350:Andrea Sperling
321:Andrea Sperling
291:Matador Records
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254:My Degeneration
250:My Degeneration
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1607:
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1399:the original
1395:"Fame Whore"
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1367:
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1067:the original
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91:Notable work
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1994:1965 births
1762:18 December
710:Filmography
674:James Duval
495:James Duval
394:Giant Robot
266:Roger Ebert
242:J. Hoberman
222:, producer
220:Todd Haynes
119:underground
1988:Categories
1943:review of
1712:. imdb.com
1423:. imdb.com
1375:. imdb.com
1271:. imdb.com
1249:. imdb.com
1227:. imdb.com
849:References
778:Fame Whore
752:Hippy Porn
701:John Okada
639:Mishka NYC
560:Todd Verow
550:New Mexico
505:Kyp Malone
483:Fame Whore
460:Fame Whore
452:Fame Whore
432:Fame Whore
406:Eraserhead
354:Todd Verow
325:Todd Verow
303:Hippy Porn
299:Hippy Porn
283:Hippy Porn
196:Guggenheim
133:Guy Debord
85:, musician
46:1965-02-15
1945:Der Elvis
1926:Der Elvis
880:20 August
836:Cycoskuzz
734:Braindead
728:Der Elvis
697:the novel
678:Amy Davis
624:Der Elvis
618:In 2015,
613:LA Weekly
533:LA Weekly
491:Amy Davis
436:Amy Davis
317:Amy Davis
258:Amy Davis
232:Der Elvis
176:Rotterdam
150:Amy Davis
146:absurdist
141:16mm film
107:Amy Davis
83:Filmmaker
69:Education
1515:21 April
1489:22 April
1427:22 April
1405:22 April
1379:21 April
1331:26 April
1301:20 April
1275:22 April
1253:20 April
1231:20 April
1184:23 April
1143:cite web
988:Amoeblog
798:Scumrock
630:and the
587:In 2013
544:Scumrock
517:Scumrock
487:Scumrock
479:Scumrock
471:Scumrock
264:, where
262:Sundance
160:Sundance
57:Honolulu
1817:7 March
1787:7 March
1716:17 July
1694:7 March
1669:7 March
1644:7 March
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1566:7 March
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1357:7 March
1133:7 March
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240:critic
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168:Berlin
164:Cannes
103:Spouse
98:(1994)
63:, U.S.
61:Hawaii
1689:alibi
1352:Wired
792:Crack
691:Music
400:Wired
137:lo-fi
1976:IMDb
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1918:ISBN
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