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films using a handheld video camera inside a movie theater. Routson would balance the camera somewhere on his person and intentionally not look through the viewfinder. The videos often ended up largely obscuring the movie screen, either by angle or silhouette. For instance, Routson's recording of
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Routson work has faced legal complications. On
October 1, 2004, Maryland ruled the unauthorized use of recording equipment inside a movie theater illegal. Routson accordingly stopped his bootlegging practice in 2004.
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Other of
Routson's projects include a photography series in which he takes or purchases photographs of shopping-mall Easter bunnies sitting or standing by themselves, and the 2003 work
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de Valck, Marijke, and
Hagener, Malte, eds. Cinephilia : Movies, Love and Memory. Amsterdam, NLD: Amsterdam University Press, 2005. ProQuest ebrary. Web. 28 April 2015.
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184:. Routson cut a VHS recording of Barney's film down to a television standard 22 minutes, added television commercials, credits, and an
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had turned them into truisms." Another, however, describes his appropriation work as "lazy" and "vampiric".
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blocked the movie's subtitles behind the back of a theatre seat. While such recordings, known as
600:"Feel This Dead Vibration at Current November 29 ‹ BmoreArt - Baltimore Contemporary Art"
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in 2003. In between his degrees, Routson worked as an artist assistant under painter
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153:. Between 1999 and 2004, Routson made numerous recordings of contemporaneous
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468:"When One Man' - s Video Art Is Another' - s Copyright Crime"
428:"Critic's Notebook – When One Man's Video Art Is Another's Copyright Crime"
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Routson is primarily known for his video work, particularly his use of
359:"Baltimore City Paper: Scene Stealer (January 21 – January 27, 2004)"
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Reception of
Routson's work has been mixed. One critic praises his
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in New York City in 2003 and 2004. Routson also created an edit of
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watermark logo. The work was intended to emulate the ABC program
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496:"Haber's Art Reviews: Jon Routson and Christian Jankowski"
236:. Below is a list of selected solo and group exhibitions.
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313:Carrie/Porky's: Originality, Neatness, and Hygiene
117:in 1993. Routson went on to earn his MFA fromthe
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322:CRP Gallery, Brooklyn, NY and thing.net,
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113:, he received a bachelor's degree from
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209:guitar along with a "For Sale" flyer.
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115:University of Maryland, College Park
77:) is an American artist working in
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618:"Jon Routson : Recordings II"
575:"Time Out New York : Reviews"
532:"Film Comment : John Routson"
139:Corcoran College of Art and Design
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111:Maryland Institute College of Art
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255:Current Gallery, Baltimore, MD,
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636:"Jon Routson : Recordings"
205:in which Routson displayed his
170:peer-to-peer file sharing sites
466:Smith, Roberta (May 6, 2004).
426:Smith, Roberta (May 6, 2004).
311:Team, Project Room, New York,
228:Routson is represented by the
137:Routson briefly taught at the
109:. After briefly attending the
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257:feel this dead vibration
654:"White Columns Archive"
35:, as no other articles
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708:American video artists
514:"The Tears of Things"
324:Jon Routson's Bootleg
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369:on February 3, 2004.
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409:"Last Picture Show"
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473:The New York Times
433:The New York Times
89:. He is based in
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44:to this page from
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296:Jon Routson
218:avant-garde
182:Cremaster 4
71:Jon Routson
672:Categories
340:References
302:Episode II
285:Mama’s Boy
279:recordings
50:; try the
37:link to it
203:My Guitar
155:Hollywood
97:Education
83:new media
40:. Please
214:Bootlegs
59:May 2015
584:May 29,
541:May 29,
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393:May 29,
166:camrips
207:Fender
133:Career
85:, and
33:orphan
31:is an
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586:2015
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
