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in
October 1777. Battishill also had an affair with a woman who called herself Ann Battishill at the time of his death. They apparently lived together from about 1775 until the end of Battishill's life. Although Battishill was involved with another woman, his wife's desertion caused a deep depression
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From 1777 on
Battishill devoted himself mainly to his book collection. From the time he was a boy he was an avid reader, and throughout his life he had collected some 6000 to 7000 volumes in his personal library. He was mostly interested in theological works and the works of classical authors. In
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as well and served at both St
Clement and Christ Church until his death in 1801. During this time he periodically gave organ concerts and he particularly became known for his performances of Handel's keyboard works. He also would still occasionally perform in concerts as a singer. He possessed an
226:, which premiered in 1764 at Drury Lane. The opera was a theatrical failure, but critics of the day attributed its lack of success to dramatic faults on the part of the librettist Rolt, rather than to problems with the music. He also wrote several songs for London's
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Most of
Battishill's compositions date from the period 1760–1775, and reflect his diverse employments during this time. He began his career primarily as a composer of theatre music; writing mostly incidental music for plays. He composed the music for one
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from which he never recovered. He declined into alcoholism and his compositional output became minimal for the rest of his life. His alcoholism also resulted in his not being appointed organist of St Paul's on the death of
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During the mid-1750s he began appearing as a tenor soloist in London concerts. One of his earliest engagements was on 16 March 1756 in a concert of
273:. His anthems are considered his most exemplary work and are admired for employing rich blends in a multi-voiced arrangement. His anthems included
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44:. He is considered one of the outstanding 18th century English composers of church music and is best remembered today for his seven-part
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While working at Covent Garden, Battishill met singing actress
Elizabeth Davies who had originated the role of Margery in
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exceptional memory which was displayed in one concert where he played and sang from memory several airs from
71:, almoner and master of the choristers. He became a highly skilled organist and was particularly talented at
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281:, the latter of which was sung at his own funeral and is still performed in cathedrals today. Of his glees,
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1801 Battishill was buried in St Paul's near the grave of
William Boyce in keeping with his own wishes.
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Battishill was born in London. Beginning at the age of nine, he sang as a chorister at
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Upon taking his first organist post in 1764, Battishill composed chiefly church music,
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from c1762, but lost his membership twice for not attending meetings. In 1771 his glee
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J. A. F. Maitland, rev. David J. Golby (2004). "Battishill, Jonathan (1738–1801)".
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without the sheet music, and after not hearing the work for more than 20 years.
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playing; a skill that soon attracted attention and led to his appointment as
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Jonathan
Battishill at Encyclopædia Britannica Online (subscription access)
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is probably his best known work. His chants also remain in use.
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376:"Choral Evensong 3 August 2005, From Guildford Cathedral"
32:(May 1738 – 10 December 1801) was an English composer,
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English composer, keyboardist and singer (1738-1801)
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253:. He was particularly prolific in his output of
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460:. Vol. 3. London: Smith, Elder & Co.
395:"Choral Evensong Live from Bristol Cathedral"
145:In 1764 Battishill was appointed organist of
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479:(online ed.). Oxford University Press.
439:(11th ed.). Cambridge University Press.
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582:English classical composers of church music
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572:Members of the Royal Society of Musicians
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356:. Edinburgh: Johnson & Co. p. 36
316:ed. L. Macy (Accessed 17 December 2008),
312:Peter Ward Jones: "Jonathan Battishill",
444:Maitland, John Alexander Fuller (1885).
476:Oxford Dictionary of National Biography
469:Oxford Dictionary of National Biography
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140:Come bind my hair, ye wood nymphs fair
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136:Noblemen and Gentlemen's Catch Club
517:Free scores by Jonathan Battishill
507:Free scores by Jonathan Battishill
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602:English male classical organists
457:Dictionary of National Biography
283:I Loved Thee Beautiful and Kind
592:18th-century British composers
577:Burials at St Paul's Cathedral
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275:O Lord, Look Down from Heaven
155:Christ Church, Newgate Street
547:English male opera composers
521:Choral Public Domain Library
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447:"Battishill, Jonathan"
430:"Battishill, Jonathan"
234:is probably his best known.
210:, which used a text by poet
124:and in 1761 a member of the
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142:won the club's gold medal.
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399:BBC programme detail pages
380:BBC programme detail pages
126:Royal Society of Musicians
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436:Encyclopædia Britannica
352:Johnson, James (1787).
354:"Scots Musical Museum"
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106:Covent Garden Theatre
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531:Categories
495:required.)
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386:19 January
289:References
251:part-songs
212:James Love
187:John Jones
263:canticles
247:madrigals
204:pantomime
189:in 1796.
114:pantomime
73:extempore
55:Biography
321:Archived
164:oratorio
110:choruses
34:keyboard
519:in the
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509:at the
454:(ed.).
418:Sources
360:6 March
271:anthems
243:catches
104:at the
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269:, and
259:psalms
249:, and
216:Almena
88:Handel
46:anthem
450:. In
267:hymns
239:glees
218:with
197:Works
38:tenor
407:2009
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362:2014
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