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The Satan
Macnuggit Video Road Show hosted over 70 screenings during its 2001 and 2003 cross-country tours, featuring zero-budget activist and art videos from such contributors as Meesoo Lee, Amy Lockhart, Mare Sheppard and the Direct Action Media Network. Today Culp’s production company is Unpopular
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magazine from 1999 to 2001, and has authored several reviews and essays for Paul Corupe’s canuxploitation.com. They have written reviews and features for many web sites and publications including The
Cultural Gutter, Fuse, POV, Eclectic Screening Room, Clamor, Canadian Dimension, Filmprint and Now
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From 2007 to 2018 Culp acted as co-programmer at
Toronto’s underground screening venue Trash Palace, where they contributed prints from their large collection of 16mm Canadian and educational films. In late 2018 they donated much of their multimedia archive and papers to The Media Commons at the
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Culp’s first feature was shot on video in 2003 with a budget of $ 12,000. Largely cast with local teens, it satirized Culp’s experiences in the social justice movement, within an unflattering portrait of fictionalized small town
Grimsville, ON.
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A 47 minute ‘anti-documentary’ essay on the themes of art, activism and madness. The project grew out of an exploration of the
Weyburn Mental Hospital, where Culp's great-grandfather Russell Carman had been incarcerated from 1936 to 1962.
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In between and following these major projects, Culp continued to direct and edit many collage shorts, Super 8 films, and music videos, while expanding into multiscreen presentations and film installation. The 2018 films
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An ambitious feature-length collage project, seven years in the making. Culp crafts a new narrative from clips of over 400 Canadian feature films produced between 1970 and 1989.
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Culp formed the
Toronto Video Activist Collective (TVAC) with a number of other leftist videographers in 1997. TVAC documented street protests for several years and produced the
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Alongside film and video work, Culp has contributed songwriting, vocals and guitar to rock bands The Suck
Trumpets, Loogan Bin, The Biters and Broken Puppy.
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bought at a library sale. Culp went on to work predominantly in the collage style, authoring many films and videos most notably the feature-length
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They contributed the interview-based essay “Farther Shores: Experiments in
Feature Narrative“ to the anthology Explosions In the Movie Machine.
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They have also played guitar in
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176:(their first film installation) both address themes of post-traumatic stress and anxiety.
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Culp is a long-time contributor to the Toronto zine community, authoring the multi-issue
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In 1996 Culp premiered a 16mm experimental short film,
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and Chris Mills) the original songs for their feature
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