286:
Paris, and to send them over from Paris to Alsace. Lebert says that the designs he sold to Zuber in
Rixheim "completely renewed the wall-paper industry. They are distinguished by the natural grace of each plant and a broad, well-felt touch, whose character draftsmen have rightly followed in the finest modern productions. These natural-sized groups of flowers, sometimes accompanied by fruit and birds, have always, since their appearance, served as a model for artists wishing to make good, complete studies." Lebert adds that when Malaine went back to Paris when it was safe again, the Gobelins tried to take him back, but Malaine "preferred to devote himself as a free-lance artist to painting pictures, while still working for the Zuber company and that of M. Steinbaechlein" : the manufactures sent him students.
424:
perfection, such was his taste and facility in execution, and they enabled him to operate a kind of renovation of the art of drawing for printing, getting as close as possible, through the study of nature, to new results with the usual means of
Persian illuminations in solid colours. His flower borders, painted with admirable suppleness and assurance, resemble paintings by the master, translated for cotton canvas. Among the variety of his work, which embraced all genres, he made , in concert with my father, in charge of figures, flower vases, fruit groups, for large drapery furniture. This worthy artist, retired from the business in which he had later participated as a manufacturer in Mulhouse, came to live in Colmar in 1837, where he died on October 11.".
293:
following decade. a whole range of artists, influenced by Dutch flower painters - some of whom settled in France, including G. van
Spaendonck - created designs for various manufactures ; these works aimed for a precise, naturalistic rendering, demonstrating a meticulous attention to the quasi-botanical veracity of flowers. A particularly brilliant player in this genre, Joseph-Laurent Malaine, worked for both Arthur et Grenard (later Arthur et Robert) and the Mulhouse factory. He unquestionably played a crucial role in the floral aspect of the most exquisite pieces, such as an overdoor adorned with flowers, fruit, and birds. The same author calls Malaine "an essential link in the creation of motifs for the Rixheim factory".
387:, the success of manufactures depended to a large extent on these artists' designs, and "the most sought-after genres were those whose subjects were natural flowers, which required the cooperation of distinguished artists, who were paid a lot of money." She then mentions Malaine among "the most distinguished artists of the period, whose canvases are very remarkable in terms of both drawing and colouring. One notices bouquets and garlands that imitate nature as well as the best paintings". Malaine worked for Dollfus, "one of the most important factories in Alsace for the perfection of its products and the beauty of its designs, due in part to Malaine père". In 1806, the company produced "34,000 pieces, with 7 to 800 workers".
254:(Roses, peonies, delphiniums and other flowers, in baskets set on marble consoles: 600 fr. ) and two paintings once belonging to Baron de Longuève ("Fleurs dans des corbeilles. Deux pendants sur cuivre: 600 fr.") were sold. Given that the Baron was the owner of Château de Vaugereau, it could be that these three paintings are actually only two, since the sale catalog of his collection only shows the two
167:), while continuing his collaboration with companies in Mulhouse, then Rixheim. He may then (according to the Prado) have been appointed professor at the Académie de Lyon, a position he held until his death in Paris on May 5, 1809 - however, Bernard Jacqué has found no trace of this appointment, and regards it only as a legend. He is buried in the Père-Lachaise cemetery, division 57.
135:, fils & Cie, founded in 1786, "in whose affairs he was interested and which he was used to visiting", according to Fenaille. He also provides "a wallpaper project for the royal Savonnerie manufactory" (according to VĂ©ronique de Bruignac-La Hougue). He mentions his decision to leave the Gobelins in a letter dated September 29, 1792, three weeks after the
112:, Jacqué indicated that the seminary where apprentices were trained, as well as the Royal Academy of Painting and Sculpture which trained them in drawing, were abolished, and the three painters attached to the manufacture dismissed, including Malaine, but the latter seems to have remained at the head of his workshop, at Les Gobelins.
245:'s town hall (on the second floor) is or was decorated with two paintings whose author could be Malaine. Entitled "Vase of flowers with white butterflies" and "Vase of flowers with colored butterflies", they are painted in oil on canvas, and represent bouquets of flowers in their vase, which is placed in an arched niche].
192:
his meticulous, detailed style. His work is particularly interested in the realistic, tangible effect of different textures and motifs, whether flowers, vases or insects. Through the study of light on different qualities, he succeeds in creating a sense of volume that reinforces the realism of his paintings.".
1357:
423:
also mentions Henri Hofer as being "attached to the establishment of M. P. Dolfus, in Thann, distinguished himself above all by the application of the touch and style of the flower painter his master, in his drawings for painted canvas. They were daring successes in which he reached a rare level of
191:
The Prado Museum's website describes him as "A modest painter whose works are few and far between, his compositions are characterized by an elegance and simplicity far removed from the spectacular style that prevailed at the time. His two paintings of vases in the Prado Museum are a good example of
81:
The same author goes on to give details of an order received by
Malaine: it concerns a "meuble complet" (i.e. all the seats in a salon) for which he made models for the backs, seats and platbands (the vertical strips of fabric or tapestry under the horizontal part of the seat) of two sofas, twelve
285:
wrote that "Around the time of the French
Revolution, we reached a new phase in the development of print design. A flower painter of great talent gave a more learned impulse to this varied art, through a more conscientious study of nature." That painter was Malaine, who used to sell his designs in
456:
Michel Faré et
Fabrice Faré, La vie silencieuse en France : la nature morte au XVIIIe siècle, Fribourg : Office du livre, 1976, pp. 254, 328, 356 et 392. Aussi : Paris : Société française du livre, 1976 (impr. en Suisse). - 435 p. : ill. en noir et en coul. ;
292:
details the subjects of wallpapers, and particularly the different kinds of flower illustrations and notes that : " We finally find the depiction of flowers striving for fidelity to nature, to a greater or lesser extent, which was Highly favored in the 1780s, and still very popular in the
150:
et Cie (they had started working together in 1790 - and he had previously been
Nicolas Dollfus's teacher), designing wallpaper patterns for the Alsatian company, to which he remained loyal after his return to Paris", and worked as a flower painter for the canvas and wallpaper manufactures of
270:
According to V. de
Bruignac-La Hougue, wallpaper manufacturers called on designers from the Gobelins. Malaine began designing for wallpaper manufactures in the 1780s, for the Manufacture Arthur et Grenard (which became a royal manufacture in 1788), which was in operation from 1775 to 1789.
390:
The POP database lists
Malaine as, among other things, "painter for the Mulhouse cloth printing industry". Malaine may have been featured in the exhibition 'Quand les fleurs font l'étoffe : une histoire de la flore dans l'imprimé', from October 26, 2018 to December 31, 2020, at the
179:
from 1791 to 1808. He painted in oil on copper, wood or canvas. Most of his works depict bouquets of flowers in vases set on entablatures, sometimes with insects or even birds. Among the paintings recently offered for sale were two still lifes, one depicting two stems of
206:
Malaine signed his paintings "Louis
Malaine", "L Malaine", or with a monogram, "LJM" or "LM". In written sources, he is often referred to as "Malaine père", while "Malaine fils" is his son, Alphonse (Paris, June 16, 1782 - October 11, 1858, Mulhouse).
57:
It is not known when he arrived in Paris, but we know he married Hélène Victoire Roze (d. 1856), the daughter of a master sculptor and wood merchant in Paris in the summer of 1779. The couple lived on the rue du Faubourg Saint Martin.
364:
it was difficult to find good artists to draw textile models : "Designers and engravers are the most difficult to recruit for a factory, yet they are the ones on whom the company's success depends. Apart from the "artists" at
782:(1667-1747) through the latter's daughter Ursule (1690-1747). (Henri also had a sister Ursule, 1756-1834; and a brother, Godefroy Hofer, 1761-1845, also an Indian manufacturer). Pierre Dollfus 1748 is Henri's great-great-uncle.
69:
specifies that he "was invited by Director Pierre to come and occupy a lodging at the Manufacture; he was to receive no salary, but to be paid for all the works he would execute on behalf of the Manufacture." He adds that
1379:
840:
and from then on worked for the manufacture Soehnée l'aîné et Cie. He also left a number of drawings, including views of Thann. He retired to Colmar and was buried there. (Soehnée Sr is Jacques Frédéric Soehnée, painter
871:. Henri Lebert, who began his working life as a designer of floral motifs for the textile industry, like his father, left an autobiography, the interest of which was highlighted by Audrey Millet in
431:
indiennes manufacture, brought the art of charming sofa designs, the secret of which he had learned at the Manufacture Royale des Gobelins and which are preserved in Mulhouse's historical museum."
741:
832:), he settled in Thann in 1784, returned to Paris from September 1788 to August 1790 to run a drawing and engraving workshop, then returned to Thann, where in 1791 he joined the Society of the
816:, died before 1794, drawing master in Paris), Marie was born in Paris on October 14, 1759, and he died in Colmar on November 22, 1836. He was an engraver and a drawer. He studied painting with
701:. There was no "Mr Steinbaechlein" as the name refers to that of the small river running through places like Dornach (now a part of Mulhouse. The Dollfus family had a textile factory there) or
304:
Several models of wallpaper panels decorated with flowers painted by Malaine for Hartmann Risler et Cie (Rixheim) are held by the Bibliothèque nationale de France and can be viewed on Gallica.
906:
163:. Returning to Paris in March 1797 (according to Jacqué; 1796, according to the Prado), "he continued to paint esteemed pictures, several of which have been attributed to Van Spaendonck" (
353:
could be produced there without restrictions, but had to pay duties on entering France. The duties were abolished on February 17, allowing the indiennes trade to flourish. According to
1495:
613:
in Mulhouse; son of Daniel Koechlin, chemist, specialist in colouring materials and methods of printing and applying designs to various materials: see POP database :
319:
stung by the snake); a "cameo" representing a bouquet of flowers; a vase panel on a base crowned with a bouquet of fruit and foliage - the latter two works made for the
794:. Spach also mentions that Malaine's son, "attached in 1810 to the Nicolas KĹ“chlin house, grasped the indienne drawing with intelligence and rendered all its effects"
761:
382:
223:
Prado Museum: two paintings (oil on wood), painted between 1786 and 1793, are in the Prado Museum's reserves. They previously belonged to the Royal Collection (
637:
551:
We know that Cabinet maker Jan van Mekeren (1658-1687), for example, also ran a wood trade - presumably selling exotic woods to other artists like him :
337:, in Paris, owns a piece of wall paper showing a Vase with naturalistic bouquet and fruit basket, also designed for the Manufacture Hartmann Risler, ca 1800.
301:
The Pop base mentions four wallpapers designed from drawings by Malaine, two for the Manufacture Arthur et Grenard, and two for Hartmann Risler & Cie.
1410:
650:
1103:
660:"Association of the manufacturer Jean Arthur and the merchant René Grenard" (according to the POP database), both of whom were also members of the "
75:
349:
was founded by Jean-Henri Dollfus in the Republic of Mulhouse, which was not yet part of France. Until the Treaty of Reunion on January 28, 1798,
90:
65:, "where he designed cartoons for chairs": he was thus a painter-cartoon designer and, with his workshop, created models for chair tapestries.
307:
The Musée des Arts Décoratifs in Paris owns several wallpaper panels decorated with bouquets of flowers; two panels with mythological scenes (
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1203:
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760:"Vase au bouquet naturaliste et corbeille de fruits, attique", Bibliothèque Forney, Réserve extérieure - papier-peint / Cote : PP 8416
599:
541:
517:
503:
440:
Fenaille (Maurice), État général des tapisseries de la manufacture des Gobelins depuis son origine jusqu'à nos jours, 1907, IV, p. 410.
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Fenaille (Maurice), État général des tapisseries de la manufacture des Gobelins depuis son origine jusqu'à nos jours, 1912, V, p. 428.
397:
143:
having reiterated the order on October 11, 1792" because he worked less for the Manufacture than for the wallpaper and indienne factories.
453:
Gautier (Jean-Jacques), Sièges en société. Histoire du siège du Roi-Soleil à Marianne (cat. exp.), 2017, p. 56-57, fig. 3 p. 57.
140:
901:, Paris, 1919, p. 286. Some photos are included. A lithography representing the Wesserling manufacture can be seen on this page :
50:, where Joseph-Laurent Malaine also trained as a flower painter. In 1773, he presented two paintings of flowers in vases at the first
1458:
792:
377:
842:
330:
wallpaper museum has an "Overdoor with a red macaw, green parrot and oak jay" designed by Malaine for Hartmann Risler & Cie.
576:
Biographie universelle ancienne et moderne: histoire par ordre alphabétique de la vie publique et privée de tous les hommes. ...
1307:
1092:
427:
Henri Clouzot also gives some details about Henri Hofer's brother Godefroy, also a student at "les Gobelins" : "At the
392:
195:
At the time of his death, we know that his son Louis Alphonse Joseph Malaine (Paris 1782-Mulhouse 1858 - his wife was from
1277:
1273:
1118:
934:
614:
495:
1047:
574:"At the age of sixteen , he came to Paris, where he entered the studio of Malaine, painter-draughtsman at the Gobelins",
1490:
450:
Vittet (Jean), Les Gobelins au siècle des Lumières. Un âge d'or de la manufacture royale (cat. exp.), 2014, p. 336.
327:
869:
699:
631:
751:
In painting, the term "cameo" referred to a grisaille imitating a cameo, according to Littré. Here, colour is used.
405:
One of Malaine's former pupils worked in fabric printing. He was Henri Hofer. Here is a description of his work by
71:
626:
472:
Grand dictionnaire universel du XIXe siècle français, historique, géographique, mythologique, bibliographique....
730:
188:. We also know of several paintings of fruit, such as one of peaches, with jasmine flowers and two goldfinches.
146:
In early 1793, having settled in Mulhouse, he continued his cooperation with the wallpaper manufacturer Nicolas
735:
373:, and the draftsmen at Lyon's silk factories, there are very few specialists in textile decoration in France".
62:
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489:
876:
105:
1368:
446:
354:
1455:
224:
120:
98:
661:
579:
308:
441:
1290:
Dictionnaire des ventes d'art faites en France et à l'étranger pendant les XVIIIème & XIXe siècles
986:
199:) was a draftsman at the Gobelins. He "then made a career in Mulhouse where he became a specialist in
1480:
1475:
772:
416:: "Hofer's drawings ... resembled master paintings, translated onto canvas, with a spiritual touch".
370:
366:
128:
109:
27:
565:(Volume 22) p. 1041. This source mentions a fabric factory, and does not mention the Rixheim factory
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891:
702:
428:
312:
136:
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275:
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359:
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185:
1280:"Malaine"&resPage=7&last_view="list"&idQuery="587f82d-c7ee-1640-5fb6-a8ccbea233eb"
1239:
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817:
513:
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131:, in Switzerland (Mulhouse was then an independent territory linked to Switzerland)", that of
94:
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61:
In 1784 or 1786, he succeeded Maurice Jacques (1712-1784) and became a flower painter at the
1293:
1027:
950:
825:
715:
334:
200:
196:
156:
139:. According to Fenaille, "he was invited to evacuate the lodgings he occupied, the minister
116:
66:
1274:"Malaine"&resPage=6&last_view="list"&idQuery="a2f7b0-d7d2-e6c3-e477-c17e7f1a4e"
1297:
1119:"Malaine"&resPage=6&last_view="list"&idQuery="a2f7b0-d7d2-e6c3-e477-c17e7f1a4e
1078:
864:, 'Notice sur les développements du dessin d'impression des toiles peintes en Alsace', in
694:, 'Notice sur les développements du dessin d'impression des toiles peintes en Alsace', in
615:"Malaine"&resPage=6&last_view="list"&idQuery="56d0bc-6540-133d-b60b-261d0f75e"
467:
235:
868:, Fédération des sociétés d'histoire et d'archéologie d'Alsace (Colmar), 1865, p. 11-12:
698:, Fédération des sociétés d'histoire et d'archéologie d'Alsace (Colmar), 1865, p. 11-12:
97:. Malaine also produced designs for borders, a "carpet design ... for the service of the
552:
462:
De la manufacture au mur : pour une histoire matérielle du papier peint (1770-1914)
1278:
https://www.pop.culture.gouv.fr/notice/palissy/PM68001225?listResPage=7&mainSearch=
777:
726:
320:
181:
54:"Salon des Arts". We know of paintings by him that he dated from 1773, and up to 1806.
998:
1469:
873:
Vie et destin d'un dessinateur textile. D'après le Journal d'Henri Lebert (1794-1862)
729:& Cie in 1802. The latter is still in business, and shares its premises with the
482:
Vie et destin d'un dessinateur textile. D'après le Journal d'Henri Lebert (1794-1862)
346:
255:
176:
132:
234:(oil on wood) was donated to the Musée des beaux-arts de Mulhouse in 1866 by Eugène
214:, who became a painter in the "flower class" of the Lyon School of Drawing in 1807.
1425:
896:
464:, sous la direction de Serge Chassagne, Lyon : Université Lumière Lyon 2, 2003
147:
859:
689:
563:
La Grande encyclopédie, inventaire raisonné des sciences, des lettres et des arts
280:
83:
1196:
The Design, Production and Reception of Eighteenth-Century Wallpaper in Britain
411:
829:
610:
350:
211:
1142:
Historic Wall-papers: From Their Inception to the Introduction of Machinery
1394:
Les grandes industries de la France. La teinture, l'impression des tissus
833:
316:
152:
124:
35:
812:(Bonaventure) Marie Lebert, son of Jean Pierre Lebert (born about 1730,
837:
813:
242:
160:
47:
23:
1260:
Biographie nationale: (A-Z); 28 (Table générale); 29-44 (Suppl. 1-16)
720:
251:
1432:
Histoire de la manufacture de Jouy et de la toile imprimée en France
1407:
Histoire de la manufacture de Jouy et de la toile imprimée en France
803:
Pierre Dollfus, 1748-1830, son of Johann Heinrich Dollfus 1724-1802]
1443:
1392:
Antoinette-Joséphine-Françoise-Anne Drohojowska|fr}} (1822-189.?),
1347:
93:
in Paris. Twenty-eight of Malaine's cartoons are preserved at the
51:
46:
His father was RĂ©gnier Joseph Malaine, a master flower painter in
31:
973:
Véronique de Bruignac-La Hougue, 'Florilèges de papiers peints',
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Henri Clouzot, 'La Tradition de la toile imprimée en Alsace', in
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Hartmann Risler & Cie (co-founded by N. Dolfuss and Hartmann
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died. It was also the same château that (temporarily) housed the
38:
for tapestries as well as designs for wall-papers and textiles.
1024:
Histoire de la tapisserie depuis le moyen âge jusqu'à nos jours
828:
indiennes factory (then a subsidiary of the Manufacture de
888:
La Renaissance de l'art français et des industries de luxe
510:
Murs de papier : l'atelier du papier peint, 1798-1805
649:
The Malaine paintings appear on pp. 9-10 of the catalog:
875:. Champ Vallon, 352 p. It is reviewed here (in French):
250:
In 1887, a painting from the Château de Vaugereau, near
1169:
Witt Library of the Courtauld Institute (3 June 2014).
771:
Henri Hofer 1771-1837, great-grandson of Hans-Heinrich
1262:(in French). Thiry-Van Buggenhoudt. 1895. p. 191.
824:. Invited to design models for printed fabrics at the
241:
The "salle de séances" (town council meeting room) of
498:, Paris, April 28 to October 1, 2017), Paris Musées,
115:
By 1792, we know that he was already working for the
78:
to ask him to ratify Laurent Malaine's appointment."
1381:
La toile imprimée et les indiennes de traite. Tome 1
740:, where these works are now kept: see on "base POP"
673:
Un tournant du goût, le papier peint autour de 1797
74:, premier peintre du Roi, wrote on July 2, 1788 to
960:
958:
378:Antoinette-Joséphine-Françoise-Anne Drohojowska
119:(Rue Louis-le-Grand, at the junction with the
1496:Emigrants from the Holy Roman Empire to France
1234:Thibaut-Pomerantz, Carolle (13 October 2009).
262:Works by Malaine regularly come up for sale.
8:
1396:, P. Dupont (Paris) , 1881-1882, pages 233-4
1221:Bryan's Dictionary of Painters and Engravers
123:) wallpaper factory in Paris, and for an "
89:A cartoon of this type can be seen at the
1236:Wallpaper: A History of Style and Trends
1144:. J. B. Lippincott Company. p. 166.
922:
836:. Finally, in June 1796, he settled in
705:, with the Hofer (textile) Manufacture.
533:
1058:VĂ©ronique de Bruignac-La Hougue p. 102
1022:See also: Jules Guiffrey (1840-1918),
540:According to the Prado website :
184:", the other two bunches of grapes in
7:
1434:, G. Van Oest (Paris), 1928, page 66
1171:Checklist of Painters from 1200-1994
930:
928:
926:
210:One of Malaine's pupils was Jacques
34:) was a flower painter and created
1444:Musée de l'Impression sur étoffes
1140:McClelland, Nancy Vincent (1924).
494:(Catalog of the exhibition at the
14:
393:Musée de l'impression sur étoffes
1238:. Rizzoli. pp. 46–47, 98.
609:Son of Jean Koechlin, maker of
1194:Taylor, Clare (12 June 2018).
1158:. Sotheby's. 2004. p. 94.
820:, engraving with Launay ] and
1:
1409:, G. Van Oest (Paris), 1928:
598:P002287, Prado Museum :
488:Le Pouvoir des fleurs :
82:armchairs and two sheets for
1486:18th-century French painters
1296:, (Volume 05) 1911 page 56:
627:Jean-Louis Henry de Longuève
997:musée des Arts Décoratifs:
834:Friends of the Constitution
731:Wallpaper museum in Rixheim
582:(1773-1858), vol. 3, p. 132
1512:
1198:. Routledge. p. 406.
1173:. Routledge. p. 312.
578:. publ. under the dir. of
496:Musée de la Vie romantique
108:was appointed head of the
16:French painter (1745–1809)
1223:. Macmillan. p. 271.
987:Fenaille, Tome IV, p. 410
175:Malaine exhibited at the
91:Musée des Arts Décoratifs
1333:, chapter 8, unpaginated
843:Charles-Frédéric Soehnée
63:manufacture des Gobelins
1369:Cassel wallpaper museum
1219:Bryan, Michael (1904).
671:". See Bernard Jacqué,
106:Charles-Axel Guillaumot
1037:<Tome V, P. 429-430
638:Grand quartier général
484:. Champ Vallon, 352 p.
225:Royal Palace of Madrid
121:boulevard des Italiens
99:Savonnerie manufactory
22:(21 February 1745, in
20:Joseph-Laurent Malaine
1319:Le Pouvoir des fleurs
975:Le Pouvoir des Fleurs
580:Louis-Gabriel Michaud
512:, BnF Éditions, 2018
490:Pierre-Joseph Redouté
1156:Old Master Paintings
725:, 1758-1844) became
675:, Rixheim, MPP, 1997
625:This is where Baron
524:Notes and references
110:Gobelins Manufactory
28:Austrian Netherlands
1491:People from Tournai
703:Morschwiller-le-Bas
335:Bibliothèque Forney
227:, Queen's Chamber).
137:September Massacres
1272:Base POP :
1012:Mobilier National
662:section des Piques
460:Jacqué (Bernard),
297:Public collections
218:Public collections
165:Grand Dictionnaire
76:Comte d'Angiviller
1245:978-2-08-030109-3
1205:978-1-351-02176-0
1180:978-1-134-26406-3
947:Mobilier National
945:according to the
818:Joseph-Marie Vien
727:manufacture Zuber
640:from June 8, 1940
518:978-2-7177-2776-0
508:Christine Velut,
504:978-2-7596-0345-9
480:Millet (Audrey),
468:Larousse (Pierre)
355:Henry d'Allemagne
321:Manufacture Zuber
232:Bouquet de fleurs
117:Arthur et Grenard
95:Mobilier National
30:– 5 May 1809, in
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1115:Base Mérimée
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435:Bibliography
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402:(Mulhouse).
389:
375:
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276:Henri Lebert
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231:
230:Mulhouse: A
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186:trompe-l'Ĺ“il
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133:Dollfus père
114:
103:
88:
84:fire screens
80:
60:
56:
45:
19:
18:
1481:1809 deaths
1476:1745 births
1424: [
1342:See on the
905: [
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858: [
845:'s father).
776: [
734: [
719: [
688: [
665: [
630: [
492:(1759-1840)
457:33 cm.
410: [
407:Louis Spach
396: [
381: [
358: [
345:In 1746, a
279: [
127:factory in
1470:Categories
1026:, p. 455:
917:References
830:Wesserling
474:, Tome 10
429:Wesserling
949:website (
611:indiennes
351:Indiennes
309:Pygmalion
266:Wallpaper
212:Barraband
171:Paintings
1457: ;
1454:Bacqué,
1358:Gallica
1344:base POP
1117: :
1081: :
977:, p. 102
371:Beauvais
367:Gobelins
341:Textiles
317:Eurydice
256:pendants
236:Koechlin
153:Mulhouse
129:Mulhouse
125:indienne
36:cartoons
1276:and [
1046:Bacqué
838:Munster
814:Le Mans
773:Dollfus
596:Florero
592:Florero
313:Galatea
243:Munster
201:paisley
161:Rixheim
148:Dollfus
48:Tournai
24:Tournai
1321:p. 102
1242:
1202:
1177:
1068:Prado
935:Bacqué
716:Risler
516:
502:
328:Kassel
252:Briare
159:, and
141:Roland
104:After
72:Pierre
1428:]
909:]
899:]
862:]
826:Thann
780:]
738:]
723:]
692:]
669:]
634:]
529:Notes
414:]
400:]
385:]
362:]
283:]
197:Thann
177:Salon
157:Thann
52:Lille
32:Paris
1292:, d'
1240:ISBN
1200:ISBN
1175:ISBN
1048:.1.2
514:ISBN
500:ISBN
419:The
369:and
333:The
326:The
311:and
42:Life
822:NĂ©e
203:".
1472::
1426:fr
1346::
1000:,
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925:^
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323:.
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155:,
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26:,
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1183:.
1121:"
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903:]
477:.
258:.
238:.
180:"
70:"
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