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Pocholle's even-handed treatment of the town during his government service there in 1794. When
Pocholle became sous-prefét of Neufchâtel-en-Bray in 1804, he took the bust with him, and then gave the bust to his sister, the widowed Mrs. Delile, when he went into exile in 1816. She in turn gave the bust to Mr. Mabire, who later donated it to the newly established museum of Neufchâtel-en-Bray in 1832. The Bulletin des Musées de France, 1er année, no. 11, novembre 1929, includes a photograph of the bust.
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Chinard sculpted a terra cotta bust of Pierre-Pomponne-Amédée
Pocholle, which was exhibited in the Exposition Universelle of 1878 at the Palais du Trocadéro, in the section of Portraits Nationaux (catalogue number 440). The town of Lyon commissioned Chinard to make the bust in appreciation for
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He received his early training in Lyon, as a painter, in the government-supported École Royale de Dessin, then worked with a local sculptor. His work at Lyon drew the attention of a patron who sent him to Rome, 1784–87. He sent back to Lyon copies of antiquities. In Rome he won a prize from the
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for two months, on the orders of the Pope, for an action that were viewed as subversive, the exhibition in terracotta of a model for the base of a candelabrum in which
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He returned to Rome again in 1791, when his activities sometimes drew the attention of the authorities, especially given his espousal of
Revolutionary ideas during the
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92:) at the Salon of 1808. Chinard made only infrequent trips to Paris, dividing his time between Lyon and Italy. On one occasion in Paris he produced the bust of
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Interest in
Chinard was revived with a retrospective of his sculpture at the Musée des Arts Décoratifs, Paris, in 1909–10.
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trampled underfoot
Superstition. On his release in December 1792, he was expelled and returned to Dijon.
293:"Portrait d’un Conventionnel" (Bulletin des Musées de France, 1er année, no. 11, novembre 1929), p. 259.
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Chinard's work may be seen in various museum collections, including those of the
315:(Breck 1919), and a terracotta-tinted plaster bust, traditionally a portrait of
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41:, 12 February 1756 — Lyon 20 June 1813) was a French sculptor who worked in a
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in
American public collections, on the French Sculpture Census website
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Much of his public sculpture in Lyon was lost during the
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260:Joseph Breck, ""A terra-cotta bust by Chinard",
45:that was infused with naturalism and sentiment.
311:A terracotta bust, traditionally a portrait of
240:Mme. de Verninac as Diana the Huntress, 1800s,
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62:remains in the collection of the Accademia.
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209:National Gallery of Art, Washington D.C.
321:The Metropolitan Museum of Art Bulletin
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339:Artcyclopedia: Joseph Chinard on-line
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280:, sister of the painter-politician
131:National Gallery of Art, Washington
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382:19th-century French sculptors
372:18th-century French sculptors
123:Musée des Beaux-Arts de Lyon
84:was shown in plaster at the
162:Museum of Fine Arts, Boston
148:Museum of Fine Arts of Lyon
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227:Victoria and Albert Museum
127:Metropolitan Museum of Art
82:Bust of Madame de Verninac
16:French sculptor, 1756–1813
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377:French male sculptors
278:Henriette de Verninac
60:Perseus and Andromeda
56:Accademia di San Luca
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192:Unknown bust, 1802,
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98:J. Paul Getty Museum
29:Jean François Soiron
397:Sculptors from Lyon
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43:Neoclassical style
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35:Joseph Chinard
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96:(now at the
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267:(1919:161).
90:illustrated
80:His marble
366:Categories
333:References
109:Revolution
154:Augustine
25:miniature
225:, 1808,
176:General
129:and the
152:Saints
242:Louvre
194:Louvre
180:, 1812
125:, the
121:, the
119:Louvre
75:Apollo
249:Notes
136:Works
158:Paul
156:and
49:Life
39:Lyon
27:by
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37:(
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