Joseph Joachim - Knowledge (XXG)

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The audience anticipated great things, having got word from the rehearsal, and so, Mendelssohn wrote, "frenetic applause began" as soon as Joachim stepped in front of the orchestra. The beginning was applauded still more, and "cheers of the audience accompanied every ... part of the concerto." Reviewers also had high praise. One for 'The Musical World' wrote "The greatest violinists hold this concerto in awe ... Young Joachim ... attacked it with the vigour and determination of the most accomplished artist ... no master could have read it better," and the two cadenzas, written by Joachim, were "tremendous feats ... ingeniously composed". Another reviewer, for the 'Illustrated London News', wrote that Joachim "is perhaps the first violin player, not only of his age, but of his siècle" . "He performed Beethoven's solitary concerto, which we have heard all the great performers of the last twenty years attempt, and invariably fail in ... its performance was an eloquent vindication of the master-spirit who imagined it." A third reviewer, for the 'Morning Post', wrote that the concerto "has been generally regarded by violin-players as not a proper and effective development of the powers of their instrument" but that Joachim's performance "is beyond all praise, and defies all description" and "was altogether unprecedented." Joachim remained a favorite with the English public for the rest of his career. He visited England in each year 1858, 1859, 1862 largely at the behest of his friend

495:, and their followers, as defined by journalist Franz Brendel). "The worship of Wagner's music permeating musical taste in Weimar was to Joachim inordinate and unacceptable." Joachim's break with Liszt became final in August 1857, when he wrote to his former mentor: "I am completely out of sympathy with your music; it contradicts everything which from early youth I have taken as mental nourishment from the spirit of our great masters." Hanover "was then an independent kingdom, later to be absorbed in the German empire." King Georg of Hanover was totally blind and very fond of music; he paid Joachim a good salary and gave him considerable freedom. Joachim's duties in Hanover included playing the main violin part in opera performances and that or conducting state concerts. He had five summer months off, in which he made concert tours around Europe. In March 1853 he sent to Liszt a copy of the Overture to Hamlet he had recently composed. 387: 379: 1184: 536:, his first orchestral piece. He sent a score of the first movement to Joachim, requesting his advice. After getting Joachim's response, Brahms wrote to him "A thousand thanks for having studied the first movement in such a sympathetic and careful manner. I have learned a great deal from your remarks. As a musician I really have no greater wish than to have more talent so that I can learn still more from such a friend." Later in the composition of the concerto, which took four years, Brahms wrote to Joachim "I am sending you the rondo once more. And just like the last time, I beg for some really severe criticism." The final manuscript of the concerto "shows many alterations in the handwriting of Joachim". 774: 528:, and wrote of him that his playing "shows the intense fire...which predicts the artist" and "his compositions already betoken such power as I have seen in no other musician of his age". Joachim strongly recommended Brahms to Robert. Brahms was received by the Schumanns with great enthusiasm. After Robert's mental breakdown in 1854 and death in 1856, Joachim, Clara, and Brahms remained lifelong friends and shared musical views. Joachim's performing style with the violin, like Clara's at the piano, is said to have been "restrained, pure, antivirtuosic, expressing the music rather than the performer." 975: 839: 770:

presented him with "an exceptionally fine" violin made in 1715 by Antonio Stradivari, called "Il Cremonese". About ten years later, for the sixtieth jubilee, a concert in honor of Joachim was given by his former students of violin and viola playing and cellists who had studied quartet playing with him, on 22 April 1899. The total of some 140 string players was impressive, as were their instruments (made by Stradivari, Guarneri, Bergonzi, Amati, etc.). An honor such as that concert "had been accorded to no other musician during his lifetime".

252: 48: 3669: 411:. This was a triumph in several respects, as described by R. W. Eshbach. The Philharmonic had a policy against performers so young, but an exception was made after auditions persuaded gatherings of distinguished musicians and music lovers that Joachim had mature capabilities. Despite Beethoven's recognition as one of the greatest composers, and the ranking nowadays of his violin concerto as among the greatest few, it was far from being so ranked before Joachim's performance. 540: 681: 504: 7171: 4723: 4733: 605: 3310: 559:" of chamber music, of which programmes from 1867 through 1904 are preserved. Joachim appears a great many times. He visited London each year from 1866 on. In March 1898 and in 1901–1904 Joachim appeared in his own quartet of players, but otherwise far more often he appeared with resident Popular Concerts artists Louis Ries, second violin, J. B. Zerbini, first viola, and 587:, by Joachim, Clara, her oldest daughter Marie, Ries, Zerbini, Piatti, two English sisters "Miss Pyne," one a singer, and a Mr. Saunders who managed all the arrangements. Marie Schumann wrote home from Manchester that in Edinburgh Clara "was received with tempestuous applause and had to give an encore, so had Joachim. Piatti, too, is always tremendously liked." 2061: 1663: 1267: 575:. She wrote to Brahms 27 February 1882 from London that the piece had received "much applause". About a performance of it in Liverpool 11 February she had written in her diary that it was "warmly received, much to my surprise as the public here is far less receptive than that in London." In January 1867 there had been a tour to 167: 749:. Brahms, certain that Joachim's suspicions were groundless, wrote a sympathetic letter to Amalie, which she later produced as evidence in Joachim's divorce proceeding against her. This led to a cooling of Brahms' and Joachim's friendship, which was not restored until some years later, when Brahms composed the 760:

at Zürich, Switzerland; Brahms conducted and Joachim was assistant conductor. But in April, two years later, Joachim was to lose forever this revered friend, as Johannes Brahms died at the age of 64 at Vienna. At Meiningen, in December 1899, it was Joachim who made the speech when a statue to Brahms

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of Germany. There, he gathered a circle of young avant-garde disciples, vocally opposed to the conservatism of the Leipzig circle. Joachim was amongst the first of these. He served Liszt as concertmaster, and for several years enthusiastically embraced the new "psychological music," as he called it.

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Moser (p. 28 ff.) writes "After the appearance of the six String Quartets (Op. 18) Beethoven had complete command of the field of chamber-music", although in the later quartets he "makes many exacting demands" of string players. Moser (p. 29) further writes that "at the time of Beethoven's

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did not necessarily esteem the late quartets above the earliest ones. Moser, p. 30 writes that in Vienna "the public showed a marked hostility toward" the late quartets. But Joachim's teacher Böhm had an appreciation of the late quartets, which he communicated to Joachim. At the age of 18, "in

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had harshly criticized it, and after the London premiere by violinist Edward Eliason, a critic had said it "might have been written by any third or fourth rate composer." But Joachim was very well prepared to play Beethoven's concerto, having written his own cadenzas for it and memorized the piece.

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A Johannes Theodorus Cuypers anno 1807 was bought by Joachim in the mid 19th century and taken on tour throughout Europe. There is also evidence that the instrument was played by Joachim in a recital in Paris a half century later, in 1895. The same instrument was also played by Fritz Kreisler in a

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of the opera in Pest, said to be the best violinist in Pest. Although Joachim's parents were "not particularly well off", they had been well advised to choose not just an "ordinary" violin teacher. Joachim's first public performance was 17 March 1839 when he was of age 7. (Serwaczyński later moved

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At 18 of the Popular Concerts at least, Clara Schumann performed along with Joachim, Zerbini and Piatti, presumably playing piano quartets (without second violin), or sometimes piano trios (for piano, violin, and cello). (The programs of those concerts very likely also included string quartets in

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Joachim quit service in Hanover in 1865, and the family moved to Berlin, where he was entrusted with founding and directing a new department at the Royal Conservatory, for performing music. He formed a string quartet, and kept performing chamber music on tours. His playing was recorded in 1903.

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In Berlin, on 17 August 1903, Joachim recorded five sides for The Gramophone & Typewriter Ltd (G&T), which remain a fascinating and valuable source of information about 19th-century styles of violin playing. He is the earliest violinist of distinction known to have recorded, only to be

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In December 1854, Joachim visited Robert at the Endenich asylum where he had been since February, Joachim being his first visitor. Early on, Brahms already played and composed for the piano, which "he had mastered in a supreme fashion", but he felt deficient in orchestration. In 1854 he began

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In March 1877, Joachim received an honorary Doctorate of Music from Cambridge University. For the occasion he presented his Overture in honor of Kleist, Op. 13. Near the 50th anniversary of Joachim's debut recital, he was honored by "friends and admirers in England" on 16 April 1889 who

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A letter preserved in the EMI archives records the stringent conditions Joachim expected for the publicity for his recordings: sensational adverts were to be avoided, with no comparisons between his art and that of other violinists. The letter also stated that "it was only with the greatest

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Joachim had extensive correspondence with both Clara and Brahms, as Brahms greatly valued Joachim's opinion of his new compositions. In 1860 Brahms and Joachim jointly wrote a manifesto against the "progressive" music of the 'New German' School, in reaction to the polemics of Brendel's

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Fuller-Maitland, p. 56, lists the 14 pieces with opus numbers, not necessarily with the same details as below. On p. 57 he lists 6 of the 14 pieces given here as WoO, plus the orchestration of the Schubert Grand Duo and the Beethoven and Brahms concerto cadenzas.

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became the dominant German state and city, Joachim moved to Berlin, where he was invited to help found, and to become the first director of, a new department of the Royal Academy of Music, concerned with musical performance and called the Hochschule für ausübende Tonkunst.

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Joachim's time in Hanover was his most prolific period of composition. Then and during the rest of his career, he frequently performed with Clara Schumann. For example, in October–November 1857 they took a recital tour together to Dresden, Leipzig, and Munich.

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Joachim's own compositions are less well known. He gave opus numbers to 14 compositions and composed about an equal number of pieces without opus numbers. Among his compositions are various works for the violin (including three concerti) and

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Also in 1853, a committee headed by Schumann invited Joachim to the Lower Rhine Music Festival. At the Festival, Joachim again soloed in the Beethoven violin concerto. His success made him, it is said, "the most renowned artist of Germany".

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The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is

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orchestra. In 1843 Joachim became a protégé of Mendelssohn, who arranged for him to study theory and composition with Moritz Hauptmann and violin with Ferdinand David. In his début performance in the Gewandhaus Joachim played the

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established cultural life. From 1852, Joachim served at the court of Hanover, playing principal violin in the opera and conducting concerts, with months of free time in summer for concert tours. In 1853, he was invited by

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Ruprecht Kamlah, Joseph Joachims Guarneri-Geigen, Eine Untersuchung im Hinblick auf die Familie Wittgenstein, Wiener Geschichtsblätter 2013, Vol. 1, p. 33, posted on "Joseph Joachim: Biography and Research",

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was formed, which quickly gained a reputation as Europe's finest. It continued to perform until Joachim's death in 1907. The first personnel of the quartet were: Ernst Schiever (1869–1871) a pupil of Joachim,

7300: 1966:(1860–1929), German-born English pianist, organist and teacher; student, friend and accompanist of Joachim; student of Haupt, Lebert, Liszt, Mischalek and Oscar; founded College of Music at Leicester 7255: 1914:(1859–1925), violinist and assistant to Joachim; Moser wrote the first biography of Joachim, Moser (1901), on Joachim's life up through 1899. He helped recover original scores of J.S. Bach's 7290: 900:, composed concerti with Joachim in mind, many of which entered the standard repertory. Nevertheless, Joachim's solo repertoire remained relatively restricted. He never performed Schumann's 6857: 3082: 434:

the whole of Germany" Joachim had no equal, either in the rendering of Bach or in the concertos of Beethoven and Mendelssohn; while as quartet player, "he had no cause to fear rivalry."

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On Good Friday, 10 April 1868, Joachim and his wife joined their friend, Johannes Brahms, in the celebration of one of Brahms' greatest triumphs, the first complete performance of his

347:, who introduced him to the world of chamber music). In 1843 he was taken by his cousin, Fanny Figdor, who later married "a Leipzig merchant" named Wittgenstein, to live and study in 807:

and presented to him at the 1904 "Diamond Jubilee" celebration of his sixtieth anniversary of his first appearance in London. Joachim remained in Berlin until his death in 1907.

1908:(1853–1924), Portuguese violinist and teacher; director of the "Conservatório de Música do Porto"; director and founder of the "Orpheon Portuense"; studied with Joachim in Berlin 386: 7295: 3250: 5176: 635:. In 1865 Joachim quit the service of the King of Hanover in protest, when the Intendant (artistic director) of the Opera refused to advance one of the orchestral players ( 5166: 928:(which can be translated as "free but lonely", "free but alone", or "free but solitary"). Although the sonata is rarely performed in its entirety, the third movement, the 2142: 567:

wrote that the Popular Concerts had helped greatly to spread and enlighten musical taste in England. Joachim had been a mainstay of the chamber music Popular Concerts.

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had earnestly solicited his advice about the piece, dedicated it to him, and would have liked him to premiere it. The most unusual work written for Joachim was the

336: 99: 3522:, 2 vols. Berlin: Verlag der Deutschen Brahms-Gesellschaft, vol. 1: 1908; vol. 2: 1910. (Published after the following translation, so must be a revised edition?) 693: 7285: 378: 310:(through his brother Henry) was one of the first British suffragettes to go on hunger strike in prison in protest at not being treated as a political prisoner. 7270: 624:(stage name: Amalie Weiss) (1839–99). Amalie gave up her own promising career as an opera singer and gave birth to six children. She continued to perform in 881:, and remained a tireless advocate of Brahms's compositions through all the vicissitudes of their friendship. He conducted the English premiere of Brahms's 205:

conducting. He returned to London many times throughout life. After years of teaching at the Leipzig Conservatory and playing as principal violinist of the

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Original pressings are single-sided and have a flat red G&T label. Later reeditions have a black G&T label (or, from 1909, a label showing the '

1670:. Note the strongly incurving, arthritic first finger of his left hand. The chair in which he is sitting was a special present to him. He willed it to 1183: 3728: 1679: 753:

for violin and cello, Op. 102, 1887, as a peace offering to his old friend. It was co-dedicated to the first performers, Joachim and Robert Hausmann.

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at Cambridge on 8 March 1877, on the same day that he received a D. Mus. degree there (Brahms had declined an invitation to go to England himself).

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J. S. Bach: Partita for Violin No. 1 in B minor, BWV 1002: 7th movement, Tempo di Bourrée, Pearl Catalog: 9851 (also on Testament (749677132323)).

1072:(1857, published in 1861); dedicated to Johannes Brahms. It is said that the solo violin part of the Hungarian Concerto is very difficult to play. 5691: 7220: 1065:

Op. 10, Variationen über ein eigenes Thema (Variations on an Original Theme) in E major for viola and piano (1854); dedicated to Hermann Grimm.

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Following Mendelssohn's death in 1847, Joachim stayed briefly in Leipzig, teaching at the Conservatorium and playing on the first desk of the

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Op. 2, Drei Stücke (3 Pieces) for violin or viola and piano, (circa 1848–1852): Romanze, Fantasiestück, Eine Frühlingsfantasie; dedicated to

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Brahms: Hungarian Dances (21) for Piano 4 hands, WoO 1: No. 1 in G minor (arr. Joachim), Opal Recordings (also on Testament (749677132323)).

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Ruprecht Kamlah, "Joseph Joachims Geigen, Ihre Geschichten und Spieler, besonders der Sammler Wilhelm Kux, Palm und Enke, Erlangen 2018,

7260: 7235: 5614: 773: 711:(1871–1892), and Wilhelm Muller (1869–1879). Schiever resigned after their second season with de Ahna taking the second violin part and 3529:, translated by Lilla Durham, introduction by J. A. Fuller-Maitland, London: Philip Wellby, 1901. (Published during Joachim's lifetime) 1313: 7250: 7240: 6629: 1415: 1385: 1356: 785: 178:(28 June 1831 – 15 August 1907) was a Hungarian violinist, conductor, composer and teacher who made an international career, based in 965:

for a number of other composers' concerti (including the Beethoven and Brahms concerti). His most highly regarded composition is his

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Most, but not all, of the many violins (and two violas) Joachim is said to have had during his career are shown on the website of

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Robert W. Eshbach, "Verehrter Freund! Liebes Kind! Liebster Jo! Mein einzig Licht. Intimate letters in Brahms's Freundeskreis",

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Dietmar Schenk, "Aus einer Gründerzeit: Joseph Joachim, die Berliner Hochschule für Musik und der deutsch-französische Krieg",

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Beatrix Borchard, "Groß-männlich-deutsch? Zur Rolle Joseph Joachims für das deutsche Musikleben in der Wilhelminischen Zeit",

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Joachim's cadenza to Brahms's concerto came to be 'almost always' played, according to Fuller-Maitland, 1905, p. 55

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were deeply impressed, and formed a "close connection" with Joachim. Joachim met the then publicly unknown 20-year-old

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Ute Bär, "Sie wissen ja, wie gerne ich, selbst öffentlich, mit Ihnen musicire! Clara Schumann und Joseph Joachim",

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In 1884, Joachim and his wife separated after he became convinced that she was having an affair with the publisher

447: 404: 5949: 1844:, violinist of the Klingler Quartet and Joachim's successor at the Berlin Hochschule; Klingler was the teacher of 7111: 6792: 6511: 6462: 5671: 4762: 4532: 3850: 657: 417: 278:, Austria). He was the seventh of eight children born to Julius, a wool merchant, and Fanny Joachim, who were of 6722: 974: 838: 7280: 7010: 6832: 6712: 6649: 6415: 6100: 5161: 4891: 4440: 4265: 2976: 1982: 1905: 830:, which is the most well-known and frequently performed. Joachim had assisted Bruch in revising that concerto. 750: 735: 340: 227: 6782: 6589: 5879: 3135: 2012:, American violinist; born in St. Louis, lived in Chicago; Concertmaster (1909–1911) of New York Philharmonic 669:. It was a glorious occasion, after which about 100 of the composer's friends, the Joachims, Clara Schumann, 7245: 6639: 6544: 6400: 5829: 5655: 5445: 5355: 4835: 4726: 4335: 4045: 3752: 3613:

Joseph Joachim, Fantasy on Hungarian Themes (1850), Fantasy on Irish Themes (1852) for Violin and Orchestra

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Op. 9, Hebräische Melodien, nach Eindrücken der Byron'schen Gesänge (Hebrew Melodies, after Impressions of

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WoO, Fantasie über ungarische Motive (ca. 1850); premiered in Weimar under Franz Liszt in October 1850

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The famous Joachim Quartet. From left to right: Robert Hausmann (cello), Josef Joachim (1st violin),

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Josef Joachim. Ein Lebens- und Künstlerbild. Festschrift zu seinem 60. Geburtstage, am 28. Juni 1891

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which she of course did not play, as Ries is also listed.) A favorite piece of Clara's was Brahms's

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WoO, Romance in C major, for violin and piano; pub. C. F. Kahnt Nachfolge, Leipzig, 1894.

946: 804: 665:. Amalie Joachim sang "I Know that My Redeemer Liveth" and Joseph Joachim played Robert Schumann's 640: 564: 552: 508: 487:, at the same time dissociating himself from the musical ideals of the 'New German School' (Liszt, 299: 206: 137: 132: 6095: 4732: 4200: 3616: 1801: 1791: 1777:, born in Pest, 1837; Joachim resigned a position to protest his non-advancement for being Jewish. 1433: 326:. There from 1836 (age 5) he studied violin with the Polish violinist Stanisław Serwaczyński, the 7162: 6882: 6644: 6634: 6519: 6410: 6304: 6146: 6008: 5904: 5874: 5864: 5712: 5510: 5199: 5091: 5032: 4810: 4598: 4445: 4380: 4285: 4215: 4180: 4035: 3885: 3442:, London & New York: John Lane, 1905, a Google Books; repr. Bibliobazaar, 2010, public domain 1927: 1716: 1522: 1465: 1447: 1297: 1096: 924: 267: 76: 6044: 5924: 5121: 4495: 4390: 2628: 2094: 1639:

Brahms: Hungarian Dance No. 2 in D minor (arr. Joachim), Grammophon Catalogue #047905; HMV, D88.

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Op. 5, Three Pieces for Violin and Piano: Lindenrauschen, Abendglocken, Ballade; dedicated to

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Katharina Uhde, "Rediscovering Joseph Joachim’s ‘Hungarian’ and ‘Irish’ fantasias.", In:

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sleeve note, naxos 8.557428, BRAHMS: Sym. No. 1/Tragic Overture/Academic Festival Overture

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Gerhard Winkler (ed.) "Geigen-Spiel-Kunst: Joseph Joachim und der 'Wahre' Fortschritt",

2214: 7040: 7025: 6995: 6960: 6950: 6932: 6837: 6797: 6732: 6609: 6604: 6534: 6375: 6360: 6288: 6222: 6191: 6171: 6080: 6003: 5983: 5968: 5889: 5849: 5635: 5599: 5553: 5505: 5435: 5410: 5330: 5310: 5249: 5146: 5010: 4936: 4663: 4577: 4470: 4455: 4430: 4370: 4365: 4330: 4190: 4170: 4160: 4115: 4075: 4055: 4040: 4030: 4015: 3995: 3960: 3900: 3860: 3825: 3815: 3775: 3678: 2940: 2926:

Uhde, Katharina. The Music of Joseph Joachim (Suffolk: Boydell & Brewer, 2018), 21.

2111: 2015: 1999: 1889: 1694: 1574: 1319: 1188: 1171: 1164: 1038:

Overture (1853, to a play by Herman Friedrich Grimm; overture dedicated to Franz Liszt)

1004: 843: 703: 680: 621: 544: 521: 492: 488: 344: 231: 223: 186:, he is widely regarded as one of the most significant violinists of the 19th century. 153: 3719: 2917:

Uhde, Katharina. The Music of Joseph Joachim (Suffolk: Boydell & Brewer, 2018), 41

2635:. For a listing of Joachim's concert which includes some Monday Popular Concerts, see 7189: 7035: 7000: 6990: 6970: 6902: 6852: 6717: 6707: 6492: 6467: 6355: 6329: 6227: 6217: 5998: 5869: 5475: 5405: 5380: 5370: 5325: 5025: 4450: 4385: 4320: 4175: 4130: 3875: 3870: 3865: 3810: 3370:

Stimme und Geige: Amalie und Joseph Joachim, Biographie und Interpretationsgeschichte

2831: 2043: 1994: 1911: 1841: 1830: 1825: 1774: 1751: 1741: 1721: 1323: 1301: 1192: 877:, which he studied with the composer. Joachim played a pivotal role in the career of 746: 724: 720: 636: 609: 451: 327: 319: 30: 22: 1617:

Katharina Uhde (Violin), Dennis Friesen-Carper (Conductor), Radio Orchestra Warsaw,

1340:(Conductor), Luxembourg Radio/Television Symphony Orchestra, Vox Catalog #: CDX 5102 688:—an engraving based on a painting (currently lost) by Felix Possart, published as a 503: 226:

and Brahms, with whom he performed for years to come. In 1879, he premiered Brahms'

7005: 6980: 6955: 6922: 6892: 6812: 6772: 6674: 6619: 6529: 6497: 6487: 6472: 6212: 6075: 6065: 6039: 5884: 5839: 5563: 5495: 5485: 5425: 5375: 5320: 5131: 5049: 5020: 4871: 4395: 4315: 4310: 4290: 4255: 4105: 4100: 4085: 4065: 4025: 4010: 3990: 3820: 3800: 3477: 2076: 1690: 1686: 1671: 1585: 1505: 1333: 914: 412: 307: 263: 6370: 3940: 2989: 2189: 2071:

His first (full-size) violin was a Guarneri Filius Andreae 1703, which he gave to

861:, BWV 1001–1006, especially the Chaconne from the Partita No. 2, BWV 1004, and of 3622:

Katharina Uhde, "An Unknown Beethoven Cadenza by Joseph Joachim: 'Dublin 1852'",

3491:, Translated from the fourth German edition by Grace E. Hadow, MacMillan, London. 2090:. It was presented to Joachim on the occasion of his Jubilee celebration in 1889. 2057:, cozio.com. Further information, in German, is in the article by Kamlah (2013). 849:

Among the most notable of Joachim's achievements were his revival of Beethoven's

234:, an opera singer, in 1863, who gave up her career; the couple had six children. 7020: 6887: 6737: 6689: 6334: 6237: 6181: 5988: 5854: 5558: 5490: 5224: 5101: 5085: 5044: 4993: 4866: 4778: 4658: 4405: 4340: 4145: 4125: 3970: 3945: 3452: 2632: 1957: 1951: 1933: 1851: 1352: 1016: 563:, first cello, reputed to be "one of the most celebrated cellists" of the time. 463: 214: 189:

Joachim studied violin early, beginning in Buda at age five, then in Vienna and

3489:

Clara Schumann: An Artist's Life based on material found in Diaries and Letters

2060: 1147:

WoO, Andantino in A minor, for violin and orchestra (also for violin and piano)

604: 294:

family. He was a first cousin of Fanny Wittgenstein, née Figdor, the mother of

6141: 5460: 5440: 5430: 5079: 4916: 4547: 4150: 3711: 3703: 3695: 3684: 3215: 2086:

Stradivarius of 1715 is currently held by the Collezione Civica del Comune di

1763: 1589: 1179:

WoO, Fantasie über irische Motive (ca. 1852); premiered in London in May 1852

1056: 784:

During 1899, Joachim was invited to become president of the newly established

363: 275: 3641:

Briefwechsel Robert und Clara Schumanns mit Joseph Joachim und seiner Familie

2029:, studied with Hubay, then Joachim; dedicatee of the Sibelius violin concerto 1170:

WoO, Variations for Violin and Orchestra in E minor (ca. 1879); dedicated to

1141:

WoO, Overture in C major (Konzertouvertüre zum Geburtstag des Kaisers) (1896)

478:

had lived. Liszt was determined to re-establish the town's reputation as the

6802: 6131: 6013: 5345: 5064: 5054: 4516: 4490: 3895: 3835: 3541: 3348: 3309: 1509: 893: 823: 756:

In late 1895 both Brahms and Joachim were present at the opening of the new

674: 576: 3230:"Bowed Stringed Instruments Made Before 1800 at the National Music Museum" 1163:

for piano (first publ. by J. Schuberth & Co. Hamburg, 1989. Edited by

6942: 4582: 3734: 3290: 3143: 1618: 942: 625: 584: 475: 323: 3362:, with a preface by J. A. Fuller-Maitland, New York: Vienna House, 1972. 1015:

Op. 3, Violin Concerto in One Movement, in G minor (1851); dedicated to

166: 6614: 5365: 4956: 4557: 3083:"Stradivari, Guarneri, Amati. The Legendary Italian String Instruments" 2087: 1876:

Karl Markees (1865–1926), a Swiss violinist who at one point owned the

1662: 962: 739: 644: 632: 580: 484: 348: 271: 256: 190: 179: 72: 3679:

Joseph Joachim's autograph and handwritten note to Marianne Scharwenka

3331:, ed. Alison Latham, Oxford University Press, 2002, pp. 637–638, 2813: 1771:(born 1859), professor of violin at the Royal College of Music, London 1650:' trade-mark), and those made for the German market are double-sided. 1540:

Anna Barbara Dütschler (Viola), Marc Pantillon (Piano), Claves #: 9905

1266: 1138:(unpublished, autograph in Hamburg Staats- und Universitätsbibliothek) 826:

wrote three violin concertos. Joachim was presumably referring to his

5059: 3229: 2115: 1088:

Op. 13, Elegiac Overture "In Memoriam Heinrich von Kleist" (ca. 1877)

951: 648: 479: 471: 467: 210: 3165:"Mr Ernst Schiever: Distinguished Liverpool Musician's Retirement". 639:) because of the latter's Jewish birth. In 1866, as a result of the 3408:

Robert W. Eshbach, "Der Geigerkönig: Joseph Joachim as Performer",

1614:

WoO, Fantasie über ungarische Motive; Fantasie über irische Motive

1294:

Violin Concerto No. 2 in d minor, Op. 11 "In the Hungarian Style":

3308: 2704:, Knopf (1997), reprinted in the UK by Papermac (1999) pp. 207–211 2059: 1661: 1265: 1182: 973: 837: 772: 603: 538: 502: 385: 377: 283: 250: 3744: 5015: 4552: 3664: 2990:

The University of Edinburgh Museums, Galleries & Collections

1240:

Rode, Concerto No. 10 in B minor, and Concerto No. 11 in D major

629: 4751: 3748: 2619:, ed. Alison Latham, Oxford University Press, 2002–2003, p. 637 2097:, Brescia, before 1609 is held by the Shrine to Music No. 3368. 1680:

List of music students by teacher: G to J § Joseph Joachim

399:

On 27 May 1844 Joachim, not quite 13, in his London debut with

4747: 3396:, Doubleday, Garden City, New York. (Has a chapter on Joachim) 1783:(1859–1909), Bohemian violinist, member of the Joachim Quartet 1082: 3459:, transl. from German by Joseph Stein, Knopf, New York, 1971. 3429:

Robert W. Eshbach, "Joachim's Youth – Joachim's Jewishness",

2647:

Zerbini was of Australian origin. An obituary for him in the

1985:

Orchestra, member of the original Joachim Quartet (1869–1871)

3042: 2956:

Joachim's was an early cadenza; later many others wrote more

1744:(1865–1943), Concertmaster of the Berlin Philharmonic under 1674:, and it is now owned by the University of Edinburgh Museum. 1110:

Lied for high voice and piano; pub. Verlag des Ungar, 1846.

810:

At his 75th birthday observance in June 1906, Joachim said

282:

origin. He spent his childhood as a member of the Köpcsény

3713:

Brahms Hungarian Dance No. 2 played by Joseph Joachim 1903

3705:

Brahms Hungarian Dance No. 1 played by Joseph Joachim 1903

1131:, Merlin's Song (Tennyson), pub. C. Kegan & Co., 1880. 1070:

Violin Concerto No. 2 in D minor "in the Hungarian Manner"

1948:, Concertmaster of the New York Philharmonic (1915–1917), 1654:

difficulty that Professor Joachim was induced to play".

1642:

Joachim: Romance in C major, Op. 20, Pearl Catalog: 9851

932:, composed by Brahms, is still frequently played today. 2725:

Cobbett's Cyclopedic Survey of Chamber Music, Volume II

1824:(1871–1953), American violinist and music professor at 904:, which Schumann wrote especially for him, or Dvořák's 788:

in London. He remained club president until his death.

322:, which in 1873 was united with Buda and Óbuda to form 3515:, 2nd ed., Berlin: Deutsche Brahms-Gesellschaft, 1912. 7301:

University of Music and Performing Arts Vienna alumni

2662:

London Music in 1888–89 as heard by Corno di Bassetto

1918:, and collaborated with Joachim on numerous editions. 888:

A number of Joachim's composer colleagues, including

555:, London, which opened in 1858, hosted a series of " 395:

London Philharmonic debut, Beethoven Violin Concerto

290:('Seven Communities') under the protectorate of the 7049: 6941: 6688: 6510: 6455: 6424: 6348: 6297: 6246: 6205: 6114: 6058: 6022: 5976: 5967: 5812: 5756: 5705: 5664: 5623: 5577: 5519: 5389: 5268: 5190: 5109: 5100: 4986: 4854: 4785: 4646: 4591: 4525: 4504: 3791: 159: 149: 125: 105: 95: 83: 54: 38: 7256:Honorary members of the Royal Philharmonic Society 3697:Joachim Romanze in C played by Joseph Joachim 1903 3626:, Vol. 103, Issue 3–4 (Fall-Winter 2020): 394–424. 3571:Joseph Joachim: Violinist, Pedagogue, and Composer 3513:Johannes Brahms im Briefwechsel mit Joseph Joachim 1954:(1868–1953), Italian violinist, violist, pedagogue 1597:String Quartet Movement (Quartettsatz) in c minor 1150:WoO, Romance in B-flat major, for violin and piano 3686:Bach Adagio G minor played by Joseph Joachim 1903 1873:, Concertmaster of the Boston Symphony Orchestra. 1502:(Violin), John Lenehan (Piano), Naxos #: 8.553026 695:Zeitschrift der Internationalen Musikgesellschaft 677:, and others gathered at the Bremen Rathskeller. 335:.) In 1839, Joachim continued his studies at the 2469: 2467: 2118:about Joachim in his first major work of poetry 1860:, Concertmaster of the Theodore Thomas Orchestra 1079:for Violin and Small Orchestra in A major (1858) 918:, a collaboration between Schumann, Brahms, and 222:to the Lower Rhine Music Festival, where he met 2847: 2845: 1571:Variations for Violin and Orchestra in e minor 1025:Overture (1853); dedicated to Kapelle of Weimar 723:(viola) from 1877 on (occasionally replaced by 286:(Jewish community), one of Hungary's prominent 193:. He made his debut in London in 1844, playing 7291:Recipients of the Pour le Mérite (civil class) 2018:(1888–1967), American violinist, music teacher 1736:Technics of Violin Playing on Joachim's Method 922:, based upon the initials of Joachim's motto, 4763: 3760: 2412:Swafford, p. 174, in another translation 2162: 2160: 620:On 10 May 1863 Joachim married the contralto 8: 3720:Short biography of Joseph and Amalie Joachim 1003:, for violin and piano (1848): dedicated to 3580:, Leipzig: Hermann Seemann Nachfolger, n.d. 3445:Johannes Joachim and Andreas Moser (eds.), 2790: 2788: 1760:(born 1834), Hofconcertmeister in Meiningen 1748:; Concertmaster of the Meininger Hofkapelle 1582:Variations for Violin and Piano in e minor 1359:, Marco Polo #: 8.223373, Naxos #: 8.554733 971:(Violin Concerto No 2 in D minor, Op. 11). 7296:Royal Philharmonic Society Gold Medallists 5973: 5106: 4770: 4756: 4748: 3767: 3753: 3745: 3681:(Violinist and wife of Philipp Scharwenka) 3372:, Wien, Köln, Weimar, Böhlau Verlag, 2005. 1812:(1878–1947), British composer and teacher. 1204:In 1855 Joachim orchestrated the Schubert 1144:WoO, Two Marches for orchestra, in C and D 865:. Joachim was the second violinist, after 343:; finally – and most significantly – with 46: 35: 16:Hungarian violinist, composer, and teacher 3729:International Music Score Library Project 3585:Cambridge Companion to the String Quartet 3457:Johannes Brahms: His Work and Personality 3449:, 3 vols., Berlin: Julius Bard, 1911–1913 3183:Famous Violinists of To-Day and Yesterday 2042:in his "Die Violine und Ihre Meister". • 1738:, London: The Strad Library, No. I, 1894. 1085:, Violin Concerto No. 3 in G major (1875) 796:made some recordings the following year. 3665:Joseph Joachim — Biography and Research. 3647:, series II, vol. 2), Köln: Dohr, 2019, 3118:"Russian Symphony Orchestra of New York" 2943:, and the Houston Symphony conducted by 2596:, St. James's Hall Concerts (1867–1904)" 2592:"Arts & Humanities Research Council 2318: 2316: 2093:The Ex Joachim, Joseph Vieland Viola by 1275:Violin Concerto No. 1 in g minor, Op. 3 799:Joachim's portrait was twice painted by 679: 454:on taking up the conductorship in 1835. 331:back to Lublin, Poland, where he taught 7231:Conductors (music) from Austria-Hungary 3527:Joseph Joachim: A Biography (1831–1899) 3358:Nora Bickley, selector and translator, 2895: 2893: 2177:Ludwig Wittgenstein: The Duty of Genius 2130: 1563:Variations for Viola and Piano, Op. 10 1161:Variationen über ein irisches Elfenlied 1156:WoO, String Quartet Movement in C minor 1117:for voice and piano, pub. Wigand, 1854. 803:. A portrait of Joachim was painted by 298:and the grandmother of the philosopher 3735:Guide to the Joseph Joachim Collection 3435:, vol. 94, no. 4, Winter 2011, 548–592 3422:Robert W. Eshbach, "Joachims Jugend", 3275:: CS1 maint: archived copy as title ( 3268: 2977:International Classic Record Collector 1460:Drei Stücke für Violine und Pianoforte 1442:Drei Stücke für Violine und Pianoforte 1221:Beethoven, Concerto in D major, Op. 61 1136:Melodrama zu einer Schillergedenkfeier 842:Amalie's and Joseph's grave in Berlin- 684:The Joachim Quartet performing in the 420:, and for several decades thereafter. 407:, played the solo part in Beethoven's 382:Joachim's birth house in Kittsee today 7117:Romanticism and the French Revolution 3499:Les Joachim: Une Famille de Musiciens 3426:, vol. 5, nr. 2, April 2011, 176–190. 3405:, 48/775 (1 September 1907): 577–583. 3385:, "Joseph Joachim zum 65. Todestag", 1806:(born 1843), Concertmaster in Breslau 1512:(Piano), Biddulph Recordings: LAW 003 1052:(1854); dedicated to Fritz Steinbach. 230:with Brahms as conductor. He married 7: 7286:People from Neusiedl am See District 3552:, vol. 1, nr. 3, July 2007, 232–246. 3419:, vol. 2, nr. 2, April 2008, 178–193 3412:, vol. 1, nr. 3, July 2007, 205–217. 3379:, vol. 1, nr. 3, July 2007, 218–231. 3355:, vol. 1, nr. 3, July 2007, 200–204. 3345:, vol. 1, nr. 3, July 2007, 247–257. 3013:IMSLP: Free Sheet Music PDF Download 3009:"Violin-technik (Courvoisier, Carl)" 2215:"Maud Joachim · Suffragette Stories" 1678:For Joachim's notable students, see 1262:Recordings of Joachim's compositions 1243:Spohr, Concerto in A minor, Op. 47 ( 1230:Kreutzer, Concerto No. 19 in D minor 1227:Hiller, Concerto in A major, Op.152a 859:Sonatas and Partitas for solo violin 698:4/5 (1903), between pp. 240 and 241. 450:, whom Mendelssohn had appointed as 182:and Berlin. A close collaborator of 7271:Hungarian male classical violinists 4626:Tchaikovsky and the Belyayev circle 3587:, Cambridge University Press, 2003. 3573:, Ph.D. Diss., Univ. of Iowa, 1978. 3327:Styra Avins, "Joachim, Joseph", in 2615:Avins, Styra, "Joseph Joachim", in 1713:(1871–1932), composer and violinist 1224:Brahms, Concerto in D major, Op. 77 786:Oxford & Cambridge Musical Club 780:, by Philip Alexius de László, 1903 3360:Letters From and To Joseph Joachim 2974:Jenkins, Lyndon. The EMI Archive. 2664:, etc. (Constable, London), p. 297 2425:, Dover, New York, 1980, p. 5 1416:Stuttgart Radio Symphony Orchestra 1386:Stuttgart Radio Symphony Orchestra 1357:Stuttgart Radio Symphony Orchestra 1257:Viotti, Concerto No. 22 in A minor 853:already mentioned, the revival of 597:. This manifesto, a volley in the 462:In 1848, the pianist and composer 390:Memorial plaque on his birth house 14: 3559:, Oxford University Press, 1998, 3387:Oesterreichische Musikzeitschrift 3085:. 22 October 2021. Archived from 2908:Fuller-Maitland, 1905, p. 60 2899:Fuller-Maitland, 1905, p. 57 2782:Fuller-Maitland, 1901, p. 18 2141:. 7 November 2014. Archived from 2038:Other pupils may be mentioned by 1916:Sonate e Partite per violino solo 1345:Violin Concerto No. 3 in G major 1062:) for viola and piano (1854–1855) 532:composing what was to become his 429:death", such people as Spohr and 7170: 7169: 4731: 4722: 4721: 3670:Works by or about Joseph Joachim 3601:, 158/1941 (Winter 2017): 75–99. 3594:, Knopf and Vintage Books, 1997. 3557:The Concerto: A Listener's Guide 3447:Briefe von und an Joseph Joachim 2869:Fuller Maitland, pp. 39, 49 2723:Cobbett, Walter Willson (1963). 1548:Overture, Op. 7 (2 pianos, arr. 863:Beethoven's late string quartets 165: 7211:Violinists from Austria-Hungary 3180:Lahee, Henry C. (August 2008). 2980:. Summer 1997, Vol.2 No.9, p40. 1942:(1874–1957), American violinist 1833:, Hungarian violinist, composer 1627: 1489:Berlin Radio Symphony Orchestra 1424:Andantino and Allegro scherzoso 1122:Scene from Schiller's Demetrius 1001:Andantino and Allegro scherzoso 875:Violin Concerto in E minor 403:conducting at a concert of the 339:(briefly with Miska Hauser and 7226:Hungarian classical violinists 7206:Composers from Austria-Hungary 3520:Joseph Joachim: Ein Lebensbild 2040:Wilhelm Joseph von Wasielewski 1854:(1855–1885), Russian violinist 1603:, Classic Talent #: B001HADEWI 1592:(Piano), Hyperion #: CDA 67663 792:followed soon thereafter when 358:was highly enthusiastic about 262:Joachim was born in Köpcsény, 1: 7221:Hungarian classical composers 7140:Wanderer above the Sea of Fog 3739:Leo Baeck Institute, New York 3725:Free scores by Joseph Joachim 3631:Burgenländische Heimatblätter 3608:, Boydell & Brewer, 2018. 3329:The Oxford Companion to Music 2935:There are recordings, by the 2660:Shaw, George Bernard (1937), 1972:, teacher of leading violist 1401:London Philharmonic Orchestra 1372:London Philharmonic Orchestra 1328:London Philharmonic Orchestra 1050:Overture to a Comedy by Gozzi 742:for the concerto, as he did. 499:The Schumanns, Brahms; Berlin 7216:Hungarian Romantic composers 3592:Johannes Brahms: A Biography 3399:F. G. E., "Joseph Joachim", 3107:archives.nyphil.orgindex.php 2937:Vienna State Opera Orchestra 2631:, born 1830, was the son of 2581:Litzmann, 1913, p. 152 2423:Violin Playing as I Teach It 2219:suffragettestories.omeka.net 2075:after he acquired his first 1477:Notturno in A major, Op. 12 1377:Mariss Jansons (Conductor), 1261: 1250:Tartini, Sonata in G minor ( 318:In 1833 his family moved to 33:when mentioning individuals. 7266:Jewish classical violinists 4669:Gothic Revival architecture 3606:The Music of Joseph Joachim 3578:Joseph Joachim: Eine Studie 3389:XXVII (June 1972): 352–355. 2649:Illustrated Australian News 2333:"London Philharmonic Debut" 2101:1955 Carnegie Hall concert. 2048: 1981:(1844–1915), Leader of the 1818:(born 1855), solo violinist 1399:Leon Botstein (Conductor), 1379:Oslo Philharmonic Orchestra 1370:Leon Botstein (Conductor), 719:(2nd violin) from 1897 on; 458:Weimar, Liszt; then Hanover 7317: 7261:Jewish classical composers 7236:Jewish Hungarian musicians 7057:Coleridge's theory of life 4610:Neue Zeitschrift für Musik 3785:List of Romantic composers 3545:, (December 1932) 884–885. 2764:Fuller-Maitland p. 56 2727:. London: OUP. p. 38. 2434:Auer, 1923, pp. 58–59 2385:Moser, 1901, pp. 39, 43–44 1936:, Concertmaster in Leipzig 1677: 1436:(Piano), Naxos #: 8.553026 1306:Chicago Symphony Orchestra 1115:Ich hab' im Traum geweinet 906:Violin Concerto in A minor 902:Violin Concerto in D minor 751:Double Concerto in A minor 734:In 1878 while writing his 594:Neue Zeitschrift für Musik 353:Neue Zeitschrift für Musik 20: 7251:Deaths from actinomycosis 7241:Child classical musicians 7149: 7112:Romanticism and economics 5127:Manuel Antônio de Almeida 4701: 3782: 3539:Anne Russell, "Joachim", 3487:Berthold Litzmann, 1913, 3392:Margaret Campbell, 1981, 2617:Oxford Companion to Music 1906:Bernardo V. Moreira de Sá 1628:Joachim's own discography 1414:Meir Minsky (Conductor), 1384:Meir Minsky (Conductor), 883:Symphony No. 1 in C minor 424:Beethoven string quartets 418:William Sterndale Bennett 255:Joachim's birth house in 164: 45: 4892:German historical school 4631:Tchaikovsky and The Five 3484:, Berlin: A. Glas, 1891. 3324:, F. A. Stokes, New York 1657: 1496:Romance in B-flat major 731:(cello), from 1879 on. 573:Piano Quartet in A major 341:Georg Hellmesberger, Sr. 29:. This article uses 21:The native form of this 5539:Józef Ignacy Kraszewski 3633:, vol. 69, nr. 2, 2007. 3501:, Paris: Fayard, 1999. 3438:J. A. Fuller-Maitland, 2803:Moser 1901, p. 325 2794:Moser 1901, p. 324 2773:Moser 1901, p. 282 1884:Charles Martin Loeffler 1754:, Joachim's great-niece 1734:(1846–1908), author of 1211:into a "Symphony in C." 686:Sing-Akademie zu Berlin 7276:Musicians from Hanover 7122:Romanticism in science 7077:Middle Ages in history 7072:List of Romantic poets 5784:Josiah Gilbert Holland 4654:Common practice period 3316: 2860:Fuller Maitland, p. 25 2851:Steinberg, p. 265 2572:Fuller Maitland, p. 55 2358:Fuller-Maitland, p. 13 2238:Moser, 1901, p. 3 2067: 1675: 1666:Joachim and the young 1609:, Thorofon #: CTH 2120 1403:, IMP Masters #: MCD27 1374:, IMP Masters #: MCD27 1330:, IMP Masters #: MCD27 1271: 1195: 981: 846: 821: 781: 699: 617: 547: 512: 391: 383: 373:Heinrich Wilhelm Ernst 259: 7092:Romantic epistemology 7082:Opium and Romanticism 5651:Stojadinović-Srpkinja 4877:Counter-Enlightenment 3645:Schumann-Briefedition 3624:The Musical Quarterly 3611:Katharina Uhde, ed., 3583:Robert Stowell, Ed., 3511:Andreas Moser (ed.), 3432:The Musical Quarterly 3322:My long Life in Music 3312: 3136:"Department of Music" 2887:Fuler Maitland, p. 52 2691:Litzmann, pp. 249–250 2527:Swafford, p. 133 2518:Swafford, p. 130 2403:Campbell, 1981, p. 76 2292:Fuller Maitland, p. 4 2274:Fuller-Maitland, p. 3 2256:Fuller-Maitland, p. 2 2194:Spartacus Educational 2063: 2049:Joachim's instruments 1822:Rebecca Wilder Holmes 1665: 1601:Israel String Quartet 1558:, Hungaroton #: 32003 1491:, Schwann #: CD 11622 1269: 1186: 994:Original compositions 977: 841: 812: 776: 702:In 1869, the Joachim 683: 607: 542: 506: 466:took up residence in 389: 381: 254: 7156:Age of Enlightenment 4798:England (literature) 4691:Romantic nationalism 4637:War of the Romantics 3532:Hans Joachim Moser, 3394:The Great Violinists 3320:Leopold Auer, 1923, 3035:"Bronislaw Huberman" 2945:Christoph Eschenbach 2755:Campbell, p. 81 2713:Moser (1901) 202–206 2509:Swafford, p. 75 2491:Swafford, p. 63 2482:Swafford, p. 62 2301:Moser, 1901, pp. 8–9 2283:Campbell, p. 75 2166:Campbell, p. 74 1960:, American violinist 1878:Markees Stradivarius 1529:(Piano), Tacet #: 56 1527:Birgitta Wollenweber 1472:(Piano), Tacet #: 56 1470:Birgitta Wollenweber 1454:(Piano), Tacet #: 56 1452:Birgitta Wollenweber 1287:Weimar Staatskapelle 1099:'s unfinished drama 985:List of compositions 599:War of the Romantics 534:first piano concerto 483:In 1852 he moved to 444:Gewandhaus Orchestra 405:Philharmonic Society 195:Ludwig van Beethoven 7107:Romantic psychology 4902:Hudson River School 4846:Sweden (literature) 4831:Russia (literature) 4686:Musical nationalism 4604:Musical nationalism 3637:Klaus Martin Kopitz 3555:Michael Steinberg, 3257:on 29 February 2008 2106:Cultural references 2022:Agnes Tschetschulin 1705:Dora Valesca Becker 1566:Numerous recordings 1426:, Op. 1: Andantino 1418:, Naxos #: 8.554733 1409:Elegische Ouvertüre 1388:, Naxos #: 8.554733 1381:, Simax #: PSC 1206 1191:(1854), drawing by 805:John Singer Sargent 765:Honors and Jubilees 641:Austro-Prussian war 565:George Bernard Shaw 509:John Singer Sargent 337:Vienna Conservatory 300:Ludwig Wittgenstein 207:Gewandhausorchester 133:Gewandhausorchester 112:Classical Violinist 100:Vienna Conservatory 5092:White Mountain art 5033:Historical fiction 4841:Spain (literature) 4599:Indianist movement 4517:Romantic orchestra 3317: 3089:on 22 October 2021 2995:3 May 2009 at the 2737:Stowell, ed., 2003 2637:Joachim’s Concerts 2594:Concert Programmes 2500:Moser, p. 127 2443:Moser, pp. 116–117 2349:Moser, 1901, p. 57 2145:on 7 November 2014 2120:The Growth of Love 2068: 2005:Maria Soldat-Röger 1928:Johannes Palaschko 1864:Bernhard Listemann 1837:Bronisław Huberman 1797:Richard Himmelstoß 1781:Karel (Carl) Halíř 1717:Hugo Leichtentritt 1676: 1658:Joachim's students 1648:His Master's Voice 1518:Romance in C major 1298:Rachel Barton Pine 1272: 1233:Mozart, Aria from 1196: 1129:Rain, rain and sun 1097:Friedrich Schiller 982: 968:Hungarian concerto 930:Scherzo in C minor 847: 782: 700: 622:Amalie Schneeweiss 618: 548: 513: 392: 384: 364:Leipzig Gewandhaus 268:Kingdom of Hungary 260: 138:Opernhaus Hannover 77:Kingdom of Hungary 31:Western name order 7183: 7182: 7097:Romantic medicine 7067:List of romantics 6506: 6505: 6157:Felix Mendelssohn 6152:Fanny Mendelssohn 5963: 5962: 5677:Rosalía de Castro 5615:Soares dos Passos 4963:Transcendentalism 4927:Nazarene movement 4887:Düsseldorf School 4745: 4744: 4616:New German School 4211:Felix Mendelssohn 4206:Fanny Mendelssohn 3653:978-3-86846-013-1 3599:The Musical Times 3472:978-3-7896-1023-3 3402:The Musical Times 3337:978-0-19-866212-9 3218:on 24 March 2005. 3193:978-0-554-34448-5 3069:theviolinsite.com 2110:The English poet 2033:Alfred Wittenberg 2010:Theodore Spiering 1964:Willibald Richter 1946:Maximilian Pilzer 1940:Lili Petschnikoff 1900:Waldemar J. Meyer 1500:Marat Bisengaliev 1485:Jesus Lopez-Cobos 1430:Marat Bisengaliev 1312:: CDR 90000 068 ( 1289:, Naxos: 8.570991 1270:Joachim at age 53 360:Felix Mendelssohn 351:. In the journal 304:Paul Wittgenstein 296:Karl Wittgenstein 203:Felix Mendelssohn 173: 172: 7308: 7173: 7172: 7132:Evolution theory 5974: 5107: 4968:Ukrainian school 4772: 4765: 4758: 4749: 4735: 4725: 4724: 4621:Post-romanticism 4486:Vaughan Williams 3769: 3762: 3755: 3746: 3714: 3706: 3698: 3687: 3674:Internet Archive 3604:Katharina Uhde, 3383:Siegfried Borris 3366:Beatrix Borchard 3299: 3298: 3291:"Robert Bridges" 3287: 3281: 3280: 3274: 3266: 3264: 3262: 3253:. Archived from 3247: 3241: 3240: 3238: 3236: 3226: 3220: 3219: 3214:. Archived from 3204: 3198: 3197: 3186:. BiblioBazaar. 3177: 3171: 3170: 3162: 3156: 3155: 3153: 3151: 3142:. Archived from 3132: 3126: 3125: 3114: 3108: 3105: 3099: 3098: 3096: 3094: 3079: 3073: 3072: 3061: 3055: 3054: 3052: 3050: 3041:. 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He also wrote 925:Frei aber Einsam 801:Philip de László 709:Heinrich de Ahna 663:Bremen Cathedral 647:and its capital 557:Popular Concerts 553:St. James's Hall 302:and the pianist 280:Hungarian-Jewish 169: 118:Academic teacher 90: 68: 66: 50: 36: 7316: 7315: 7311: 7310: 7309: 7307: 7306: 7305: 7281:Oberlander Jews 7186: 7185: 7184: 7179: 7178: 7167: 7159: 7145: 7102:Romantic poetry 7087:Romantic ballet 7062:German idealism 7045: 7011:Lacoue-Labarthe 6937: 6684: 6502: 6451: 6420: 6401:Rimsky-Korsakov 6344: 6293: 6242: 6201: 6110: 6054: 6018: 5959: 5808: 5752: 5701: 5660: 5619: 5573: 5515: 5456:Maria Edgeworth 5392: 5385: 5264: 5186: 5096: 5075:Romantic genius 5005:Gesamtkunstwerk 4982: 4943:Sturm und Drang 4850: 4781: 4776: 4746: 4741: 4718: 4714:Modernist music 4710: 4707:Classical music 4697: 4642: 4587: 4568:Romantic ballet 4563:Orchestral song 4543:Chorale prelude 4538:Character piece 4521: 4512:Romantic guitar 4505:Instrumentation 4500: 4336:Rimsky-Korsakov 3956:Ferdinand David 3793: 3787: 3778: 3773: 3712: 3704: 3696: 3685: 3661: 3569:Barrett Stoll, 3525:Andreas Moser, 3518:Andreas Moser, 3495:Brigitte Massin 3307: 3302: 3289: 3288: 3284: 3267: 3260: 3258: 3251:"Archived copy" 3249: 3248: 3244: 3234: 3232: 3228: 3227: 3223: 3206: 3205: 3201: 3194: 3179: 3178: 3174: 3164: 3163: 3159: 3149: 3147: 3146:on 12 July 2012 3134: 3133: 3129: 3116: 3115: 3111: 3106: 3102: 3092: 3090: 3081: 3080: 3076: 3063: 3062: 3058: 3048: 3046: 3045:on 17 July 2011 3033: 3032: 3028: 3018: 3016: 3015:. 28 March 2022 3007: 3006: 3002: 2997:Wayback Machine 2988: 2984: 2973: 2969: 2964: 2960: 2955: 2951: 2934: 2930: 2925: 2921: 2916: 2912: 2907: 2903: 2898: 2891: 2886: 2882: 2877: 2873: 2868: 2864: 2859: 2855: 2850: 2843: 2830: 2829: 2825: 2812: 2811: 2807: 2802: 2798: 2793: 2786: 2781: 2777: 2772: 2768: 2763: 2759: 2754: 2750: 2745: 2741: 2736: 2732: 2722: 2721: 2717: 2712: 2708: 2702:Johannes Brahms 2699: 2695: 2690: 2686: 2681: 2677: 2672: 2668: 2659: 2655: 2646: 2642: 2627: 2623: 2614: 2610: 2600: 2598: 2590: 2589: 2585: 2580: 2576: 2571: 2567: 2562: 2558: 2553: 2549: 2544: 2540: 2535: 2531: 2526: 2522: 2517: 2513: 2508: 2504: 2499: 2495: 2490: 2486: 2481: 2477: 2472: 2465: 2460: 2456: 2451: 2447: 2442: 2438: 2433: 2429: 2420: 2416: 2411: 2407: 2402: 2398: 2393: 2389: 2384: 2380: 2375: 2371: 2366: 2362: 2357: 2353: 2348: 2344: 2331: 2330: 2326: 2321: 2314: 2309: 2305: 2300: 2296: 2291: 2287: 2282: 2278: 2273: 2269: 2264: 2260: 2255: 2251: 2246: 2242: 2237: 2233: 2223: 2221: 2213: 2212: 2208: 2198: 2196: 2188: 2187: 2183: 2174: 2170: 2165: 2158: 2148: 2146: 2137: 2136: 2132: 2128: 2108: 2095:Gasparo da Salò 2051: 1989:Ossip Schnirlin 1866: 1846:Shinichi Suzuki 1799: 1758:F. Fleischhauer 1727:Willy Burmester 1699:Nathan Milstein 1683: 1660: 1630: 1607:Joachim Quartet 1556:Duo Egri-Pertis 1550:Johannes Brahms 1535:Hebrew melodies 1310:Cedille Records 1264: 1218: 1201: 1093:Szene der Marfa 1045:Overture (1854) 996: 987: 938: 920:Albert Dietrich 867:Ferdinand David 851:violin concerto 836: 767: 736:violin concerto 729:Robert Hausmann 713:Eduard Rappoldi 671:Albert Dietrich 518:Robert Schumann 501: 460: 448:Ferdinand David 440: 426: 409:Violin Concerto 397: 356:Robert Schumann 316: 288:Siebengemeinden 249: 244: 228:violin concerto 220:Robert Schumann 213:in 1848, where 199:Violin Concerto 184:Johannes Brahms 145: 142:Joachim Quartet 121: 88: 79: 70: 64: 62: 61: 60: 41: 34: 17: 12: 11: 5: 7314: 7312: 7304: 7303: 7298: 7293: 7288: 7283: 7278: 7273: 7268: 7263: 7258: 7253: 7248: 7246:Concertmasters 7243: 7238: 7233: 7228: 7223: 7218: 7213: 7208: 7203: 7198: 7188: 7187: 7181: 7180: 7160: 7152: 7151: 7150: 7147: 7146: 7144: 7143: 7136: 7135: 7134: 7129: 7119: 7114: 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3609: 3602: 3595: 3590:Jan Swafford, 3588: 3581: 3574: 3567: 3553: 3546: 3537: 3534:Joseph Joachim 3530: 3523: 3516: 3509: 3492: 3485: 3475: 3464: 3460: 3450: 3443: 3440:Joseph Joachim 3436: 3427: 3420: 3413: 3406: 3397: 3390: 3380: 3373: 3363: 3356: 3346: 3339: 3325: 3314:Joseph Joachim 3306: 3303: 3301: 3300: 3282: 3242: 3221: 3199: 3192: 3172: 3169:. 13 May 1911. 3167:Liverpool Echo 3157: 3127: 3109: 3100: 3074: 3056: 3026: 3000: 2982: 2967: 2958: 2949: 2941:Felix Prohaska 2928: 2919: 2910: 2901: 2889: 2880: 2871: 2862: 2853: 2841: 2834:Joseph Joachim 2823: 2814:"OCMC history" 2805: 2796: 2784: 2775: 2766: 2757: 2748: 2739: 2730: 2715: 2706: 2700:Jan Swafford, 2693: 2684: 2675: 2666: 2653: 2640: 2621: 2608: 2583: 2574: 2565: 2556: 2547: 2538: 2529: 2520: 2511: 2502: 2493: 2484: 2475: 2463: 2461:Moser, p. 120. 2454: 2445: 2436: 2427: 2421:Leopold Auer, 2414: 2405: 2396: 2387: 2378: 2369: 2360: 2351: 2342: 2339:. 3 July 2013. 2337:Joseph Joachim 2324: 2312: 2303: 2294: 2285: 2276: 2267: 2258: 2249: 2240: 2231: 2206: 2190:"Maud Joachim" 2181: 2168: 2156: 2129: 2127: 2124: 2112:Robert Bridges 2107: 2104: 2103: 2102: 2098: 2091: 2082:A violin, the 2080: 2073:Felix Schumann 2065:Joseph Joachim 2050: 2047: 2036: 2035: 2030: 2024: 2019: 2016:Kemp Stillings 2013: 2007: 2002: 2000:Axel Skovgaard 1997: 1992: 1986: 1979:Ernst Schiever 1976: 1970:Camillo Ritter 1967: 1961: 1955: 1949: 1943: 1937: 1931: 1925: 1922:Tivadar Nachéz 1919: 1909: 1903: 1897: 1892: 1890:Martin Marsick 1887: 1881: 1874: 1861: 1855: 1849: 1839: 1834: 1828: 1819: 1813: 1807: 1794: 1789: 1784: 1778: 1772: 1766: 1761: 1755: 1749: 1746:Hans von Bülow 1739: 1729: 1724: 1719: 1714: 1708: 1702: 1695:Jascha Heifetz 1659: 1656: 1644: 1643: 1640: 1637: 1634: 1629: 1626: 1625: 1624: 1623: 1622: 1612: 1611: 1610: 1604: 1595: 1594: 1593: 1580: 1579: 1578: 1575:Vilmos Szabadi 1569: 1568: 1567: 1561: 1560: 1559: 1543: 1542: 1541: 1532: 1531: 1530: 1515: 1514: 1513: 1503: 1494: 1493: 1492: 1475: 1474: 1473: 1457: 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162: 161: 157: 156: 154:Amalie Joachim 151: 147: 146: 144: 143: 140: 135: 129: 127: 123: 122: 120: 119: 116: 113: 109: 107: 103: 102: 97: 93: 92: 91:(aged 76) 87:15 August 1907 85: 81: 80: 71: 59:Joachim József 58: 56: 52: 51: 43: 42: 40:Joseph Joachim 39: 27:Joachim József 15: 13: 10: 9: 6: 4: 3: 2: 7313: 7302: 7299: 7297: 7294: 7292: 7289: 7287: 7284: 7282: 7279: 7277: 7274: 7272: 7269: 7267: 7264: 7262: 7259: 7257: 7254: 7252: 7249: 7247: 7244: 7242: 7239: 7237: 7234: 7232: 7229: 7227: 7224: 7222: 7219: 7217: 7214: 7212: 7209: 7207: 7204: 7202: 7199: 7197: 7194: 7193: 7191: 7177: 7176: 7165: 7164: 7158: 7157: 7148: 7142: 7141: 7137: 7133: 7130: 7128: 7125: 7124: 7123: 7120: 7118: 7115: 7113: 7110: 7108: 7105: 7103: 7100: 7098: 7095: 7093: 7090: 7088: 7085: 7083: 7080: 7078: 7075: 7073: 7070: 7068: 7065: 7063: 7060: 7058: 7055: 7054: 7052: 7048: 7042: 7039: 7037: 7034: 7032: 7029: 7027: 7024: 7022: 7019: 7017: 7014: 7012: 7009: 7007: 7004: 7002: 6999: 6997: 6994: 6992: 6989: 6987: 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6120: 6119: 6117: 6113: 6107: 6104: 6102: 6099: 6097: 6094: 6092: 6089: 6087: 6084: 6082: 6079: 6077: 6074: 6072: 6069: 6067: 6064: 6063: 6061: 6057: 6051: 6048: 6046: 6043: 6041: 6038: 6036: 6033: 6031: 6028: 6027: 6025: 6021: 6015: 6012: 6010: 6007: 6005: 6002: 6000: 5997: 5995: 5992: 5990: 5987: 5985: 5982: 5981: 5979: 5975: 5972: 5970: 5966: 5956: 5953: 5951: 5948: 5946: 5943: 5941: 5938: 5936: 5933: 5931: 5928: 5926: 5923: 5921: 5918: 5916: 5913: 5911: 5908: 5906: 5903: 5901: 5898: 5896: 5893: 5891: 5888: 5886: 5883: 5881: 5878: 5876: 5873: 5871: 5870:Nikolai Gogol 5868: 5866: 5863: 5861: 5858: 5856: 5853: 5851: 5848: 5846: 5843: 5841: 5838: 5836: 5833: 5831: 5828: 5826: 5823: 5821: 5818: 5817: 5815: 5811: 5805: 5802: 5800: 5797: 5795: 5792: 5790: 5787: 5785: 5782: 5780: 5777: 5775: 5772: 5770: 5767: 5765: 5762: 5761: 5759: 5755: 5749: 5746: 5744: 5741: 5739: 5736: 5734: 5731: 5729: 5726: 5724: 5721: 5719: 5716: 5714: 5711: 5710: 5708: 5704: 5698: 5695: 5693: 5690: 5688: 5685: 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B. Shelley 5499: 5497: 5494: 5492: 5489: 5487: 5484: 5482: 5481:Mary Robinson 5479: 5477: 5474: 5472: 5469: 5467: 5464: 5462: 5459: 5457: 5454: 5452: 5449: 5447: 5444: 5442: 5439: 5437: 5434: 5432: 5429: 5427: 5424: 5422: 5419: 5417: 5414: 5412: 5409: 5407: 5404: 5402: 5399: 5398: 5396: 5394: 5388: 5382: 5379: 5377: 5374: 5372: 5369: 5367: 5364: 5362: 5359: 5357: 5354: 5352: 5349: 5347: 5344: 5342: 5339: 5337: 5334: 5332: 5329: 5327: 5324: 5322: 5319: 5317: 5314: 5312: 5309: 5307: 5304: 5302: 5299: 5297: 5294: 5292: 5289: 5287: 5284: 5282: 5279: 5277: 5274: 5273: 5271: 5267: 5261: 5258: 5256: 5253: 5251: 5248: 5246: 5243: 5241: 5238: 5236: 5233: 5231: 5228: 5226: 5223: 5221: 5218: 5216: 5213: 5211: 5210:Chateaubriand 5208: 5206: 5203: 5201: 5198: 5197: 5195: 5193: 5189: 5183: 5180: 5178: 5175: 5173: 5170: 5168: 5165: 5163: 5160: 5158: 5155: 5153: 5150: 5148: 5145: 5143: 5140: 5138: 5135: 5133: 5130: 5128: 5125: 5123: 5120: 5118: 5115: 5114: 5112: 5108: 5105: 5103: 5099: 5093: 5090: 5088: 5087: 5083: 5081: 5078: 5076: 5073: 5071: 5068: 5066: 5063: 5061: 5058: 5056: 5053: 5051: 5048: 5046: 5043: 5041: 5040: 5039:Mal du siècle 5036: 5034: 5031: 5027: 5024: 5022: 5019: 5018: 5017: 5014: 5012: 5009: 5007: 5006: 5002: 5000: 4997: 4995: 4992: 4991: 4989: 4985: 4979: 4976: 4974: 4971: 4969: 4966: 4964: 4961: 4959: 4958: 4954: 4952: 4949: 4945: 4944: 4940: 4939: 4938: 4935: 4933: 4930: 4928: 4925: 4923: 4920: 4918: 4915: 4913: 4910: 4908: 4905: 4903: 4900: 4898: 4895: 4893: 4890: 4888: 4885: 4883: 4880: 4878: 4875: 4873: 4870: 4868: 4865: 4863: 4860: 4859: 4857: 4853: 4847: 4844: 4842: 4839: 4837: 4834: 4832: 4829: 4827: 4824: 4822: 4819: 4817: 4814: 4812: 4809: 4807: 4804: 4801: 4799: 4796: 4794: 4791: 4790: 4788: 4784: 4780: 4773: 4768: 4766: 4761: 4759: 4754: 4753: 4750: 4738: 4734: 4730: 4728: 4720: 4719: 4716: 4715: 4709: 4708: 4700: 4692: 4689: 4688: 4687: 4684: 4680: 4677: 4675: 4672: 4670: 4667: 4665: 4662: 4661: 4660: 4657: 4655: 4652: 4651: 4649: 4645: 4638: 4634: 4632: 4629: 4627: 4624: 4622: 4619: 4617: 4614: 4612: 4611: 4607: 4605: 4602: 4600: 4597: 4596: 4594: 4590: 4584: 4581: 4579: 4576: 4574: 4571: 4569: 4566: 4564: 4561: 4559: 4556: 4554: 4551: 4549: 4546: 4544: 4541: 4539: 4536: 4534: 4531: 4530: 4528: 4524: 4518: 4515: 4513: 4510: 4509: 4507: 4503: 4497: 4494: 4492: 4489: 4487: 4484: 4482: 4479: 4477: 4474: 4472: 4469: 4467: 4464: 4462: 4459: 4457: 4454: 4452: 4449: 4447: 4444: 4442: 4439: 4437: 4434: 4432: 4429: 4427: 4424: 4422: 4421:J. Strauss II 4419: 4417: 4414: 4412: 4409: 4407: 4404: 4402: 4399: 4397: 4394: 4392: 4389: 4387: 4384: 4382: 4379: 4377: 4374: 4372: 4369: 4367: 4364: 4362: 4359: 4357: 4354: 4352: 4349: 4347: 4344: 4342: 4339: 4337: 4334: 4332: 4329: 4327: 4324: 4322: 4319: 4317: 4314: 4312: 4309: 4307: 4304: 4302: 4299: 4297: 4294: 4292: 4289: 4287: 4284: 4282: 4279: 4277: 4274: 4272: 4269: 4267: 4264: 4262: 4259: 4257: 4254: 4252: 4249: 4247: 4244: 4242: 4239: 4237: 4234: 4232: 4229: 4227: 4224: 4222: 4219: 4217: 4214: 4212: 4209: 4207: 4204: 4202: 4199: 4197: 4194: 4192: 4189: 4187: 4184: 4182: 4179: 4177: 4174: 4172: 4169: 4167: 4164: 4162: 4159: 4157: 4154: 4152: 4149: 4147: 4144: 4142: 4139: 4137: 4134: 4132: 4129: 4127: 4124: 4122: 4119: 4117: 4114: 4112: 4109: 4107: 4104: 4102: 4099: 4097: 4094: 4092: 4089: 4087: 4084: 4082: 4079: 4077: 4074: 4072: 4069: 4067: 4064: 4062: 4059: 4057: 4054: 4052: 4049: 4047: 4044: 4042: 4039: 4037: 4034: 4032: 4029: 4027: 4024: 4022: 4019: 4017: 4014: 4012: 4009: 4007: 4004: 4002: 3999: 3997: 3994: 3992: 3989: 3987: 3984: 3982: 3979: 3977: 3974: 3972: 3969: 3967: 3964: 3962: 3959: 3957: 3954: 3952: 3949: 3947: 3944: 3942: 3939: 3937: 3934: 3932: 3929: 3927: 3924: 3922: 3919: 3917: 3914: 3912: 3909: 3907: 3904: 3902: 3899: 3897: 3894: 3892: 3889: 3887: 3884: 3882: 3879: 3877: 3874: 3872: 3869: 3867: 3864: 3862: 3859: 3857: 3854: 3852: 3849: 3847: 3844: 3842: 3839: 3837: 3834: 3832: 3829: 3827: 3824: 3822: 3819: 3817: 3814: 3812: 3809: 3807: 3804: 3802: 3799: 3798: 3796: 3792:Composers and 3790: 3786: 3781: 3777: 3770: 3765: 3763: 3758: 3756: 3751: 3750: 3747: 3740: 3736: 3733: 3730: 3726: 3723: 3721: 3718: 3715: 3710: 3707: 3702: 3699: 3694: 3692: 3688: 3683: 3680: 3677: 3675: 3671: 3668: 3666: 3663: 3662: 3658: 3654: 3650: 3646: 3643:, 2 vols. (= 3642: 3638: 3635: 3632: 3628: 3625: 3621: 3618: 3614: 3610: 3607: 3603: 3600: 3596: 3593: 3589: 3586: 3582: 3579: 3576:Karl Storck, 3575: 3572: 3568: 3566: 3565:0-19-510330-0 3562: 3558: 3554: 3551: 3547: 3544: 3543: 3538: 3535: 3531: 3528: 3524: 3521: 3517: 3514: 3510: 3508: 3507:2-213-60418-5 3504: 3500: 3496: 3493: 3490: 3486: 3483: 3479: 3476: 3473: 3469: 3465: 3461: 3458: 3454: 3451: 3448: 3444: 3441: 3437: 3434: 3433: 3428: 3425: 3421: 3418: 3414: 3411: 3407: 3404: 3403: 3398: 3395: 3391: 3388: 3384: 3381: 3378: 3374: 3371: 3367: 3364: 3361: 3357: 3354: 3350: 3347: 3344: 3340: 3338: 3334: 3330: 3326: 3323: 3319: 3318: 3315: 3311: 3304: 3296: 3292: 3286: 3283: 3278: 3272: 3256: 3252: 3246: 3243: 3231: 3225: 3222: 3217: 3213: 3209: 3203: 3200: 3195: 3189: 3185: 3184: 3176: 3173: 3168: 3161: 3158: 3145: 3141: 3137: 3131: 3128: 3123: 3122:stokowski.org 3119: 3113: 3110: 3104: 3101: 3088: 3084: 3078: 3075: 3070: 3066: 3060: 3057: 3044: 3040: 3039:huberman.info 3036: 3030: 3027: 3014: 3010: 3004: 3001: 2998: 2994: 2991: 2986: 2983: 2979: 2978: 2971: 2968: 2962: 2959: 2953: 2950: 2946: 2942: 2938: 2932: 2929: 2923: 2920: 2914: 2911: 2905: 2902: 2896: 2894: 2890: 2884: 2881: 2875: 2872: 2866: 2863: 2857: 2854: 2848: 2846: 2842: 2837: 2835: 2827: 2824: 2819: 2815: 2809: 2806: 2800: 2797: 2791: 2789: 2785: 2779: 2776: 2770: 2767: 2761: 2758: 2752: 2749: 2743: 2740: 2734: 2731: 2726: 2719: 2716: 2710: 2707: 2703: 2697: 2694: 2688: 2685: 2679: 2676: 2670: 2667: 2663: 2657: 2654: 2650: 2644: 2641: 2638: 2634: 2630: 2625: 2622: 2618: 2612: 2609: 2597: 2595: 2587: 2584: 2578: 2575: 2569: 2566: 2560: 2557: 2551: 2548: 2542: 2539: 2533: 2530: 2524: 2521: 2515: 2512: 2506: 2503: 2497: 2494: 2488: 2485: 2479: 2476: 2473:Moser, p. 121 2470: 2468: 2464: 2458: 2455: 2452:Moser, p. 117 2449: 2446: 2440: 2437: 2431: 2428: 2424: 2418: 2415: 2409: 2406: 2400: 2397: 2391: 2388: 2382: 2379: 2373: 2370: 2364: 2361: 2355: 2352: 2346: 2343: 2338: 2334: 2328: 2325: 2319: 2317: 2313: 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1767: 1765: 1762: 1759: 1756: 1753: 1752:Adila Fachiri 1750: 1747: 1743: 1742:Bram Eldering 1740: 1737: 1733: 1730: 1728: 1725: 1723: 1722:Aylmer Buesst 1720: 1718: 1715: 1712: 1709: 1706: 1703: 1700: 1696: 1692: 1688: 1685: 1684: 1681: 1673: 1669: 1664: 1655: 1651: 1649: 1641: 1638: 1635: 1632: 1631: 1620: 1616: 1615: 1613: 1608: 1605: 1602: 1599: 1598: 1596: 1591: 1587: 1584: 1583: 1581: 1576: 1573: 1572: 1570: 1565: 1564: 1562: 1557: 1554: 1553: 1551: 1547: 1544: 1539: 1538: 1536: 1533: 1528: 1524: 1521: 1520: 1519: 1516: 1511: 1507: 1504: 1501: 1498: 1497: 1495: 1490: 1487:(Conductor), 1486: 1482: 1479: 1478: 1476: 1471: 1467: 1464: 1463: 1461: 1458: 1453: 1449: 1446: 1445: 1443: 1440: 1435: 1431: 1428: 1427: 1425: 1422: 1417: 1413: 1412: 1410: 1407: 1402: 1398: 1397: 1395: 1392: 1387: 1383: 1380: 1376: 1373: 1369: 1368: 1366: 1363: 1358: 1355:(Conductor), 1354: 1350: 1347: 1346: 1344: 1339: 1335: 1332: 1329: 1326:(Conductor), 1325: 1324:Leon Botstein 1321: 1318: 1315: 1311: 1307: 1304:(Conductor), 1303: 1302:Carlos Kalmar 1299: 1296: 1295: 1293: 1288: 1285:(Conductor), 1284: 1280: 1277: 1276: 1274: 1273: 1268: 1256: 1253: 1252:Devil's Trill 1249: 1246: 1242: 1239: 1236: 1235:Il re pastore 1232: 1229: 1226: 1223: 1220: 1219: 1215: 1210: 1208: 1203: 1202: 1198: 1194: 1193:Adolph Menzel 1190: 1185: 1178: 1175: 1173: 1169: 1166: 1162: 1158: 1155: 1152: 1149: 1146: 1143: 1140: 1137: 1133: 1130: 1126: 1123: 1119: 1116: 1112: 1109: 1108:Haidenröslein 1105: 1102: 1098: 1094: 1090: 1087: 1084: 1081: 1078: 1074: 1071: 1067: 1064: 1061: 1058: 1054: 1051: 1047: 1044: 1040: 1037: 1033: 1031: 1027: 1024: 1020: 1018: 1014: 1012: 1008: 1006: 1002: 998: 997: 993: 991: 984: 980: 976: 972: 970: 969: 964: 960: 959: 954: 953: 948: 944: 935: 933: 931: 927: 926: 921: 917: 916: 911: 907: 903: 899: 895: 891: 886: 884: 880: 876: 872: 868: 864: 860: 856: 852: 845: 840: 833: 831: 829: 825: 820: 818: 817:Mendelssohn's 811: 808: 806: 802: 797: 795: 789: 787: 779: 775: 771: 764: 762: 759: 754: 752: 748: 747:Fritz Simrock 743: 741: 737: 732: 730: 726: 725:Karl Klingler 722: 721:Emanuel Wirth 718: 714: 710: 705: 697: 696: 691: 687: 682: 678: 676: 672: 668: 664: 660: 659: 653: 650: 646: 642: 638: 634: 631: 627: 623: 616:(2nd violin). 615: 612:(viola), and 611: 610:Emanuel Wirth 606: 602: 600: 596: 595: 588: 586: 582: 578: 574: 568: 566: 562: 558: 554: 546: 541: 537: 535: 529: 527: 523: 520:and his wife 519: 510: 505: 498: 496: 494: 490: 486: 481: 477: 473: 469: 465: 457: 455: 453: 452:concertmaster 449: 445: 437: 435: 432: 423: 421: 419: 414: 410: 406: 402: 394: 388: 380: 376: 374: 370: 365: 361: 357: 354: 350: 346: 342: 338: 334: 329: 328:concertmaster 325: 321: 313: 311: 309: 305: 301: 297: 293: 289: 285: 281: 277: 273: 270:(present-day 269: 265: 258: 253: 246: 241: 239: 235: 233: 229: 225: 221: 216: 212: 208: 204: 200: 196: 192: 187: 185: 181: 177: 168: 163: 158: 155: 152: 148: 141: 139: 136: 134: 131: 130: 128: 126:Organizations 124: 117: 114: 111: 110: 108: 104: 101: 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Strauss I 4306:Rachmaninoff 4095: 4061:Gretchaninov 3644: 3640: 3630: 3623: 3612: 3605: 3598: 3591: 3584: 3577: 3570: 3556: 3550:Die Tonkunst 3549: 3540: 3533: 3526: 3519: 3512: 3498: 3488: 3481: 3478:Adolph Kohut 3474:, 230 pages. 3456: 3446: 3439: 3430: 3424:Die Tonkunst 3423: 3417:Die Tonkunst 3416: 3410:Die Tonkunst 3409: 3400: 3393: 3386: 3377:Die Tonkunst 3376: 3369: 3359: 3353:Die Tonkunst 3352: 3343:Die Tonkunst 3342: 3328: 3321: 3313: 3294: 3285: 3259:. Retrieved 3255:the original 3245: 3233:. Retrieved 3224: 3216:the original 3211: 3202: 3182: 3175: 3166: 3160: 3148:. Retrieved 3144:the original 3139: 3130: 3121: 3112: 3103: 3091:. Retrieved 3087:the original 3077: 3068: 3059: 3047:. Retrieved 3043:the original 3038: 3029: 3017:. 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Schlegel 6416:Tchaikovsky 6305:Bortkiewicz 6177:R. Schumann 6172:C. Schumann 6137:Kalkbrenner 6106:Saint-Saëns 5411:Anne Brontë 5296:Eichendorff 5281:B. v. Arnim 5276:A. v. Arnim 5086:Weltschmerz 5045:Medievalism 4994:Blue flower 4922:Nationalist 4867:Bohemianism 4779:Romanticism 4659:Romanticism 4441:Tchaikovsky 4376:R. Schumann 4371:C. Schumann 4356:Saint-Saëns 4251:Niedermeyer 4141:Leoncavallo 4111:Kalkbrenner 3886:Bortkiewicz 3617:Bärenreiter 3295:sonnets.org 3150:13 February 3093:9 September 3065:"Hans Letz" 3049:13 February 2818:ocmc.org.uk 2746:Gal, p. 216 2633:Hubert Ries 2563:Gal, p. 115 2554:Gal, p. 114 2322:Avins, 2002 2179:: p. 5 2149:16 December 1958:Maud Powell 1952:Enrico Polo 1934:Henri Petri 1930:(1877–1932) 1924:(1859–1930) 1902:(1853–1940) 1886:(1861–1935) 1867: [ 1852:Iosif Kotek 1800: [ 1707:(1870–1958) 1546:Heinrich IV 1523:Florin Paul 1466:Florin Paul 1448:Florin Paul 1353:Meir Minsky 1314:liner notes 1017:Franz Liszt 1005:Joseph Böhm 947:Shakespeare 908:, although 871:Mendelssohn 717:Karel Halíř 643:, in which 614:Karel Halíř 543:Joseph and 507:Joachim by 464:Franz Liszt 401:Mendelssohn 345:Joseph Böhm 215:Franz Liszt 106:Occupations 7190:Categories 6723:Chassériau 6698:Aivazovsky 6406:Rubinstein 6391:Mussorgsky 6340:Wieniawski 6325:Paderewski 6167:Moszkowski 5950:Vörösmarty 5940:Shevchenko 5794:Longfellow 5718:Batyushkov 5713:Baratynsky 5682:Espronceda 5549:Mickiewicz 5544:Malczewski 5511:Wordsworth 5496:M. Shelley 5451:de Quincey 5316:Günderrode 5200:Baudelaire 5080:Wanderlust 4917:Lake Poets 4647:Background 4548:Intermezzo 4481:Wieniawski 4461:Vieuxtemps 4426:R. Strauss 4351:Rubinstein 4276:Paderewski 4246:Mussorgsky 4241:Moszkowski 4216:Mercadante 3716:on YouTube 3708:on YouTube 3700:on YouTube 2939:conductor 2629:Louis Ries 2545:Gal, p. 61 2536:Gal, p. 60 2084:ex-Joachim 1991:(? – 1937) 1831:Jenő Hubay 1787:Willy Hess 1775:Jakob Grün 1764:Sam Franko 1590:Arnon Erez 1588:(Violin), 1525:(Violin), 1508:(Violin), 1483:(Violin), 1481:Hans Maile 1468:(Violin), 1450:(Violin), 1432:(Violin), 1351:(Violin), 1336:(Violin), 1322:(Violin), 1300:(Violin), 1281:(Violin), 1279:Suyoen Kim 1209:piano duet 1103:(ca. 1869) 892:, Brahms, 869:, to play 834:Repertoire 637:Jakob Grün 333:Wieniawski 276:Burgenland 65:1831-06-28 7163:Modernism 6823:Kiprensky 6783:Géricault 6768:Friedrich 6758:Delacroix 6733:Constable 6713:Bonington 6703:Bierstadt 6655:Senancour 6630:Schelling 6585:Lamennais 6580:Khomyakov 6545:Coleridge 6540:Chaadayev 6447:Stanković 6442:Mokranjac 6361:Balakirev 6320:Moniuszko 6269:Donizetti 6264:Cherubini 6162:Meyerbeer 6147:Marschner 6122:Beethoven 6035:Moscheles 5969:Musicians 5955:Wergeland 5920:Orbeliani 5875:Grundtvig 5779:Hawthorne 5748:Zhukovsky 5743:Vyazemsky 5728:Lermontov 5687:Gutiérrez 5646:Radičević 5610:Herculano 5534:Krasiński 5476:Radcliffe 5446:Coleridge 5421:E. Brontë 5416:C. Brontë 5346:Jean Paul 5341:Hölderlin 5230:Lamartine 5167:Magalhães 5157:Guimarães 5065:Pantheism 5055:Nostalgia 4907:Indianism 4855:Movements 4786:Countries 4261:Offenbach 4236:Moscheles 4231:Moniuszko 4226:Meyerbeer 4181:Marschner 4166:MacDowell 3981:Donizetti 3926:Cherubini 3916:Chaminade 3841:Beethoven 3826:Balakirev 3816:Atterberg 3794:musicians 3542:The Etude 3349:Otto Biba 3261:17 August 3212:cozio.com 3208:"Tarisio" 2224:1 October 2199:1 October 1858:Hans Letz 1510:Hugh Sung 1411:, Op. 13 1207:Grand Duo 1101:Demetrius 1036:Demetrius 943:overtures 675:Max Bruch 667:Abendlied 626:oratorios 577:Edinburgh 431:Hauptmann 292:Esterházy 160:Signature 115:Conductor 96:Education 7175:Category 6991:Dahlhaus 6976:Blanning 6943:Scholars 6913:Tropinin 6908:Tidemand 6898:Stattler 6893:Scheffer 6793:Głowacki 6763:Edelfelt 6718:Bryullov 6660:Snellman 6635:Schiller 6625:Rousseau 6605:Michelet 6550:Constant 6520:Belinsky 6493:Sibelius 6437:Konjović 6411:Scriabin 6381:Lyapunov 6315:Lipiński 6284:Spontini 6274:Paganini 6218:Goldmark 6009:Thalberg 6004:Schubert 5984:Bruckner 5945:Topelius 5935:Runeberg 5925:Prešeren 5895:Leopardi 5860:Frashëri 5850:Eminescu 5830:Andersen 5738:Tyutchev 5723:Karamzin 5697:Zorrilla 5692:Saavedra 5590:Castilho 5578:Portugal 5569:Słowacki 5471:Polidori 5401:Barbauld 5336:Hoffmann 5291:Brentano 5205:Bertrand 5026:Romantic 4862:Ancients 4836:Scotland 4727:Category 4704: ← 4583:Symphony 4446:Thalberg 4411:Spontini 4386:Sibelius 4381:Scriabin 4366:Schubert 4361:Sarasate 4326:Respighi 4321:Reinecke 4281:Paganini 4191:Massenet 4186:Masarnau 4171:Madetoja 4116:Kreisler 4106:Kalivoda 4051:J. Gomis 4036:Glazunov 4031:Giuliani 3921:Chausson 3911:Chadwick 3901:Bruckner 3453:Hans Gál 3271:cite web 3235:28 March 3019:28 March 2993:Archived 2601:28 March 2114:wrote a 1621:#SR1122. 1619:Soundset 1537:, Op. 9 1462:, Op. 5 1444:, Op. 2 1394:Henry IV 1216:Cadenzas 1091:Op. 14, 1077:Notturno 1075:Op. 12, 1068:Op. 11, 1043:Henry IV 963:cadenzas 958:Henry IV 890:Schumann 794:Sarasate 758:Tonhalle 633:recitals 585:Scotland 476:Schiller 470:, where 438:Maturity 324:Budapest 73:Köpcsény 7016:Lovejoy 6951:Abraham 6873:Richard 6863:Préault 6788:Girodet 6670:Thoreau 6615:Novalis 6600:Mazzini 6595:Maistre 6570:Hazlitt 6555:Emerson 6535:Carlyle 6525:Berchet 6468:Berwald 6463:Bennett 6432:Hristić 6386:Medtner 6366:Borodin 6356:Arensky 6279:Rossini 6254:Bellini 6233:Joachim 6206:Hungary 6187:Strauss 6115:Germany 6081:Berlioz 6050:Voříšek 6045:Smetana 6023:Czechia 5977:Austria 5910:Maturin 5905:Manzoni 5880:Heliade 5855:Foscolo 5825:Alfieri 5820:Abovian 5774:Emerson 5733:Pushkin 5672:Bécquer 5605:Garrett 5559:Potocki 5506:Southey 5466:Maturin 5436:Carlyle 5393:Britain 5366:Novalis 5321:Gutzkow 5269:Germany 5235:Mérimée 5220:Gautier 5147:Barreto 5142:Azevedo 5122:Alencar 5102:Writers 5021:Byronic 4957:Purismo 4811:Germany 4793:Denmark 4717:→ 4679:Science 4558:Mazurka 4533:Ballade 4466:Voříšek 4436:Tárrega 4431:Taneyev 4391:Smetana 4346:Rossini 4301:Puccini 4296:Prudent 4256:Nielsen 4221:Méreaux 4196:Medtner 4161:Lysenko 4131:Lachner 4096:Joachim 4076:Herbert 3996:Farrenc 3961:Delibes 3936:Crusell 3881:Borodin 3871:Berwald 3861:Berlioz 3851:Bennett 3846:Bellini 3831:Bazzini 3811:Arensky 3737:at the 3731:(IMSLP) 3727:at the 3691:YouTube 3672:at the 3639:(ed.), 3619:, 2018. 3305:Sources 3140:acu.edu 2088:Cremona 1983:Richter 1057:Byron's 1048:Op. 8, 1041:Op. 7, 1034:Op. 6, 1021:Op. 4, 999:Op. 1, 740:cadenza 727:); and 692:to the 690:Beilage 661:at the 645:Prussia 581:Glasgow 485:Hanover 349:Leipzig 284:Kehilla 272:Kittsee 257:Kittsee 247:Origins 201:, with 191:Leipzig 180:Hanover 7041:Wellek 7021:de Man 7006:Janion 6996:Ferber 6971:Berlin 6966:Beiser 6961:Barzun 6956:Abrams 6933:Wiertz 6918:Turner 6868:Révoil 6853:Palmer 6843:Martin 6838:Leutze 6813:Janmot 6773:Fuseli 6728:Church 6620:Quinet 6610:Müller 6565:Goethe 6560:Fichte 6483:Franck 6425:Serbia 6376:Glinka 6349:Russia 6335:Tausig 6330:Stolpe 6310:Chopin 6298:Poland 6259:Busoni 6223:Heller 6192:Wagner 6127:Brahms 6101:Onslow 6091:Halévy 6059:France 6040:Reicha 6030:Dvořák 5999:Mahler 5994:Hummel 5989:Czerny 5885:Isaacs 5865:Geijer 5799:Lowell 5789:Irving 5769:Cooper 5764:Bryant 5706:Russia 5641:Njegoš 5636:Kostić 5631:Jakšić 5624:Serbia 5554:Norwid 5529:Fredro 5521:Poland 5491:Seward 5381:Uhland 5371:Schwab 5361:Mörike 5351:Kleist 5306:Goethe 5301:Fouqué 5250:Nodier 5245:Nerval 5240:Musset 5192:France 5182:Varela 5177:Taunay 5162:Macedo 5110:Brazil 5060:Ossian 4987:Themes 4826:Poland 4821:Norway 4803:France 4737:Portal 4674:Poetry 4526:Genres 4471:Wagner 4451:Tobias 4316:Reicha 4291:Popper 4271:Pacini 4266:Onslow 4176:Mahler 4156:Lumbye 4121:Kuhlau 4101:Joplin 4091:Hummel 4081:Hérold 4071:Halévy 4056:Gounod 4041:Glinka 4021:Franck 4016:Foster 3986:Dvořák 3976:d'Indy 3966:Delius 3946:Czerny 3931:Chopin 3906:Busoni 3891:Brahms 3866:Bertin 3856:Bériot 3651: 3563: 3505: 3470: 3335: 3190: 2175:Monk, 2116:sonnet 1697:, and 1365:Hamlet 1124:(1878) 1023:Hamlet 952:Hamlet 910:Dvořák 898:Dvořák 896:, and 879:Brahms 649:Berlin 630:lieder 526:Brahms 511:, 1904 480:Athens 472:Goethe 468:Weimar 232:Amalie 211:Weimar 150:Spouse 7127:Bacon 7036:Rosen 7031:Ricks 7026:Nancy 6986:Blume 6981:Bloom 6903:Stroy 6888:Saleh 6883:Runge 6833:Lampi 6818:Jones 6808:Hayez 6743:Corot 6708:Blake 6675:Tieck 6665:Staël 6590:Larra 6575:Hegel 6530:Burke 6488:Grieg 6478:Field 6473:Elgar 6456:Other 6289:Verdi 6247:Italy 6238:Liszt 6228:Hubay 6213:Erkel 6197:Weber 6182:Spohr 6142:Loewe 6132:Bruch 6096:Méhul 6086:Fauré 6076:Auber 6071:Alkan 5930:Raffi 5900:Mácha 5890:Lenau 5840:Botev 5813:Other 5665:Spain 5600:Dinis 5486:Scott 5461:Keats 5441:Clare 5431:Byron 5426:Burns 5406:Blake 5391:Great 5376:Tieck 5331:Heine 5326:Hauff 5260:Vigny 5255:Staël 5215:Dumas 5137:Assis 5132:Alves 5117:Abreu 5070:Rhine 4973:Ultra 4816:Japan 4664:Chess 4496:Ysaÿe 4476:Weber 4456:Verdi 4406:Spohr 4401:Sousa 4286:Paine 4201:Méhul 4151:Loewe 4146:Liszt 4126:Kuula 4086:Holst 4066:Grieg 4046:Gomes 4026:Franz 4011:Foote 4006:Field 4001:Fauré 3991:Elgar 3971:Denza 3896:Bruch 3876:Bizet 3836:Beach 3821:Auber 3806:Alkan 3463:2015. 2126:Notes 1871:] 1804:] 1159:WoO, 1134:WoO, 1127:WoO, 1120:WoO, 1113:WoO, 1095:from 1060:Songs 894:Bruch 824:Bruch 522:Clara 446:with 7001:Frye 6928:Ward 6923:Veit 6878:Rude 6828:Koch 6803:Gude 6798:Goya 6748:Dahl 6738:Cole 6066:Adam 6014:Wolf 5757:U.S. 5656:Zmaj 5286:Beer 5225:Hugo 5172:Reis 5152:Dias 5016:Hero 4951:Post 4912:Jena 4882:Dark 4553:Lied 4491:Wolf 4341:Rode 4331:Ries 4311:Raff 4136:Lalo 3801:Adam 3649:ISBN 3561:ISBN 3503:ISBN 3468:ISBN 3333:ISBN 3277:link 3263:2007 3237:2022 3188:ISBN 3152:2006 3095:2023 3051:2006 3021:2022 2603:2022 2226:2023 2201:2023 2151:2020 1106:WoO 955:and 855:Bach 579:and 474:and 320:Pest 242:Life 84:Died 55:Born 6498:Sor 6371:Cui 5804:Poe 4937:Pre 4932:Neo 4396:Sor 3941:Cui 3689:on 1083:WoO 949:'s 945:to 873:'s 857:'s 371:by 274:in 197:'s 25:is 7192:: 7153:← 3615:, 3497:, 3480:, 3455:, 3368:, 3293:. 3273:}} 3269:{{ 3210:. 3138:. 3120:. 3067:. 3037:. 3011:. 2892:^ 2844:^ 2816:. 2787:^ 2466:^ 2335:. 2315:^ 2217:. 2192:. 2159:^ 2122:. 1869:de 1802:de 1693:, 1552:) 1308:, 1167:.) 583:, 491:, 375:. 266:, 75:, 7166:→ 4771:e 4764:t 4757:v 4639:" 4635:" 3768:e 3761:t 3754:v 3741:. 3297:. 3279:) 3265:. 3239:. 3196:. 3154:. 3124:. 3097:. 3071:. 3053:. 3023:. 2947:. 2838:. 2836:" 2832:" 2820:. 2605:. 2228:. 2203:. 2153:. 2079:. 1880:. 1848:. 1701:. 1682:. 1316:) 1254:) 1247:) 819:. 67:) 63:(

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Index