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sacks hung suspended from the cranes, one just above the pavilion's roof, the other dipping in through a skylight in "The Tosca Room". "The Tosca Room" walls were covered in soot, while its floors were strewn with terra-cotta letters under plexiglass. A soundtrack played a whistled version of the
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objections, Neustein's work was "withdrawn" from
Documenta, after the German government advised the artist that his piece caused "consternation among specialists" about what they described as the "complicated relationship between West Berlin and the German Democratic Republic."
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in 1974, curated by Yona
Fischer and Meira Perry Lehmann. In 1977, the Tel Aviv Museum mounted a ten-year retrospective of Neustein's works on paper, curated by Sarah Breitberg. In 1992, the Albright Knox mounted a solo show of Carbon Copy Drawings which travelled to the
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were immersive, room-sized relief maps of cities, constructed out of packed ashes that rested on the floor of the exhibition space. They often included crystal chandeliers installed to hang low to the ground, so they nearly touched the ash-covered floor.
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Napoli, the Haifa Museum of Art, the Time Depot, and the
Chelsea Art Museum. During this time, Neustein permanently installed a life-size bronze cast of a tree with terra-cotta colored letters climbing its trunk in the lobby of the JCC in Manhattan.
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In the same period, Neustein began an extensive and innovative drawing practice that continues today, amassing a large body of work that grew to include torn and folded works on paper, erasure drawings, magnetic "drawings", and the
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bales, boots, pinecones, and rainwater, as well as monumental land art works. Neustein was among the first artists to introduce environmental and installation art into the
Israeli art scene. Notable examples include
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Neustein has a diverse artistic practice that includes painting, drawings and works on paper, large-scale installation, film and video, performance, and monumental land art works.
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1969 (collaboration with Gerry Marx), in which piles of military boots from armies that passed through
Ottoman, Palestine and Israel, shown in Artists House, Jerusalem.
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Alongside his studio practice, Neustein has mounted large-scale installations throughout his career that often included quotidian objects such as
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In the past decade, Neustein has participated in numerous group exhibitions at museums and galleries, including the
Metropolitan Museum of Art (
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in which he showed reconstructed canvases. Between 1973 and 1977, Neustein showed at the Yodfat
Gallery and Naomi Givon Gallery, in Tel Aviv.
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1182:"Joshua Neustein, Nancy Rubins : Paper into Sculpture, Nasher Sculpture Center, Installation View, October 14, 2017-February 4, 2018"
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series, in which formerly standard carbon copy paper is torn, folded, pressed, and scraped. Neustein participated in the landmark
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In recent years, Neustein's work has been included in several group exhibitions at museums and galleries, including the
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in which the life-size silhouette of an
Israeli war plane was singed into the turf on the Israel-Lebanon border with
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1971 (collaboration with Gerard Marx and
Georgette Batlle.) Sound sculpture of recorded water sounds played in a
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1995, Israel
Pavilion, Venice Biennale. Soot, books, cranes, alphabet, glass, scaffolding, whistling soundtrack.
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In the 1990s, Neustein returned to large-scale installation, with a series of environmental works he called the
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Earliest works: Oil pastel paintings; torn folded drawings; carbon copy series; text by Barry Schwabsky.
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In the mid-1980s, Neustein produced maps painted on canvas and cardboard, or etched into rusted metal.
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torn paper works, epistemic abstraction, deconstructed canvas works, and large-scale map paintings.
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a solo exhibition at Untitled gallery on New York's Lower East Side, the same year.
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Gallery in New York and Jerusalem. In 1979, Neustein had a solo exhibition at
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a historic show of works on paper curated by Marla Prather in 2011), the
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Jeremy Gilbert Rolfe essay Torn Grey Impermanent. Artforum Summer 1978
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an exhibition on Land Art curated by Philipp Kaiser and art historian
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In 1998, several of Neustein's environmental works were exhibited in
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curated by Paul Shimmel at LA MOCA, and traveling to MAK Vienna,
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New York: Farrar, Straus, and Giroux, 2005. pp. 303–320.
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Danto, Arthur (2005). "Two Installations by Joshua Neustein".
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between the Catholic and Protestant neighborhoods (1977); in
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Unnatural Wonders: Essays from the Gap Between Art and Life.
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In 1995, Neustein was selected to represent Israel in the
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Jewish emigrants from Nazi Germany to the United States
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1970 Erest Prize for Painting and Sculpture, Jerusalem
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1971 bales of hay and sound tapes of highway traffic,
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187:in the early 1950s. After studying history at
593:In 1996, Neustein's work was included in the
175:). As refugees, his family immigrated to the
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612:, Museum of Contemporary Art Tokyo, Japan.
1236:"Cut, Folded, Pressed & Other Actions"
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713:, Robert Pincus-Witten, Paperback 1984)
517:Southeastern Center for Contemporary Art
103:Works on Paper, Land Art, Concept, Video
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664:Museum of Contemporary Art, Los Angeles
363:Museum of Contemporary Art, Los Angeles
1311:Joshua Neustein : Five ash cities
272:, the Metropolitan Museum of Art, the
1209:"Ends of the Earth: Land Art to 1974"
1026:1974 Sandberg Prize for Israeli Art,
711:Eye to Eye: 20 Years of Art Criticism
678:(1971) as part of "Ends of the Earth"
610:Museu d'Art Contemporani de Barcelona
527:, Cleveland, curated by Jill Snyder;
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329:Neustein began to show regularly in
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1349:"Neustein: Drawing in the Margins"
674:. For LA MOCA, Neustein reenacted
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367:Museum of Contemporary Art, Tokyo
1131:"Joshua Neustein | Shear Stress"
757:1971; film made from 3 postcards
1159:The Morgan Library & Museum
590:(1998) at Bet Ariella Library.
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1537:20th-century Israeli sculptors
1512:American contemporary painters
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1041:The Pollock-Krasner Foundation
243:Whitney Museum of American Art
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1426:Joshua Neustein official site
1032:1986 Guggeneheim Fellowship,
876:How History Became Geography,
813:Sound tapes and video pieces,
717:Land & Installation Works
597:Collection exhibition at the
1532:Israeli contemporary artists
1477:American emigrants to Israel
1463:. Retrieved {{{accessdate}}}
922:1998; Ujazdowsky Palace CCA
870:Where Are the Miami Indians,
860:); Belfast, Northern Ireland
555:How History Became Geography
541:How History Became Geography
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800:Hay Bales and Hay Bindings,
743:Museum of Fine Arts, Boston
387:The Jerusalem River Project
359:Museum of Fine Arts, Boston
44:1940 (age 83–84)
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1431:Joshua Neustein collection
802:1971–1999, first shown at
454:In 1976, Neustein enacted
302:, as well as philosophers
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235:Metropolitan Museum of Art
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484:Manfred Schneckenburger's
183:, and finally settled in
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1111:The Museum of Modern Art
1028:Israel Museum, Jerusalem
1023:1972 The Jerusalem Prize
882:Still Life on the Border
735:Jerusalem River Project,
383:Concept Plus Information
163:Early life and education
1517:Jewish American artists
1186:Nasher Sculpture Center
1083:"Search the Collection"
854:Territorial Imperative,
660:Nasher Sculpture Center
632:, Toronto commissioned
398:Drawing, Installation,
339:Jerusalem River Project
270:Nasher Sculpture Center
1457:Art of Joshua Neustein
645:Drawing in the Margins
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519:, North Carolina; the
456:Territorial Imperative
400:Territorial Imperative
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143:. He is known for his
130:Guggenheim Fellow 1986
1433:at the Israel Museum.
1259:Gallery, Mary Boone.
969:Selected bibliography
825:1972, Gallery House,
699:Painting and Drawings
672:David Zwirner Gallery
567:The Possessed Library
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543:was exhibited at the
482:(1977). Over curator
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171:(present day Gdańsk,
167:Neustein was born in
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1261:"Mary Boone Gallery"
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351:Yvon Lambert Gallery
296:Jeremy Gilbert-Rolfe
292:Robert Pincus-Witten
239:Museum of Modern Art
1374:"Selected Artworks"
834:1972, Goethe House
694:Selected works list
580:E Lucevan Le Stelle
495:and Venice Biennale
412:Carbon Copy Drawing
1353:The Israeli Museum
1265:Mary Boone Gallery
1155:"Neustein, Joshua"
1062:"Julie M. Gallery"
962:What Did I Forget,
912:Martin Gropius Bau
888:Possessed Library,
795:Camden Arts Centre
769:Camden Arts Centre
622:Palazzo Delle Arti
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533:Martin Gropius-bau
319:Mary Boone Gallery
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1438:"Joshua Neustein"
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1378:www.metmuseum.org
1292:museum.imj.org.il
1107:"Joshua Neustein"
1087:www.metmuseum.org
1015:Awards and prizes
984:978-0-231-14115-4
841:Mobile Landscape,
832:Sound Sculptures,
823:Listening to Hay,
761:Photo Strategies,
755:Dead Sea Journey,
588:The Blind Library
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