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and Royal Chapel. This reflected in part his desire to advance music expression in
Portugal along with his interest in the development of music within the context of liturgy in his Royal Chapel and beyond. He had a particular admiration for Italian music of the period, along with other aspects of its
331:
adherence led him to import Roman liturgy and ritual and to send
Portuguese clergy to Rome to be trained in their use. (See d'Alvarenga, João Pedro. “‘To make of Lisbon a new Rome’: The Repertory of the Patriarchal Church in the 1720s and 1730s.”
438:
337:
251:
Some sources give his date of birth as 14 September. For example, see
Cardoso, André. "Introdução: José Joaquim dos Santos (1747–1801) e o Hino para as Laudes do Nascimento de Nosso Senhor Jesus Cristo".
232:. The vocal forces vary from 4 to 8 voices plus soloists in some works, and always with accompaniment by organ, orchestra, organ and orchestra, or various smaller combinations of solo instruments.
167:." What has been described by musicologist Ricardo Bernardes as "the well-known process of Italianization of musical practices begun in the reign of King João V" is clearly demonstrated here.
19:
27:
490:
by José Joaquim dos Santos and
Luciano Xavier dos Santos and the music for two violas, voices concertate and low instruments. Master Research Projects, 2017. KC Research Portal.
318:). The seminary continued as Portugal's principal music educator until the establishment of the National Conservatoire of Lisbon (Conservatório Nacional de Lisboa) in 1836.
31:
Stabat Mater by José Joaquim dos Santos, first page. Published by the Real Fábrica da Musica, Lisbon, 1792. Collection of the
Library of the Ajuda National Palace, Lisbon.
23:
Stabat Mater by José Joaquim dos Santos, cover page. Published by the Real Fábrica da Musica, Lisbon, 1792. Collection of the
Library of the Ajuda National Palace, Lisbon.
327:
King João V's inclination towards things
Italian was more complex than just an interest in its arts. Well summarised in his phrase "To make of Lisbon a new Rome", his
410:
The
Lamentações para a Semana Santa by José Joaquim dos Santos and Luciano Xavier dos Santos and the music for two violas, voices concertate and low instruments.
189:, the remainder of Santos' known works were written for liturgical use and performed in Portugal and Brazil. These include 5 settings of the Mass, 2 of the
536:
Brasilessentia Grupo Vocal; Orquestra de Câmara da UNESP; Vítor
Gabriel, conductor – Música na Catedral de São Paulo. Paulus – CD 004383. Released: 1999.
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who taught him at the seminary, and commenting about Santos' overall approach, Enrico
Ruggieri says in his thesis, "He was renowned as master of the
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315:
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91:. He continued teaching there for the remainder of his life. From 1768, parallel to his work within the seminary, he was also engaged as a
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art and architecture, an explanation of why he paid for Portuguese composers and musicians to study there and imported Italians such as
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writing was "outstanding … and singular", while Nancy Lee Harper in her survey of Portuguese keyboard music said he was "noted for his
186:
580:
505:
396:
61:
435:
José Joaquim dos Santos (1747-1801) e a música policoral na Capela Patriarcal de Lisboa na segunda metade do séc. XVIII
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Segréis de Lisboa – Stabat Mater Miserere: Tributo a José Joaquim dos Santos. Movieplay – MOV 3-11051. Released: 1997.
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178:
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Introdução: José Joaquim dos Santos (1747–1801) e o Hino para as Laudes do Nascimento de Nosso Senhor Jesus Cristo
523:
437:. 2016. Abstract from Colóquio “Novas grandezas que já pareciam impossíveis à imaginação”, Lisboa, Portugal.
113:
53:. He was listed by two authors as being among Portugal's "most outstanding eighteenth-century composers."
555:
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Ensemble Joanna Musica – Music for Saint Joana, Princess of Aveiro. Numérica – NUM 1183. Released: 2009.
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160:
466:". XVIII Jornadas Gulbenkian de Música Antiga, pp. 50–56, Lisboa, Fundação Calouste Gulbenkian.
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57:
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Música Sacra no tempo de D. Maria I: Obras de João de Sousa Carvalho e José Joaquim dos Santos
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Accessed 12 November 2018. (A list of his works held in archives is included in this entry.)
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After graduating on 1 January 1763, Santos accepted an offer to remain on staff to teach
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The exact date and cause of Santos' death and the place of his burial are unknown.
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Escola de Música, Universidade Federal do Rio de Janeiro. Vol. 23/2, 2010. p. 304.
155:, Ruggieri noted that "the composition is built around the formal structure of a
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132:
100:
72:
522:, Vol. II, pp. 274–276, Lisboa, Typographia Mattos Moreira & Pinho.
500:, edited by Stanley Sadie. Macmillan Publishing, 1980. Vol. 16, p. 485.
222:
218:
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and Davide Perez to Lisbon. (See Stein, Louise K. "The Iberian Peninsula."
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that belongs to the style of the Neapolitan tradition of composers such as
135:
Robert Stevenson, Santos' own composition style was strongly influenced by
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described Santos as "wise and experienced" then adding that his command of
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391:, edited by Stanley Sadie. Macmillan Publishing, 1980. Vol. 16, p. 485.
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to Manuel Gonçalves dos Santos and Vitória Luísa and entered Lisbon's
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style as well." Looking specifically at Santos' 1792 setting of the
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Nocturnos: Responsoria In Sabbato Sancto de José Joaquim dos Santos
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Portuguese Piano Music: An Introduction and Annotated Bibliography
272:(History of Portuguese Music). Universidade Aberta, 1992. p. 105.
210:
117:
92:
26:
18:
310:, edited by George J Buelow. Macmillan Press, 1993. p. 428.
412:
Master Research Projects, 2017. KC Research Portal. p. 19.
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which were performed respectively in 1786 and 1787 at the
511:
Vasconcelos, Joaquim (1870), "Santos, José Joaquim dos".
515:, Vol. 2, pp. 158–159, Porto, Imprensa Portugueza.
518:
Vieira, Ernesto (1900), "Santos (José Joaquim dos)",
308:
The Late Baroque Era: Vol 4. From The 1680s To 1740
289:The seminary was established in Lisbon in 1713 by
513:Os Músicos Portuguezes: Biographia, Bibliographia
66:Real Seminário de Música da Patriarcal de Lisboa
496:Stevenson, Robert. "Santos, José Joaquim dos."
387:Stevenson, Robert. "Santos, José Joaquim dos."
520:Diccionario Biographico de Músicos Portuguezes
112:Of his teaching skills, one of his students,
8:
498:The Grove Dictionary of Music and Musicians
389:The Grove Dictionary of Music and Musicians
268:Cymbron, Luísa and Manuel Carlos Brito.
244:
293:and located in a building next to the
75:and was later appointed as professor (
7:
56:He was born in Senhor da Pedra near
187:Feast of the Immaculate Conception
14:
469:Filipe, Pedro dos Santos (2003),
370:. Scarecrow Press, 2013. p. 25.
336:, Vol. 8/2, 2011. pp. 179–214.,
62:Royal Patriarchal Music Seminary
488:Lamentações para a Semana Santa
462:Alvarenga, João Pedro (1997), "
183:Academia das Ciências de Lisboa
147:, however he composed music in
576:Portuguese classical organists
185:) for its celebrations of the
1:
473:, Câmara Municipal de Óbidos.
270:História da Música Portuguesa
571:Portuguese Baroque composers
254:Revista brasileira de musica
165:Giovanni Battista Pergolesi
49:who specialised in writing
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566:Portuguese music educators
524:Santos (José Joaquim dos).
179:Lisbon Academy of Sciences
581:Male classical organists
334:Eighteenth Century Music
339:Accessed 5 August 2018.
157:cantata sacra da camera
42:music teacher and late
36:José Joaquim dos Santos
493:Accessed 30 July 2018.
486:Ruggieri, Enrico. The
483:Accessed 28 July 2018.
440:Accessed 28 July 2018.
415:Accessed 30 July 2018.
259:Accessed 28 July 2018.
230:Holy Week Responsories
32:
24:
531:Selective discography
103:at the Royal Chapel (
30:
22:
433:Bernardes, Ricardo.
161:Alessandro Scarlatti
114:André da Silva Gomes
68:) on 24 June 1754.
38:(? 1747–1801) was a
366:Harper, Nancy Lee.
16:Portuguese composer
449:Stevenson, p. 485.
408:Ruggieri, Enrico.
300:Domenico Scarlatti
33:
25:
376:978-0-8108-8299-7
316:978-1-349-11305-7
278:978-972-674-086-5
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476:Cardoso, André.
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170:Apart from two
139:opera composer
99:, composer and
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44:Baroque-period
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153:Stabat Mater
145:stile antico
141:Davide Perez
133:musicologist
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122:Figured Bass
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85:counterpoint
76:
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55:
51:sacred music
35:
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561:1801 deaths
291:King João V
217:, 4 of the
106:Capela Real
89:composition
550:Categories
239:References
149:concertato
137:Neapolitan
40:Portuguese
223:Holy Week
215:Antiphons
124:rules of
101:conductor
219:Miserere
175:eclogues
97:organist
47:composer
221:, 1 of
207:Anthems
199:Vespers
191:Te Deum
172:secular
81:harmony
73:solfège
504:
395:
374:
314:
276:
226:Matins
211:Motets
203:Psalms
93:singer
77:mestre
58:Óbidos
205:, 21
195:Credo
118:fugue
79:) of
502:ISBN
393:ISBN
372:ISBN
312:ISBN
274:ISBN
213:and
193:, a
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163:or
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