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on a modern guitar without sacrificing any notes. However, his primary contribution was to guitar pedagogy. "Pragmatic and erudite, but at the same time humble", he received a constant stream of guitarists who visited his home in
Alicante seeking his advice. Amongst the classical guitarists who
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As a concert performer, Tomás was known for his enviable sound and interpretative skill. He was also known for his transcriptions, especially those of scores from the
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founded by
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in
Alicante is named in his honour, as is an international classical guitar competition, the
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in the second half of the 20th century, he trained many guitarists from all over the world.
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XII Concurso
Internacional de Guitarra Clásica "José Tomás - Villa de Petrer"
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Concurso
Internacional de Guitarra Clásica "José Tomás - Villa de Petrer"
89:. After Siena he continued his training with Segovia in 1958 and 1959 at
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Conservatori
Professional de Música d'Alacant "Guitarrista José Tomás",
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and teacher. Considered a major influence on the evolution of
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Conservatorio
Profesional de Música "Guitarrista José Tomás"
154:, Ahmet Kanneci, Cornel Imry, Edson Lopes, Yoshimi Otani,
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Revuelta, Vidal Benito (translated by Robert Kotas),
81:. On Diaz's recommendation, he went to study with
285:La guitarra: Historia, organología y repertorio
288:, Editorial Club Universitario, 2009, p. 170.
282:Iborra, Mario Alcaraz and Soto, Roberto Díaz,
108:Conservatorio Superior de Música "Óscar Esplá"
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49:José Tomás began his musical studies with
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125:eras. This in turn led him to adopt an
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421:PIMA Asociación de Guitarra Clásica.
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378:(in Spanish, accessed 26 April 2010)
485:20th-century Spanish male musicians
411:Yoshimi Otani's concert in Alicante
308:Oscar Esplá in Belgium (1936-1949)
100:Concurso Internacional de Guitarra
98:In 1961 he won first prize at the
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470:20th-century classical musicians
33:– 7 August 2001) was a Spanish
475:20th-century Spanish musicians
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425:. Retrieved 11 November 2013
445:Spanish classical guitarists
348:The Guitar in Spain - Part 5
335:Accademia Musicale Chigiana
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337:, 1994, p. 44 (in Italian)
39:classical guitar technique
311:, Editions Orphée, 2001.
401:), 10 January 1979, p. 5
250:and Jesús Castro-Balbi.
480:20th-century guitarists
465:Musicians from Alicante
450:Spanish male guitarists
369:Biography of José Tomás
142:studied with Tomás are
129:, developed for him by
71:Regino Sainz de la Maza
27:José Tomás Pérez Sellés
330:Andrés Segovia a Siena
240:Marco Antonio Anguiano
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395:(syndicated from the
21:José Tomás circa 1955
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393:The Spokesman-Review
152:Thomas Müller-Pering
112:Música en Compostela
92:Música en Compostela
29:(26 August 1934, in
387:Fleming, Louis B.,
127:eight string guitar
35:classical guitarist
374:2009-12-28 at the
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398:Los Angeles Times
352:Guitarra Magazine
196:Luis Diego Martin
172:Edoardo Catemario
53:. He would later
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160:Rafael Serrallet
131:José Ramírez III
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224:Ross Benavides
200:Alex de Valera
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176:Jonathan Baker
83:Andrés Segovia
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460:2001 deaths
455:1934 births
232:Tom Johnson
119:Renaissance
79:Alirio Diaz
51:Óscar Esplá
439:Categories
265:References
184:Jim Frazee
55:transcribe
389:"Guitars"
45:Biography
372:Archived
31:Alicante
135:vihuela
123:Baroque
104:Ourense
77:, and
63:Levante
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87:Siena
59:suite
313:ISBN
290:ISBN
253:The
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