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Journey to the Far Side of the Sun

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1598:-style" special effects. Sylvia Anderson suggested that American audiences, who were less familiar with Century 21's puppet productions than their British counterparts, were more enthusiastic about the film. She explained: "It was all too easy to compare our real actors with our puppet characters and descriptions such as 'wooden', 'expressionless', 'no strings attached' and 'puppet-like' were cheap shots some of the UK critics could not resist ... Typecasting is the lazy man's friend, and boy, were we typecast in Britain". In 1992, she said of the film: "I saw it on TV a couple of years ago and I was very pleased with it. I thought it came over quite well". To Chris Bentley, the film is a "stylish and thought-provoking science fiction thriller". 1000: 1071:
number of scenes, saying that he would only end up deleting them. According to Anderson, when he reminded Parrish of his contractual obligations, the director loudly announced to the cast and crew: "Hell, you heard the producer. If I don't shoot these scenes which I don't really want, don't need and will cut out anyway, I'll be in breach of contract. So what we'll do is shoot those scenes next!" In his biography, Anderson stated that his one regret about the film " that I hired Bob Parrish in the first place". Sylvia described Parrish's direction as "uninspired. We had a lot of trouble getting what we wanted from him".
1104: 31: 1261:. Rank delayed the film's release by over a year. On 26 March 1969, the BBFC passed the film with an A certificate, which allowed children under 11 to see the film provided that they were accompanied by a parent or guardian. To secure this rating, cuts to shots of contraceptive pills were required. Rank enquired whether the film could be cut further to secure a U certificate, removing the need for parental supervision; the BBFC rejected the idea, stating that this would cause the film to lose all narrative sense. 972: 827:. In a 2008 interview, Thinnes said of the film: "I thought was an interesting premise, although now we know that there isn't another planet on the other side of the Sun, through our space exploration and telescopic abilities. But at that time it was conceivable, and it could have been scary". To reflect the script's characterisation of Ross as a heavy smoker, Thinnes went through numerous packets of cigarettes over the course of the production, to the detriment of his health. In September 1969, 1250: 984: 728:, the Andersons' employer and financial backer, set up a meeting for Gerry Anderson to pitch a story about a hypothetical "mirror" Earth. On the inspiration for the film, Anderson said: "I thought, rather naively, what if there was another planet on the other side of the Sun, orbiting at exactly the same speed and the same size as Earth? That idea then developed into the planet being a replicated Earth and that's how it ended up, a mirrored planet". 4775: 1222:, who wrote the music for all of Century 21's productions, said that his score for this film was his favourite. The score was recorded over three studio sessions held between 27 and 29 March 1969. The first session used a 55-member orchestra, the second 44, and the third 28. The sequence showing Ross and Kane's journey to the Counter-Earth was accompanied by a piece titled "Sleeping Astronauts", featuring an 1664: 30: 751:". According to Gerry, the term "means 'a copy of oneself', and the legend goes that if you meet your doppelganger, it is the point of your death. Following that legend, clearly, I had to steer the film so that I could end it illustrating the meaning of that word". Responding to claims that the tone was overly "dark", Anderson said that he wanted the film to have an interesting premise. 920:, which were liked by the Andersons. Publicity material described the character as "John Wilder (2069 model)". According to Gerry, Wymark's heavy drinking caused him to slur his lines: in one scene, the actor "had to list these explanations ... and on take after take he couldn't remember that 'two' followed 'one'. We had to do it over and over again". Anderson's biographers, 1930: 1944: 1046:". This technique spared the production considerable time and money building specially "reversed" props and sets and organising road closures to film cars driving on the "wrong" side of the road. However, it meant that scenes set on the Counter-Earth required careful planning and rehearsal with the cast and crew. It also resulted in a number of 1420:
There were some great sequences and the special effects were outstanding. Perhaps the mistake I made was in insisting that we incorporate "Gerry's view of the future", where everybody is squeaky clean and everything is sparkling and shining and sanitised. Unfortunately that isn't what most people see
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operator who was unfamiliar with the film believed that the Counter-Earth scenes had been flopped in error, so made a second flop to reverse it. This de-flopped picture, which became the standard for all TV showings, makes it appear that the Ross of the Counter-Earth has landed on the "normal" Earth.
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crash sequence: "... he was pissed as a newt, and it was as much as he could do to stagger away. Despite all that, it looked exactly as it was supposed to on screen." In the original script, Kane's first name was Philip and he had a wife called Susan. Scenes deleted from the finished film showed
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website gives the film two-and-a-half stars out of five, summing it up as "an occasionally interesting failure". The review praises the effects and costume design but judges the subplots about Hassler's treachery and the Rosses' marital problems to be unnecessary distractions from the main story. It
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wrote that the film "never really gets off the ground" and "remains a little too civilised and restrained for its own good." He praised the "crispness" of certain dialogue, along with the visual style and Parrish's direction, but argued that the story deserved "a larger movie, at least one with more
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spacecraft model using a hand-held camera. In his biography, Anderson recalled: "I knew enough about space travel to know that in a vacuum a spacecraft will travel as straight as a die ... told me that people were not familiar with space travel and therefore they would expect to see this kind
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Other scenes led to disagreements within Century 21. For a scene depicting Lise Hartman (Loni von Friedl) taking a shower, cinematographer John Read did the lighting in silhouette as instructed by Parrish. Gerry Anderson, who had intended the scene to show Friedl nude, demanded a reshoot, insisting
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for mature content, he stated that it was Century 21's desire to "work with live artists doing subjects unsuitable for children". The finished film replaced the nude scene with milder shots showing Sharon stepping into and out of a shower. A subplot concerns the Rosses' attempts to conceive a child
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described the theme as "more abstruse" than that a of a typical science fiction feature. It added: "the intricacies are insufficiently clarified, and Robert Parrish's direction is so leaden-footed, that despite the explosive finale the film as a whole is simply dull." The film was also negatively
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As filming progressed, Anderson and Parrish came into conflict. Anderson said that Kanter was brought in more than once to mediate between them: " both knew how important the picture was to our careers, and we both desperately wanted to be in the big time". At one point, Parrish refused to film a
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Parrish also clashed with Thinnes over the actor's refusal to have his hair cut a certain way for the scenes set on the Counter-Earth. Thinnes, whose hair had already been repeatedly styled, later decided that this was merely Parrish's way of asserting authority, having received a letter from a
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as "a science fiction film that comes up with a fascinating premise three-quarters of the way along and does nothing with it." She commended the film for being "nicely gadget-ridden", as well as raising questions about the conflict between science and politics, but criticised the editing.
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must send a crewed mission to the planet before Hassler's allies in the East. NASA astronaut Colonel Glenn Ross and EUROSEC astrophysicist Dr John Kane are assigned to the mission. After undergoing training at the EUROSEC Space Centre in Portugal, Ross and Kane blast off in the spacecraft
1711:' and crash on the planet. And do they ever have their hands full in getting back to Earth!" Suggesting that the performances are hampered by an excess of technical dialogue, the review concluded: "... the makers of this space exploiter may get lots of mileage at the box office, but 1062:
to reflect the film's futuristic setting, instead of using real viewing monitors the crew cut screen-sized gaps in a wall and positioned the actors playing the conference delegates behind them. Silver paper was added to reflect the studio lights and simulate a high-resolution image, with
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format credits Thinnes first. Some British prints feature an alternative version of the final scene with a short voice-over from Ross, repeating a line of dialogue the character says to Webb earlier in the film: "Jason, we were right. There are definitely two identical planets."
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a "good" film but writes that it "takes an okay premise but does next to nothing with it. We see 100 minutes of bad drama and good special effects, and then the script opts for frustration and meaningless mystery". He criticises the cinematography, comparing it to that of
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appeared as the exterior of Harlington-Straker Film Studios, where SHADO, the organisation headed by Straker, is based. The recycled music included the tracks "Sleeping Astronauts" and "Strange Planet", the latter accompanying the series' end credits. Additionally,
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played by French ondiste Sylvette Allart. Archer and Hearn describe this piece as "one of the most enchanting" ever written by Gray, adding that the soundtrack as a whole evoked a "traditional Hollywood feel" which contrasted with the film's futuristic setting.
387:. The film has received mixed reviews from critics; while the special effects and production design have been praised, some commentators have judged the parallel Earth premise to be clichéd and uninspired. Various plot devices and imagery have been viewed as 1594:, calling the film "enigmatic" and a "fine example of speculative fantasy in the late '60s". He praises Thinnes' and Wymark's performances, as well as the characterisation, the film's secondary themes (such as adultery, infertility and corruption) and the " 1754:, he notes similar use of "psychedelic" images and close-ups of human eyes but calls such imitation "fluff without any deeper meaning". Film4's review describes the final scene featuring the elderly Webb as "hell-bent on recreating the enigmatic finale of 372:, the director of photography, led to Read's resignation from Century 21. In an effort to distinguish the film from their puppet productions, the Andersons wrote adult themes into the script, although cuts were required for the film to be awarded an 2704: 1765:
s", adding that it "attempts to kindle a profundity similar to that of in its abstract philosophising about the dichotomy of dual worlds, but fails with a combination of meat-and-potatoes science fiction and quasi-profound themes." He argues that
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as a co-writer to improve the characterisation. The revisions included substantial changes to the parts set on the mirror Earth, essentially causing the characters of Ross and Kane to switch roles. In the original script, Ross was blinded in the
904:, is renamed Paulo Landi and appears only briefly; the affair is implied in one scene but not explored further. In a deleted scene, Glenn finds Paolo and Sharon in bed together at the Rosses' villa and throws them both into a swimming pool. 1902:, whose characters "were constantly having to deal with the pressures of having to show progress under the scrutiny of accountants and elected officials, much the same way NASA was starting to in the US". On the links between the film and 797:(1967). According to Gerry, Parrish "told us he loved the script and said it would be an honour to work with us. Jay Kanter gave Bob the thumbs up and we were in business". Anderson said that while the negative critical response to 1264:
The film was distributed by Rank in Europe and Universal in the US and Australia. While Rank kept the original title, Universal, which judged that non-Europeans would be less familiar with the term "doppelganger", renamed the film
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Years later, former EUROSEC director Jason Webb, now confined to a wheelchair and in a much diminished mental state, is admitted to a nursing home. He sees his reflection in a mirror. He rolls forward quickly, trying to touch his
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The crew had difficulty creating a scene in which the EUROSEC board hold an international videoconference on high-resolution viewing monitors. Due to the high cost of colour TV at the time of production and the need to avoid
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and on location in England and Portugal. As filming progressed, the working relationship between Parrish and the Andersons became strained. Meanwhile, creative disagreements between Gerry Anderson and business partner
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rocket. During filming, the six-foot-long (1.8 m) scale model unexpectedly caught fire and had to be completely rebuilt. For realism, the launch sequence was shot in the studios' car park against the actual sky.
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of movement". Read refused to reshoot the scenes, stating that Parrish's instructions took precedence over Anderson's. He resigned from both the production and Century 21 at the request of the Andersons and
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Despite James's efforts, Kanter remained unenthusiastic. However, he agreed to finance the film provided that the Andersons chose a "bankable" director who met with his approval. Gerry's first choice was
2712: 1146:, which stated that all Pinewood film props were to be made in-house. The prop was destroyed, and although the Pinewood carpenters built a replacement, Anderson considered it inferior to the original. 833:
reported that the actor would demand a non-smoking clause for his next film: "He smokes about two packets a day, but the perpetual lighting up of new cigarettes for continuity purposes was too much".
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creating the illusion that each delegate is looking into a camera. Archer and Hearn praise this scene as an example of how Anderson "proved once again that his productions were ahead of their time".
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crashes into a parked spacecraft, killing Ross and starting a chain reaction that destroys much of the Space Centre. All records of Ross's presence on the Counter-Earth are lost in the disaster.
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The film premiered in August 1969 in the United States and October 1969 in the United Kingdom. It performed poorly at the box office during its initial theatrical run but has since garnered a
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in the sense that the characters "stand and talk a lot", while defining the script as "at least 60 per cent hardware-talk and exposition ... How people move about – airplane, parachute,
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crash to the quality of the writing: "Astronauts take a pill to induce a three-week sleep during their flight. Thereafter the script falls to pieces in as many parts as their craft."
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also questions the originality of the premise and the depth of the writing: "Anderson's has to be the cheapest alternate Earth ever. Whereas audiences might expect a world where the
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friend warning him that Thinnes could be difficult to work with. Gerry Anderson said that his own relationship with Thinnes was awkward, but that he liked the actor's performance.
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stated that "in today's space terminology almost rates as science – and pure reportage through film. Still, it evolves as a fascinating motion-picture entertainment." In 1975,
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could not have been made without him: "It wasn't a question of, 'Will we get on with him?' or, 'Is he the right man?' He was a name director, so we signed him up immediately".
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is damaged in a thunderstorm and crashes in a mountain range, seriously injuring Kane. The astronauts are picked up by a human rescue team, who tell Ross they have landed near
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The title sequence, set inside Dr Hassler's laboratory, was accompanied by a spy theme. This was inspired by the character's undercover activities, which he performs using an
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Neuman and EUROSEC official Lise Hartman question Ross, who denies that he aborted the mission. Later, Kane dies of his injuries. Ross discovers that people are now driving
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and George Sewell as his deputy, Colonel Alec Freeman. Many of the film's costumes, shooting locations and musical tracks were also re-used, along with props including the
883:, Gerry expressed a desire to change the public's perception of Century 21, saying that his company had been "typecast as makers of children's films". On rumours that the 1368:
DVD in 1998 and both Region 1 and 2 DVD (digitally remastered) in 2008. Prior to the 2008 release, the BBFC re-classified the film PG for "mild violence and language".
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that Read honour his obligations not only to Parrish as director, but also to the producers. According to Sylvia, "Gerry was very keen to show that he was part of the '
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dismissed it as "a churned out science fiction yarn ... Let's hope there's only one movie like this one", and ranked it among the worst films of the year. The
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Archer and Nicholls suggest as possible causes of the film's box office failure its "quirky, offbeat nature" and waning public interest in space exploration after
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reaches the planet and Ross and Kane are revived. Scans for life prove inconclusive, so the astronauts decide to make a surface landing in their auxiliary craft,
4827: 363:. Though underwhelmed by the script, Kanter greenlit the film after the Andersons hired Parrish as director. The film was shot between July and October 1968 at 3070: 2353: 4857: 1824: 1635:' factor, slowing up the narrative unnecessarily". He rates the film three stars out of five, summing it up as "an interesting journey with many rewards". 470:
of his Earth. Ross's wife Sharon refuses to accept his claims, but Webb is convinced when Ross demonstrates his ease in reading reflected text and Kane's
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is "neither a kid's film nor a cult film" but rules that "the elements that comprise the finished effort are more than individually successful."
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and that he can no longer read printed text because it is all backwards. He comes to the realisation that he is indeed on the unknown planet, a
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and ended on 16 October. The exterior of the EUROSEC Headquarters was represented by Neptune House in Borehamwood, Hertfordshire (now part of
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which sees an astronaut returning to Earth only to find it mysteriously changed, and realising that he has ended up in a parallel universe.
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and Marcus Hearn, consider Wymark's portrayal of Webb to be the film's standout performance. The original script described Webb as a former
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by double agent Dr Hassler. Tracing the messages to Hassler's laboratory, Security Chief Mark Neuman corners the scientist and kills him.
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caused it to burn up in the atmosphere with Kane inside, and the film ended with Kane's wife, the Rosses and Webb attending his funeral.
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played Jason Webb, the director of EUROSEC. Wymark was cast for his performance as antiheroic businessman John Wilder in the TV dramas
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added that while the film gets worse towards the end, "until then it's a reasonably diverting futuristic melodrama." A review in the
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project. In his biography, Anderson recalled that Hendry "was always drinking" and was visibly intoxicated during the filming of the
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and had her begin an affair with EUROSEC public relations officer Carlo Monetti. In the finished film, this character, played by
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Despite the film's failure, Grade gave the Andersons further commissions with live actors. The first of these was the TV series
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was similar but succeeded because it had a philosophy attached to it. It also had believable people with good characterisation.
735:. At one point it ran to 194 pages, enough for a three-hour film. The Andersons had conceived the story as a one-hour drama for 415:
discovers a planet in the same orbital path as Earth on the far side of the Sun. The findings are transmitted to a power in the
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by Gerry Anderson, and a double-sided sleeve, which enables the Blu-ray case to be stored under either of the film's titles.
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and that his counterpart from this world is experiencing similar events on his Earth. Webb proposes that Ross retrieve the
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The film was the first major live-action production by the Andersons, known for their puppet television programmes such as
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argue that while this title provides a clearer explanation of the plot, it lacks the "intrigue and even poetic quality of
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praised it as "quite ingenious" but suggested that the title and pre-release publicity gave away too much of the plot.
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picture. This originated from a mistake made in the 1980s when an original print was being transferred to videotape: a
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module prop in Slough. However, it could not be used for the film due to an agreement between Pinewood Studios and the
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Leading the cast was Roy Thinnes as Colonel Glenn Ross of NASA. Thinnes was cast on the basis of his starring role in
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Meddings also oversaw the construction of several futuristic land vehicles operated by EUROSEC. These included three
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Kanter was dissatisfied with the Williamson script, so the Andersons' began to re-write it themselves and brought in
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for presenting a "working future" that is still dominated by commercialism. Comparing the visual style to that of
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for the outbound journey, with "Heart-Lung-Kidney" machines maintaining their vital functions. Three weeks later,
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magazine gives the film two stars out of four, calling it a "strange little film" with an "overwritten script".
4832: 4401: 4266: 1966: 1249: 877:, written into the film to distinguish it from the Andersons' previous productions. In a 1968 interview in the 455:, Mongolia. It appears that Ross and Kane have returned to Earth, and they are flown back to the Space Centre. 339: 4138: 3678: 2771: 2008: 4877: 4778: 4759: 4429: 4331: 4287: 4130: 4078: 1837: 1375: 621: 399: 1681:-itis'", noting that the "feeble asylum patient" Jason Webb "sits in a wheelchair in a corridor resembling 326:
mission to investigate a newly discovered planet which lies directly opposite Earth on the far side of the
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To create an illusion of a mirror Earth, the crew reversed the film negatives using a process called "
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No TV monitors were used in the videoconference scene. Instead, the crew employed set alterations and
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by using a mirror, a wheelchair and a tartan blanket." Rovin argues that the effects " outshine"
1582: 1525: 1503: 1340: 1016: 1004: 893: 721: 697: 360: 190: 739:, but Sylvia thought the premise "too good for a television play" and suggested making it as a 4847: 4210: 4021: 3995: 3960: 3938: 3915: 3896: 3873: 3846: 3816: 3712: 3646: 3614: 3606: 3443: 3435: 3401: 3362: 3333: 3297: 3289: 3264: 3235: 3231: 3203: 3195: 3154: 3146: 3110: 3102: 2876: 2394: 2386: 2209: 1699: 1308:. The film ran for less than a week in Odeon venues. A second round of US screenings began in 1231: 971: 645: 2956: 4664: 4547: 4326: 4162: 3255: 1544: 1383: 1316: 1290:
After premiering in the US on 27 August 1969, the film had its UK debut on 8 October at the
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containing a micro-camera. Archer and Hearn regard this as a stylistic imitation of
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appeared as the old Jason Webb's nursing home. In September, the crew travelled to
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of the electrical circuits. Ross blasts off in the spacecraft, which he has named
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the character pursuing a romance with EUROSEC official Lise Hartman, played by
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The Worlds of Gerry and Sylvia Anderson: The Story Behind International Rescue
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Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares
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goes against the conventions of 1960s science fiction. This is reflected in
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Since its original release, the film has had a mixed response from critics.
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are first shown connected to Ross and Kane's left wrists, then their right.
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crash, while Kane survived but was declared insane. A structural defect in
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and has also been described as a "trial run" for the follow-up series,
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The film's special effects were produced at Century 21 Studios on the
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Christie, Judith (17 November 1969). "Movies: Brave Are the Lonely".
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features a transfer of Fanderson's original film print, an exclusive
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on 1 November. Overall, the film performed poorly at the box office.
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was cast as Dr John Kane, a British astrophysicist and head of the
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The finished film failed to impress Universal or UK distributors
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Doug Pratt's DVD: Movies, Television, Music, Art, Adult and More
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National Association of Theatrical Television and Kine Employees
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in Portugal for location shooting. Shortly after their arrival,
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An earlier version of the script had the character appear in a
3742: 1891: 1667:
The ending scene has drawn comparisons to the visual style of
1627:– is more important than what they're doing". In a review for 1197: 327: 1126:. More than 200 effects shots were filmed. The design of the 1572:"confusing but colourful" and praised its "superb" effects. 928:
who is romantically involved with his secretary, Pam Kirby (
896:. The original script described Sharon as the daughter of a 497:
designed to be compatible with the reversed technologies of
411:
In 2069, the European Space Exploration Council's (EUROSEC)
2851: 2849: 2847: 2845: 2843: 2841: 2839: 2293: 2291: 1887:
shots which formed the basis of the film's title sequence.
1343:. Some TV broadcasts of the film have shown an incorrectly 1339:
The film had its British TV premiere on 7 December 1974 on
2869:
American Film Institute Catalogue: Feature Films 1961–1970
1894:
argues that the presentation of politics and economics in
1319:
prints of the film are known to exist. One is kept by the
3912:
The Complete Gerry Anderson: The Authorised Episode Guide
1817:
likens the film's theme of duplication to the premise of
1738:, both released the year before, set a high standard for 1374:
versions followed in 2015. The US Blu-ray release was by
397:(1968). Several members of the cast went on to appear in 334:
in every detail, with a parallel and duplicate timeline.
322:
Set in the year 2069, the film concerns a joint European-
2559: 2557: 2555: 2553: 2551: 2549: 2547: 2545: 2543: 2524: 2522: 2520: 2518: 2516: 2514: 2512: 2510: 2508: 2506: 2496: 2494: 2492: 2490: 2488: 2486: 2484: 2482: 2480: 2416: 2414: 2412: 2410: 2408: 2321: 2319: 2317: 2315: 2313: 2311: 2309: 2307: 2305: 2303: 1548:
regarded the film as better than average for its genre,
1298:. It went on general release on 26 October, paired with 2115: 2113: 2111: 2109: 2107: 2079: 2077: 1050:: for example, the "Heart-Lung-Kidney" machines aboard 747:, the Andersons' business partner, proposed the title " 724:. Kanter was open to funding promising film ideas, so 3219: 3217: 3038: 3036: 1529:
magazine considered the plot confusing, equating the
1180:
Commenting on the film's effects, Martin Anderson of
1086:
Another dispute arose when Read filmed shots of the
4698: 4675: 4641: 4598: 4561: 4495: 4345: 3957:
Filmed in Supermarionation: A History of the Future
1827:abduct humans and replace them with alien doubles. 1707:: "... the spacemen find a few bugs in their ' 254: 246: 236: 201: 176: 160: 150: 142: 132: 91: 83: 75: 50: 40: 23: 3914:(4th ed.). London, UK: Reynolds & Hearn. 2752: 2750: 2748: 2746: 2744: 2586: 2584: 2582: 2580: 2578: 1823:, in which a race of extraterrestrials called the 892:and Glenn's discovery that Sharon has been taking 731:The earliest version of the script was written by 720:arrived in London to set up a European office for 2097: 2095: 2093: 2091: 2089: 474:examination reveals that his internal organs are 4953:English-language science fiction adventure films 3224:Stoneham, Gordon (22 April 1972). "Movie Week". 2609: 2607: 2605: 2263: 2261: 2259: 2257: 2255: 2253: 2251: 1742:and other films to follow. Erickson argues that 4958:English-language science fiction thriller films 3434:. Radnor, Pennsylvania: Triangle Publications. 2657:Titterton, Ralph; Ford, Cathy; Bentley, Chris; 2249: 2247: 2245: 2243: 2241: 2239: 2237: 2235: 2233: 2231: 2067: 2065: 2063: 2061: 2059: 2057: 2055: 2053: 2051: 2049: 1859:, notably Ed Bishop as the protagonist Colonel 1685:'s holding cell on the alien planet beyond the 1418: 3895:(3rd ed.). Signum Books. pp. 20–28. 3839:Go! The Authorised Biography of Gerry Anderson 2705:"Complete Studio-Recording List of Barry Gray" 2698: 2696: 2694: 2147: 2145: 2143: 2047: 2045: 2043: 2041: 2039: 2037: 2035: 2033: 2031: 2029: 4295: 4086: 1114:. The film's effects have been well received. 775:, who had directed Century 21's puppet films 343:. Having originally conceived the story as a 8: 4948:English-language science fiction drama films 3988:A Pictorial History of Science Fiction Films 2904: 2902: 2900: 2898: 2896: 2894: 2892: 2807: 2805: 2803: 2801: 2652: 2650: 2616:"Top 75 Spaceships in Movies and TV: Part 2" 2166:"Gerry Anderson: The Puppet Master – Part 3" 2159: 2157: 1871:miniatures and the EUROSEC ground vehicles. 1253:UK poster, showing the film's original title 2734: 2732: 2730: 2200:"The Den of Geek Interview: Gerry Anderson" 1192:without losing too much NASA-ness" and the 1161:-based company, and three cars modelled on 4302: 4288: 4280: 4093: 4079: 4071: 3959:. Neshannock, Pennsylvania: Hermes Press. 3475: 3473: 3471: 3469: 3090: 3088: 1703:, which found similarities in the plot of 1200:gloss with classic lines". He regards the 801:raised questions about Parrish's ability, 29: 20: 3893:The Complete Book of Gerry Anderson's UFO 2013:British Film Institute Collections Search 1454:, which called it "corny", as well as by 1204:launch as Meddings' finest work prior to 478:. Ross theorises that the two Earths are 347:, they were encouraged by their employer 3866:Gerry Anderson: The Authorised Biography 3591:Waxse, Bennett F. (26 September 1969). " 3518: 3516: 2193: 2191: 1855:. Most of the cast went on to appear in 1406:. The film has a 40% approval rating on 1169:, the adapted Fords were constructed by 1153:utility vehicles, which were built from 525:, but crashes into the mirror and dies. 391:of other science fiction films, such as 3667:"Institute of Contemporary Arts Review" 2766: 2764: 2762: 2000: 1970:, a 1973 TV film with a similar premise 932:, who had played Wilder's secretary in 4863:British science fiction thriller films 4691:(former creative partner, second wife) 3781:Archer and Nicholls 1996, p. 146. 3732: 3730: 3728: 3707:. Vol. 1. Westport, Connecticut: 3572:from the original on 14 September 2009 3361:. Blackpool, UK: Super M Productions. 2863: 2861: 2855:Archer and Nicholls 1996, p. 138. 2297:Archer and Nicholls 1996, p. 136. 426:representative David Poulson that the 422:EUROSEC director Jason Webb convinces 4818:1960s science fiction adventure films 4634:(co‑wrote, co‑produced) 4591:(co‑wrote, co‑produced) 3501:from the original on 25 December 2010 3073:from the original on 1 September 2019 2824:from the original on 27 December 2011 2812:Anderson, Martin (7 September 2008). 1421:as humanity's natural state ... 959:. Poulson was to have been played by 852:, whom the Andersons cast in Berlin. 7: 4828:1960s science fiction thriller films 3937:. Fonthill Media. pp. 138–143. 3738:"Featured Filmmaker: Gerry Anderson" 3645:. UNET 2 Corporation. p. 1281. 3394:The Complete Book of Captain Scarlet 2780:British Board of Film Classification 2009:"Journey to the Far Side of the Sun" 1962:, a 2011 film with a similar premise 1777:to other science fiction films like 859:. The role had first gone to either 315:, and produced by the Andersons for 4858:British science fiction drama films 3790:Archer and Hearn 2002, p. 192. 3772:Archer and Hearn 2002, p. 188. 3631:Rovin 1975, pp. 124–127. 2703:de Klerk, Theo (25 December 2003). 2563:Archer and Hearn 2002, p. 178. 2528:Archer and Hearn 2002, p. 176. 2500:Archer and Hearn 2002, p. 177. 2456:Archer and Hearn 2002, p. 190. 2447:Archer and Hearn 2002, p. 193. 2420:Archer and Hearn 2002, p. 175. 2325:Archer and Hearn 2002, p. 174. 2198:Anderson, Martin (27 August 2008). 2119:Archer and Hearn 2002, p. 172. 2083:Archer and Hearn 2002, p. 173. 1508:stratospheric sweep and suspense". 975:Location shooting was conducted in 4631:Journey to the Far Side of the Sun 4243:Journey to the Far Side of the Sun 4061:Journey to the Far Side of the Sun 4050:Journey to the Far Side of the Sun 4039:Journey to the Far Side of the Sun 4028:Journey to the Far Side of the Sun 4017:Journey to the Far Side of the Sun 3750:. 3 September 2002. Archived from 3355:"Sylvia Anderson Interview (1992)" 3184:"Miami News Entertainment Guide". 3012:Journey to the Far Side of the Sun 2981:Journey to the Far Side of the Sun 2947:Journey to the Far Side of the Sun 2626:from the original on 11 March 2010 2216:from the original on 17 April 2010 1896:Journey to the Far Side of the Sun 1843:Journey to the Far Side of the Sun 1775:Journey to the Far Side of the Sun 1768:Journey to the Far Side of the Sun 1744:Journey to the Far Side of the Sun 1740:Journey to the Far Side of the Sun 1705:Journey to the Far Side of the Sun 1616:Journey to the Far Side of the Sun 1588:Journey to the Far Side of the Sun 1570:Journey to the Far Side of the Sun 1520:Journey to the Far Side of the Sun 1267:Journey to the Far Side of the Sun 987:The closing scenes were filmed at 435:. They are put into an artificial 266:Journey to the Far Side of the Sun 24:Journey to the Far Side of the Sun 14: 4893:Films about extraterrestrial life 4823:1960s science fiction drama films 4530:Captain Scarlet and the Mysterons 4409:Captain Scarlet and the Mysterons 3681:from the original on 22 July 2011 3536:from the original on 21 July 2011 3194:. 25 September 1969. p. 13. 2820:. London, UK: Dennis Publishing. 2622:. London, UK: Dennis Publishing. 2614:Anderson, Martin (15 July 2009). 2385:. 18 September 1969. p. 25. 2164:Marcus, Laurence (October 2005). 1196:lander as "a beautiful fusion of 855:Ross's wife Sharon was played by 4903:Films directed by Robert Parrish 4853:British adventure thriller films 4774: 4773: 3978:. Network Distributing. 7958059. 3263:. 28 December 1969. p. 50. 2356:from the original on 2 June 2008 1942: 1928: 1726:It has also been suggested that 1011:Filming began on 1 July 1968 at 1984:List of films set in the future 1188:command module as "beautifully 476:on the "wrong" side of his body 4928:Films shot at Pinewood Studios 4923:Films set on fictional planets 4803:1960s adventure thriller films 3675:Institute of Contemporary Arts 3042:Pixley 2016, pp. 157–158. 2943:Wickes, Simon (26 June 2008). 2873:University of California Press 1883:s opening titles imitated the 1841:, which began airing in 1970. 1820:Invasion of the Body Snatchers 1801:Institute of Contemporary Arts 1677:calls the film "infected with 1138:Century 21 built a full-sized 887:(BBFC) would give the film an 1: 4868:British space adventure films 3809:My Fab Years! Sylvia Anderson 2590:La Rivière 2009, p. 189. 2572:La Rivière 2009, p. 188. 2438:Pixley 2016, pp. 17, 21. 1979:List of British films of 1969 1845:is considered a precursor to 943:The supporting cast included 885:British Board of Film Censors 642:as Air-Sea Rescue Crew Member 460:on the wrong side of the road 378:British Board of Film Censors 170:Century 21 Cinema Productions 4813:1960s English-language films 3811:. Neshannock, Pennsylvania: 3798:General and cited references 3259:. Pittsburgh, Pennsylvania: 3190:. West Palm Beach, Florida: 2644:Pixley 2016, pp. 32–33. 2465:Pixley 2016, pp. 14–15. 2429:Pixley 2016, pp. 17–18. 2344:Harris, Will (24 May 2008). 1378:. The Australian release by 1130:spacecraft was based on the 1031:succeeded the incapacitated 706:as Launch Control Technician 666:as Launch Control Technician 509:, and attempts to dock with 35:US theatrical release poster 3891:". In Hearn, Marcus (ed.). 3141:. Los Angeles, California: 2910:"Feature Film Productions: 1364:, the film was released on 1331:to Ian Hendry, Universal's 1033:AntĂłnio de Oliveira Salazar 630:as Security Vaults Sergeant 16:1969 film by Robert Parrish 4974: 4731:Filmed in Supermarionation 4496:Episodes co‑written 3709:Greenwood Publishing Group 3059:Journey to Far Side of Sun 2599:Anderson 2007, p. 36. 2267:Bentley 2008, p. 307. 2151:Anderson 2007, p. 65. 2071:Bentley 2008, p. 306. 1580:Gary Gerani, co-writer of 1037:Prime Minister of Portugal 654:as Clavel (Paris delegate) 351:to pitch the project as a 4933:Films shot in the Algarve 4771: 4749: 4355:The Adventures of Twizzle 4317: 4109: 3887:Bentley, Chris (2016) . " 3595:Rides Apollo Coattails". 3328:. San Diego, California: 3143:Reed Business Information 2772:"BBFC Certifications for 2756:Bentley 2016, p. 22. 2346:"A Chat with Roy Thinnes" 2137:Bentley 2016, p. 25. 2128:Bentley 2016, p. 20. 2101:Bentley 2016, p. 27. 1773:Martin Anderson compares 1444:The Monthly Film Bulletin 1173:under the supervision of 87:Gerry and Sylvia Anderson 79:Gerry and Sylvia Anderson 28: 4943:Universal Pictures films 3990:. Secaucus, New Jersey: 3910:Bentley, Chris (2008) . 3833:; Hearn, Marcus (2002). 3601:. Milwaukee, Wisconsin: 3314:Rovin 1975, p. 223. 3282:"On the Rialto Screen". 2738:Fryer 2016, p. 141. 2537:Fryer 2016, p. 140. 2474:Fryer 2016, p. 142. 2334:Pixley 2016, p. 17. 2285:Pixley 2016, p. 16. 2276:Fryer 2016, p. 139. 1799:. Douglas Pratt and the 1441:Rating the film "poor", 1360:Previously available on 501:. Modifications include 466:where every detail is a 221:8 October 1969 210:27 August 1969 4779:Category:Gerry Anderson 4332:Century 21 Organisation 4131:The San Francisco Story 3974:Pixley, Andrew (2016). 3641:Pratt, Douglas (2005). 3392:Bentley, Chris (2001). 3359:Supermarionation is Go! 2381:. Melbourne, Victoria: 1376:Universal Entertainment 1122:under the direction of 819:and his resemblance to 603:as Dr Bernhardt Brisson 4918:Films set in the 2060s 4888:Films about astronauts 4752:‡ Credited as a 4723:The Indestructible Man 4578:The Day After Tomorrow 4537:The Most Special Agent 4365:Torchy the Battery Boy 4259:The Marseille Contract 4044:British Film Institute 3603:Journal Communications 2875:. 1997 . p. 560. 2663:"Barry Gray Biography" 1950:Science fiction portal 1723:did it better on TV." 1690: 1649:Nazis won World War II 1429: 1321:British Film Institute 1296:Kensington High Street 1254: 1115: 1008: 996: 980: 926:Minister of Technology 791:, who had co-directed 447:. During its descent, 4913:Films set in Portugal 4908:Films set in Mongolia 4251:A Town Called Bastard 4195:The Wonderful Country 3598:The Milwaukee Journal 3326:Top 100 Sci-Fi Movies 3324:Gerani, Gary (2011). 1910:-induced imagery and 1803:compare the film to " 1729:2001: A Space Odyssey 1670:2001: A Space Odyssey 1666: 1592:Top 100 Sci-Fi Movies 1576:Retrospective reviews 1301:Death of a Gunfighter 1259:The Rank Organisation 1252: 1120:Slough Trading Estate 1106: 1002: 986: 974: 898:United States senator 737:Associated Television 648:as Medical Technician 636:as Medical Technician 543:as Colonel Glenn Ross 493:EUROSEC builds a new 394:2001: A Space Odyssey 332:mirror image of Earth 184:The Rank Organisation 4838:1969 adventure films 4610:(produced, directed) 4573:(produced, directed) 3976:Gerry Anderson's UFO 3929:Fryer, Ian (2016). " 3285:Southeast Missourian 3261:E.W. Scripps Company 3230:. Montreal, Quebec: 3227:The Montreal Gazette 3055:(12 November 1969). 2814:"Den of Geek Review" 2350:premiumhollywood.com 1791:", the directors of 1561:Southeast Missourian 1551:The Pittsburgh Press 1481:The Sunday Telegraph 1436:'s views on the film 1414:Contemporary reviews 1380:Madman Entertainment 1165:. Fitted with dummy 825:first person on Mars 624:as Launch Controller 503:reverse-polarisation 303:. It was written by 277:science fiction film 275:) is a 1969 British 4883:Fiction set in 2069 4808:1960s British films 4615:Thunderbirds Are Go 4607:Crossroads to Crime 4486:New Captain Scarlet 4203:In the French Style 4139:Assignment – Paris! 3953:La Rivière, Stephen 3485:"DVD Savant Review" 3253:"The Lively Arts". 2949:DVD Released in US" 2924:on 21 February 2008 2176:on 21 February 2008 1890:A retrospective by 1518:magazine described 1492:John Russell Taylor 1461:The Financial Times 1163:Ford Zephyr Zodiacs 894:birth control pills 778:Thunderbirds Are Go 688:as Assistant Doctor 664:Constantine Gregory 4718:(children's comic) 4710:(children's comic) 4653:(children's comic) 4515:Trapped in the Sky 4458:Dick Spanner, P.I. 4423:The Secret Service 4374:Four Feather Falls 4101:Films directed by 4066:TCM Movie Database 3165:on 5 February 2013 3066:The New York Times 1735:Planet of the Apes 1691: 1647:never fell or the 1504:The New York Times 1341:Granada Television 1255: 1116: 1099:Design and effects 1017:BBC Elstree Centre 1009: 1005:forced perspective 997: 981: 722:Universal Pictures 716:In 1967, producer 700:as London Delegate 682:Service Technician 609:as Dr Kurt Hassler 486:from the orbiting 361:Universal Pictures 191:Universal Pictures 4873:British spy films 4785: 4784: 4626:(co‑wrote) 4618:(co‑wrote) 4580:: "Into Infinity" 4562:Television pilots 4346:Television series 4277: 4276: 4267:Mississippi Blues 4211:Up from the Beach 4001:978-0-8065-0263-2 3966:978-1-932563-23-8 3944:978-1-781555-04-0 3921:978-1-905287-74-1 3902:978-0-9955191-0-7 3879:978-0-09-922442-6 3852:978-0-563-53481-5 3822:978-1-932563-91-7 3718:978-0-313-33781-9 3339:978-1-60010-879-2 3232:Postmedia Network 2679:on 3 October 2011 2210:Dennis Publishing 1810:The Twilight Zone 1807:", an episode of 1700:Milwaukee Journal 1590:81st in his book 1333:Journey to the... 1048:continuity errors 646:Nicholas Courtney 490:and return home. 262: 261: 4965: 4898:Films about NASA 4843:1969 drama films 4777: 4776: 4757: 4665:Gemini Force One 4570:The Investigator 4369: 4359: 4327:Supermarionation 4304: 4297: 4290: 4281: 4163:The Purple Plain 4095: 4088: 4081: 4072: 4005: 3979: 3970: 3948: 3925: 3906: 3883: 3856: 3826: 3805:Anderson, Sylvia 3791: 3788: 3782: 3779: 3773: 3770: 3764: 3763: 3761: 3759: 3754:on 26 March 2012 3734: 3723: 3722: 3697: 3691: 3690: 3688: 3686: 3663: 3657: 3656: 3638: 3632: 3629: 3623: 3622: 3588: 3582: 3581: 3579: 3577: 3552: 3546: 3545: 3543: 3541: 3520: 3511: 3510: 3508: 3506: 3477: 3464: 3463: 3461: 3459: 3450:. Archived from 3418: 3412: 3411: 3389: 3383: 3382: 3380: 3378: 3373:on 16 March 2011 3369:. Archived from 3350: 3344: 3343: 3321: 3315: 3312: 3306: 3305: 3279: 3273: 3272: 3256:Pittsburgh Press 3250: 3244: 3243: 3221: 3212: 3211: 3181: 3175: 3174: 3172: 3170: 3161:. Archived from 3125: 3119: 3118: 3092: 3083: 3082: 3080: 3078: 3053:Thompson, Howard 3049: 3043: 3040: 3031: 3030: 3028: 3026: 3006: 3000: 2999: 2997: 2995: 2975: 2969: 2968: 2966: 2964: 2955:. Archived from 2940: 2934: 2933: 2931: 2929: 2920:. Archived from 2906: 2887: 2886: 2865: 2856: 2853: 2834: 2833: 2831: 2829: 2809: 2796: 2795: 2793: 2791: 2786:on 15 April 2012 2782:. Archived from 2768: 2757: 2754: 2739: 2736: 2725: 2724: 2722: 2720: 2711:. Archived from 2700: 2689: 2688: 2686: 2684: 2678: 2672:. Archived from 2667: 2654: 2645: 2642: 2636: 2635: 2633: 2631: 2611: 2600: 2597: 2591: 2588: 2573: 2570: 2564: 2561: 2538: 2535: 2529: 2526: 2501: 2498: 2475: 2472: 2466: 2463: 2457: 2454: 2448: 2445: 2439: 2436: 2430: 2427: 2421: 2418: 2403: 2402: 2372: 2366: 2365: 2363: 2361: 2341: 2335: 2332: 2326: 2323: 2298: 2295: 2286: 2283: 2277: 2274: 2268: 2265: 2226: 2225: 2223: 2221: 2195: 2186: 2185: 2183: 2181: 2172:. Archived from 2170:teletronic.co.uk 2161: 2152: 2149: 2138: 2135: 2129: 2126: 2120: 2117: 2102: 2099: 2084: 2081: 2072: 2069: 2024: 2023: 2021: 2019: 2005: 1952: 1947: 1946: 1938: 1933: 1932: 1931: 1882: 1764: 1545:Montreal Gazette 1476:Margaret Hinxman 1448:received by the 1437: 1384:audio commentary 1286: 1280: 1214:Music and titles 1171:Alan Mann Racing 1081:Swinging Sixties 1065:altered eyelines 1013:Pinewood Studios 1007:to reduce costs. 934:The Plane Makers 913:The Plane Makers 585:as David Poulson 365:Pinewood Studios 228: 226: 217: 215: 194: 33: 21: 4973: 4972: 4968: 4967: 4966: 4964: 4963: 4962: 4833:1960s spy films 4788: 4787: 4786: 4781: 4767: 4758:(Credited as a 4751: 4745: 4694: 4689:Sylvia Anderson 4671: 4660:" (music video) 4637: 4594: 4557: 4491: 4472:Lavender Castle 4362: 4352: 4341: 4313: 4308: 4278: 4273: 4187:Saddle the Wind 4179:Fire Down Below 4105: 4099: 4012: 4002: 3982: 3973: 3967: 3951: 3945: 3928: 3922: 3909: 3903: 3886: 3880: 3860:Archer, Simon; 3859: 3853: 3829: 3823: 3803: 3800: 3795: 3794: 3789: 3785: 3780: 3776: 3771: 3767: 3757: 3755: 3736: 3735: 3726: 3719: 3711:. p. 205. 3699: 3698: 3694: 3684: 3682: 3665: 3664: 3660: 3653: 3640: 3639: 3635: 3630: 3626: 3590: 3589: 3585: 3575: 3573: 3554: 3553: 3549: 3539: 3537: 3522: 3521: 3514: 3504: 3502: 3495:Internet Brands 3481:Erickson, Glenn 3479: 3478: 3467: 3457: 3455: 3454:on 2 April 2012 3420: 3419: 3415: 3408: 3400:. p. 114. 3391: 3390: 3386: 3376: 3374: 3353:Turner, Steve. 3352: 3351: 3347: 3340: 3323: 3322: 3318: 3313: 3309: 3281: 3280: 3276: 3252: 3251: 3247: 3223: 3222: 3215: 3192:Cox Enterprises 3183: 3182: 3178: 3168: 3166: 3127: 3126: 3122: 3094: 3093: 3086: 3076: 3074: 3051: 3050: 3046: 3041: 3034: 3024: 3022: 3019:Rotten Tomatoes 3008: 3007: 3003: 2993: 2991: 2977: 2976: 2972: 2962: 2960: 2959:on 26 July 2010 2953:tvcentury21.com 2942: 2941: 2937: 2927: 2925: 2908: 2907: 2890: 2883: 2867: 2866: 2859: 2854: 2837: 2827: 2825: 2811: 2810: 2799: 2789: 2787: 2770: 2769: 2760: 2755: 2742: 2737: 2728: 2718: 2716: 2709:tvcentury21.com 2702: 2701: 2692: 2682: 2680: 2676: 2670:lampmusic.co.uk 2665: 2656: 2655: 2648: 2643: 2639: 2629: 2627: 2613: 2612: 2603: 2598: 2594: 2589: 2576: 2571: 2567: 2562: 2541: 2536: 2532: 2527: 2504: 2499: 2478: 2473: 2469: 2464: 2460: 2455: 2451: 2446: 2442: 2437: 2433: 2428: 2424: 2419: 2406: 2375:"Up in Smoke". 2374: 2373: 2369: 2359: 2357: 2343: 2342: 2338: 2333: 2329: 2324: 2301: 2296: 2289: 2284: 2280: 2275: 2271: 2266: 2229: 2219: 2217: 2197: 2196: 2189: 2179: 2177: 2163: 2162: 2155: 2150: 2141: 2136: 2132: 2127: 2123: 2118: 2105: 2100: 2087: 2082: 2075: 2070: 2027: 2017: 2015: 2007: 2006: 2002: 1997: 1992: 1948: 1941: 1934: 1929: 1927: 1924: 1880: 1833: 1762: 1746:is inferior to 1661: 1578: 1499:Howard Thompson 1439: 1431: 1416: 1408:Rotten Tomatoes 1392: 1358: 1323:; the other by 1284: 1278: 1247: 1216: 1167:gull-wing doors 1101: 1060:black and white 1029:Marcelo Caetano 1021:Heatherden Hall 989:Heatherden Hall 969: 861:Gayle Hunnicutt 850:Loni von Friedl 811: 733:Tony Williamson 714: 709: 622:Keith Alexander 617: 612: 597:as Dr Beauville 567:as Lise Hartman 565:Loni von Friedl 549:as Dr John Kane 536: 531: 484:flight recorder 409: 345:television play 309:Sylvia Anderson 297:Loni von Friedl 269:(also known as 239: 232: 224: 222: 213: 211: 204: 197: 193:(International) 189: 172: 165: 163: 128: 119:Loni von Friedl 71: 62:Sylvia Anderson 36: 17: 12: 11: 5: 4971: 4969: 4961: 4960: 4955: 4950: 4945: 4940: 4935: 4930: 4925: 4920: 4915: 4910: 4905: 4900: 4895: 4890: 4885: 4880: 4878:Counter-Earths 4875: 4870: 4865: 4860: 4855: 4850: 4845: 4840: 4835: 4830: 4825: 4820: 4815: 4810: 4805: 4800: 4790: 4789: 4783: 4782: 4772: 4769: 4768: 4750: 4747: 4746: 4744: 4743: 4735: 4727: 4719: 4711: 4702: 4700: 4696: 4695: 4693: 4692: 4686: 4683:Jamie Anderson 4679: 4677: 4673: 4672: 4670: 4669: 4668:(novel series) 4661: 4654: 4645: 4643: 4642:Other projects 4639: 4638: 4636: 4635: 4627: 4619: 4611: 4602: 4600: 4596: 4595: 4593: 4592: 4583: 4574: 4565: 4563: 4559: 4558: 4556: 4555: 4544: 4533: 4522: 4511: 4499: 4497: 4493: 4492: 4490: 4489: 4482: 4475: 4468: 4465:Space Precinct 4461: 4454: 4447: 4440: 4437:The Protectors 4433: 4426: 4419: 4412: 4405: 4398: 4391: 4384: 4377: 4370: 4360: 4349: 4347: 4343: 4342: 4340: 4339: 4334: 4329: 4324: 4318: 4315: 4314: 4311:Gerry Anderson 4309: 4307: 4306: 4299: 4292: 4284: 4275: 4274: 4272: 4271: 4263: 4255: 4247: 4239: 4231: 4223: 4215: 4207: 4199: 4191: 4183: 4175: 4167: 4159: 4151: 4143: 4135: 4127: 4119: 4110: 4107: 4106: 4103:Robert Parrish 4100: 4098: 4097: 4090: 4083: 4075: 4069: 4068: 4057: 4046: 4035: 4024: 4011: 4010:External links 4008: 4007: 4006: 4000: 3980: 3971: 3965: 3949: 3943: 3926: 3920: 3907: 3901: 3884: 3878: 3868:. London, UK: 3862:Nicholls, Stan 3857: 3851: 3841:. London, UK: 3827: 3821: 3799: 3796: 3793: 3792: 3783: 3774: 3765: 3724: 3717: 3692: 3673:. London, UK: 3658: 3651: 3633: 3624: 3605:. p. 39. 3583: 3556:Westfahl, Gary 3547: 3524:"Film4 Review" 3512: 3465: 3413: 3406: 3396:. London, UK: 3384: 3345: 3338: 3332:. p. 29. 3330:IDW Publishing 3316: 3307: 3274: 3245: 3234:. p. 93. 3213: 3187:The Miami News 3176: 3120: 3084: 3044: 3032: 3001: 2970: 2935: 2888: 2881: 2857: 2835: 2797: 2758: 2740: 2726: 2690: 2646: 2637: 2601: 2592: 2574: 2565: 2539: 2530: 2502: 2476: 2467: 2458: 2449: 2440: 2431: 2422: 2404: 2367: 2336: 2327: 2299: 2287: 2278: 2269: 2227: 2208:. London, UK: 2187: 2153: 2139: 2130: 2121: 2103: 2085: 2073: 2025: 1999: 1998: 1996: 1993: 1991: 1988: 1987: 1986: 1981: 1976: 1971: 1963: 1954: 1953: 1939: 1923: 1920: 1832: 1829: 1675:Glenn Erickson 1660: 1659:Interpretation 1657: 1608:Glenn Erickson 1596:Fourth of July 1577: 1574: 1539:The Miami News 1484:. Writing for 1456:David Robinson 1434:Gerry Anderson 1417: 1415: 1412: 1402:consider it a 1391: 1388: 1357: 1354: 1306:double feature 1246: 1243: 1232:artificial eye 1224:ondes Martenot 1215: 1212: 1184:describes the 1124:Derek Meddings 1110:(right) exits 1100: 1097: 968: 965: 957:The Power Game 938:The Power Game 918:The Power Game 908:Patrick Wymark 902:Franco De Rosa 865:Tisha Sterling 810: 807: 789:Robert Parrish 713: 710: 708: 707: 701: 695: 689: 683: 673: 667: 661: 655: 652:Arnold Diamond 649: 643: 637: 631: 625: 618: 616: 613: 611: 610: 604: 598: 595:Vladek Sheybal 592: 586: 580: 579:as Mark Neuman 574: 573:as Paulo Landi 571:Franco De Rosa 568: 562: 561:as Sharon Ross 556: 553:Patrick Wymark 550: 544: 537: 535: 532: 530: 527: 408: 405: 385:cult following 301:Patrick Wymark 281:Robert Parrish 260: 259: 256: 252: 251: 250:United Kingdom 248: 244: 243: 240: 237: 234: 233: 231: 230: 219: 207: 205: 202: 199: 198: 196: 195: 187: 180: 178: 177:Distributed by 174: 173: 168: 166: 161: 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1701: 1696: 1688: 1684: 1680: 1676: 1672: 1671: 1665: 1658: 1656: 1654: 1653:Gary Westfahl 1650: 1646: 1641: 1636: 1634: 1630: 1626: 1622: 1617: 1613: 1609: 1605: 1604: 1599: 1597: 1593: 1589: 1585: 1584: 1575: 1573: 1571: 1567: 1563: 1562: 1557: 1553: 1552: 1547: 1546: 1541: 1540: 1534: 1532: 1528: 1527: 1521: 1517: 1516: 1511: 1506: 1505: 1500: 1495: 1493: 1489: 1488: 1483: 1482: 1477: 1473: 1472: 1467: 1466:Derek Malcolm 1463: 1462: 1457: 1453: 1452: 1446: 1445: 1438: 1435: 1428: 1426: 1425: 1413: 1411: 1409: 1405: 1401: 1400:Stan Nicholls 1397: 1389: 1387: 1385: 1381: 1377: 1373: 1369: 1367: 1363: 1355: 1353: 1350: 1346: 1342: 1337: 1334: 1330: 1326: 1322: 1318: 1315:Two original 1313: 1311: 1307: 1303: 1302: 1297: 1293: 1288: 1283: 1276: 1275:Stan Nicholls 1272: 1268: 1262: 1260: 1251: 1244: 1242: 1240: 1238: 1233: 1228: 1225: 1221: 1213: 1211: 1209: 1208: 1203: 1199: 1195: 1191: 1187: 1183: 1178: 1176: 1172: 1168: 1164: 1160: 1157:chassis by a 1156: 1152: 1147: 1145: 1141: 1136: 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Index

A bold title at the base of the image reads "Journey to the Far Side of the Sun". An image above it depicts two Earths in space, spread apart with the Sun in between, and a spacecraft travelling from one of the planets to its counterpart. Figures in space suits line images to the left of the main picture.
Robert Parrish
Gerry
Sylvia Anderson
Donald James
Roy Thinnes
Ian Hendry
Lynn Loring
Patrick Wymark
Loni von Friedl
Herbert Lom
John Read
Barry Gray
Century 21 Cinema Productions
The Rank Organisation
Universal Pictures
science fiction film
Robert Parrish
Roy Thinnes
Ian Hendry
Lynn Loring
Loni von Friedl
Patrick Wymark
Gerry
Sylvia Anderson
Donald James
Century 21
NASA
Sun
mirror image of Earth

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