Knowledge (XXG)

Joy Batchelor

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490:, written and directed by Batchelor herself. The 1966 film was the first animated adaptation of an opera. In creating the adaptation, Batchelor had to conform to a strict condition that no songs or dialogue could be altered, which was challenging when trying to shorten the film to feature-length. As the story was told through song in the original operetta, Batchelor employed 227:, which was unsuccessful. British Colour Cartoons experienced financial problems and, with war looming, Batchelor and Halas moved back to London after six months, where Batchelor resumed work as a freelance illustrator for books and magazines. The couple married 27 April 1940. Later that year, they established Halas and Batchelor Cartoons. 1019: 420:
followed by a visual depiction of how tension would build. It also included cues for the changes in intensity for the music. The charts helped to decide which characters (for example, Clover and Mollie) could be dropped from the film, and which scenes could be shortened while still retaining the story and message of
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to each other, as well as gauge their contribution to major plot points. The tension chart was described as a long sheet of paper outlining the rise and fall of emotional tension in relation to the plot points as the story unfolded. It consisted of a short description of the scene along the top,
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Batchelor first began working in animation as an in-betweener for Dennis Connolly's projects. As part of her job as a commercial artist, she worked as a silk-screen printer and printed posters, as well as assisting in design work for fashion magazines. She met
299:, and used to create propaganda and educational films for the war effort. Batchelor helped to co-write, co-direct, and animate most of the films produced during that time. The output included films such as 246: 244: 408:(1954). Batchelor worked on the preliminary treatments for the film, which were used to get the rights to create it. She had a leading role in writing the script and designing the characters. 1231: 245: 173:
opera of the same name, which became the first opera to be adapted into an animated film. She later worked in television, directing series, including animated shows like
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and later attended Watford School of Art, Science and Commerce, to which she had won a scholarship. She was offered placement afterwards at the
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In 1955, commercial television became increasingly popular, so the bulk of Halas and Batchelor's output was televised shorts. That included
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after he advertised for an assistant animator for British Colour Cartoons Limited. Batchelor accompanied him when the company sent Halas to
1838: 33: 1232:"Celebrate the 60th anniversary of Britain's first feature-length animated film, Animal Farm – illustrated by Joy Batchelor from Watford" 1808: 1803: 367: 355: 345: 1698: 1517: 1492: 1354: 1292: 1168: 1134: 1122: 199:, but did not continue schooling to help support her family financially. She worked as a commercial artist and assembly line worker. 1322: 332:. The series was designed to educate and persuade the audience in regard to the socialist-slanted policies of the newly installed 1823: 1592: 1396: 192: 1078: 268:, Batchelor and Halas continued to do commercial work to bolster their finances. In 1940, Halas and Batchelor was approached by 1788: 1783: 498: 322:, Halas and Batchelor continued to produce shorts for the government. Batchelor designed Charley, the titular character of the 1778: 329: 1156: 1868: 1848: 1818: 175: 333: 1057: 288: 1773: 1732: 415:, she devised a breakdown chart and a tension chart. The breakdown chart was used to connect all the characters in 372: 154:
for the British government. She helped co-write, write, animate, produce, and direct many of their productions.
311:(1941). Between 1940 and 1944, the company was kept busy, producing roughly 70 films. Because John Halas was a 800: 404: 397: 382: 350: 142: 524:
She is survived by her daughter Vivien Halas, who currently manages the Halas & Batchelor collection.
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Despite that, the film ran over the initially agreed length, as well as taking three years to complete.
256: 132:(12 May 1914 – 14 May 1991) was an English animator, director, screenwriter, and producer. She married 324: 1753: 1748: 477: 307: 1566: 301: 469: 282: 265: 236: 196: 137: 1686:
Keep Watching the Skies!: American Science Fiction Movies of the Fifties, the 21st Century Edition
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narration to help convey and clarify the story. The film received mixed reviews upon its release.
518: 377: 269: 150:. Together they created over 2000 shorts/films, and produced roughly 70 propaganda pieces during 1690: 1684: 1126: 1116: 1721: 1694: 1513: 1488: 1350: 1318: 1288: 1210: 1164: 1130: 1037: 336:. Batchelor's style was described as favouring the use of simplistic images and authoritative 1312: 1024: 521:. She died 14 May 1991 in London from an unnamed illness, two days after her 77th birthday. 315:
immigrant, Batchelor helped inform the films with her knowledge of the British way of life.
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to produce advertising shorts. The company's first commissions consisted of commercials for
159: 1157:"2. Halas & Batchelor's Sound Decisions: Musical Approaches in the British Context" 463: 429: 147: 32: 1600: 1540: 1451: 1404: 1287:. Pennsylvania: The Pennsylvania State University Press. pp. 49–54, 63, 128–129. 1742: 1086: 359: 170: 1735:– a short introduction to Batchelor's work, made to mark the centenary of her birth. 502: 363: 319: 151: 273: 1669: 1646: 1382: 1726: 1014: 491: 337: 312: 209: 179:(1971). Batchelor died on 14 May 1991, just two days after her 77th birthday. 133: 92: 146:(1954), which made her the first woman director of an animated feature since 514: 486: 165: 497:
Halas and Batchelor also animated the well-known music video for the song "
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cartoons, whose best known production is the animated feature film
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Batchelor and Halas attempted to start a commercial art studio in
116: 354:(1946). The company's films were also part of the effort by the 1487:. Los Angeles: University of California Press. p. 38. 451:(1959 to 1960). Batchelor wrote the bulk of the scripts. 295:
Later in 1940, Halas and Batchelor was taken over by the
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Orwell Subverted: The CIA and the Filming of Animal Farm
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Wells, Paul (2015). Nelmes, Jill; Selbo, Jule (eds.).
458:(1963), for which Batchelor wrote the script, won the 16:
English animator, director, screenwriter, and producer
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Movie Storyboards: The Art of Visualizing Screenplays
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Director, producer, character designer, screenwriter
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Director, producer, character designer, screenwriter
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Director, producer, character designer, screenwriter
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in 1937 for work. Their first film together would be
1512:. Mcfarland & Co Inc., Publishers. p. 120. 1377:. Los Angeles: Penske Business Media. 27 May 1991. 472:produced only one more animated feature film after 111: 86: 78: 70: 54: 39: 23: 1664:. London: British Film Institute. 1 January 1961. 1641:. London: British Film Institute. 1 January 1956. 1626:. San Francisco: Chronicle Books LLC. p. 152. 1317:. Lanham: Rowman & Littlefield. p. 115. 402:Joy Batchelor and John Halas shared in directing 1510:British Animated Films, 1895–1985: A Filmography 1483:Kuhn, Annette; Radstone, Susannah, eds. (1990). 513:Batchelor had to retire in the mid 1970s due to 1314:Historical Dictionary of Animation and Cartoons 1163:. London: Equinox Publishing. pp. 40–58. 376:(1949). Wolff later introduced their films to 411:To simplify and shorten the complex story of 8: 1209:. UK: Palgrave Macmillan. pp. 649–652. 1033:List of female film and television directors 1485:The Women's Companion to International Film 1207:Women Screenwriters: An International Guide 460:British Academy of Film and Television Arts 366:, in charge of commissioning films for the 157:One of her projects as an art director was 1079:"Halas & Batchelor Collection website" 892:Screenwriter, producer, storyboard artist 31: 20: 794:Director, producer, screenwriter, design 344:series. The first film she wrote for the 1306: 1304: 1118:British Film Directors: A Critical Guide 621: 536: 462:award in 1964, and was nominated for an 240: 169:(1967), a television-film adaptation of 136:in 1940 and subsequently co-established 1049: 370:, asked Halas and Batchelor to animate 187:Joy Batchelor was born 12 May 1914, in 1200: 1535: 1533: 1531: 1529: 1478: 1476: 1474: 1472: 1368: 1366: 1278: 1276: 1274: 1272: 1198: 1196: 1194: 1192: 1190: 1188: 1186: 1184: 1182: 1180: 1150: 1148: 1146: 1110: 1108: 1106: 1104: 1004:Director, producer, character design 7: 1545:The Halas & Batchelor Collection 1270: 1268: 1266: 1264: 1262: 1260: 1258: 1256: 1254: 1252: 1073: 1071: 1874:20th-century English businesspeople 1349:. AVA Publishing. pp. 78, 80. 356:Economic Cooperation Administration 328:series the company created for the 1879:British women television directors 1864:20th-century English screenwriters 1854:British women television producers 1834:20th-century English women artists 1829:20th-century English women writers 1347:Basics Animation 01: Scriptwriting 1230:Moorhead, Rosy (29 October 2014). 1123:Southern Illinois University Press 340:, which was characteristic of the 14: 1660:"The Monster of Highgate Ponds". 908:Director, producer, screenwriter 860:Director, producer, screenwriter 844:Director, producer, screenwriter 380:, who worked with them to create 1814:British women television writers 1547:. Halas and Batchelor Collection 1017: 898:Do Do - The Kid from Outer Space 193:Watford Grammar School for Girls 1859:British women graphic designers 1769:British animated film producers 1759:British animated film directors 666:Director, possibly other roles 650:Director, possibly other roles 445:DoDo - The Kid From Outer Space 163:(1955). Joy directed and wrote 101: 640:Carnival in a Clothes Cupboard 289:Carnival in a Clothes Cupboard 191:, Hertfordshire. She attended 1: 1764:Women animated film directors 866:The Monster of Highgate Ponds 432:first animated feature film. 330:Central Office of Information 1844:English women film directors 1799:English television producers 1794:English television directors 1622:Halligan, Fionnuala (2013). 1593:"Fly about the House (1949)" 768:The Shoemaker and the Hatter 373:The Shoemaker and the Hatter 1839:British women screenwriters 1159:. In Coyle, Rebecca (ed.). 762:Director, producer, design 1895: 1809:British storyboard artists 1804:English television writers 1567:"Public Information Films" 533:Before Halas and Batchelor 395: 234: 264:During the first year of 30: 1508:Glifford, Denis (1987). 1311:Dobson, Nichola (2020). 834:The Adventures of Popeye 618:With Halas and Batchelor 49:, Hertfordshire, England 1824:British women animators 1573:. The National Archives 1397:"Automania 2000 (1963)" 1283:Leab, Daniel J (2007). 1083:Halasandbatchelor.co.uk 924:Director, screenwriter 476:, an adaptation of the 398:Animal Farm (1954 film) 297:Ministry of Information 1789:English film producers 1784:English film directors 1115:Shail, Robert (2007). 962:The Revolution of Pets 703:Modern Guide to Health 565:The Lion and the Mouse 351:Modern Guide to Health 261: 1779:English art directors 1683:Warren, Bill (2009). 1662:Monthly Film Bulletin 1639:Monthly Film Bulletin 1599:. BFI. Archived from 1571:The National Archives 257:Your Very Good Health 249: 1637:"Cinerama Holiday". 1345:Wells, Paul (2007). 1155:Wells, Paul (2010). 509:Retirement and death 478:Gilbert and Sullivan 454:The studio's short, 1869:Halas and Batchelor 1849:Women film pioneers 1819:People from Watford 956:Director, producer 752:Fly About the House 682:Director, animator 528:Partial filmography 470:Halas and Batchelor 266:Halas and Batchelor 237:Halas and Batchelor 231:Halas and Batchelor 197:Slade School of Art 138:Halas and Batchelor 130:Joy Ethel Batchelor 1427:"Ruddigore (1966)" 1089:on 4 December 2008 519:London Film School 378:Louis de Rochemont 346:Ministry of Health 270:J. Walter Thompson 262: 1774:English animators 1216:978-1-137-31237-2 1008: 1007: 615: 614: 334:Labour Government 247: 127: 126: 117:halasandbatchelor 79:Years active 1886: 1729: 1705: 1704: 1680: 1674: 1673: 1657: 1651: 1650: 1634: 1628: 1627: 1619: 1613: 1612: 1610: 1608: 1603:on 19 April 2016 1597:BFI Film Forever 1589: 1583: 1582: 1580: 1578: 1563: 1557: 1556: 1554: 1552: 1537: 1524: 1523: 1505: 1499: 1498: 1480: 1467: 1466: 1464: 1462: 1448: 1442: 1441: 1439: 1437: 1423: 1417: 1416: 1414: 1412: 1407:on 12 March 2016 1403:. Archived from 1393: 1387: 1386: 1370: 1361: 1360: 1342: 1336: 1335: 1333: 1331: 1308: 1299: 1298: 1280: 1247: 1246: 1244: 1242: 1236:Watford Observer 1227: 1221: 1220: 1202: 1175: 1174: 1152: 1141: 1140: 1112: 1099: 1098: 1096: 1094: 1085:. Archived from 1075: 1066: 1065: 1064:on 15 July 2012. 1060:. Archived from 1054: 1027: 1025:biography portal 1022: 1021: 1020: 818:Cinerama Holiday 622: 537: 248: 176:The Jackson 5ive 160:Cinerama Holiday 123: 120: 118: 105: 103: 61: 35: 21: 1894: 1893: 1889: 1888: 1887: 1885: 1884: 1883: 1739: 1738: 1727: 1714: 1709: 1708: 1701: 1682: 1681: 1677: 1659: 1658: 1654: 1636: 1635: 1631: 1621: 1620: 1616: 1606: 1604: 1591: 1590: 1586: 1576: 1574: 1565: 1564: 1560: 1550: 1548: 1539: 1538: 1527: 1520: 1507: 1506: 1502: 1495: 1482: 1481: 1470: 1460: 1458: 1452:"Alan Aldridge" 1450: 1449: 1445: 1435: 1433: 1425: 1424: 1420: 1410: 1408: 1395: 1394: 1390: 1372: 1371: 1364: 1357: 1344: 1343: 1339: 1329: 1327: 1325: 1310: 1309: 1302: 1295: 1282: 1281: 1250: 1240: 1238: 1229: 1228: 1224: 1217: 1204: 1203: 1178: 1171: 1154: 1153: 1144: 1137: 1114: 1113: 1102: 1092: 1090: 1077: 1076: 1069: 1056: 1055: 1051: 1046: 1023: 1018: 1016: 1013: 688:Filling the Gap 620: 535: 530: 511: 441: 400: 394: 362:. To that end, 358:to promote the 308:Filling the Gap 241: 239: 233: 205: 185: 115: 107: 104: 1940) 99: 95: 66: 65:London, England 63: 59: 50: 44: 26: 17: 12: 11: 5: 1892: 1890: 1882: 1881: 1876: 1871: 1866: 1861: 1856: 1851: 1846: 1841: 1836: 1831: 1826: 1821: 1816: 1811: 1806: 1801: 1796: 1791: 1786: 1781: 1776: 1771: 1766: 1761: 1756: 1751: 1741: 1740: 1737: 1736: 1724: 1713: 1712:External links 1710: 1707: 1706: 1700:978-0786442300 1699: 1675: 1652: 1629: 1614: 1584: 1558: 1525: 1519:978-0899502410 1518: 1500: 1494:978-0520088795 1493: 1468: 1443: 1418: 1388: 1373:"OBITUARIES". 1362: 1356:978-2940373161 1355: 1337: 1323: 1300: 1294:978-0271029795 1293: 1248: 1222: 1215: 1176: 1170:978-1845533526 1169: 1161:Drawn to Sound 1142: 1136:978-0809328338 1135: 1121:. Carbondale: 1100: 1067: 1048: 1047: 1045: 1042: 1041: 1040: 1038:Women's cinema 1035: 1029: 1028: 1012: 1009: 1006: 1005: 1002: 999: 996: 990: 989: 986: 983: 980: 974: 973: 970: 967: 964: 958: 957: 954: 951: 948: 942: 941: 938: 935: 932: 926: 925: 922: 919: 916: 910: 909: 906: 903: 900: 894: 893: 890: 887: 884: 882:Automania 2000 878: 877: 874: 871: 868: 862: 861: 858: 855: 852: 846: 845: 842: 839: 836: 830: 829: 826: 823: 820: 814: 813: 810: 807: 804: 796: 795: 792: 789: 786: 784:The Figurehead 780: 779: 776: 773: 770: 764: 763: 760: 757: 754: 748: 747: 744: 741: 738: 731: 730: 727: 724: 721: 715: 714: 711: 708: 705: 699: 698: 696: 693: 690: 684: 683: 680: 677: 674: 672:Dustbin Parade 668: 667: 664: 663:Advertisement 661: 658: 652: 651: 648: 647:Advertisement 645: 642: 636: 635: 632: 629: 626: 619: 616: 613: 612: 609: 606: 600: 599: 596: 593: 587: 586: 583: 580: 574: 573: 570: 567: 561: 560: 557: 554: 548: 547: 544: 541: 534: 531: 529: 526: 510: 507: 456:Automania 2000 440: 434: 396:Main article: 393: 388: 302:Dustbin Parade 292:respectively. 235:Main article: 232: 229: 204: 201: 184: 181: 171:W.S. Gilbert's 148:Lotte Reiniger 125: 124: 113: 109: 108: 97: 91: 90: 88: 84: 83: 80: 76: 75: 72: 68: 67: 64: 62:(aged 77) 56: 52: 51: 45: 41: 37: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1891: 1880: 1877: 1875: 1872: 1870: 1867: 1865: 1862: 1860: 1857: 1855: 1852: 1850: 1847: 1845: 1842: 1840: 1837: 1835: 1832: 1830: 1827: 1825: 1822: 1820: 1817: 1815: 1812: 1810: 1807: 1805: 1802: 1800: 1797: 1795: 1792: 1790: 1787: 1785: 1782: 1780: 1777: 1775: 1772: 1770: 1767: 1765: 1762: 1760: 1757: 1755: 1752: 1750: 1747: 1746: 1744: 1734: 1730: 1725: 1723: 1719: 1718:Joy Batchelor 1716: 1715: 1711: 1702: 1696: 1692: 1688: 1687: 1679: 1676: 1671: 1667: 1663: 1656: 1653: 1648: 1644: 1640: 1633: 1630: 1625: 1618: 1615: 1602: 1598: 1594: 1588: 1585: 1572: 1568: 1562: 1559: 1546: 1542: 1536: 1534: 1532: 1530: 1526: 1521: 1515: 1511: 1504: 1501: 1496: 1490: 1486: 1479: 1477: 1475: 1473: 1469: 1457: 1453: 1447: 1444: 1432: 1428: 1422: 1419: 1406: 1402: 1398: 1392: 1389: 1384: 1380: 1376: 1369: 1367: 1363: 1358: 1352: 1348: 1341: 1338: 1326: 1324:9781538123225 1320: 1316: 1315: 1307: 1305: 1301: 1296: 1290: 1286: 1279: 1277: 1275: 1273: 1271: 1269: 1267: 1265: 1263: 1261: 1259: 1257: 1255: 1253: 1249: 1237: 1233: 1226: 1223: 1218: 1212: 1208: 1201: 1199: 1197: 1195: 1193: 1191: 1189: 1187: 1185: 1183: 1181: 1177: 1172: 1166: 1162: 1158: 1151: 1149: 1147: 1143: 1138: 1132: 1128: 1124: 1120: 1119: 1111: 1109: 1107: 1105: 1101: 1088: 1084: 1080: 1074: 1072: 1068: 1063: 1059: 1058:"BFI Website" 1053: 1050: 1043: 1039: 1036: 1034: 1031: 1030: 1026: 1015: 1010: 1003: 1001:Feature film 1000: 997: 995: 992: 991: 987: 984: 981: 979: 976: 975: 971: 969:Feature film 968: 965: 963: 960: 959: 955: 952: 949: 947: 944: 943: 939: 936: 933: 931: 928: 927: 923: 921:Feature film 920: 917: 915: 912: 911: 907: 904: 901: 899: 896: 895: 891: 888: 885: 883: 880: 879: 876:Screenwriter 875: 872: 869: 867: 864: 863: 859: 856: 853: 851: 848: 847: 843: 840: 837: 835: 832: 831: 828:Art director 827: 825:Feature film 824: 821: 819: 816: 815: 811: 809:Feature film 808: 805: 803: 802: 798: 797: 793: 790: 787: 785: 782: 781: 778:Screenwriter 777: 774: 771: 769: 766: 765: 761: 758: 755: 753: 750: 749: 745: 742: 739: 736: 733: 732: 728: 725: 722: 720: 717: 716: 713:Screenwriter 712: 709: 706: 704: 701: 700: 697: 694: 691: 689: 686: 685: 681: 678: 675: 673: 670: 669: 665: 662: 659: 657: 656:Train Trouble 654: 653: 649: 646: 643: 641: 638: 637: 633: 630: 627: 624: 623: 617: 610: 607: 605: 602: 601: 597: 594: 592: 589: 588: 584: 581: 579: 576: 575: 571: 568: 566: 563: 562: 558: 555: 553: 550: 549: 545: 542: 539: 538: 532: 527: 525: 522: 520: 516: 508: 506: 504: 500: 495: 493: 489: 488: 483: 479: 475: 471: 467: 465: 461: 457: 452: 450: 446: 439: 435: 433: 431: 427: 423: 418: 414: 409: 407: 406: 399: 392: 389: 387: 385: 384: 379: 375: 374: 369: 365: 361: 360:Marshall Plan 357: 353: 352: 347: 343: 339: 335: 331: 327: 326: 321: 316: 314: 310: 309: 304: 303: 298: 293: 291: 290: 285: 284: 283:Train Trouble 279: 275: 271: 267: 259: 258: 253: 238: 230: 228: 226: 221: 219: 218:The Music Man 215: 211: 202: 200: 198: 194: 190: 182: 180: 178: 177: 172: 168: 167: 162: 161: 155: 153: 149: 145: 144: 139: 135: 131: 122: 114: 110: 94: 89: 85: 81: 77: 73: 69: 57: 53: 48: 42: 38: 34: 29: 25:Joy Batchelor 22: 19: 1685: 1678: 1661: 1655: 1638: 1632: 1623: 1617: 1605:. 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Index


Watford
John Halas
halasandbatchelor.co.uk
John Halas
Halas and Batchelor
Animal Farm
Lotte Reiniger
World War II
Cinerama Holiday
Ruddigore
W.S. Gilbert's
The Jackson 5ive
Watford
Watford Grammar School for Girls
Slade School of Art
John Halas
Hungary
Budapest
Halas and Batchelor
Your Very Good Health
Halas and Batchelor
J. Walter Thompson
Kellogg's
Lux Soap
Train Trouble
Carnival in a Clothes Cupboard
Ministry of Information
Dustbin Parade
Filling the Gap

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