377:("Vorrei punirti indegno"). Sandrina encounters Belfiore, and nearly betrays herself as Violante when she asks why he stabbed and deserted her. Belfiore is surprised by this outburst and once again sure that he has found his love, but Sandrina quickly reconstructs her disguise. She explains that she is not Violante, but that those were the Marchioness's dying words. Belfiore is nonetheless entranced, since "Sandrina" has the face of Violante, and he begins to serenade her ("Care pupille"). The PodestĂ interrupts them, and after mistakenly taking the PodestĂ 's hand instead of Sandrina's, Belfiore retreats in embarrassment.
363:
lost
Violante (Finale: "Numi! Che incanto è questo?"). Arminda returns and is surprised to come face to face with Ramiro. Sandrina awakens and finds herself looking directly into the eyes of Belfiore. The Podestà enters and demands an explanation, but no one knows quite what to say. Sandrina wavers but decides not to reveal herself as Violante, while Arminda suspects that she's being deceived. The Podestà blames everything on Serpetta, who in turn blames Sandrina, and Ramiro is only certain of the fact that Arminda still does not love him.
341:
Violante discovers that
Belfiore has become engaged to Arminda, the niece of the PodestĂ , and when Belfiore confesses his lingering love for Violante, Arminda jealously conspires to abduct the other woman. When Violante is found, she and Belfiore lose their minds and believe themselves to be Greek gods. When they regain their senses Violante forgives the Count and they fly to each other's arms. Arminda returns to Cavalier Ramiro, her spurned suitor, and Roberto finds love with Serpetta, another servant of the PodestĂ .
355:
Serpetta, who teases him but refuses to respond to his affections. Ramiro is bitter after being tossed aside by
Arminda, and, because she has set her own cap at the PodestĂ , Serpetta is angry at Sandrina. The PodestĂ attempts to console Ramiro, but Ramiro can think of none but Arminda ("Se l'augellin sen fugge"). When they are left alone, Don Anchise professes love to Sandrina ("Dentro il mio petto"). Sandrina refuses his advances as politely as possible and, when Serpetta rudely interrupts, makes her escape.
390:
the Count, while the Count thinks
Serpetta is Sandrina and she takes him for the PodestĂ . Nardo manages to find Sandrina by following her voice, and Ramiro then appears with footmen and torches. As the embarrassed and mismatched pairs separate, Belfiore and Sandrina find each other and lose their senses. They see themselves as the Greek gods Medusa and Alcides, and the astonished onlookers as forest nymphs. Oblivious of their surroundings, the two begin to dance.
404:
Anchise. Arminda begs her uncle for permission to marry the Count, and Ramiro demands that the PodestĂ order
Arminda to marry him. Don Anchise becomes confused and tells them to both do what they want, as long as they leave him alone ("Mio Padrone, io dir volevo"). After scorning Ramiro's affections yet again, Arminda leaves. Alone, Ramiro furiously swears he will never love another and that he'll die in misery, far from Arminda ("Va pure ad altri in braccio").
55:
381:
says she is
Violante and the proceedings break up in confusion. The Count approaches Sandrina but she again denies him. She claims to have pretended to be the Marchioness to save him, and exits. Serpetta arrives moments later to tell the PodestĂ , Nardo and Ramiro that Sandrina has run away, when she has in fact been abducted by Arminda and Serpetta. The PodestĂ immediately organizes a search party.
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389:
Abandoned in the wilderness, Sandrina is nearly frightened out of her wits ("Crudeli, fermate!"). Small search parties composed of the Count and Nardo, Arminda, Serpetta, and the PodestĂ soon arrive (Finale: "Fra quest'ombra"). In the darkness the PodestĂ mistakes
Arminda for Sandrina and she him for
413:
part, but falter in a matter of minutes and fall into each other's arms ("Tu mi lasci?"). Arminda returns to Ramiro, and
Serpetta gives way to Nardo's suit. Left alone, the PodestĂ accepts his fate philosophically. Perhaps, he says, he will find another Sandrina (Finale: "Viva pur la giardiniera").
412:
No longer delusional, the Count and
Sandrina awaken after having slept a discreet distance from one another ("Dove mai son?"). Belfiore makes a final appeal, to which Sandrina admits she is Violante but claims that she loves him no more. The Count is saddened but agrees to leave her. They begin to
380:
Alone with
Sandrina, the PodestĂ again attempts to woo her. Ramiro interrupts, arriving from Milan with the news that Count Belfiore is wanted for the murder of Marchioness Violante Onesti. Don Anchise summons Belfiore for questioning and the Count, thoroughly baffled, implicates himself. Sandrina
362:
In the garden, Arminda sees Sandrina and casually mentions her engagement to Belfiore. Stunned, Sandrina faints. When the Count arrives, Arminda leaves him to watch over Sandrina and rushes off to fetch her smelling salts. Belfiore is shocked to find that the gardener's girl is none other than his
340:
The story follows Count Belfiore and the Marchioness Violante Onesti, who were lovers before Belfiore stabbed Violante in a fit of rage. The story begins with the revived Violante and her servant Roberto disguised as "Sandrina" and "Nardo," and quietly working in the mansion of the town PodestĂ .
403:
Still believing they are gods from classical Greece, Sandrina and Belfiore pursue Nardo until he distracts them by pointing at the sky ("Mirate che contrasto"). They are entranced, and Nardo is able to make his escape. Sandrina and Belfiore leave, and Arminda and Ramiro enter with a harried Don
358:
Arminda's betrothed, Count Belfiore, arrives and is swept off his feet by her beauty ("Che beltĂ "). Arminda is quick to let him know that she is someone to be reckoned with ("Si promette facilmente"), but the Count is not deterred. The Count then boasts of his deeds and ancestry to the PodestĂ ,
354:
The PodestĂ , Cavalier Ramiro, and Serpetta descend the staircase as Sandrina and Nardo work in the garden. Together they praise the lovely day, but their happiness is feigned ("Che lieto giorno"). Sandrina is wretched because Don Anchise, the PodestĂ , is in love with her. Nardo is frustrated by
376:
Ramiro discovers Arminda and upbraids her for her inconstancy. When she refuses to listen, he departs, but not before promising revenge upon his rival. Belfiore enters in some distress, muttering that he has had no peace since he found Sandrina. Arminda overhears and confronts him, then leaves
359:
tracing his family tree to Scipio, Cato and Marcus Aurelius ("Da Scirocco"). Don Anchise responds with a mixture of awe and skepticism, not caring who this buffoon of a Count is as long as he marries his niece.
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170:), which involved rewriting some of the music. Until a copy of the complete Italian version was found in the 1970s, the German translation was the only known complete score.
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776:(Podesta). Originally issued in 3-LP set as Philips 6703 039, reissued on 3 CD in Philips Complete Mozart Edition in 1991 as 422 534-2 PME3
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727:(Il Contino Belfiore), Marie-Adeline Henry (Arminda), Carlo Alemanno (Podesta), Nikolay Borchev (Nardo) and Maria Savastano (Serpetta).
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603:(Arminda). Originally issued in 4-LP set as DG 2740 234, reissued on 3 CD in Philips Complete Mozart Edition in 1991 as 422 533-2 PME3
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126:. Mozart wrote it in Munich in January 1775 when he was 18 years old and it received its first performance on 13 January at the
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conducting the Salzburg Mozarteum Orchestra, with Julia Conwell (Sandrina), Ezio di Cesare (Podesta),
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Libretto in Italian and English translation, from the CD Booklet of Harmonia Mundi Online
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700:(Serpette) and Michael Nagy (Roberto (Nardo)). 3 CD Harmonia Mundi (HMC 902126.28)
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1009:"Garden of delights – An early Mozart opera gets a classy, intelligent staging"
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832:(Podesta). Recorded live in 2022 in Munich, which was broadcast on the
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A garden with a wide staircase leading to the mansion of the PodestĂ .
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16 "Una voce sento al core" – Marchioness Violante Onesti (Sandrina)
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11 "Geme la tortorella" – Marchioness Violante Onesti (Sandrina)
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4 "Noi donne poverine" – Marchioness Violante Onesti (Sandrina)
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21 "Crudeli, fermate" – Marchioness Violante Onesti (Sandrina)
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22 "Ah dal pianto" – Marchioness Violante Onesti (Sandrina)
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radio station, and was later issued as a 2-CD set on the
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19 "Ah non partir...Già divento freddo" – Count Belfiore
630:(Serpetta) and Russel Smythe (Nardo). Recorded live at
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Another opera by the same name was composed in 1774 by
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in Munich. There is debate over the authorship of the
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622:(Sandrina), Marek Torzewski (Il Contino Belfiore),
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495:9b "Un marito, o dio, vorresti" – Roberto (Nardo)
240:engaged to Belfiore, formerly in love with Ramiro
156:In 1780 Mozart converted the opera into a German
661:(Sandrina), Uwe Heilmann (Il Contino Belfiore),
516:14 "Con un vezzo all'Italiana" – Roberto (Nardo)
1030:: World of Opera, by Bruce Scott, June 24, 2011
591:(Don Ramiro), Jutta-Renate Ihloff (Serpetta),
477:6 "Che beltà , che leggiadria" – Count Belfiore
1059:
999:The Mozart Project Page: La finta giardiniera
806:(Graf Belfiore), Susanne Bernhard (Arminda),
556:25 "Mio padrone, io dir volevo" – Don Anchise
149:, but some musicologists now attribute it to
107:
33:
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1034:Plot and analysis from Glyndebourne Festival
760:(Sandrina), Werner Hollweg (Graf Belfiore),
489:8 "Da sirocco a tramontana" – Count Belfiore
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634:in June 1989, with production directed by
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29:
968:International Music Score Library Project
719:, with Marie-Caude Chappui (Don Ramiro),
559:26 "Va pure ad altri in braccio" – Ramiro
553:"Mirate che constrasto" – Roberto (Nardo)
525:17 "Una damina, una nipote" – Don Anchise
471:5 "A forza di martelli" – Roberto (Nardo)
642:, both as individual reissue and in the
612:Orchestre du Théâtre Royal de la Monnaie
534:20 "Chi vuol godere il mondo" – Serpetta
492:9a "Un marito, o dio, vorrei" – Serpetta
219:Marchioness Violante Onesti (Sandrina),
177:
1515:
864:
1334:Der Hölle Rache kocht in meinem Herzen
840:label, in cooperation with BR-Klassik.
677:(Serpetta). Teldec 9031-72309-2 (3 CD)
626:(Arminda), Lani Poulson (Don Ramiro),
750:North German Radio Symphony Orchestra
513:13 "Vorrei punirti indegno" – Arminda
459:3 "Dentro il mio petto" – Don Anchise
372:A hall in the mansion of the PodestĂ .
59:Mozart in 1777, by an unknown painter
7:
657:, with Monica Bacelli (Don Ramiro),
483:7 "Se promette facilmente" – Arminda
453:2 "Se l'augellin sen fugge" – Ramiro
883:. L'Almanacco di Gherardo Casaglia
528:18 "Dolce d'amor compagna" – Ramiro
1094:Die Schuldigkeit des ersten Gebots
519:15 "Care pupille" – Count Belfiore
25:
1541:Operas by Wolfgang Amadeus Mozart
1343:Dies Bildnis ist bezaubernd schön
688:, with Nicolas Rivenq (Podesta),
333:'s estate in Lagonero, near Milan
196:Conductor: Johann Nepomuk Cröner
180:Roles, voice types, premiere cast
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1406:O zittre nicht, mein lieber Sohn
27:Opera by Wolfgang Amadeus Mozart
498:10 "Appena mi vedon" – Serpetta
287:the PodestĂ 's servant, in love
205:Lagonero, in love with Sandrina
143:Anfossi's opera the year before
1379:Madamina, il catalogo è questo
194:Premiere cast, 13 January 1775
1:
1444:Die EntfĂĽhrung aus dem Serail
1224:Die EntfĂĽhrung aus dem Serail
385:A deserted, mountainous spot.
114:("The Pretend Garden-Girl"),
1397:O, wie will ich triumphieren
901:"Finta giardiniera, La (ii)"
830:Wolfgang Ablinger-Sperrhacke
118:196, is an Italian-language
436:The opera's arias include:
416:
1572:
1021:"Shared Madness: Mozart's
1011:, review by Frank Kuznik,
871:Casaglia, Gherardo (2005).
785:MĂĽnchner Rundfunkorchester
686:Freiburger Barockorchester
599:(Il Contino Belfiore) and
145:. It is often ascribed to
707:(2 discs). Production of
270:Arminda's rejected suitor
77:13 January 1775
52:
41:
978:Die verstellte Gärtnerin
853:List of operas by Mozart
168:Die verstellte Gärtnerin
1546:Italian-language operas
1076:Wolfgang Amadeus Mozart
910:, accessed 13 May 2015.
908:(subscription required)
746:Hans Schmidt-Isserstedt
739:Die Gärtnerin aus Liebe
305:disguised as a gardener
222:disguised as a gardener
203:the PodestĂ (Mayor) of
163:Die Gärtnerin aus Liebe
124:Wolfgang Amadeus Mozart
1471:The Marriage of Figaro
1264:The Marriage of Figaro
1254:Der Schauspieldirektor
1134:Mitridate, re di Ponto
808:Michael Kupfer-Radecky
655:Concentus Musicus Wien
644:Mozart: Complete Works
238:niece of Don Anchise,
108:
34:
1194:Thamos, King of Egypt
1114:Bastien und Bastienne
694:Marie-Claude Chappuis
151:Giuseppe Petrosellini
1325:Canzonetta sull'aria
1174:La finta giardiniera
1154:Il sogno di Scipione
1104:Apollo et Hyacinthus
1023:La finta giardiniera
974:La finta giardiniera
962:La finta giardiniera
939:La finta giardiniera
875:La finta giardiniera
651:Nikolaus Harnoncourt
589:Brigitte Fassbaender
578:La finta giardiniera
303:Violante's servant,
296:Teresina Manservisi
109:La finta giardiniera
35:La finta giardiniera
1370:LĂ ci darem la mano
1294:La clemenza di Tito
987:diplomatic editions
955:Neue Mozart-Ausgabe
922:, The Aria Database
717:Le Concert d'Astrée
182:
1017:, November 5, 2008
905:Grove Music Online
663:Charlotte Margiono
640:Brilliant Classics
608:Sylvain Cambreling
326:Time: 18th century
254:engaged to Arminda
252:Contino Belfiore,
178:
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1124:La finta semplice
1003:mozartproject.org
995:, opera-arias.com
983:critical editions
828:(Don Ramiro) and
804:Julian Prégardien
772:(Don Ramiro) and
731:08256-461664-5-9.
690:Sophie Karthäuser
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301:Roberto (Nardo),
268:Cavalier Ramiro,
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881:13 January 1775"
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1361:Il mio tesoro
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993:Work details
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885:(in Italian)
874:
867:
802:(Sandrina),
798:(Serpetta),
766:Hermann Prey
758:Helen Donath
756:(Serpetta),
738:
723:(Sandrina),
673:(Nardo) and
667:Thomas Moser
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601:Lilian Sukis
597:Thomas Moser
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47:W. A. Mozart
1551:1775 operas
1164:Lucio Silla
950:(in German)
822: [
811: [
792: [
764:(Arminda),
721:Erin Morley
715:conducting
682:René Jacobs
675:Dawn Upshaw
669:(Podesta),
665:(Arminda),
653:conducting
618:(Podesta),
616:Ugo Benelli
580:in Italian
419:Giardiniera
131: [
91: [
1535:Categories
1074:Operas by
859:References
834:BR-Klassik
741:in German
725:Enea Scala
696:(Ramiro),
632:La Monnaie
572:Recordings
417:Anfossi's
285:Serpetta,
190:Voice type
81:1775-01-13
1352:Dove sono
1001:, on the
817:(Nardo),
768:(Nardo),
698:Sunhae Im
595:(Nardo),
408:A garden.
236:Arminda,
158:Singspiel
147:Calzabigi
1214:Idomeneo
964:, K. 196
847:See also
646:box set.
338:Summary:
321:Synopsis
293:soprano
276:castrato
274:soprano
244:soprano
139:libretto
97:, Munich
73:Premiere
65:Language
1482:Related
1005:website
952:in the
787:, with
779:2022 –
752:, with
744:1972 –
703:2014 –
680:2012 –
649:1991 –
614:, with
606:1989 –
583:1980 –
331:PodestĂ
329:Place:
227:soprano
160:called
79: (
68:Italian
1556:Operas
1511:Portal
1307:(1791)
1297:(1791)
1287:(1790)
1277:(1787)
1267:(1786)
1257:(1786)
1247:(1784)
1237:(1783)
1227:(1782)
1217:(1781)
1207:(1780)
1197:(1779)
1187:(1775)
1177:(1775)
1167:(1772)
1157:(1772)
1147:(1771)
1137:(1770)
1127:(1769)
1117:(1768)
1107:(1767)
1097:(1767)
1084:Operas
937:
879:
563:
258:tenor
166:(also
18:K. 196
1525:Opera
1316:Arias
1204:Zaide
943:Score
903:, in
826:]
815:]
796:]
729:Erato
545:Act 3
508:Act 2
445:Act 1
432:Arias
394:Act 3
367:Act 2
345:Act 1
210:tenor
186:Role
174:Roles
135:]
120:opera
95:]
43:Opera
945:and
310:bass
1028:NPR
838:CPO
705:DVD
122:by
45:by
1537::
1026:,
985:,
981:,
976:/
941::
899:,
824:de
813:de
794:de
711:.
551:00
428:.
133:de
116:K.
93:de
1513::
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1067:e
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1053:v
887:.
877:,
873:"
487:0
481:0
475:0
469:0
463:0
457:0
451:0
83:)
20:)
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