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to make the music easier on the performer in the second movement, and divides most of the right hand part between two hands in the third movement. However, by doing this, Mozart's style has been somewhat lost, and some people have accused him of "changing Mozart", in consideration that this is one of
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that he thought the duke played the flute "extremely well" and that Marie's playing of the harp was "magnifique". As a composition student, however, Mozart found Marie thoroughly inept. The duke (until 1776, the comte de Guines), an aristocrat Mozart came to despise, never paid the composer for this
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was considered an extremely unusual combination. Currently, there is much more repertoire for a flute and harp duo, especially without orchestra. Much of this repertoire was written by composers in the nineteenth century. Mozart's opinion of the harp, however, was perhaps dubious at best, for he
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The soloists in the piece will sometimes play with the orchestra, and at other times perform as a duo while the orchestra is resting. The flute and harp alternate having the melody and accompanying lines. In some passages, they also create counterpoint with just each other. Mozart concertos are
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could just as well be considered a "double concerto"), as well as the only piece of music by Mozart for the harp. The piece is one of the most popular such concertos in the repertoire, as well as often being found on recordings dedicated to either one of its featured instruments.
230:. Monsieur Legros had given Mozart the use of his keyboard in his home so that he could compose. (Mozart perhaps also composed part of the concerto at his second Paris apartment where he stayed with his mother, which was on the rue du Gros Chenet.)
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The short phrases in this movement are introduced by the strings, and become lyrically extended. This further develops into four variations on the theme. The cadenza in this movement, by the end of the fourth variation, leads to a
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his more popular pieces, and is often performed in standard classical repertoire. Many professionals try to play the most original version of this double concerto, however due to a range of editions, this can be difficult.
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194:(1735–1806), a flutist, for his use and for that of his eldest daughter, Marie-Louise-Philippine (1759–1796), a harpist, who was taking composition lessons from the composer, at the duke's home, the
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which would not fall under the fingers as easily for a harpist, as the fifth fingers are typically not used, though they were considered part of early harp technique. There are no full, rich
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Mozart quite likely composed this work with the duke's and his daughter's particular musical abilities in mind. He probably composed the majority of this concerto at the home of
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work, and Mozart instead was offered only half the expected fee for the lessons, through de Guines' housekeeper. But he refused it. (For his tutoring, Mozart was owed six
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The orchestra states both themes. The first is immediately present, and the second is introduced by the horn. Both themes fall under the conventional
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Sinfonia
Concertante for Four Winds (oboe, clarinet, horn, bassoon) in E-flat major, K. 297b/Anh. C 14.01
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piece than an original harp part; this is especially evident in the patterns of five and ten notes throughout all three
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claims that Mozart's cadenzas for this work were lost. A few popular cadenzas are often performed, such as those by
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standard in how they move harmonically, as well as that they adhere to the three-movement form of fast–slow–fast:
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In addition to the numerous cadenzas performers have to choose from, multiple editions of this piece also exist.
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Mozart wrote the concerto in April 1778, during his seven-month sojourn in Paris. It was commissioned by
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Oboe
Concerto in C major/Flute Concerto No. 2 in D major, K. 314/271k
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Sir James Galway plays Mozart's
Concerto for Flute, Harp and Orchestra in C major, K 299
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in the harp part, it does not typically include lush chords. Mozart did not include any
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has performed and recorded this piece many times, with harpists such as Fritz Helmis,
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Concerto for Flute, Harp, and
Orchestra in C major, K. 299/297c
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Andante for Flute and
Orchestra in C major, K. 315/285e
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Alexander Murray (flute), Ann Yeung (harp), Sinfonia da Camera
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Concerto for Flute, Harp and
Orchestra, K. 299 (W. A. Mozart)
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Salzedo, Carlos. "Editing Mozart's Flute and Harp
Concerto".
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Konzert in C für Flöte, Harfe und
Orchester KV 299 (297c)
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The harp part appears to be more like an adaptation of a
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The form of this movement is: A–B–A–C–A–B–A, a typical
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565:. Vol. 18, No. 4, Winter 2002, p. 33.
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796:Bassoon Concerto in B-flat major, K. 191/186e
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260:of his own, as is normal for his compositions.
821:Clarinet Concerto in A major, K. 622
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481:Many recordings of this piece are available.
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219:never wrote another piece that employed it.
27:1778 composition by Wolfgang Amadeus Mozart
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272:has also written cadenzas for this piece.
233:The piece is essentially in the form of a
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712:International Music Score Library Project
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192:Adrien-Louis de Bonnières, duc de Guînes
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139:Concerto for Flute, Harp, and Orchestra
35:Concerto for Flute, Harp, and Orchestra
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888:Concertos by Wolfgang Amadeus Mozart
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455:One such example is by the harpist,
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387:Problems playing these files? See
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717:Discography and online recordings
467:in the first movement, re-writes
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198:. Mozart stated in a letter to
280:The concert is scored for two
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503:List of compositions for harp
169:. It is one of only two true
54:Opening of the first movement
655:"Performance History Search"
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543:22 June 2004 program notes
530:Boston Classical Orchestra
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474:The cadenzas composed by
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783:Wolfgang Amadeus Mozart
449:Editions and recordings
155:Wolfgang Amadeus Mozart
549:. Archived 2005-02-12.
547:Philadelphia Orchestra
373:University of Illinois
357:III. Rondeau – Allegro
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226:, the director of the
563:American Harp Society
532:. Archived 2008-10-09
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175:Piano Concerto No. 10
777:woodwind instruments
727:Live video recording
235:Sinfonia Concertante
702:Neue Mozart-Ausgabe
738:2nd movement, 8:27
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276:Form and movements
908:1778 compositions
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196:Hôtel de Castries
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697:(in German)
463:. He edits
405:sonata form
288:in C, solo
882:Categories
828:(doubtful)
741:on YouTube
509:References
465:fingerings
432:– Allegro
389:media help
379:conducting
377:Ian Hobson
321:I. Allegro
205:Louis d'or
200:his father
108:April 1778
104:April 1778
76:. 299/297c
721:Mozarteum
608:"Spotify"
250:glissandi
246:movements
167:orchestra
125:Andantino
116:Movements
70:Catalogue
497:See also
457:arranger
258:cadenzas
151:concerto
101:Composed
85:Concerto
732:YouTube
699:in the
430:Rondeau
422:F major
398:Allegro
298:strings
292:, solo
210:In the
186:History
143:C major
121:Allegro
119:Three (
106: (
64:C major
858:Portal
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489:, and
469:trills
296:, and
284:, two
165:, and
18:K. 299
690:Score
428:III.
290:flute
282:oboes
242:piano
216:flute
159:flute
91:Style
81:Genre
692:and
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642:2023
619:2023
418:coda
294:harp
163:harp
157:for
137:The
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