52:
450:
539:...It is very Mozartean, while at the same time it does not express the whole or even the half of Mozart. It is, in fact, so 'Mozartesque' that one might say that in it Mozart imitated himself—no difficult task for him. It is both brilliant and amiable, especially in the slow movement; it is very simple, even primitive, in its relation between the solo and the tutti, and so completely easy to understand that even the nineteenth century always grasped it without difficulty....
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This illustration shows the beginning of the piano solo in the first movement of K. 537 (measures 81–4). The upper staff shows the notes written in Mozart's autograph score. The lower staff, presented here in smaller notes, is not given in the autograph but first appeared in the 1794 edition printed
315:
The traditional name associated with this work is not Mozart's own, nor was the work written on the occasion for which posterity has named it. Mozart remarked in a letter to his wife in April 1789 that he had just performed this concerto at court. (While this performance on 14 April has often been
654:
score (Dover reprint as cited above), with consultation of the facsimile of "The
Autograph Score" published by Pierpont Morgan Library/Dover Publications (cited above). The facsimile was used to eliminate slurs added by the AMA editors which are not Mozart's, and to identify the notes (left hand)
457:
There is a very unusual feature to this concerto. In addition to omitting the tempi for two of the movements, Mozart also, in Tyson's words, "did not write any notes for the piano's left hand in a great many measures throughout the work." As can be seen in the Dover
Publications facsimile, large
484:
figures and chords. For example, measures 145–151 of the first movement, which involve more complicated virtuoso passagework, are fully written out in the autograph. For the less complex portions of the solo, it is clear that Mozart "knew perfectly well what he had to play" and so left them
216:
196:
178:
458:
stretches of the solo part simply have nothing at all for the left hand, including the opening solo (mvmt. I, mm. 81–99) and the whole of the second movement. There is in fact no other Mozart piano concerto of which so much of the solo part was left unfinished by the composer.
207:
188:
169:
1056:
418:
The second and third movements have their tempos given above in parentheses because in the autograph these are not given in Mozart's own handwriting but were written in by someone else. (The
1086:
523:. This amounts to a complete reversal of critical opinion, since K. 537 used to be one of Mozart's most celebrated keyboard concertos, especially during the 19th century. Still in 1935,
473:. Einstein is on record as finding André's completion somewhat wanting: "For the most part, this version is extremely simple and not too offensive, but at times—for example, in the
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514:) style, later judgments have been more divided. Some authorities have judged it to be of a lower quality than the twelve previous Viennese piano concertos or the
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449:
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492:
score of this concerto does not make any distinction between what Mozart himself wrote and what André (or someone commissioned by him) supplied. However, the
51:
1708:
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841:. Reprint of the 19th century Breitkopf & Härtel Mozart Complete Works edition of these concertos; the "Coronation Concerto" is on pp. 187–242.
1076:
1071:
923:
826:
ISMN M-006-20470-0, published in 2006. The "Coronation
Concerto" can be found on pp. 3–92 (Vol. III, pp. 309*-398* in the reprint edition).
531:
edition of this work, described it as "the best known and most frequently played" of Mozart's piano concertos. But writing in 1945, the musicologist
1304:
354:
in New York) comments that "Although K. 459 has at times been called a 'Coronation' concerto, this title has nearly always been applied to K. 537".
543:
Nonetheless, the "Coronation" concerto remains frequently performed today, and more recently prominent Mozart's interpreters, such as the pianist
993:
1419:
1414:
1403:
1398:
943:
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477:
of the
Larghetto theme—it is very clumsy, and the whole solo part would gain infinitely by revision and refinement in Mozart's own style."
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528:
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838:
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596:
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considers this "exceedingly unlikely".) But the nickname "Coronation" was derived from his playing of the work at the time of the
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1332:
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1038:
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Nearly all of the passages that necessitated filling in for the first edition lack only simple accompanimental patterns such as
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volume referenced above prints André's supplements in smaller type, to clearly distinguish them from Mozart's own notes.
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677:(NY: Pierpont Morgan Library in association with Dover Publications, 1991), pp. 8–11; 57–68.
363:
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532:
524:
462:
470:
863:(NY: Pierpont Morgan Library in association with Dover Publications, 1991), pp. vii–xi.
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Trans. Arthur Mendel and Nathan Broder. (London: Oxford
University Press, 1945), p. 314.
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392:
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861:
Mozart: Piano
Concerto No. 26 in D Major ("Coronation"), K. 537—The Autograph Score.
675:
Mozart: Piano
Concerto No. 26 in D Major ("Coronation"), K. 537—The Autograph Score.
615:(NY: Pierpont Morgan Library in association with Dover Publications, 1991), pp. vii.
613:
Mozart: Piano
Concerto No. 26 in D Major ("Coronation"), K. 537—The Autograph Score.
1241:
1217:
1211:
511:
481:
43:
461:
The 1794 first edition had these gaps filled in, and most Mozart scholars such as
848:
Trans. Arthur Mendel and Nathan Broder. (London: Oxford
University Press, 1945).
586:
506:
While this concerto enjoyed a great popularity at the time due to its beauty and
214:
195:
176:
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548:
822:
ed. Wolfgang Rehm. (Baerenreiter-Verlag, Kassel, 1960; BA 4524). Reprinted in
466:
343:
321:
243:
224:
588:
The
Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart
928:
86:
386:
372:
297:
293:
285:
256:
65:
17:
507:
432:
does not have any indication that the tempos are not Mozart's own.)
453:
Measures 81–82 in the autograph manuscript, with no left-hand part.
440:
891:: Mozart's autograph manuscript in the Morgan Library & Museum
628:
ed. Wolfgang Rehm (Baerenreiter-Verlag, Kassel, 1960), pp. 47, 56.
448:
277:
281:
267:
and completed on 24 February 1788. It is generally known as the
1347:
932:
303:
The autograph manuscript of the concerto is preserved in the
714:"Mozart, Piano Concerto No. 26 - Manitoba Chamber Orchestra"
158:
591:. New York: W. W. Norton & Company. pp. 130, 134.
469:
have assumed that the additions were made by the publisher
571:, 1998, III. 'Concert Life in the Austrian Capital', p. 32
350:' facsimile of the autograph score (which today is in the
1724:
820:
Neue Mozart-Ausgabe, Serie V, Werkgruppe 15, Band 8,
626:
Neue Mozart-Ausgabe, Serie V, Werkgruppe 15, Band 8,
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874:Steven Ledbetter, "Mozart: Piano Concerto No. 26,"
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696:
137:
117:
102:
92:
82:
71:
61:
31:
551:, have described it as an underrated masterpiece.
824:Mozart: The Piano Concertos/Baerenreiter Urtext,
426:"Tempobezeichnung im Autograph von fremder Hand"
1714:List of compositions by Wolfgang Amadeus Mozart
537:
336:. At the same concert, Mozart also played the
1762:Collection of the Morgan Library & Museum
1359:
944:
641:(NY: Dover Publications, 1978), pp. 211, 216.
430:Breitkopf & Härtel Complete Works edition
8:
276:The concerto is scored for solo piano, one
1757:Piano concertos by Wolfgang Amadeus Mozart
1366:
1352:
1344:
1117:
951:
937:
929:
316:assumed to have been the work's premiere,
56:The first page of the autograph manuscript
50:
28:
924:International Music Score Library Project
831:Piano Concertos Nos. 23–27 in Full Score
639:Piano Concertos Nos. 23–27 in Full Score
439:
229:Amsterdam Philharmonic Society Orchestra
1731:
1502:No. 7 in F major for 3 Pianos, K. 242 (
1425:Three Concertos after J.C. Bach, K. 107
739:A Companion to Mozart's Piano Concertos
560:
488:The old Breitkopf & Härtel Mozart
241:
362:The concerto has the following three
7:
876:program notes at Pro Arte's web site
311:Origin of the nickname "Coronation"
428:on both movements, though the old
242:Problems playing these files? See
25:
791:"Mitsuko Uchida Discusses Mozart"
655:added by André to Mozart's score.
1734:
1709:About the Mozart piano concertos
1328:
1327:
1188:Maria Anna Thekla Mozart (Bäsle)
846:Mozart: His Character, His Work.
833:(NY: Dover Publications, 1978).
688:Mozart: His Character, His Work.
391:
377:
212:
193:
174:
1305:Beethoven–Haydn–Mozart Memorial
859:Alan Tyson, "Introduction," in
611:Alan Tyson, "Introduction," in
718:The Manitoba Chamber Orchestra
1:
637:See Wolfgang Amadeus Mozart,
1214:(paternal great-grandfather)
1057:Concert arias, songs, canons
436:The unfinished keyboard part
1660:No. 26 in D major, K. 537 (
1194:Franz Xaver Wolfgang Mozart
1176:Maria Anna Mozart (Nannerl)
741:, Oxford University Press.
352:Morgan Library & Museum
305:Morgan Library & Museum
1788:
1517:major for 2 Pianos, K. 365
1459:No. 8 in C major, K. 246 (
780:As quoted in Tyson, p. xi.
1704:
1642:No. 25 in C major, K. 503
1637:No. 24 in C minor, K. 491
1632:No. 23 in A major, K. 488
1616:No. 21 in C major, K. 467
1611:No. 20 in D minor, K. 466
1606:No. 19 in F major, K. 459
1590:No. 17 in G major, K. 453
1585:No. 16 in D major, K. 451
1545:No. 13 in C major, K. 415
1540:No. 12 in A major, K. 414
1535:No. 11 in F major, K. 413
1323:
1300:Mozart in popular culture
1112:Relationship with G minor
829:Wolfgang Amadeus Mozart,
818:Wolfgang Amadeus Mozart,
399:(Allegretto) in D major,
49:
41:
36:
32:Piano Concerto in D major
1443:No. 5 in D major, K. 175
1029:Appearance and character
762:Mozart's piano concertos
300:(in D, A), and strings.
1772:Compositions in D major
1420:No. 4 in G major, K. 41
1415:No. 3 in D major, K. 40
1399:No. 1 in F major, K. 37
1381:Wolfgang Amadeus Mozart
1315:Mozart Monument, Vienna
960:Wolfgang Amadeus Mozart
346:in his introduction to
265:Wolfgang Amadeus Mozart
1555:Major Vienna concertos
1527:Early Vienna concertos
1391:Childhood arrangements
1208:(paternal grandfather)
567:H. C. Robbins Landon,
541:
454:
446:
163:
920:Piano Concerto No. 26
889:Piano Concerto No. 26
650:This is based on the
452:
443:
338:Piano Concerto No. 19
253:Piano Concerto No. 26
231:, under the baton of
162:
1107:Compositional method
1087:Works for solo piano
764:. Cassell, London.
737:Hutchings, A. 1997.
318:H. C. Robbins Landon
263:537, was written by
1206:Johann Georg Mozart
1141:Neue Mozart-Ausgabe
1134:Alte Mozart-Ausgabe
914:Neue Mozart-Ausgabe
898:Concert in D K. 537
652:Alte Mozart-Ausgabe
516:final concerto in B
495:Neue Mozart-Ausgabe
421:Neue Mozart-Ausgabe
332:in October 1790 in
270:Coronation Concerto
37:No. 26 "Coronation"
1435:Salzburg concertos
1200:Karl Thomas Mozart
758:Girdlestone, C. M.
569:Mozart's Last Year
547:and the conductor
502:Critical reception
455:
447:
348:Dover Publications
330:Holy Roman Emperor
164:
1767:1788 compositions
1722:
1721:
1492:Concertos for two
1341:
1340:
1170:Anna Maria Mozart
1150:
1149:
844:Alfred Einstein,
702:Einstein, p. 313.
686:Alfred Einstein,
334:Frankfurt am Main
233:Gianfranco Rivoli
218:
199:
180:
154:
153:
16:(Redirected from
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1494:and three pianos
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1220:(brother-in-law)
1182:Constanze Mozart
1128:Köchel catalogue
1118:
1102:Violin concertos
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922:: Scores at the
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445:by Johann André.
424:places the note
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1741:Classical Music
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1696:A major, K. 386
1691:D major, K. 382
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1652:Later concertos
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1375:Piano concertos
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1264:Catholic Church
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1244:(sister-in-law)
1238:(sister-in-law)
1232:(sister-in-law)
1226:(mother-in-law)
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1082:Piano concertos
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664:Tyson, p. viii.
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581:Lory, Jacques;
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533:Alfred Einstein
525:Friedrich Blume
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463:Alfred Einstein
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1164:Leopold Mozart
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1067:Horn concertos
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883:External links
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545:Mitsuko Uchida
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490:Complete Works
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1627:major, K. 482
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1601:major, K. 456
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1580:major, K. 450
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1569:major, K. 449
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1454:major, K. 238
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1313:
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1310:Mozart effect
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854:0-19-500732-8
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839:0-486-23600-5
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475:accompaniment
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223:Performed by
209:
208:3. Allegretto
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1460:
1410:major, K. 39
1295:Georg Nissen
1242:Sophie Weber
1218:Joseph Lange
1212:Franz Mozart
1139:
1132:
1034:Pet starling
912:
897:
860:
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798:. Retrieved
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721:. Retrieved
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583:Zaslaw, Neal
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489:
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485:incomplete.
482:Alberti bass
479:
471:Johann André
460:
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275:
269:
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189:2. Larghetto
130:
126:
122:
44:W. A. Mozart
26:
1669:No. 27 in B
1621:No. 22 in E
1595:No. 18 in B
1574:No. 15 in B
1563:No. 14 in E
1511:No. 10 in E
1269:Freemasonry
994:Nationality
974:Biographies
909:(in German)
800:11 November
723:11 November
549:Colin Davis
535:commented:
371:Allegro in
1751:Categories
1662:Coronation
1476:Jeunehomme
1468:No. 9 in E
1448:No. 6 in B
1404:No. 2 in B
1252:Influences
1097:Symphonies
984:Grand tour
979:Birthplace
795:Classic FM
555:References
467:Alan Tyson
344:Alan Tyson
340:, K. 459.
326:Leopold II
322:coronation
244:media help
225:Lili Kraus
170:1. Allegro
131:Allegretto
1259:Beethoven
1004:Scatology
999:Residence
967:Biography
529:Eulenburg
364:movements
358:Movements
147:orchestra
127:Larghetto
118:Movements
72:Catalogue
1672:♭
1624:♭
1598:♭
1577:♭
1566:♭
1514:♭
1471:♭
1451:♭
1407:♭
1333:Category
1178:(sister)
1172:(mother)
1166:(father)
1121:Editions
1009:Smallpox
585:(1990).
519:♭
294:trumpets
286:bassoons
227:and the
103:Composed
87:Concerto
1288:Related
1279:Salieri
1092:Sonatas
911:in the
813:Sources
387:A major
373:D major
298:timpani
257:D major
138:Scoring
123:Allegro
121:Three (
108: (
66:D major
1727:Portal
1504:Lodron
1480:Jenamy
1461:LĂĽtzow
1184:(wife)
1156:Family
1077:Operas
1072:Masses
1062:Dances
1024:Prague
1019:Berlin
896:
867:
852:
837:
768:
760:1997.
745:
595:
512:galant
508:rococo
18:K. 537
1274:Haydn
1202:(son)
1196:(son)
1049:Music
1039:Death
1014:Italy
902:Score
290:horns
282:oboes
278:flute
144:Piano
93:Style
83:Genre
78:. 537
989:Name
904:and
865:ISBN
850:ISBN
835:ISBN
802:2022
766:ISBN
743:ISBN
725:2022
673:See
624:See
593:ISBN
510:(or
465:and
292:, 2
288:, 2
284:, 2
280:, 2
251:The
110:1788
106:1788
1377:by
328:as
324:of
255:in
62:Key
42:by
1753::
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389:,
375:,
366::
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273:.
261:K.
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1367:e
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601:.
407:4
246:.
133:)
112:)
76:K
20:)
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