30:
1068:
79:
1610:
375:
transcribed these bars and his transcription was printed in the critical report to the NMA (Neue Mozart-Ausgabe) volume of wind divertimenti (published in 1987), which he edited. By then, the K. 16a symphony had been discovered and
Einstein's connection had been disproved (since the Andante was in
296:
stated that the symphony was probably composed later than 1765, and that the stylistic proximity to other Mozart symphonies of the 1760s and 1770s make accurate dating impossible without an authentic source and that K. 16a was often different stylistically from all other Mozart works.
267:
in the paper of the orchestral parts showing the date 1779. None of the copyists in the Mozart family circle could have copied this symphony. In the 1780s, Westphal had some authentic Mozart symphonies, along with some works with "dubious" sources, such as K. 16a and
305:
stated that after long and intensive discussion, Mozart experts have agreed that the "Odense" symphony cannot be considered a work of Mozart in both tradition and style. Scott
Fruehwald concluded that the symphony was not by Mozart, based on stylistic analysis.
350:
belonging to a symphony written much earlier, perhaps to the (then undiscovered) K. 16a. The sixth edition of the Köchel catalogue largely repeated this, but reworded it to imply that the association remained uncertain.
248:. He gave the work the Köchel number 16a and stated that the early time of composition is obviously recognisable even from the few surviving bars. The sixth edition of the Köchel catalogue (1964) merely repeated this.
390:
printed a reconstruction of this "orchestral draft", stating that the draft contained internal inconsistencies and errors and that the reconstruction was based on the assumption that Mozart was hearing the piece in
795:
230:. Whether Breitkopf & Härtel ever had a complete copy of the symphony seems disputed, but, besides the incipit, their catalog only noted that its manuscript could no longer be found. In the
825:
290:
under "Works of
Doubtful Authenticity" in 2000 because the authenticity debate was then not yet complete, especially since an alternative to Mozart as the author could still not be named.
1587:
767:
689:
1002:
787:
244:
suggested in his 1937 edition of the Köchel catalogue that the symphony was composed in 1765 in London, based on the incipit and Mozart's first surviving symphony,
1630:
278:
published the symphony, now known as the "Odense" symphony, and put it in a scientific symposium for the experts. The symphony was recorded, among others, by the
1582:
1113:
835:
1640:
1104:
1038:
830:
820:
815:
810:
1043:
732:
682:
762:
432:
116:; however, the bassoons in this symphony do not simply double the cellos and double basses. The duration is approximately 13 minutes.
581:
514:
485:
397:
minor and B major, but could not write it correctly as he had not yet learned some necessary aspects of musical notation, such as
1635:
1071:
845:
840:
777:
675:
656:
599:
1097:
1215:
1210:
1205:
1190:
636:
557:
1600:
1523:
1518:
357:
dated the divertimento to 1772, but the 16 bars to 1765 or 1766 based on the handwriting. He also corrected the key to
269:
932:
53:. If the Odense Symphony had truly been Mozart's, it would be among only three of Mozart's symphonies (along with the
452:
Neal Zaslaw: Symphony in A minor, K. 16a/Anh. 220. Wolfgang
Amadeus Mozart: The Symphonies Vol VII. Recording of the
301:
ignored K. 16a in his review of Mozart's early symphonies because most experts did not consider it authentic Mozart.
235:
1090:
757:
1498:
1200:
1160:
1155:
1145:
1140:
1033:
1570:
1513:
1508:
1503:
1451:
1446:
1441:
1431:
1426:
1416:
1406:
1401:
1396:
1391:
1381:
1376:
1371:
1366:
1361:
1356:
1351:
1346:
1341:
1336:
1331:
1326:
1321:
1316:
1311:
1306:
1301:
1296:
1291:
1286:
1281:
1276:
1195:
1185:
1180:
1175:
1170:
1165:
1150:
926:
722:
453:
279:
227:
62:
58:
203:
614:
1549:
1539:
1482:
1477:
1472:
1271:
1266:
1261:
1256:
1251:
1246:
1241:
1236:
1231:
1119:
1053:
805:
698:
245:
50:
640:
1614:
1007:
717:
298:
712:
302:
46:
259:, Denmark. A note on the title page indicates that this symphony entered the possession of the Danish
997:
772:
742:
372:
1564:
1560:
1553:
944:
879:
872:
866:
747:
648:
287:
283:
231:
938:
850:
540:
214:, musicians, copyists and other publishers. This compilation ultimately included a four-bar-long
410:
minor piece was given the number K. 638 in the ninth edition of the Köchel catalogue (edited by
255:) in the handwriting of several copyists in the archives of the Municipal Symphony Orchestra in
914:
908:
737:
577:
510:
502:
481:
260:
207:
93:
1012:
962:
920:
800:
727:
529:"The Authenticity of the Symphony in A Minor (K16a) Attributed to Mozart: A Stylistic Study"
211:
29:
1017:
752:
603:
333:
241:
238:
listed the work as lost and placed it in the Anhang, assigning it the number K. Anh. 220.
100:. In contemporary orchestras, it was usual to not write in the parts for the bassoons and
456:. Concertmaster: Jaap Schröder, Continuo: Christopher Hogwood. Decca Record, London 1988.
1082:
597:
MozartForum: K016a – The
Symphony in a-minor "del Sigr. Mozart". Article by Dennis Pajot
1543:
902:
354:
275:
97:
367:
and thought that Mozart later reused this piece of paper for the final version of the
1624:
1574:
1048:
974:
968:
894:
660:
596:
473:
358:
272:. K. 16a was probably among a set of works he sold to the Danish Collegium Musicum.
980:
956:
950:
398:
341:
319:
315:
206:
tried to publish all of Mozart's works in 1799. They collected Mozart's works from
113:
112:
if they were available in the orchestra to reinforce the bass line and act as the
569:
411:
387:
329:
293:
109:
101:
66:
558:
Unbezeichnetes
OrchesterstĂĽck in gis KV deest: Score in the Neue Mozart-Ausgabe
1559:
Symphonies generally agreed to be spurious today, but included in either the
264:
252:
667:
368:
251:
In 1982, the complete symphony was found as a copy (and, notably, not an
544:
528:
383:
223:
219:
215:
199:
166:
142:
89:
54:
17:
256:
40:
69:. It is now considered certain that the symphony is not by Mozart.
507:
337:
171:
147:
123:
105:
28:
85:
1086:
671:
336:, in his edition of the Köchel catalogue, thought this was an
574:
Mozart's
Symphonies: Context, Performance Practice, Reception
382:
minor, any work it belonged to would probably have to be in
314:
On the back of the fourth page of the autograph of the Wind
433:"Mozart's Earliest Symphony, Composed at 9, Is Discovered"
1577:, except for the slow introduction which Mozart added.
1598:
657:"K016a -- The Symphony in a-minor "del Sigr. Mozart""
310:
Deleted movement once thought to be for this symphony
49:
Anh. 220/16a/Anh.C 11.18, was formerly attributed to
1491:
1465:
1224:
1128:
1026:
990:
893:
859:
786:
705:
119:The symphony consists of the following movements:
1556:(although Mozart changed the instrumentation).
1583:List of symphonies by Wolfgang Amadeus Mozart
1098:
683:
8:
464:
462:
1588:List of spurious/doubtful Mozart symphonies
1105:
1091:
1083:
856:
690:
676:
668:
448:
446:
431:Schonberg, Harold C. (5 February 1983).
328:, K. 186/159b, there are 16 crossed-out
1605:
423:
1631:Symphonies by Wolfgang Amadeus Mozart
7:
1536:Symphonies of doubtful authenticity.
1641:Mozart: spurious and doubtful works
104:, and they would simply double the
505:, Claudia Maria Knispel (edits.):
332:for strings, 2 oboes and 2 horns.
25:
659:. Mozartforum.com. Archived from
480:Bärenreiter-Verlag, Kassel 2005,
222:, with its source reported to be
1608:
1067:
1066:
927:Maria Anna Thekla Mozart (Bäsle)
371:and Trio from the divertimento.
263:by 1793 at the latest, with the
1044:Beethoven–Haydn–Mozart Memorial
84:The symphony is scored for two
1:
218:for a symphony in the key of
953:(paternal great-grandfather)
796:Concert arias, songs, canons
533:College Music Symposium 1988
509:Laaber-Verlag, Laaber 2007,
933:Franz Xaver Wolfgang Mozart
915:Maria Anna Mozart (Nannerl)
576:. Oxford: Clarendon Press.
65:) to be written in a minor
1657:
1532:
1062:
1039:Mozart in popular culture
851:Relationship with G minor
602:29 September 2007 at the
527:Fruehwald, Scott (1988).
228:Johann Christoph Westphal
768:Appearance and character
454:Academy of Ancient Music
286:and was included in the
280:Academy of Ancient Music
236:Ludwig Ritter von Köchel
234:published in the 1860s,
1636:Compositions in A minor
1120:Wolfgang Amadeus Mozart
1054:Mozart Monument, Vienna
699:Wolfgang Amadeus Mozart
282:under the direction of
194:History and attribution
51:Wolfgang Amadeus Mozart
1466:Adapted from serenades
947:(paternal grandfather)
204:Breitkopf & Härtel
34:
499:Sinfonien KV 16–134.
497:Wolfgang Gersthofer:
39:Symphony in A minor "
32:
1146:K. 45a (Old Lambach)
846:Compositional method
826:Works for solo piano
633:Sinfonie in a K. 16a
174:: Allegro moderato,
1554:Carl Friedrich Abel
945:Johann Georg Mozart
880:Neue Mozart-Ausgabe
873:Alte Mozart-Ausgabe
649:Neue Mozart-Ausgabe
468:Volker Scherliess:
299:Wolfgang Gersthofer
288:Neue Mozart-Ausgabe
284:Christopher Hogwood
1573:now attributed to
1567:complete editions.
1552:now attributed to
1542:now attributed to
939:Karl Thomas Mozart
437:The New York Times
35:
1596:
1595:
1080:
1079:
909:Anna Maria Mozart
889:
888:
663:on 8 August 2007.
303:Volker Scherliess
261:Collegium Musicum
16:(Redirected from
1648:
1613:
1612:
1611:
1604:
1123:
1122:
1107:
1100:
1093:
1084:
1070:
1069:
959:(brother-in-law)
921:Constanze Mozart
867:Köchel catalogue
857:
841:Violin concertos
692:
685:
678:
669:
664:
645:
617:
612:
606:
594:
588:
587:
566:
560:
555:
549:
548:
524:
518:
495:
489:
478:Mozart-Handbuch.
466:
457:
450:
441:
440:
428:
409:
408:
396:
395:
381:
380:
364:
363:
347:
346:
325:
324:
232:Köchel catalogue
188:
187:
186:
185:
164:
163:
162:
161:
140:
139:
138:
137:
124:Allegro moderato
21:
1656:
1655:
1651:
1650:
1649:
1647:
1646:
1645:
1621:
1620:
1619:
1615:Classical Music
1609:
1607:
1599:
1597:
1592:
1528:
1487:
1461:
1452:No. 41 (K. 551)
1447:No. 40 (K. 550)
1442:No. 39 (K. 543)
1432:No. 38 (K. 504)
1427:No. 37 (K. 444)
1417:No. 36 (K. 425)
1407:No. 35 (K. 385)
1402:No. 34 (K. 338)
1397:No. 33 (K. 319)
1392:No. 32 (K. 318)
1382:No. 31 (K. 297)
1377:No. 30 (K. 202)
1372:No. 29 (K. 201)
1367:No. 28 (K. 200)
1362:No. 27 (K. 199)
1357:No. 26 (K. 184)
1352:No. 25 (K. 183)
1347:No. 24 (K. 182)
1342:No. 23 (K. 181)
1337:No. 22 (K. 162)
1332:No. 21 (K. 134)
1327:No. 20 (K. 133)
1322:No. 19 (K. 132)
1317:No. 18 (K. 130)
1312:No. 17 (K. 129)
1307:No. 16 (K. 128)
1302:No. 15 (K. 124)
1297:No. 14 (K. 114)
1292:No. 13 (K. 112)
1287:No. 12 (K. 110)
1220:
1136:K. 16a (Odense)
1124:
1118:
1117:
1111:
1081:
1076:
1058:
1022:
1003:Catholic Church
986:
983:(sister-in-law)
977:(sister-in-law)
971:(sister-in-law)
965:(mother-in-law)
885:
855:
821:Piano concertos
782:
701:
696:
655:Pajot, Dennis.
654:
643:
641:critical report
626:
621:
620:
613:
609:
604:Wayback Machine
595:
591:
584:
568:
567:
563:
556:
552:
526:
525:
521:
496:
492:
467:
460:
451:
444:
430:
429:
425:
420:
406:
405:
393:
392:
378:
377:
361:
360:
344:
343:
334:Alfred Einstein
322:
321:
312:
242:Alfred Einstein
196:
184:
179:
178:
177:
176:
175:
160:
155:
154:
153:
152:
151:
136:
131:
130:
129:
128:
127:
80:
75:
23:
22:
15:
12:
11:
5:
1654:
1652:
1644:
1643:
1638:
1633:
1623:
1622:
1618:
1617:
1594:
1593:
1591:
1590:
1585:
1579:
1578:
1568:
1557:
1547:
1544:Leopold Mozart
1537:
1533:
1530:
1529:
1527:
1526:
1524:K. Anh.C 11.08
1521:
1519:K. Anh.C 11.07
1516:
1511:
1506:
1501:
1495:
1493:
1489:
1488:
1486:
1485:
1480:
1475:
1469:
1467:
1463:
1462:
1460:
1459:
1449:
1444:
1439:
1429:
1424:
1414:
1404:
1399:
1394:
1389:
1379:
1374:
1369:
1364:
1359:
1354:
1349:
1344:
1339:
1334:
1329:
1324:
1319:
1314:
1309:
1304:
1299:
1294:
1289:
1284:
1282:No. 11 (K. 84)
1279:
1277:No. 10 (K. 74)
1274:
1269:
1264:
1259:
1254:
1249:
1244:
1239:
1234:
1228:
1226:
1222:
1221:
1219:
1218:
1213:
1208:
1203:
1198:
1193:
1188:
1183:
1178:
1173:
1168:
1163:
1158:
1153:
1148:
1143:
1138:
1132:
1130:
1126:
1125:
1112:
1110:
1109:
1102:
1095:
1087:
1078:
1077:
1075:
1074:
1063:
1060:
1059:
1057:
1056:
1051:
1046:
1041:
1036:
1030:
1028:
1024:
1023:
1021:
1020:
1015:
1010:
1005:
1000:
994:
992:
988:
987:
985:
984:
978:
972:
966:
960:
954:
948:
942:
936:
930:
929:(first cousin)
924:
918:
912:
906:
903:Leopold Mozart
899:
897:
891:
890:
887:
886:
884:
883:
876:
869:
863:
861:
854:
853:
848:
843:
838:
833:
828:
823:
818:
813:
808:
806:Horn concertos
803:
798:
792:
790:
784:
783:
781:
780:
775:
770:
765:
760:
755:
750:
745:
740:
735:
730:
725:
720:
715:
709:
707:
703:
702:
697:
695:
694:
687:
680:
672:
666:
665:
652:
629:
625:
624:External links
622:
619:
618:
607:
589:
582:
561:
550:
519:
503:Joachim BrĂĽgge
490:
470:Die Sinfonien.
458:
442:
422:
421:
419:
416:
373:Franz Giegling
355:Wolfgang Plath
311:
308:
276:Wolfgang Plath
270:K. Anh.C 11.08
195:
192:
191:
190:
180:
169:
156:
145:
132:
82:
81:
78:
74:
71:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1653:
1642:
1639:
1637:
1634:
1632:
1629:
1628:
1626:
1616:
1606:
1602:
1589:
1586:
1584:
1581:
1580:
1576:
1575:Michael Haydn
1572:
1569:
1566:
1562:
1558:
1555:
1551:
1548:
1545:
1541:
1538:
1535:
1534:
1531:
1525:
1522:
1520:
1517:
1515:
1512:
1510:
1507:
1505:
1502:
1500:
1497:
1496:
1494:
1490:
1484:
1481:
1479:
1476:
1474:
1471:
1470:
1468:
1464:
1457:
1453:
1450:
1448:
1445:
1443:
1440:
1437:
1433:
1430:
1428:
1425:
1422:
1418:
1415:
1412:
1408:
1405:
1403:
1400:
1398:
1395:
1393:
1390:
1387:
1383:
1380:
1378:
1375:
1373:
1370:
1368:
1365:
1363:
1360:
1358:
1355:
1353:
1350:
1348:
1345:
1343:
1340:
1338:
1335:
1333:
1330:
1328:
1325:
1323:
1320:
1318:
1315:
1313:
1310:
1308:
1305:
1303:
1300:
1298:
1295:
1293:
1290:
1288:
1285:
1283:
1280:
1278:
1275:
1273:
1272:No. 9 (K. 73)
1270:
1268:
1267:No. 8 (K. 48)
1265:
1263:
1262:No. 7 (K. 45)
1260:
1258:
1257:No. 6 (K. 43)
1255:
1253:
1252:No. 5 (K. 22)
1250:
1248:
1247:No. 4 (K. 19)
1245:
1243:
1242:No. 3 (K. 18)
1240:
1238:
1237:No. 2 (K. 17)
1235:
1233:
1232:No. 1 (K. 16)
1230:
1229:
1227:
1223:
1217:
1214:
1212:
1209:
1207:
1204:
1202:
1199:
1197:
1194:
1192:
1189:
1187:
1184:
1182:
1179:
1177:
1174:
1172:
1169:
1167:
1164:
1162:
1159:
1157:
1154:
1152:
1149:
1147:
1144:
1142:
1139:
1137:
1134:
1133:
1131:
1127:
1121:
1115:
1108:
1103:
1101:
1096:
1094:
1089:
1088:
1085:
1073:
1065:
1064:
1061:
1055:
1052:
1050:
1049:Mozart effect
1047:
1045:
1042:
1040:
1037:
1035:
1032:
1031:
1029:
1025:
1019:
1016:
1014:
1011:
1009:
1006:
1004:
1001:
999:
996:
995:
993:
989:
982:
979:
976:
975:Aloysia Weber
973:
970:
969:Josepha Weber
967:
964:
963:Cäcilia Weber
961:
958:
955:
952:
949:
946:
943:
940:
937:
934:
931:
928:
925:
922:
919:
916:
913:
910:
907:
904:
901:
900:
898:
896:
892:
882:
881:
877:
875:
874:
870:
868:
865:
864:
862:
858:
852:
849:
847:
844:
842:
839:
837:
834:
832:
829:
827:
824:
822:
819:
817:
814:
812:
809:
807:
804:
802:
799:
797:
794:
793:
791:
789:
785:
779:
776:
774:
771:
769:
766:
764:
761:
759:
756:
754:
751:
749:
746:
744:
741:
739:
736:
734:
731:
729:
726:
724:
721:
719:
716:
714:
711:
710:
708:
704:
700:
693:
688:
686:
681:
679:
674:
673:
670:
662:
658:
653:
651:
650:
642:
638:
634:
630:
628:
627:
623:
616:
611:
608:
605:
601:
598:
593:
590:
585:
583:0-19-816286-3
579:
575:
571:
565:
562:
559:
554:
551:
546:
542:
538:
534:
530:
523:
520:
516:
515:3-89007-461-8
512:
508:
504:
500:
494:
491:
487:
486:3-7618-2021-6
483:
479:
475:
474:Silke Leopold
471:
465:
463:
459:
455:
449:
447:
443:
438:
434:
427:
424:
417:
415:
413:
402:
400:
399:double sharps
389:
385:
374:
370:
366:
356:
352:
349:
339:
335:
331:
327:
317:
309:
307:
304:
300:
295:
291:
289:
285:
281:
277:
273:
271:
266:
262:
258:
254:
249:
247:
243:
239:
237:
233:
229:
226:music dealer
225:
221:
217:
213:
209:
205:
201:
193:
183:
173:
170:
168:
159:
149:
146:
144:
135:
125:
122:
121:
120:
117:
115:
111:
110:double basses
107:
103:
99:
95:
91:
87:
77:
76:
72:
70:
68:
64:
60:
56:
52:
48:
44:
42:
31:
27:
19:
1455:
1435:
1420:
1410:
1385:
1135:
1034:Georg Nissen
981:Sophie Weber
957:Joseph Lange
951:Franz Mozart
878:
871:
773:Pet starling
661:the original
647:
632:
610:
592:
573:
570:Zaslaw, Neal
564:
553:
536:
532:
522:
517:, pp. 15–27.
506:
498:
493:
477:
469:
436:
426:
403:
353:
316:Divertimento
313:
292:
274:
250:
240:
197:
181:
157:
133:
118:
83:
57:symphonies,
38:
36:
26:
1008:Freemasonry
733:Nationality
713:Biographies
644:(in German)
412:Neal Zaslaw
388:Neal Zaslaw
294:Neal Zaslaw
102:harpsichord
1625:Categories
1216:K. 208+102
1211:K. 196+121
1206:K. 135+61h
1191:K. 111+120
1129:Unnumbered
1114:Symphonies
991:Influences
836:Symphonies
723:Grand tour
718:Birthplace
476:(editor):
418:References
208:his sister
202:publisher
998:Beethoven
743:Scatology
738:Residence
706:Biography
539:: 24–39.
265:watermark
253:autograph
189:, A minor
148:Andantino
73:Structure
1225:Numbered
1072:Category
917:(sister)
911:(mother)
905:(father)
860:Editions
748:Smallpox
600:Archived
572:(1991).
545:40374585
407:♯
394:♯
379:♯
362:♯
345:♭
323:♭
212:his wife
114:continuo
90:bassoons
1456:Jupiter
1411:Haffner
1027:Related
1018:Salieri
831:Sonatas
646:in the
384:B major
338:Andante
224:Hamburg
220:A minor
216:incipit
200:Leipzig
167:A major
143:A minor
98:strings
55:G minor
1601:Portal
1571:No. 37
1514:K. 66e
1509:K. 66d
1504:K. 66c
1499:K. 19b
1483:K. 320
1478:K. 250
1473:K. 204
1436:Prague
1201:K. 161
1161:K. 74g
1156:K. 45b
1141:K. 19a
923:(wife)
895:Family
816:Operas
811:Masses
801:Dances
763:Prague
758:Berlin
631:
615:K. 638
580:
543:
513:
484:
404:This G
369:Minuet
257:Odense
106:cellos
92:, two
88:, two
63:No. 40
59:No. 25
41:Odense
33:Mozart
18:K. 638
1550:No. 3
1540:No. 2
1386:Paris
1196:K. 96
1186:K. 98
1181:K. 75
1176:K. 97
1171:K. 95
1166:K. 81
1151:K. 76
1013:Haydn
941:(son)
935:(son)
788:Music
778:Death
753:Italy
637:Score
541:JSTOR
365:minor
348:major
326:major
246:K. 16
172:Rondo
94:horns
86:oboes
1492:Lost
1421:Linz
728:Name
639:and
578:ISBN
511:ISBN
501:In:
482:ISBN
472:In:
330:bars
198:The
108:and
96:and
61:and
37:The
1565:new
1563:or
1561:old
1116:by
414:).
386:).
340:in
318:in
67:key
1627::
635::
537:28
535:.
531:.
461:^
445:^
435:.
401:.
210:,
165:,
150:,
141:,
126:,
47:K.
45:,
1603::
1546:.
1458:)
1454:(
1438:)
1434:(
1423:)
1419:(
1413:)
1409:(
1388:)
1384:(
1106:e
1099:t
1092:v
691:e
684:t
677:v
586:.
547:.
488:.
439:.
391:G
376:G
359:G
342:E
320:B
182:4
158:4
134:4
43:"
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
