Knowledge (XXG)

Kulning

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in far higher registers in kulning than in head voice (easily observed up to 16 kHz) and that they were also less affected by an increased distance from the source than head voice, with more or less unaffected partial patterns when comparing a distance of 11 meters from the source, compared to 1 meter from the source. In the outdoor setting, they also found that head voice production exhibited a 25.2 
204:"it was shown that kulning fell off less with distance from an intensity point of view, and also that partials in kulning – but not in head voice – remained more or less unperturbed 11 meters from the singer, as compared to 1 meter from the singer. Both results help explain why kulning as a singing mode was developed for calling cattle that might be at considerable distance from the singer". 195:
voice) production in both indoors (normal and anechoic rooms) and in an ecologically valid outdoor setting near Dalarna, Sweden. The song analyzed was the same in all cases, and was performed by the same kulning singer (Pehrson). Comparing kulning to head voice, they found that partials were visible
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When a call is made in a valley, it rings and echoes against the mountains. The animals, a number of whom wear bells tuned so that the livestock's location can be heard, begin to respond to the call, answering back and the sound of the bells indicates that they are moving down the mountain towards
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decrease at 11 meters from the source, compared to 1 meter from the source, while the corresponding amplitude decrease in kulning was only 9.4 dB, which is a clear indication that kulning is well-suited to carry over long distances in an outdoor setting. Or, as the authors summarize the
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can belong to an individual, but are sometimes family-based and are handed down so that a family's cows know they are being called and thus respond. A number of calls contain names of individual (sometimes the "lead") animals, as herds are not very large.
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based a few of his classical music compositions for piano and for orchestra on kulokker that he had heard. An early Norwegian opera includes a soprano aria that is half aria and half kulning.
175:, so that it can be heard or be used to communicate over long distances. It has a fascinating and haunting tone, often conveying a feeling of sadness, in large part because the 163:
The song form is often used by women, as they were the ones tending the herds and flocks in the high mountain pastures, but there are recordings of these calls sung by men.
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Robert Eklund, speech therapist Anita McAllister and kulning singer and speech therapist Fanny Pehrson studied the difference between kulning voice production and
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A study done by Finnish and Swedish universities showed that kulning, as compared to falsetto, exhibits a better contact of the vocal folds and a longer
85: 241:, there is no evidence that kulning has been used in religious rituals or for other purposes. It has been used on farms in stock-raising since 782: 46: 84: 858: 622: 686: 68: 868: 587: 229:
also showed medial and anteroposterior narrowing of the laryngeal inlet and approximation of the false vocal folds in kulning.
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is a set of "techniques of calls and exhortations to the ploughing animals in most cases, intended to guide them".
836: 713:"An acoustic analysis of 'kulning' (cattle calls) recorded in an outdoor setting on location in Dalarna (Sweden)" 369: 767: 671: 50: 378: 833:
Man and Animal in Antiquity, Proceedings of the Conference at the Swedish Institute in Rome, September 2002
746:. Lund, Sweden: Centre for Languages and Literature, General Linguistics/Phonetics, Lund University: 8–10. 340: 672:"Kulning: A study of the physiological basis for long-distance sound propagation in Swedish cattle calls" 883: 736: 712: 226: 775:
Proceedings of Fonetik 2013, the XXVIth Swedish Phonetics Conference, Studies in Language and Culture
667: 633: 471: 335: 324: 737:"An acoustic analysis of the cattle call "kulning": performed outdoors at Säter, Dalarna, Sweden" 561: 442: 329: 285: 623:"An acoustic analysis of Swedish cattle calls, 'kulning', performed outdoors at three distances" 556: 778: 747: 690: 645: 475: 262: 873: 637: 364: 124:
when calling between person-to-animals, and is usually performed countrywide (especially in
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Eklund, Robert; McAllister, Anita & Pehrson, Fanny (June 2013). Eklund, Robert (ed.).
583: 357: 768:"An acoustic comparison of voice characteristics in 'kulning', head and modal registers" 293: 245:. The tradition is still alive today, although waning. Kulning is, however, similar to 145: 518: 847: 319:
There are also other examples of kulning to be found in other forms of modern media:
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Rosenberg, Susanne & Ahlbäck, Sven (2004). Frizell, Barbro Santillo (ed.).
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Kulning features in the music of some Scandinavian folk groups, for example
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In comparison with other song traditions used in northern Scandinavia, e.g.
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provided traditional Norwegian kulning for the soundtracks of the films
812:(Thesis) (in Swedish). University of Uppsala, Department of Musicology. 810:
Svenska locklåtar i nutidstradition: studier över storform och funktion
423: 418: 304: 300: 281: 197: 141: 249:, a singing style also developed for long-distance sound propagation. 289: 258: 97: 373:("The Sacrifice" – Sweden, 1986) features kulning in its soundtrack. 171:
The song has a high-pitched vocal technique, i.e. a loud call using
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often include typical half-tones and quarter-tones (also known as "
80: 238: 557:"How to Follow Up 'Frozen'? With Melancholy and a Power Ballad" 530: 506: 803:(MA) (in German). University of Vienna, Faculty of Humanities. 405: 339:(2018), and as a voice actress in action-adventure video game 18: 468:
Fanitullen : innføring i norsk og samisk folkemusikk
777:(21). Linköping, Sweden: Linköping University: 21–24. 711:
Eklund, Robert & McAllister, Anita (August 2015).
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Dahlsmtrö, Kajsa & McAllister, Anita (June 2019).
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features aggressive kulning during some battle scenes.
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McAllister, Anita & Eklund, Robert (June 2015).
588:"Brothers: A Tale of Two Sons - Official Soundtrack" 253:
Comparison with herdcalling songs in other countries
191:(sometimes also somewhat erroneously referred to as 801:Lockrufe in Skandinavien: Funktion, Klang, Revival 445:associated with Germanic and Norse pagan tradition 183:") found in the music of the region. Linguist and 720:Proceedings of 18th Congress of Phonetic Sciences 311:, includes a kulning vocalisation on the chorus. 494: 233:Comparison with other regional song traditions 140:, and is mainly performed in the provinces of 8: 208:Function and physiological characteristics 116:when calling between person-to-person, or 69:Learn how and when to remove this message 32:This article includes a list of general 455: 632:. PERILUS (XXVII). Stockholm, Sweden: 826:"Kulning – herding calls from Sweden" 519:Glossaire Ethnomusicologie, in FRENCH 7: 391:features kulning in its soundtrack. 360:'s vocals are inspired by kulning. 307:, which they're competing with at 38:it lacks sufficient corresponding 14: 687:KTH Royal Institute of Technology 605:Kulning (vocals) by Emma Sunbring 408:at a kulning workshop in Sweden. 23: 555:Cohn, Gabe (29 November 2019). 799:Tellenbach, Magdalena (1999). 495:Eklund & McAllister (2015) 225:in the phonation cycle. Using 1: 466:(1993). Aksdal, Bjørn (ed.). 388:Brothers: A Tale of Two Sons 309:Eurovision Song Contest 2024 900: 722:. Glasgow, Scotland: 10–14 150:former Norwegian provinces 128:). In Sweden it is called 16:Scandinavian herding calls 859:Norwegian styles of music 837:Swedish Institute in Rome 397:Scooby-Doo and Guess Who? 744:Proceedings from Fonetik 685:(1). Stockholm, Sweden: 167:Acoustic characteristics 869:Swedish styles of music 53:more precise citations. 808:Johnson, Anna (1981). 679:Proceedings of FONETIK 642:10.5281/zenodo.3246001 630:Proceedings of FONETIK 470:(5th ed.). Oslo: 93: 668:Laukkanen, Anne-Maria 269:Kulning used in music 213:their home farm. The 91: 854:Norwegian folk music 634:Stockholm University 507:Geneid et al. (2016) 472:Universitetsforlaget 441:in general, and the 350:" for the 2019 film 336:Ant-Man and the Wasp 315:Kulning in the media 303:" by Norwegian band 385:The 2013 videogame 356:, Norwegian singer 341:God of War Ragnarök 273:Norwegian composer 879:Singing techniques 864:Swedish folk music 562:The New York Times 394:A 2019 episode of 292:(featuring singer 227:nasofiberendoscopy 94: 92:Example of kulning 784:978-91-7519-582-7 363:Russian director 89: 79: 78: 71: 891: 840: 830: 813: 804: 795: 793: 791: 772: 762: 760: 758: 741: 731: 729: 727: 717: 705: 703: 701: 676: 660: 658: 656: 627: 608: 607: 602: 600: 584:Grefberg, Gustaf 580: 574: 573: 571: 569: 552: 546: 545: 543: 541: 527: 521: 516: 510: 504: 498: 492: 486: 485: 460: 365:Andrei Tarkovsky 348:Into the Unknown 90: 74: 67: 63: 60: 54: 49:this article by 40:inline citations 27: 26: 19: 899: 898: 894: 893: 892: 890: 889: 888: 844: 843: 828: 823: 820: 807: 798: 789: 787: 785: 770: 765: 756: 754: 739: 734: 725: 723: 715: 710: 699: 697: 674: 666:Geneid, Ahmed; 665: 654: 652: 625: 620: 617: 612: 611: 598: 596: 582: 581: 577: 567: 565: 554: 553: 549: 539: 537: 529: 528: 524: 517: 513: 505: 501: 493: 489: 482: 462: 461: 457: 452: 415: 317: 271: 255: 235: 223:glottal closure 210: 169: 81: 75: 64: 58: 55: 45:Please help to 44: 28: 24: 17: 12: 11: 5: 897: 895: 887: 886: 881: 876: 871: 866: 861: 856: 846: 845: 842: 841: 819: 818:External links 816: 815: 814: 805: 796: 783: 763: 732: 707: 706: 662: 661: 616: 613: 610: 609: 575: 547: 535:Christine Hals 522: 511: 499: 487: 480: 454: 453: 451: 448: 447: 446: 436: 431: 426: 421: 414: 411: 410: 409: 392: 383: 374: 361: 344: 325:Christine Hals 316: 313: 294:Lena Willemark 270: 267: 254: 251: 243:medieval times 234: 231: 209: 206: 168: 165: 77: 76: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 896: 885: 882: 880: 877: 875: 872: 870: 867: 865: 862: 860: 857: 855: 852: 851: 849: 838: 834: 827: 822: 821: 817: 811: 806: 802: 797: 786: 780: 776: 769: 764: 753: 749: 745: 738: 733: 721: 714: 709: 708: 696: 692: 688: 684: 680: 673: 669: 664: 663: 651: 647: 643: 639: 635: 631: 624: 619: 618: 614: 606: 595: 594: 589: 585: 579: 576: 564: 563: 558: 551: 548: 536: 532: 526: 523: 520: 515: 512: 508: 503: 500: 496: 491: 488: 483: 477: 473: 469: 465: 459: 456: 449: 444: 440: 437: 435: 432: 430: 427: 425: 422: 420: 417: 416: 412: 407: 403: 399: 398: 393: 390: 389: 384: 381: 380: 375: 372: 371: 366: 362: 359: 355: 354: 349: 346:In the song " 345: 342: 338: 337: 332: 331: 326: 322: 321: 320: 314: 312: 310: 306: 302: 297: 295: 291: 287: 283: 278: 276: 268: 266: 264: 260: 252: 250: 248: 244: 240: 232: 230: 228: 224: 219: 216: 207: 205: 202: 199: 194: 190: 186: 182: 178: 174: 166: 164: 161: 159: 155: 151: 147: 143: 139: 135: 131: 127: 123: 119: 115: 111: 107: 103: 100:it is called 99: 73: 70: 62: 52: 48: 42: 41: 35: 30: 21: 20: 884:Vocal skills 832: 809: 800: 790:25 September 788:. 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Index

references
inline citations
improve
introducing
Learn how and when to remove this message
Norway
South Norway
Dalarna
Hälsingland
former Norwegian provinces
Jämtland
Härjedalen
head tones
blue tones
phonetician
head voice
falsetto
dB
glottal closure
nasofiberendoscopy
joik
medieval times
yodeling
France
briolage
Edvard Grieg
Heilung
Gjallarhorn
Frifot
Lena Willemark

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