381:(छरड़), or natural colours made from flower extracts, ash and water) is celebrated with great gusto much in the same way as all across North India. Principal ingredients of the celebration are Abeer and Gulal, in all possible colours. Next comes squirting of coloured water using pichkaris. Coloured water is prepared using Tesu flowers, which are first gathered from the trees, dried in the sun, and then ground up, and later mixed with water to produce orange-yellow coloured water. Another traditional Holi item now rarely seen is a red powder enclosed in globes of Lakh, which break instantly and cover the party with the powder.
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distinctive
Kumauni flavour. A style which is a unique blend of classical music and folk. While, to some it might resemble Thumri because of the presence of Shringar Ras in it but it is totally different, the way the Bandish are rendered, elaborated and the way some of the Raags are presented. With the spread of Chand rule and integration of Kumaon under them the Holi traditions spread all across Kumaon and acquired their distinct Kumaoni flavour.
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kumauni holi The Taal's used are also unique. Dhamaar taal in kumauni holi has 16 matra's rather than 14 as in Indian classical music tradition. The other most widely used taal is known as
Chanchar which also has 16 matra's. Other than these Teental and keharwa are widely used & at times one may also find Dadra being used but in most common case it is Chanchar -Teental -Keharwa in a Sitarkhani gat. The
195:(होल्यार), (the singers of Holi songs) as also the people gather to sing songs to the accompaniment of classical music like harmonium and tabla. Generally starting from the first Sunday of Paush these are known as Nirvana Holi. Some of the holi's written by Swami Brahmanand are also sung and are called Brahmanand ki holi. From Shivratri the focus then Shifts to Shivpadi Holi's.
125:. This results in the festivities of Holi lasting for almost two months in Kumaon. The Baithki Holi and Khari Holi are unique in that the songs on which they are based have a combination of melody, fun, and spiritualism. These songs are essentially based on classical ragas. Baithki Holi is also known as
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mixed with
Kumaoni musical traditions of Khadi Holi Of Champawat (Sui, Gumdesh, bilde & bishung) The Ustads which came from the plains (places like Rampur ) made the singing of Holi famous & loved not just among the rulers but also with the common masses, who slowly adopted it and gave it a
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and Sarang ragas are sung while evening is reserved for the songs based on the ragas like Kalyan, Shyamkalyan, Kafi, Jaijawanti etc. There is a certain distinctiveness in the presentation of ragas (melodies) too and some of them like
Janglakafi (which is a special ang of khamaj) are unique to
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Men in groups singing Khadi holi songs which are much more
Kumaoni in flavour than the classical renditions of the Baithaki holi visit different homes and greet the members of that house and chant hymns praying for prosperity of the householder. These groups of men are called
181:). In some areas of Kumaon it starts even earlier at the peak of winter on the first Sunday of the Indian month of Paush that is in the month of December and they celebrates baithaki holi till March (4 months) and during baithaki holi they do not use colours to celebrate.
458:'s plans. In Kumaon holi also signifies the end of the long Himalayan winter and the beginning of a new sowing season which is to be celebrated it also means a break from the rigorous life of hard agricultural labour for a few days for the Kumaoni peasantry.
247:(खड़ी होली), (literally Standing Holi) usually starts along with but sometimes a little later than Baithaki Holi. It is mostly celebrated in the rural areas of Kumaon. The songs of the Khari Holi are sung by the people, sporting traditional white
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The following are the various forms musical gatherings in which Holi songs are ceremonially sung which are viewed as the start of the Holi celebration. All of these celebrations in the form of musical gatherings start on the
177:(बैठकी होली), (literally Sitting Holi) is a form of musical gathering starting from the day of Basant Panchmi held all across Kumaon till the Dulhendi (or the last full moon day of the lunar month
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as it signifies not only the victory of good over evil but also end of the winter season and the start of the new sowing season which holds great importance for this agricultural community of the
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or sittings are held in the local community centres and even at local homes. It generally starts with Rag
Dhamaar and ends with Rag Bhairavi.
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The songs are usually religious in nature and concern tales from the life of the Hindu God
Krishna and Ram . Still these
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http://www.thefreelibrary.com/Kumaon's+'Baithki+Holi'+begins+with+traditional+fervour.-a0220698197
434:(fried dumpling filled with a sweet filling of roasted Mava(Solid milk extract), and dry fruits and nuts) and
417:हमार दाज्यू भौजी जी रौला सौ लाख बरिस (may our brothers and their families live for a hundred thousand years)
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musical traditions are in 15th century
Champawat (court of the Chand kings) where the musical traditions of
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was the famous Khadi Holi and
Baithaki Holi singer in Champawat. He represented Kumaoni Khadi Holi on DD1.
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Kumauni Holi has characteristics which are very different from Holi celebrations anywhere in the country.
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The uniqueness of the
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is filled with excitement and frolic in contrast to the more sombre nature of the Baithaki Holi.
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of every village and mohalla is rigorously guarded as rival mohallas try to steal the others'
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are an inter-religious affair as even Muslims and Christians participate in these gatherings.
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Mahila Holi gatherings are similar to those of Baithaki but composed exclusively of women.
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On Holi: spray colours on others, dance, party, eating festival delicacies
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in the air and reciting out aloud in unison the following prayer in
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is the historical and cultural celebration of the Hindu festival of
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The culmination of the holi celebrations takes place with throwing
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The Baithaki Holi songs are based on the classical traditions of
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The Cheer is burnt on the night before Holi and is known as
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The Baithki Holi begins from the premises of temples, where
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are very particular about the time when the songs based on
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but have heavy influence of Kumaoni folk music traditions.
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Apart from its symbolic significance of victory of pious
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should be sung. For instance, at noon the songs based on
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408:हो हो हो लख रे (may you live a hundred thousand years)
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Celebration of the Hindu Holi festival in Kumaon, India
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334:(चीर बंधन) fifteen days before Dulhendi. The
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442:with local spices and Bhaang ki Chutney.
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186:Hindustani Classical Music
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283:(metal instrument), and
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525:The Himalayan Gazetter
454:over his evil father
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531:The History of Kumaun
502:www.euttaranchal.com
206:or hindi language.
369:Dulhendi known as
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385:Shubh Kamna
355:Cheer Dahan
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541:Categories
484:References
303:Khadi Holi
245:Khadi Holi
240:Khadi Holi
222:Bhimpalasi
115:Khari Holi
104:Himalayas
71:Frequency
462:See also
371:chharadi
365:Chharadi
234:Baithaks
227:Baithaks
210:Kumaonis
193:Holiyars
179:Phalguna
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33:Kumaonis
452:Prahlad
424:Cuisine
403:Kumaoni
379:chharad
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359:Prahlad
317:Rituals
149:Origins
81:Kumauni
473:Kumaon
377:(from
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74:Annual
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398:gulal
392:abeer
348:cheer
344:cheer
340:paiya
336:cheer
328:cheer
296:tolis
286:Hurka
267:kurta
214:ragas
145:Day.
562:Holi
468:Holi
395:and
280:joda
274:dhol
263:and
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159:Braj
89:Holi
63:per
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