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ministers and state administrators the tact of rule and Lovers the romantic notes." In addition, he proudly acclaims that this work of his is the "Master of the works of all other great scholars." However, his selflessness may be noted when he says he merely noted all that was narrated by his lord, the actual poet.
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Kumara has shown an exemplary writing style in the introduction. He proudly claims that his poetry is matchless and that it caters to the taste of all kinds of readers. He writes that in his poetry "A king enjoys the valor, A brahmin the essence of all vedas, philosopher the ultimate philosophy,
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from behind the statue. The poet transformed the story excellent poetry. However, Narayana laid down a condition that Kumara was to only listen to this voice without attempting to see the source or the spirit narrating the story. When the tenth parva of his work was complete, Kumara was deeply
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as if it were happening in front of him. However, Kumara had violated the condition that he not search for the source of the voice. At that point, the lord disappeared and the narration of the
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period of
Kannada literature. His influence on later Kannada literature is significant. Gadugina Bharata is still widely read. It is popularly sung in a unique style known as
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explores a wide range of human emotions, examines values, and displays extensive mastery over vocabulary. The work is particularly known for its use of sophisticated
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729:, A Concise history of Karnataka from pre-historic times to the present, Jupiter books, MCC, Bangalore, 2001 (Reprinted 2002)
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It may be noted that
Lakshmeesha, another great poet who was born a few decades after Kumara's death, took up and completed
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curious to see the narrator. Much to his surprise, he saw
Narayana himself narrating the story. He also saw a scene of the
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735:, History of South India, From Prehistoric times to fall of Vijayanagar, 1955, OUP, New Delhi (Reprinted 2002).
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There is a strong belief among locals that Kumara was a blessed poet of Sri Veera
Narayana, another name for
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of the
Veeranarayana temple in Gadag, where Kumara Vyasa is known to have written his epic, the
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When the
Goddess was a Woman: Mahābhārata Ethinographies - Essays by Alf Hiltebeitel, Volume 2
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Excellent voluntary effort on the net to bring
Gadugina Bharatha to life in the e-book form
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because it originally had only ten parvas as opposed to the eighteen in the original
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in Gadag. A pillar known as Kumara Vyasa's pillar stands in the temple to this day.
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The
Bhagavad-Gita for the Modern Reader: History, interpretations and philosophy
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and Bheema, and the killing of
Duryodhana. The subsequent parts of the original
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literally means "Little Vyasa" or "Son of Vyasa" (Vyasa is the title of
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in
Kannada. This spiritual work was considered equal to
252:, "Battle of the clubs") section of Kumaravyasa's epic
213:). He was the contemporary and archrival of the famous
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covers only up to the Gadayuddha, the battle between
305:, Kumara Vyasa ends his epic with the coronation of
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763:Medieval Indian Literature: Surveys and selections
488:, a village 35 km (22 mi) from Gadag in
229:, circa 1435. Both poets worked in the court of
562:Vishwa Adluri; Joydeep Bagchee (27 July 2011).
788:Karnata Bharata Katha Manjari and Kumara Vyasa
225:covering the lives of Allama Prabhu and other
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433:Kumara Vyasa's other, lesser-known work is
338:is also renowned for his characterization.
191:language. His pen name is a tribute to his
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742:Encyclopaedia of Indian Literature: A-Devo
413:himself narrated the story of the ancient
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602:. Bharatiya Kala Prakashan. p. 390.
264:Parts of the Kannada epics-Kumaravyasa's
80:Learn how and when to remove this message
596:C. T. M. Kotraiah; K. M. Suresh (2008).
43:This article includes a list of general
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293:. It is an adaptation of the first ten
452:("Kumaravyasa's Pillar") in the large
684:Kumara vyasa Karnatnataka Mahabharata
633:Kumara vyasa Karnatnataka Mahabharata
275:Kumara Vyasa's most famous work, the
7:
285:of Karnataka) is popularly known as
504:Kumara Vyasa's works belong to the
49:it lacks sufficient corresponding
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647:M. V. Nadkarni (4 October 2016).
599:Archaeology of Hampi-Vijayanagara
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506:Nadugannada (Middle-age Kannada)
104:
34:
500:Influence on Kannada literature
405:. The poet sat in front of the
326:, a form of six lined stanzas.
256:in Kannada dated to c.1425-1450
886:Jaya Bharata Jananiya Tanujate
1:
1967:List of people from Karnataka
469:, was completed in 1430 when
2063:Varnashilpi Venkatappa Award
760:Paniker, K. Ayyappa (1997).
466:Karnata Bharata Kathamanjari
341:Karnata Bharata Kathamanjari
277:Karnata Bharata Kathamanjari
369:Yudhishthira Pattabhishekha
221:who wrote the seminal work
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2142:People from Gadag district
733:Prof K.A. Nilakanta Sastri
2127:15th-century Indian poets
1747:Kannada Sahitya Sammelana
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653:. Routledge. p. 79.
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1742:Kannada Sahitya Parishat
1196:Unification of Karnataka
1962:Karnataka ethnic groups
1900:Krishnaraja Wadiyar III
739:Datta, Amaresh (1987).
388:Ashwa Medha Yaaga parva
64:more precise citations.
727:Dr. Suryanath U. Kamat
484:Kumara Vyasa lived in
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195:, a rendering of the
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1920:K. S. Narasimhaswamy
568:. BRILL. p. 3.
494:Veeranarayana temple
309:, the eldest of the
1940:G. S. Shivarudrappa
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877:Emblem of Karnataka
766:. Sahitya Akademi.
745:. Sahitya Akademi.
481:and Timmanna Kavi.
475:Vijayanagara empire
458:Kumaravyasa Bharata
398:for its narration.
380:Swargaarohana Parva
346:Dasha Parva Bharata
319:is composed in the
291:Kumaravyasa Bharata
2157:Vijayanagara poets
1850:Nijaguna Shivayogi
1254:Bangalore division
538:Kannada literature
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409:in the temple and
390:alone in his work
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297:(chapters) of the
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344:is also known as
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209:, the author of
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1830:Rudrabhatta
1775:Gunavarma I
1762:Noted poets
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1421:Chikmagalur
1297:Ramanagara
1272:Chitradurga
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403:Lord Vishnu
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367:like the
355:Kumara's
332:metaphors
219:Chamarasa
170:ನಾರಾಯಣಪ್ಪ
132:Karnataka
117:Naranappa
1890:Sarvajna
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1498:Villages
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516:See also
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311:Pandavas
174:pen name
1985:Beaches
1977:Tourism
1954:society
1930:Kuvempu
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1533:Culture
1388:Raichur
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1335:Dharwad
1330:Bijapur
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1116:Halmidi
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978:Cuisine
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851:Capital
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1734:Modern
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1431:Hassan
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1770:Asaga
1657:Epics
1451:Udupi
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1121:Hampi
1081:Belur
1013:Media
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838:State
324:metre
279:(the
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137:India
1990:Dams
1952:and
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