374:) broke out across several literary magazines as Japanese writers and critics debated whether Kurahashi's story had "literary merit" and the propriety of Hirano's promoting it, in what became a proxy war for competing views on the influence of the Communist Party in the literary world. Historian Nick Kapur argues that the Parutai debate also reflected unspoken displeasure within the male-dominated Bundan that a critic as prominent as Hirano was promoting the work of a young female author, in their view at the expense of males. Although the Parutai controversy never reached any definitive conclusion, it won Kurahashi many spoken and unspoken enemies and would shadow her throughout her career.
36:
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Kurahashi and
Kenzaburō Ōe have some biographical similarities: like Kurahashi, Ōe also was born in 1935, grew up on Shikoku, and moved to Tokyo, where he studied French literature, did graduate work on Sartre, and debuted in their student days with politically tinged short stories which drew the
280:, she moved under pressure from her father to Tokyo to obtain a certificate as a dental hygienist and for medical training. Following her completion of the requirements to take the state exam for medical practice, however, she instead entered the Department of French Literature at
595:"An Extraterrestrial ", "We Are Lovers", "The House of the Black Cat", "The Woman with the Flying Head", "The Trade", "The Witch Mask", "Spring Night Dreams", "The Passage of Dreams", "The Special Place", "Flower Abstraction", "The Long Passage of Dreams"
358:(JCP) (which was not named but strongly alluded to by the title). The story won a university-wide prize and was commended by the prominent literary critic Ken Hirano in his review in the
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354:), an acute satire on the communist left-wing sentiment commonplace among students at that time, as well as the bureaucratic dogmatism of the
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560:. The disease was incurable, but Kurahashi consistently refused even those operations which could have prolonged her life.
436:. Whether influenced by the dispute or by the death of her father in 1962, after this Kurahashi left the graduate school.
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296:. During her university years, Kurahashi was enthusiastically introduced to the body of modern literature, reading
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While studying for her master's degree, Kurahashi made her literary debut in 1960 with the publication in the
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547:(ビッグ・オーとの出会い : 続ぼくを探しに) (1982). Her last work was a new translation of Antoine de Saint-Exupéry's
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232:, questioning prevailing societal norms regarding sexual relations, violence, and social order. Her
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Recanonizing
Kurahashi Yumiko: Toward Alternative Perspectives for "Modern" "Japanese" "Literature"
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122:
878:
535:(老人のための残酷童話) (2003). Kurahashi is also known for her translation of children's literature such as
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In her later years, despite her deteriorating health, Kurahashi authored several books, including
330:
recognition of Ken Hirano. At a certain point, though, their paths diverge. Ōe went on to win the
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to accuse her of plagiarism. In Etō's view, Kurahashi's novel simply imitated the earlier novel
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Daughters of the Moon: Wish, Will, and Social
Constraint in Fiction by Modern Japanese Women
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499:(倉橋由美子の怪奇掌編) became her most popular works during her lifetime. In 1987 she was awarded the
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while the path chosen by
Kurahashi led to her ostracization by the Japanese literary world.
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In 1964 Kurahashi married
Tomihiro Kumagai, who was then working as a producer for the
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467:(スミヤキストQの冒険). A dramatic turnaround in her work was heralded by her novels such as
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479:(夢の浮橋) (1971). While she continued to author both short and long stories such as
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in the United States, where she spent about a year on a
Fulbright scholarship.
432:. A fierce debate broke out in the press; Kurahashi's defenders were joined by
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811:(1988). "The Sibyl of Negation: Kurahashi Yumiko and "Natsu no owari"".
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The
Fantastic in Modern Japanese Literature: The Subversion of Modernity
448:. Despite significant health problems, in 1966 she went to study at the
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to have
Kurahashi's story reprinted in the prominent literary magazine
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260:, the eldest daughter of Toshio and Misae Kurahashi. Her godfather was
264:, who knew her father. Her father was a family dentist in the town of
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688:. Cambridge, Massachusetts: Harvard University Press. p. 210.
362:. A controversy erupted when Hirano used his influence within the
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385:), which was also championed by Hirano and was nominated for the
604:" (1960) translated by Yukiko Tanaka and Elizabeth Hanson, in
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Japan at the
Crossroads: Conflict and Compromise after Anpo
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Japan at the
Crossroads: Conflict and Compromise after Anpo
276:. After one year studying Japanese literature at the
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377:Also in 1960, Kurahashi published the short novel
898:at JLPP (Japanese Literature Publishing Project)
737:Japanese Women Writers: A Bio-Critical Sourcebook
651:Japanese Women Writers: A Bio-Critical Sourcebook
583:The Woman with the Flying Head and Other Stories
572:(スミヤキストQの冒険, 1969) translated by Dennis Keene.
553:, which she finished one day before her death.
214:
195:
420:caused much controversy among critics and led
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529:Between the Earthly World and the Other World
8:
202:was a Japanese writer. Her married name was
740:. Greenwood Publishing Group. p. 199.
719:. Cambridge, MA: Harvard University Press.
654:. Greenwood Publishing Group. p. 199.
316:. Her thesis was devoted to an analysis of
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556:Yumiko Kurahashi died at the age of 69 of
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80:Learn how and when to remove this message
890:A Record of Travel to the Land of Amanon
240:, parody, and other elements typical of
43:This article includes a list of general
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618:, 1971) translated by Dennis Keene, in
428:(Second Thoughts) by the French writer
221:, but she wrote under her birth name.
7:
948:International Writing Program alumni
821:, Institute of East Asian Studies.
338:Literary beginnings and controversy
200:, October 10, 1935 – June 10, 2005)
370:. The so-called "Parutai Debate" (
49:it lacks sufficient corresponding
25:
943:20th-century Japanese translators
905:Brief biography and list of works
545:The Missing Piece Meets the Big O
503:for her massive antiutopian work
863:
533:Cruel Fairy Tales for Old People
501:Izumi Kyōka Prize for Literature
455:In 1969 Kurahashi published the
404:Kurahashi's 1961 novel (in fact
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497:Kurahashi's Short Ghost Stories
346:literary magazine of the story
446:Japan Broadcasting Corporation
1:
928:Writers from Kōchi Prefecture
734:Mulhern, Chieko Irie (1994).
648:Mulhern, Chieko Irie (1994).
585:translated by Atsuko Sakaki.
871:Children's literature portal
493:Cruel Fairy Tales for Adults
570:Adventures of Sumiyakista Q
465:Adventures of Sumiyakisto Q
215:
196:
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881:at J'Lit Books from Japan
848:. Hosei University: 62–74.
801:University of Hawaii Press
525:The Gallery of Fantasy Art
481:A Castle inside the Castle
614:"To Die at the Estuary" (
416:), written in the formal
332:Nobel Prize in Literature
209:
190:
819:University of California
531:(よもつひらさか往還) (2002), and
278:Kyoto Women's University
248:Early life and education
177:Kyoto Women's University
838:"倉橋由美子論 : 反世界への降下"
771:. London and New York:
64:more precise citations.
953:Japanese women writers
558:dilated cardiomyopathy
487:(シュンポシオン) (1985), and
252:Kurahashi was born in
356:Japan Communist Party
323:Being and Nothingness
713:Kapur, Nick (2018).
682:Kapur, Nick (2018).
543:(ぼくを探しに) (1977) and
477:The Bridge of Dreams
440:Later life and works
894:Amanon koku okan ki
809:Vernon, Victoria V.
495:(大人のための残酷童話), and
475:(反悲劇) (1971), and
450:University of Iowa
156:Writer, translator
828:978-0-912966-94-6
782:978-0-415-12458-4
747:978-0-313-25486-4
661:978-0-313-25486-4
624:978-0-23113-804-8
610:978-0-80471-130-2
591:978-0-76560-158-2
578:978-0-70221-329-8
550:The Little Prince
541:The Missing Piece
505:Journey to Amanon
395:Shintaro Ishihara
272:on the island of
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527:(幻想絵画館) (1991),
523:(夢の通ひ路) (1989),
483:(城の中の城) (1981),
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344:Meiji University
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507:(アマノン国往還記).
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138:(2005-06-10)
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938:2005 deaths
923:1935 births
511:Final years
434:Takeo Okuno
230:antirealist
161:Nationality
62:introducing
917:Categories
799:. Hawaii:
630:References
414:Kuroi tabi
368:Bungakukai
294:Ken Hirano
234:antinovels
153:Occupation
115:Tosayamada
108:1935-10-10
45:references
773:Routledge
635:Citations
485:Symposion
461:dystopian
406:antinovel
348:The Party
244:writing.
236:employed
793:(1999).
765:(1996).
471:(1970),
469:Virginia
310:Blanchot
238:pastiche
164:Japanese
422:Jun Etō
381:(夏の終り,
352:Parutai
350:(パルタイ,
298:Rimbaud
274:Shikoku
58:improve
842:日本文學誌要
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779:
744:
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602:Partei
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463:novel
412:(暗い旅,
397:, and
364:Bundan
318:Sartre
314:Valéry
312:, and
292:, and
210:熊谷 由美子
191:倉橋 由美子
47:, but
517:Kôkan
489:Popoi
306:Kafka
302:Camus
258:Japan
147:Japan
143:Tokyo
823:ISBN
777:ISBN
742:ISBN
721:ISBN
690:ISBN
656:ISBN
620:ISBN
606:ISBN
587:ISBN
574:ISBN
459:and
266:Kami
254:Kami
228:and
133:Died
102:Born
539:'s
268:in
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846:29
844:.
840:.
775:.
670:^
408:)
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