190:. (They may well have been available for purchase individually some months earlier.) Shortly thereafter Kurz and Allison reissued their print of the Battle of Gettysburg and designed and issued additional prints in the same format (28 by 22 inches). Three such prints were issued in 1886, three in 1887, seven in 1888, six in 1889, four in 1890, six in 1891, one in 1891, four in 1892, and one in 1893. According to Neely and Holzer (2000), Kurz and Alison, although inspired by Prang's work, did not imitate his artistic aspirations. "Kurz and Alison remained true to the popular tradition in lithography embodied in the work of Currier and Ives; Prang was aiming higher." Neely and Holzer (2000) emphasize Kurz and Allison's "antiphotographic" adherence to the traditions of popular lithography and the artistic styles of Civil War publications, in contrast to Prang's more modern style.
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290:"Prints depicting the Civil War battles by Kurz and Allison are among the most sought after collectibles of Civil War enthusiasts." according to the Martin Art Gallery, Muhlenberg College. In spite of their lack of historical accuracy, Kurz and Allison prints (or details from them) are still used as book covers and iconic images of the Civil War.
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in 1883, where Kurz then was living.) According to Neely and Holzer (2000) "The influence of the
Gettysburg cyclorama on the Kurz and Alison print is readily recognizable. … The print openly copied vignettes from the painting and in at least one instance perpetuated a historical error ..."
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The firm also produced a sizable number of black and white lithographs on religious subjects. These were marketed to localized communities with ethnic identities, often separated from their compatriots, often in the West. Many of the firm's prints were reproduced in New
Mexican
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of 1871. He then returned to
Milwaukee, and started the American Oleograph Company. He moved back to Chicago in 1878, where in 1880 he became a partner in the newly founded firm of Kurz and Allison. Alexander Allison probably provided financial backing.
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Louis Kurz first worked as a lithographer in
Milwaukee, together with Henry Sifert. After the Civil War, he was one of the founders of the Chicago Lithographing Company. He worked there until the company was destroyed in the
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Siege of
Vicksburg--13, 15, & 17 Corps, Commanded by Gen. U.S. Grant, assisted by the Navy under Admiral Porter--Surrender, July 4, 1863, by Kurz and Allison (circa 1888)
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One wonders if veterans looked at these prints with grim amusement or hateful disgust at the misrepresentation of the way Kurz and
Allison portrayed their exploits.
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in domestic settings, surrounded by their families. At least one lithograph entitled "George
Washington at Mount Vernon" (1889) is known to exist depicting
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prints, they were still sought after. They did not pretend to mirror the actual events but rather attempted to tap people's patriotic emotions. When the
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Battle of the
Wilderness--Desperate fight on the Orange C.H. Plank Road, near Todd's Tavern, May 6th, 1864. Chromolithograph by Kurz & Allison. 1887
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109:. In all, a set of 36 battle scenes were published from designs by Louis Kurz (1835–1921), himself a veteran of the war. Kurz, a native of
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on the same subject, and probably intended to profit by the popularity of the cyclorama. The cyclorama was first exhibited in
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broke out in 1898, the company created several large prints of the major battles and of the subsequent campaign of the
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and Martha's two children. The firm also produced lithographs of a number of natural US disasters which included
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1118:"Making the kite / copied by Louis Kurz, of the Chicago Lithographing Company, after Wm. Cogswell's painting"
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Causes Won, Lost, and
Forgotten: How Hollywood and Popular Art Shape What We Know about the Civil War
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758:... The ridiculous fantasies of battle art churned out after the war by Chicago's Kurz and Allison.
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105:, they built their reputation on large prints published in the mid-1880s depicting battles of the
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Kurz and
Allison also issued a series of "family prints" which showed such Civil War figures as
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In 1884, Kurz and Allison published a single print of the battle of Gettysburg inspired by
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Coles, David J.; Heidler, David Stephen; Heidler, Jeanne T.; McPherson, James M. (2002).
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copied by Louis Kurz, of the Chicago Lithographing Company, after Wm. Cogswell's painting
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The Democratic Art: Pictures for a 19th-Century America: Chromolithography, 1840–1900
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Several of the Kurz and Alison Civil War prints featured Black soldiers, including
1027:
Winter, William C. (2001). "War for the Parlor:The Kurz and Allison Lithographs".
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Encyclopedia of the American Civil War: A Political, Social, and Military History
569:"A Splendid Little War". The Spanish–American War, 1898: The Artists' Perspective
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While the prints were highly inaccurate and considered naive fantasies like
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Battles of the Civil War: the Complete Kurz & Allison Prints, 1861–1865
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The Great Conemaugh Valley Disaster -- Flood & Fire at Johnstown, Pa
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Louis Kurz (Ludwig Ferdinand Joseph Kurz von Goldenstein) by W. J. Root
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Gateway Heritage: Quarterly Journal of the Missouri Historical Society
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German-American Artists in Early Milwaukee: A Biographical Dictionary
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Kurz and Allison Civil and Spanish–American War Chromolithographs
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Galveston's awful calamity - Gulf tidal wave, September 8, 1900
895:. The University of North Carolina Press. pp. 212–217.
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in the late 19th century. Based at 267-269 Wabash Avenue in
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Neely, Mark E.; Holzer, Harold; Boritt, Gabor S. (1987).
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Neely, Mark E.; Holzer, Harold; Boritt, Gabor S. (1987).
1145:. Martin Art Gallery, Muhlenberg College. Archived from
1052:. The University of North Carolina Press. p. 182.
963:. The University of North Carolina Press. p. 218.
929:. The University of North Carolina Press. p. 214.
856:. The University of North Carolina Press. p. 212.
739:. The University of North Carolina Press. p. 219.
675:. The University of North Carolina Press. p. 210.
960:
The Union Image: Popular Prints of the Civil War North
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The Union Image: Popular Prints of the Civil War North
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The Union Image: Popular Prints of the Civil War North
853:
The Union Image: Popular Prints of the Civil War North
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The Union Image: Popular Prints of the Civil War North
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The Union Image: Popular Prints of the Civil War North
629:"Louis Kurz, Famous Artist, Friend of Lincoln Dies".
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1002:. The University of North Carolina Press. p.
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1257:Defunct publishing companies of the United States
567:Harrington, Peter, and Frederic A. Sharf (1998);
637:(1/2). University of Illinois Press: 208. 1922.
1049:The Confederate Image: Prints of the Lost Cause
736:The Confederate Image: Prints of the Lost Cause
587:The Confederate Image: Prints of the Lost Cause
117:, had emigrated to the United States in 1848.
1089:. University of New Mexico Press. p. 16.
818:. Amon Carter Museum of Western Art. p.
186:published a series of prints under the title
8:
706:The Antietam Campaign: August-september 1862
542:"Capture & Death of Sitting Bull" (1890)
21:
1083:Coulter, Lane; Dixon, Jr., Maurice (1990).
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631:Journal of the Illinois Historical Society
596:; The University of North Carolina Press (
592:Neely, Mark E, and Holzer, Harold (2000);
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1262:Publishing companies of the United States
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589:. The University of North Carolina Press.
1252:Publishing companies established in 1880
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611:(King of Prussia, PA) (OCLC: 226916567).
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201:(1893), which was unusual at the time.
16:19th-century chromolithograph publisher
1272:American companies established in 1880
957:Neely, Mark E; Holzer, Harold (2000).
923:Neely, Mark E; Holzer, Harold (2000).
889:Neely, Mark E; Holzer, Harold (2000).
850:Neely, Mark E; Holzer, Harold (2000).
669:Neely, Mark E; Holzer, Harold (2000).
136:were also illustrated by the company.
1174:. W.W. Norton & Co. p. 115.
7:
1218:Kurz and Allison Civil War Graphics
779:. Max Kade Institute. p. 59.
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709:. Da Capo Press. pp. 24–27.
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132:. Later conflicts such as the
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1206:The Philadelphia Print Shop
518:"Female Bathers No. 4" 1886
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1230:The SG-CHEM Antique Prints
773:Merrill, Peter C. (1997).
506:. November 30, 1864 (1891)
336:Battle of Lookout Mountain
97:were a major publisher of
1235:January 29, 2016, at the
810:Marzio, Peter C. (1979).
247:Great Galveston hurricane
1211:January 5, 2010, at the
392:Battle of Wilson's Creek
199:The Fort Pillow Massacre
1223:March 15, 2010, at the
607:Arader III, W. Graham.
478:Battle of San Juan Hill
420:Battle of Hampton Roads
130:Philippine–American War
1143:"Battle of Gettysburg"
450:Battle of Las Guasimas
406:Battle of Fort Sanders
364:Battle of Williamsburg
322:Battle of Spotsylvania
162:Civil War print series
144:
703:Cannan, John (1997).
280:Making the scrap book
148:Formation of the firm
142:
62:Headquarters location
49:and Alexander Allison
1149:on November 20, 2008
571:. London: Greenhill.
435:Storming Fort Wagner
195:Storming Fort Wagner
188:Prang's War Pictures
126:Spanish–American War
1122:Library of Congress
308:Battle of Princeton
241:of 1889 as well as
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992:Gallagher, Gary W.
504:Battle of Franklin
168:Paul Philippoteaux
155:Great Chicago Fire
145:
134:Russo-Japanese War
107:American Civil War
1096:978-0-8263-1525-0
1059:978-0-8078-4905-7
1013:978-0-8078-3206-6
746:978-0-8078-4905-7
464:Battle of Quingua
378:Battle of Olustee
231:Martha Washington
227:George Washington
99:chromolithographs
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85:Publication types
54:Country of origin
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1187:December 18,
1185:. Retrieved
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1151:. Retrieved
1147:the original
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77:Distribution
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197:(1890) and
184:Louis Prang
170:'s popular
1246:Categories
616:References
237:about the
205:Other work
47:Louis Kurz
1127:April 21,
249:of 1900.
172:cyclorama
1233:Archived
1221:Archived
1209:Archived
994:(2008).
643:40186836
585:(1987);
253:tinwork.
111:Salzburg
80:national
70:Illinois
294:Gallery
176:Chicago
115:Austria
103:Chicago
66:Chicago
43:Founder
35:Founded
30:Defunct
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88:Prints
72:, U.S.
27:Status
1035:: 20.
639:JSTOR
1189:2009
1176:ISBN
1155:2009
1129:2021
1104:2009
1091:ISBN
1067:2009
1054:ISBN
1008:ISBN
978:2009
965:ISBN
944:2009
931:ISBN
910:2009
897:ISBN
871:2009
858:ISBN
824:ISBN
794:2009
781:ISBN
754:2009
741:ISBN
711:ISBN
690:2009
677:ISBN
598:ISBN
558:ISBN
38:1880
1004:186
820:259
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
