29:
28:
896:
professor
Vsevolod Korshunov on April 18, 2019. They discussed various aspects of the film, including its production, financing, differences between fiction and documentary filmmaking, the typology of art (cathartic and non-cathartic), honesty in documentary cinema, and the significance of the techno
884:
journalist and film critic Yulia
Shagelman. During the session, the director noted that Russia was the most challenging and delay-prone country to obtain a specific film distribution certificate, which had to be signed personally by the Deputy Minister of Culture of the Russian Federation. Following
232:
of the
Supermarket club. After falling asleep in the hotel, he is suddenly awakened by the alarm, resulting in a prolonged moment of disorientation. This disorientation, indicative of severe sleep deprivation, is visually emphasized as he stares blankly into the camera, capturing the exhaustion and
919:
Reviewers noted the film's aesthetic, atmospheric, musical and meditative qualities, as well as its realistic approach, the decision to forego traditional interviews and adopt innovative editing. However, the film has also drawn criticism from viewers for its length, bleak tone, and unconventional
942:
in its May/June 2019 printed and online issue. Evgeny Maisel noted the peculiar dilemma of "monotony and isolation" in the DJ's profession, where the protagonist remains "detached from the joy he provides", trapped in a repetitive cycle of travel and work, all captured through Ivanov's equally
364:
Anatoly Ivanov teamed up with Yury Rysev to privately finance the project, initially miscalculating the total required by a factor of 5. A stringent cost-cutting approach enabled the feature to be produced across 5 countries on a limited budget of €100 000. The project was made possible by the
248:
In his flat in Moscow, after quickly replying to booking requests on Skype, he goes through his huge collection of vinyl techno records to prepare his next performances. A quick shave and he leaves to take a taxi for the railway station, where he boards a train for Saint
Petersburg.
256:. After nightfall, he is driven to Barakobamabar, where he plays a set. At dawn, his friends accompany him to the metro, one of them barely walking from too much drink. Pushkarev then takes the metro back to the train station, using a short-cut through Saint Petersburg down-town.
333:’s club Midi, where he plays a high-energy DJ set. The crowd responds enthusiastically, cheering, jumping, and raising their hands as the music drives the atmosphere to a peak… only to cut to the DJ waking up in the same battered BMW driving again through winter.
312:, where he plays at the club Korona to a massive audience. Asleep in the car back to Budapest, he misses the decorated down-town and gets only a couple of hours to repack at the hotel, before leaving again for the airport, restarting the loop.
240:
After a short visit to a friend in Geneva (whether male or female is not shown), he takes the plane back to Moscow. He thus completes the first "story loop", repeated with slight variations throughout the entire film, a metaphor on techno
938:— established in 1931 and one of Europe's earliest magazines specializing in film theory and review, alongside the British magazine Sight & Sound and the French magazine Cahiers du Cinéma, published a positive review of
259:
Back in Moscow, and back to the beginning of the story loop, he visits his friends and while drinking tea, debates his dream of playing techno during the day and bringing the techno club industry more in line with a healthy
208:, and reveals aspects of this profession less commonly portrayed. Shot in Switzerland, France, Hungary, Romania and Russia, the film omits the typical documentary elements: there are no interviews, no explanatory
368:
The director discussed his producer debut mistakes and the measures implemented during various Q&A sessions, including at the Moscow Center of
Documentary Film and with students at the Moscow Film School.
1816:
360:
in
February 2011 about a private Hong Kong martial arts event. He suggested to shoot a realistic DJing documentary to Andrey Pushkarev, when the two met in the director’s Paris flat shortly afterwards.
851:
in Paris, France. The screening was followed by a Q&A session and a debate on DJ health and family life, featuring DJ Simo Cell (Simon AUSSEL) and DJ Busy P (Pierre WINTER, manager of
561:, post-production started immediately after the wrap of principal photography. It took 1 year in Geneva and was delayed by technical problems, such as frame-by-frame manual removal of
866:
1746:
267:
After a short metro trip, he plays in a Moscow club Mir, after which he flies out to Geneva, again. There, he takes the same train as previously, looping in the other direction, to
1060:
833:
on
October 17, 2013, with English, French and Russian subtitles, accumulating 53 000 plays (as of September 2014, not to be confused with loads). It premiered in cinema as
880:, the only cinema in Russia exclusively dedicated to documentaries since 2013. The screening included a Q&A session with the film's protagonist and crew, moderated by
1747:
Kvadrat, un film du Franco-Russe
Anatoly Ivanov, raconte l'envers du décor de la carrière internationale du DJ Andrey Pushkarev sur une très bonne B.O. techno - Trax Mag
1486:
1335:
1530:Квадрат - Полнометражный документальный фильм, исследующий реалии профессии техно ди-джея на примере Андрея Пушкарёва, русского ди-джея, известного во всём мире - ЦДК
813:. This approach contrasts with traditional documentary methods, which often rely on exposition, staged interviews, and explanatory voice-over to communicate answers
1316:
233:
mental fatigue inherent in the DJing profession. He finally gathers his wits, dresses up, and leaves for the job in the middle of the night. After finishing his
1911:
908:. The film's main character, DJ Pushkarev, and the filmmakers left Russia, as did the majority of the Russian film industry and foreign cultural organizations.
1114:
1449:
344:
Because of budget restrictions, Anatoly Ivanov took on multiple roles, including writer, co-producer, director, cinematographer, editor, and sound engineer.
529:
Anatoly Ivanov was the only crew to shoot video and record sound for the film, carrying all the cinema equipment on himself. Therefore, he chose not to use
1976:
752:, slightly overweight and out-of-shape individual, who does not compensate nor suffer from substance abuse and does his job devoid of female attention.
1461:
817:. However, the film retains single video takes for more complex scenes, such as Airbus passenger aircraft landings and crowd dancing in nightclubs.
920:
structure, which lacks traditional character development. This polarized response aligns with critic
Vsevolod Korshunov's analysis, who described
1252:
1851:
1149:
1274:
1951:
1946:
1931:
1612:
1590:
893:
1966:
336:
Finally, he arrives at the seaside, stares at the waves and the sunset and silently walks away, leaving his bag of vinyls on the beach.
1057:
1961:
1926:
1906:
1891:
962:
soundtrack, and its unique portrayal of the DJing profession—a perspective that remains rare in cinematic depictions of the industry.
1657:
212:, facts or data is provided. It gives priority to the soundtrack of techno music, leaving the detailed interpretation to the viewer.
1901:
1896:
1856:
1434:
275:. Greeted by the club promoter, he goes directly to the local club Terminus, where technical problems hamper his performance. The
1956:
225:
1811:
1881:
1866:
1332:
740:, self-destruction, absurdity, loneliness, purpose of art and stereotypes of the artist. Unlike in mainstream films such as
1886:
1871:
1861:
1841:
1826:
473:
326:
295:
1672:
1407:
1152:
Exclusive
Interview with Andrey Pushkarev and Anatoly Ivanov - Silence in Music & the Kvadrat Movie, November 6, 2014
885:
a fully-booked event, the film was shown again in response to audience demand and continued its theatrical distribution.
365:
dedication of the crew, who volunteered their time and effort, working for several years without financial compensation.
1876:
1846:
1831:
1821:
1133:
511:
began on August 27, 2011, ended on July 16, 2012 and lasted 55 days (if counting the days when the camera was rolling).
279:
turntable refuses to switch the playback speed from 45 rpm to 33 rpm. Later, a club technician bumps his elbow into the
1354:
1313:
1971:
1916:
1836:
958:
continues to be recognized by major techno music press and viewers worldwide for its immersive quality, its unmatched
944:
901:
283:. Tired, Pushkarev takes a cab to the hotel, where he checks his in-coming booking requests on the notebook computer.
1233:
237:, he leaves the club to take the train to Geneva. While en route, instead of admiring the Alpine scenery, he sleeps.
892:, followed by a Q&A between the students and the director, moderated by TedX cinema presenter, film critic, and
1921:
1645:
1111:
716:
1195:"Kvadrat in MFS (Moscow Film School) _ Q&A with Vsevolod Korshunov and Anatoly Ivanov (subtitled EN, FR, RU)"
948:
785:, fiction techniques such as multiple takes and separate, non-synced audio-video recording are employed. Complex
1529:
229:
1633:
489:
189:
68:
837:
493:
481:
508:
261:
1487:"Kvadrat @ Peacock Festival 2016 Q&A and DJs discussion - audio and text transcript in EN, FR, RU"
1249:
1591:"Projection du documentaire "Kvadrat" et rencontre avec le réalisateur - Institut Français en Russie"
870:
519:
1806:
1271:
1648:
Kvadrat, russisches Road-Movie & Musik-Dokumentation über den Alltag von DJs, October 20, 2013
1121:
Un Interview d’Anatoly IVANOV | Artiste Autodidacte et Radical, par Peter Gabor, October 15, 2014
951:
due to his political dissent and fled the country. Iskusstvo Kino ceased publication in May 2023.
1452:
Die Dokumentation ‘Kvadrat’ wurde zum ‘Kommt Zusammen’-Festival in Rostock gezeigt, June 19, 2014
1166:"Kvadrat in DFC (Documentary Film Center) _ Q&A with Andrey Pushkarev (subtitled EN, FR, RU)"
798:
855:
from 1996 to early 2008 and current Ed Banger Records manager). The discussion was moderated by
1669:
1473:
1780:
1370:
983:
737:
733:
221:
760:
Anatoly Ivanov combined elements of a road movie and a music video, creating a modern techno
1721:
1001:
987:
971:
617:
485:
276:
172:
1936:
1750:
1676:
1533:
1438:
1358:
1339:
1320:
1278:
1256:
1237:
1137:
1118:
1064:
916:
The public and press were surprised by a stealthy release without any marketing campaign.
848:
745:
594:
562:
558:
178:
written, co-produced, and directed by Anatoly Ivanov. The film explores the realities of
1431:
1941:
997:
935:
786:
741:
693:"The Hills (John Selway Dub)" by Filippo Mancinelli and Allen May – Darkroom Dubs, 2011
590:
302:
577:
The film features 35 tracks played by DJ Pushkarev, representing various subgenres of
1800:
834:
690:"That Day (Loudeast Black Label Remix)" by DJ Grobas – Thrasher Home Recordings, 2004
1099:
1076:
1033:
252:
Once in Saint Petersburg, he waits at a friend’s flat, while listening to tracks on
1194:
979:
790:
761:
538:
530:
497:
242:
175:
900:
The Moscow Center of Documentary Film was subsequently closed at the start of the
294:
to Paris. After a performance at the 4 Éléments bar, he continues his trip to the
1045:
929:
566:
523:
435:
330:
298:
197:
1508:
1568:
1411:
1165:
1130:
1012:
959:
881:
765:
650:"Blacktro (Demo 1)" by Jerome Sydenham and Joe Claussell – UK Promotions, 2007
623:"Tammer (David Duriez Remix From Da Vault)" by Phonogenic – 20:20 Vision, 2000
586:
582:
534:
209:
193:
1342:
Kvadrat: Russian road-movie by the side of Andrey Pushkarev, October 29, 2013
865:, an organization dedicated to promoting French films abroad, managed by the
638:"Grand Theft Vinyl (JV Mix)" by Green Thumb vs JV – So Sound Recordings, 2004
315:
He flies back to the Zurich hub, where he changes for a flight to Bucharest.
1569:"Where have all the good films gone? - Vsevolod Korshunov - TEDxSadovoeRing"
1351:
862:
852:
678:
641:"Tobacco (Alveol Mix)" by Kiano Below Bangkok – Only Good Shit Records, 2011
542:
357:
205:
1688:
770:
1230:
1791:
1785:
1067:
Kvadrat Documentary Shows The Realities Of Techno DJing, January 31, 2014
1034:
Director Anatoly Ivanov’s article about the production details of Kvadrat
991:
802:
700:
684:"Altered State (Artificial Remix)" by Jason Vasilas – Tangent Beats, 2004
464:
457:
287:
253:
1774:
1546:
1293:– a feature documentary about the filming of Kvadrat, by Anatoly Ivanov
1160:
1158:
877:
841:
794:
477:
451:
430:
319:
280:
1613:"Документальный фильм "Квадрат" - Показ и встреча с режиссёром - МШК"
1007:
975:
806:
674:"Libido" by Sean Palm and Charlie Mo – Railyard Recordings, 2008
607:"La Grippe (Helly Larson Remix)" by George Soliis – Wasabi, 2011
578:
234:
179:
1660:
New Documentary Looks At The Reality Of Techno DJing, April 30, 2014
847:
The film was screened multiple times during the 2016 edition of the
647:"Circular Motion (Vivid)" by Christian Linder – Phono Elements, 2002
565:
on the footage from the cameras and inadequate computer hardware (a
1189:
1187:
1185:
1183:
904:, its team disbanded, and further screenings were cancelled due to
889:
830:
549:
exclusively with a handheld rig. No additional lighting was used.
515:
417:
393:
309:
268:
182:
1302:
768:
of fiction films to non-fiction footage. By avoiding documentary
662:"Lullaby For Rastko (Herb LF Remix)" by Petkovski – Farside, 2011
1323:
Kvadrat – Film über das Jetsetting von Techno-DJs, April 8, 2014
826:
272:
220:
DJ Andrey Pushkarev wakes up in his Moscow apartment, packs his
1679:«Квадрат». Фильм с участием Андрея Пушкарева, October 22, 2013
1290:
947:, the magazine's editor-in-chief, Anton Dolin, was declared a
291:
1394:
1382:
1218:
873:
to help relaunch a Russian distribution campaign in cinemas.
1636:- Вышел фильм о «реалиях техно диджейства», October 17, 2013
954:
Despite the destruction of lives, cooperation, and culture,
856:
1767:
778:
category that lies between fiction and documentary genres.
728:
Besides the obvious facade of DJ work seen in a nightclub,
186:
687:"Modern Times (Dub Mix)" by Hatikvah – Baalsaal, 2009
329:, one of the deadliest in Romania’s history, to arrive in
943:
self-restrained minimalism. In 2022, during the ongoing
635:"Warriors" by Two Armadillos – Secretsundaze Music, 2007
626:"Track B1" by Slowhouse Two – Slowhouse Recordings, 2008
228:, to fly to Zurich. Upon arriving, he is greeted by the
1000:— a German fiction film about DJ and composer Ickarus (
696:"Running Man" by Petar Dundov – Music Man Records, 2007
644:"When The Dark Calls" by Pop Out and Play – Alola, 2001
613:"Mauna Loa" by Mick Rubin – Musik Gewinnt Freunde, 2009
1817:
Documentary films about electronic music and musicians
932:
that has resonated negatively with certain audiences.
712:"Can U Hear Shapes?" by Pop Out and Play – Alola, 2001
706:"Lucky Punch" by Peter Dildo – Trackdown Records, 2006
616:"Soul Sounds (Freestyle Man Original Dope Remix)" by
604:"Direct" by Kris Wadsworth – NRK Sound Division, 2009
1267:
1265:
809:
to convey ideas, evoke emotions, and pose questions
764:
with minimal dialogue. He intentionally applied the
748:, these topics are presented from a viewpoint of a
632:"Acid Face" by Scott Findley – Iron Box Music, 2003
322:, where he plays at club Krypton without any rest.
156:
148:
131:
121:
98:
90:
82:
74:
64:
54:
46:
38:
21:
665:"Agape Dub" by Luke Hess – Modelisme Records, 2009
1095:
1093:
1091:
1089:
1087:
1085:
671:"The Time" by Vizar – Jato Unit Analog, 2011
356:after completing an impromptu 30-minute short in
325:The next day, he sleeps in the car during a huge
1702:, by Sianne Ngai, 2005, Harvard University Press
1432:Lichtspieltheater Wundervoll cinema programming
732:explores the lesser-known themes of DJ travel,
659:"Willpower" by Joshua Collins – Prolekult, 2002
1029:
1027:
867:Centre national du cinéma et de l'image animée
308:The local crew transport him from Budapest to
653:"Green Man" by Mr. Bizz – Deepindub.org, 2008
629:"Post" by Claro Intelecto – Modern Love, 2011
545:, tripods, sliders or car mounts, and filmed
8:
1722:"У редакции "Искусства кино" два объявления"
1077:Kvadrat original synopsis from February 2011
601:"Abyss" by Manoo – Deeply Rooted House, 2008
185:, in particular the experiences of Russian
1100:Kvadrat director’s thoughts about his film
656:"Tahiti" by Ben Rourke – Stuga Musik, 2011
318:Picked-up at the airport, he is driven to
27:
18:
709:"Live Jam 1" by Rhauder – Polymorph, 2011
668:"Glacial Valley" by Makam – Pariter, 2011
204:depicts the festive atmosphere of techno
1711:Evgeny Maisel, Iskusstvo Kino, 5/6, 2019
876:The film premiered in April 2019 at the
610:"Air" by Havantepe – Styrax Leaves, 2007
569:and a pair of Sony MDR7506 headphones).
305:, where he boards a flight to Budapest.
1023:
380:was filmed exclusively on location in:
859:'s Patrick THÉVENIN and Arnaud WYART.
840:during the Kommt Zusammen festival in
488:, and on public transport in Geneva’s
286:In the morning, he takes the train to
1371:Kvadrat director tweet about the film
1214:
1212:
1140:– Маргарита Лысенко, October 30, 2013
974:— an American documentary film about
7:
1912:Musical films based on actual events
1281:Digital Media World, March 13, 2014
514:The film was shot in the spherical
1977:English-language documentary films
888:The film was also screened at the
801:…) are used alongside exhibition,
677:"Ahck (Jichael Mackson Remix)" by
352:Anatoly Ivanov formed an idea for
224:into a rolling bag and leaves for
14:
1408:"Kommt Zusammen festival program"
878:Moscow Center of Documentary Film
825:The film was quietly released in
1615:(in Russian). Moscow Film School
703:– Imbalance Computer Music, 2000
192:. Filmed as a hybrid between a
1593:(in French). Institut Français
1547:"Yulia Shagelman - Kommersant"
844:, Germany, on April 18, 2014.
472:And during regular flights by
1:
1852:Films set in Saint Petersburg
1952:2010s English-language films
1947:2013 directorial debut films
1932:2010s Russian-language films
1004:) struggling with drug abuse
774:, Ivanov sought to create a
1303:Kvadrat official track list
945:Russian invasion of Ukraine
902:Russian invasion of Ukraine
553:Editing and post-production
522:cameras and just two Canon
1993:
1967:Russian multilingual films
1753: (archived 2019-06-21)
1536: (archived 2020-02-17)
1464:Mitternachtskino - Kvadrat
1361:Reingeschaut, May 12, 2014
518:HD format using a pair of
107:October 17, 2013
1962:French multilingual films
1927:Russian documentary films
1907:Russian independent films
1892:Films shot in Switzerland
1728:(in Russian). 17 May 2023
719:– Statra Recordings, 2001
26:
1902:French independent films
1897:French documentary films
1857:Films set in Switzerland
1689:ALAAF and KICKIN’ review
1549:(in Russian). Kommersant
849:Peacock Society Festival
1957:2013 multilingual films
869:, partnered with the L'
290:where he changes for a
1812:2013 documentary films
1259:Issue 2014-01, page 16
494:Saint Petersburg Metro
1882:Films shot in Romania
1867:Films shot in Hungary
1509:"Kvadrat - Unifrance"
1489:. Anatoly IVANOV .com
1314:Berlin Mitte Institut
509:Principal photography
33:One-sheet film poster
1887:Films shot in Russia
1872:Films shot in Moscow
1862:Films shot in France
1842:Films set in Romania
1827:Films set in Hungary
581:music, ranging from
480:, train journeys by
1877:Films shot in Paris
1847:Films set in Russia
1832:Films set in Moscow
1822:Films set in France
1250:Visual Imaging News
1131:Музыка в «Квадрате»
1972:2010s French films
1917:French road movies
1837:Films set in Paris
1675:2014-10-16 at the
1437:2014-07-14 at the
1357:2014-07-14 at the
1338:2015-05-08 at the
1319:2014-07-14 at the
1277:2014-07-14 at the
1255:2014-07-14 at the
1236:2014-11-15 at the
1136:2014-12-28 at the
1117:2015-03-27 at the
1063:2015-07-07 at the
890:Moscow Film School
226:Domodedovo airport
1922:2010s road movies
1476:Kinos aus Rostock
1036:February 17, 2014
984:Wighnomy Brothers
871:Institut Français
738:sleep deprivation
620:– Moodmusic, 2005
524:still-photography
327:snowstorm of 2012
164:
163:
1984:
1771:
1770:
1768:Official website
1754:
1744:
1738:
1737:
1735:
1733:
1718:
1712:
1709:
1703:
1697:
1691:
1686:
1680:
1667:
1661:
1655:
1649:
1646:Das Schöne Leben
1643:
1637:
1631:
1625:
1624:
1622:
1620:
1609:
1603:
1602:
1600:
1598:
1587:
1581:
1580:
1578:
1576:
1565:
1559:
1558:
1556:
1554:
1543:
1537:
1527:
1521:
1520:
1518:
1516:
1505:
1499:
1498:
1496:
1494:
1483:
1477:
1474:kinoprogramm.com
1471:
1465:
1459:
1453:
1447:
1441:
1429:
1423:
1422:
1420:
1419:
1410:. Archived from
1404:
1398:
1392:
1386:
1380:
1374:
1373:October 17, 2013
1368:
1362:
1349:
1343:
1330:
1324:
1311:
1305:
1300:
1294:
1288:
1282:
1272:The DJ’s Journey
1269:
1260:
1247:
1241:
1240:– Kvadrat (2013)
1228:
1222:
1216:
1207:
1206:
1204:
1202:
1191:
1178:
1177:
1175:
1173:
1162:
1153:
1147:
1141:
1128:
1122:
1109:
1103:
1097:
1080:
1074:
1068:
1055:
1049:
1043:
1037:
1031:
1002:Paul Kalkbrenner
988:Philip Sherburne
972:Speaking in Code
681:– Wir, 2007
567:2011 MacBook Pro
520:Canon 1D mark IV
448:Saint Petersburg
277:Technics SL-1210
190:Andrey Pushkarev
152:English, Russian
114:
112:
69:Andrey Pushkarev
31:
19:
1992:
1991:
1987:
1986:
1985:
1983:
1982:
1981:
1797:
1796:
1766:
1765:
1762:
1757:
1751:Wayback Machine
1745:
1741:
1731:
1729:
1720:
1719:
1715:
1710:
1706:
1698:
1694:
1687:
1683:
1677:Wayback Machine
1668:
1664:
1656:
1652:
1644:
1640:
1632:
1628:
1618:
1616:
1611:
1610:
1606:
1596:
1594:
1589:
1588:
1584:
1574:
1572:
1567:
1566:
1562:
1552:
1550:
1545:
1544:
1540:
1534:Wayback Machine
1528:
1524:
1514:
1512:
1507:
1506:
1502:
1492:
1490:
1485:
1484:
1480:
1472:
1468:
1460:
1456:
1448:
1444:
1439:Wayback Machine
1430:
1426:
1417:
1415:
1406:
1405:
1401:
1393:
1389:
1381:
1377:
1369:
1365:
1359:Wayback Machine
1350:
1346:
1340:Wayback Machine
1331:
1327:
1321:Wayback Machine
1312:
1308:
1301:
1297:
1289:
1285:
1279:Wayback Machine
1270:
1263:
1257:Wayback Machine
1248:
1244:
1238:Wayback Machine
1229:
1225:
1217:
1210:
1200:
1198:
1193:
1192:
1181:
1171:
1169:
1164:
1163:
1156:
1148:
1144:
1138:Wayback Machine
1129:
1125:
1119:Wayback Machine
1110:
1106:
1098:
1083:
1075:
1071:
1065:Wayback Machine
1056:
1052:
1044:
1040:
1032:
1025:
1021:
968:
928:, a concept by
914:
897:DJ profession.
823:
758:
726:
717:Charles Webster
715:"Be No-One" by
575:
559:Final Cut Pro X
555:
506:
375:
350:
342:
218:
144:
124:
117:
110:
108:
101:
94:various artists
59:
34:
17:
12:
11:
5:
1990:
1988:
1980:
1979:
1974:
1969:
1964:
1959:
1954:
1949:
1944:
1939:
1934:
1929:
1924:
1919:
1914:
1909:
1904:
1899:
1894:
1889:
1884:
1879:
1874:
1869:
1864:
1859:
1854:
1849:
1844:
1839:
1834:
1829:
1824:
1819:
1814:
1809:
1799:
1798:
1795:
1794:
1783:
1772:
1761:
1760:External links
1758:
1756:
1755:
1739:
1726:Искусство кино
1713:
1704:
1692:
1681:
1662:
1650:
1638:
1626:
1604:
1582:
1560:
1538:
1522:
1500:
1478:
1466:
1454:
1442:
1424:
1399:
1387:
1375:
1363:
1344:
1325:
1306:
1295:
1283:
1261:
1242:
1223:
1208:
1179:
1154:
1142:
1123:
1112:Le Monde Blogs
1104:
1081:
1069:
1050:
1038:
1022:
1020:
1017:
1016:
1015:
1010:
1005:
998:Berlin Calling
995:
967:
964:
936:Iskusstvo Kino
913:
910:
822:
819:
757:
754:
742:Berlin Calling
725:
722:
721:
720:
713:
710:
707:
704:
697:
694:
691:
688:
685:
682:
675:
672:
669:
666:
663:
660:
657:
654:
651:
648:
645:
642:
639:
636:
633:
630:
627:
624:
621:
614:
611:
608:
605:
602:
591:minimal techno
574:
571:
554:
551:
505:
504:Cinematography
502:
470:
469:
468:
467:
461:
455:
449:
446:
440:
439:
438:
433:
428:
422:
421:
420:
415:
409:
408:
407:
404:
398:
397:
396:
391:
388:
374:
371:
349:
346:
341:
338:
217:
214:
162:
161:
158:
154:
153:
150:
146:
145:
143:
142:
139:
135:
133:
129:
128:
125:
122:
119:
118:
116:
115:
104:
102:
99:
96:
95:
92:
88:
87:
86:Anatoly Ivanov
84:
80:
79:
78:Anatoly Ivanov
76:
75:Cinematography
72:
71:
66:
62:
61:
60:Anatoly Ivanov
56:
52:
51:
50:Anatoly Ivanov
48:
44:
43:
42:Anatoly Ivanov
40:
36:
35:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1989:
1978:
1975:
1973:
1970:
1968:
1965:
1963:
1960:
1958:
1955:
1953:
1950:
1948:
1945:
1943:
1940:
1938:
1935:
1933:
1930:
1928:
1925:
1923:
1920:
1918:
1915:
1913:
1910:
1908:
1905:
1903:
1900:
1898:
1895:
1893:
1890:
1888:
1885:
1883:
1880:
1878:
1875:
1873:
1870:
1868:
1865:
1863:
1860:
1858:
1855:
1853:
1850:
1848:
1845:
1843:
1840:
1838:
1835:
1833:
1830:
1828:
1825:
1823:
1820:
1818:
1815:
1813:
1810:
1808:
1805:
1804:
1802:
1793:
1789:
1788:
1784:
1782:
1778:
1777:
1773:
1769:
1764:
1763:
1759:
1752:
1748:
1743:
1740:
1727:
1723:
1717:
1714:
1708:
1705:
1701:
1700:Ugly Feelings
1696:
1693:
1690:
1685:
1682:
1678:
1674:
1671:
1666:
1663:
1659:
1654:
1651:
1647:
1642:
1639:
1635:
1634:Nightparty.ru
1630:
1627:
1614:
1608:
1605:
1592:
1586:
1583:
1570:
1564:
1561:
1548:
1542:
1539:
1535:
1531:
1526:
1523:
1510:
1504:
1501:
1488:
1482:
1479:
1475:
1470:
1467:
1463:
1458:
1455:
1451:
1450:StepCamera.de
1446:
1443:
1440:
1436:
1433:
1428:
1425:
1414:on 2014-07-14
1413:
1409:
1403:
1400:
1396:
1391:
1388:
1384:
1379:
1376:
1372:
1367:
1364:
1360:
1356:
1353:
1348:
1345:
1341:
1337:
1334:
1329:
1326:
1322:
1318:
1315:
1310:
1307:
1304:
1299:
1296:
1292:
1287:
1284:
1280:
1276:
1273:
1268:
1266:
1262:
1258:
1254:
1251:
1246:
1243:
1239:
1235:
1232:
1231:Shot on What?
1227:
1224:
1220:
1215:
1213:
1209:
1196:
1190:
1188:
1186:
1184:
1180:
1167:
1161:
1159:
1155:
1151:
1146:
1143:
1139:
1135:
1132:
1127:
1124:
1120:
1116:
1113:
1108:
1105:
1101:
1096:
1094:
1092:
1090:
1088:
1086:
1082:
1079:June 23, 2014
1078:
1073:
1070:
1066:
1062:
1059:
1054:
1051:
1047:
1046:FilmStarts.de
1042:
1039:
1035:
1030:
1028:
1024:
1018:
1014:
1011:
1009:
1006:
1003:
999:
996:
994:and David Day
993:
989:
985:
981:
977:
973:
970:
969:
965:
963:
961:
957:
952:
950:
949:foreign agent
946:
941:
937:
933:
931:
927:
926:ugly feelings
924:as a play on
923:
917:
911:
909:
907:
906:force majeure
903:
898:
895:
891:
886:
883:
879:
874:
872:
868:
864:
860:
858:
857:Trax Magazine
854:
850:
845:
843:
839:
836:
832:
828:
820:
818:
816:
812:
808:
804:
800:
796:
792:
788:
784:
779:
777:
773:
772:
767:
763:
755:
753:
751:
747:
743:
739:
735:
731:
723:
718:
714:
711:
708:
705:
702:
698:
695:
692:
689:
686:
683:
680:
676:
673:
670:
667:
664:
661:
658:
655:
652:
649:
646:
643:
640:
637:
634:
631:
628:
625:
622:
619:
615:
612:
609:
606:
603:
600:
599:
598:
596:
592:
588:
584:
580:
572:
570:
568:
564:
560:
552:
550:
548:
544:
540:
536:
532:
527:
525:
521:
517:
512:
510:
503:
501:
499:
495:
491:
487:
483:
479:
475:
466:
462:
459:
456:
453:
450:
447:
444:
443:
441:
437:
434:
432:
429:
426:
425:
423:
419:
416:
413:
412:
410:
405:
402:
401:
399:
395:
392:
389:
386:
385:
383:
382:
381:
379:
372:
370:
366:
362:
359:
355:
347:
345:
339:
337:
334:
332:
328:
323:
321:
316:
313:
311:
306:
304:
300:
297:
293:
289:
284:
282:
278:
274:
270:
265:
263:
257:
255:
250:
246:
244:
238:
236:
231:
227:
223:
222:vinyl records
215:
213:
211:
207:
203:
199:
195:
191:
188:
184:
181:
177:
174:
170:
169:
160:€100 000
159:
155:
151:
147:
140:
137:
136:
134:
130:
126:
120:
106:
105:
103:
97:
93:
89:
85:
81:
77:
73:
70:
67:
63:
57:
53:
49:
45:
41:
37:
30:
25:
20:
1786:
1775:
1742:
1730:. Retrieved
1725:
1716:
1707:
1699:
1695:
1684:
1665:
1653:
1641:
1629:
1617:. Retrieved
1607:
1595:. Retrieved
1585:
1573:. Retrieved
1563:
1551:. Retrieved
1541:
1525:
1513:. Retrieved
1503:
1491:. Retrieved
1481:
1469:
1462:0381 Magazin
1457:
1445:
1427:
1416:. Retrieved
1412:the original
1402:
1395:Kvadrat (ru)
1390:
1383:Kvadrat (fr)
1378:
1366:
1347:
1328:
1309:
1298:
1291:Kvadrat Gear
1286:
1245:
1226:
1221:- end-titles
1219:Kvadrat (en)
1199:. Retrieved
1170:. Retrieved
1145:
1126:
1107:
1072:
1053:
1041:
980:Modeselektor
955:
953:
939:
934:
925:
921:
918:
915:
905:
899:
887:
875:
861:
846:
824:
814:
810:
791:sound design
782:
780:
775:
769:
759:
749:
729:
727:
576:
556:
546:
528:
513:
507:
498:Moscow Metro
471:
384:Switzerland
377:
376:
367:
363:
353:
351:
343:
335:
324:
317:
314:
307:
285:
266:
258:
251:
247:
239:
219:
201:
176:feature film
167:
166:
165:
123:Running time
100:Release date
1619:1 September
1597:1 September
1575:1 September
1553:1 September
1515:1 September
1511:. Unifrance
1493:1 September
1201:1 September
1172:1 September
1150:MEOKO Press
1102:8 July 2014
1058:Pulse Radio
930:Sianne Ngai
829:quality on
557:Editing in
482:SBB CFF FFS
463:Stepanovo,
436:Cluj-Napoca
348:Development
331:Cluj-Napoca
243:music loops
206:night clubs
198:music video
173:documentary
127:107 minutes
55:Produced by
39:Directed by
1807:2013 films
1801:Categories
1658:Synthtopia
1418:2014-07-10
1352:Diffus Mag
1019:References
1013:Dub techno
960:dub techno
882:Kommersant
815:explicitly
811:implicitly
766:aesthetics
587:dub techno
583:deep house
563:hot pixels
543:steadicams
460:, Udmurtia
454:, Udmurtia
373:Locations
340:Production
210:voice-over
194:road-movie
171:is a 2013
111:2013-10-17
58:Yury Rysev
47:Written by
16:2013 film
1333:Mixing.dj
1197:. Ektaron
1168:. Ektaron
912:Reception
863:Unifrance
853:Daft Punk
807:symbolism
803:metaphors
699:"Ice" by
679:Minilogue
427:Bucharest
406:Marseille
358:Cantonese
262:lifestyle
149:Languages
132:Countries
83:Edited by
1792:AllMovie
1673:Archived
1435:Archived
1397:on Vimeo
1385:on Vimeo
1355:Archived
1336:Archived
1317:Archived
1275:Archived
1253:Archived
1234:Archived
1134:Archived
1115:Archived
1061:Archived
992:Monolake
978:artists
966:See also
746:Basquiat
701:Monolake
589:through
526:lenses.
465:Udmurtia
458:Votkinsk
424:Romania
414:Budapest
411:Hungary
288:Lausanne
254:Beatport
230:promoter
91:Music by
65:Starring
1787:Kvadrat
1776:Kvadrat
1749:at the
1732:23 July
1532:at the
1048:Kvadrat
956:Kvadrat
940:Kvadrat
922:Kvadrat
842:Rostock
821:Release
783:Kvadrat
771:clichés
762:musical
734:fatigue
730:Kvadrat
595:electro
547:Kvadrat
531:dollies
478:Izhavia
452:Izhevsk
442:Russia
431:Craiova
400:France
378:Kvadrat
354:Kvadrat
320:Craiova
281:tonearm
202:Kvadrat
168:Kvadrat
109: (
22:Kvadrat
1937:Techno
1670:Mixmag
1571:. TedX
1008:Techno
976:techno
805:, and
750:normal
724:Themes
579:techno
535:cranes
445:Moscow
390:Geneva
387:Zurich
303:Zurich
235:DJ set
196:and a
180:techno
157:Budget
141:Russia
138:France
1942:DJing
831:Vimeo
799:foley
776:third
756:Genre
618:Sasse
573:Music
516:1080p
474:SWISS
418:Kecel
403:Paris
394:Olten
310:Kecel
296:SWISS
269:Olten
183:DJing
1781:IMDb
1734:2023
1621:2024
1599:2024
1577:2024
1555:2024
1517:2024
1495:2024
1203:2024
1174:2024
894:VGIK
827:720p
593:and
539:jibs
496:and
476:and
273:Bern
271:via
216:Plot
1790:at
1779:at
838:DCP
795:ADR
787:VFX
781:In
744:or
585:to
490:TPG
486:RZD
301:in
299:hub
292:TGV
1803::
1724:.
1264:^
1211:^
1182:^
1157:^
1084:^
1026:^
990:,
986:,
982:,
835:2K
797:,
793:(
789:,
736:,
597::
541:,
537:,
533:,
500:.
492:,
484:,
264:.
245:.
200:,
187:DJ
1736:.
1623:.
1601:.
1579:.
1557:.
1519:.
1497:.
1421:.
1205:.
1176:.
113:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.