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jewelry. In 1959, Barck Wells transferred the shop to four of the craftsmen; Robert Bower, Daniel
Pederson, Arne Myhre, and Yngve Olsson. Barck hired women designers almost exclusively, although the immigrant Scandinavian craftsmen were male. At its peak, Kalo employed 25 silversmiths. After Barck's retirement, the firm continued to produce the pieces designed under her leadership until 1970, when it closed, due to the difficulty of finding young people willing to apprentice as silversmiths. In the summer 1992 issue of
59:, Bower, the last, surviving Kalo silversmith, explained to an interviewer that, "We ran out of silversmiths. In the last year we lost our three top silversmiths; men who could not be replaced. It was difficult trying to find men willing to learn silversmithing and it took years to train them."
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The group, at first, worked in a variety of materials and media including burnt wood and leather but by the time the
Chicago shop was opened in 1914, it was focused on silver, copper, and jewelry, though it rapidly transitioned to hand wrought silver flatware and hollowware, and gold and silver
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51:(1868-1965) was the group's leader and most notable member. The other founders were: Bertha Hall, Rose Dolese, Grace Gerow, Ruth Raymond, and Bessie McNeal.
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Metalsmiths, jewelers, designers and crafts workers seated in front of the Kalo Arts Crafts, c. 1910
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Today, Kalo pieces bring high prices at auction and belong to the collections of major museums.
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81:"The Kalo Shop, a Mecca for Arts and Crafts Sterling Silver"
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37:Kalo Arts and Crafts Community House
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79:Keane, Maribeth (1 August 2008).
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192:"Chicago silver: The Kalo Shop"
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106:"The Kalo Shops; 1900-1970"
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224:. Art Institute of Chicago
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273:. Smithsonian Institution
304:Arts and Crafts movement
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33:Arts and Crafts movement
112:. Cooper Hewitt Museum
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299:American silversmiths
172:. The Kalo Foundation
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271:"Clara Barck Welles"
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83:. Collectors Weekly
218:"Kalo Shop (firm)"
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244:"Pitcher"
222:artic.edu
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