349:" trope common in Western films about Asia. "Gone are the strange two-dimensional stereotypes so favoured by patronising, prejudiced and, it has to be said, racist Hollywood production teams, and in are the complexities, nuances, weaknesses, and plain humanity of ordinary Japanese. Thus, while recognising that Takuma is considerably older and wiser than Ken, the film is not tempted to descend into orientalist fantasies of portraying him as an eastern mystic. Instead we are left in no doubt that Takuma is simply a man who has experienced much in life and who has made, and learnt from, his own mistakes."
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According to Gagnon, the film was originally inspired by the fact that his own daughter had at least six of her school friends commit suicide while she was a teenager. The original draft of the screenplay, written in the 1990s, did not incorporate the
Japanese aspect, with the uncle instead being a
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rated it "18A". Although it has some sexual content that was generally accepted as not suitable for very young children, the content was mild and not explicit; no other film rating agency in the world had previously deemed it inappropriate for teenagers, and many of its prior screenings at film
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Smiley, an active athlete, was cast in the lead role despite being more physically fit than Gagnon intended his character to be, and spent several months not exercising and changing his diet to lose muscle mass in preparation for the role. He is also not of Asian descent, but was cast due to an
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praised the performances, writing that "Enhancing the central metaphor are sure turns by the leads. Smiley toned down a sculpted physique to play the initially surly Ken, and his performance is a quiet jewel of unarticulated grief augmented by dawning confidence. Fuji, star of
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after having to invest his own money in the film. After rebuilding his career and financial stability through other writing, directing and acting work, he rewrote the film's screenplay and commenced production in the 2000s.
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The film won five awards at the
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Michael
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festivals had been in youth-oriented programs. The rating was successfully appealed, and dropped to "14A" by the time of the screening.
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Brendan Kelly, "Fittingly sodden debut: Rain 'lucky' for
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The film faced some controversy in advance of its screening at the
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In
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Kathryn
Greenaway, "Actor goes from grief to glory".
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Electronic
Journal of Contemporary Japanese Studies
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Electronic
Journal of Contemporary Japanese Studies
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