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men with women and children and he would hope that they would come to his aid in similar circumstances. In the mine itself, a trio of German miners breaks through the grille on the border between the two countries. On the French side, an old retired miner sneaks into the shaft hoping to rescue his young grandson. The
Germans rescue the French miners, not without difficulties. After all the survivors are rescued, there is a big party with speeches about friendship between the French and Germans. French and German officials then reinstall the underground border grille and things return to the way they were before.
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604:, praised the realism and the screenplay, writing " one of the finest examples of realism that has come to the screen ... scenes in the mine are so real that one never thinks of them as being staged ... hroughout the length of this tale of horror one feels as though one were permitted through some uncanny force to look into all parts of the mine ...All the noises and sounds are wonderfully natural."
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Three German miners visit a French dance hall and one almost provokes a fight when
Francoise, a young French woman, refuses to dance with him. The rejected miner thinks it is because he's German, but it is actually because she is tired. She and her boyfriend, Emile, a miner, leave, and she expresses
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The fire gets out of control, igniting gas and causing roof collapses that traps many French miners. In response, the German miner, Wittkopp, appeals successfully to his bosses to send a rescue team. As the German rescue team leave in two lorries, its leader explains to his wife that the French are
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also gave the film a positive review, praising the direction, story, and cinematography, writing that "Pabst has made a powerful recounting and accentuates more the happenings than the men ... Photography and architecture are excellent and the sound is clear. Picture is sometimes abrupt and there
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the border changes, and an underground mine is divided, with a gate dividing the two sections. An economic downturn and rising unemployment adds to tension, as German workers seek employment in France but are turned away, since there are hardly enough jobs for French workers. In the French part of
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Film critic Daniel Curran calls the film "A heartfelt plea for peace and internationalism." While calling the narrative over-sentimental, Curran wrote, "Pabst's plea for a peaceful future is both noble and honest, his direction of the heartbreak and devastation enhanced by the brilliant
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Two boys, one French and the other German, are playing marbles near the border. When the game is over, both boys claim to have won, and complain that the other is trying to steal their marbles. Their fathers, border guards, come and separate the boys.
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commented, "In the early 30s it was still possible for large audiences to believe in the symbolic revolutionary meaning of smashing through artificial frontiers for the sake of natural brotherhood. This movie belongs to a genre that has disappeared."
582:, Pabst did not utilize the soundproof booths which Hollywood studios used to mask the sound of the camera from the microphone, instead employing a sound proof case called a "blimp", which gave the freedom to move the camera around.
672:. Quote: "Pabst brings a sense of realism to the proceedings, aided enormously by Robert Baberske and Fritz Arno Wagner's cinematography, which manages to be both starkly naturalistic and emotionally subjective at the same time."
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the mine fires break out, which they try to contain by building brick walls, with the bricklayers wearing breathing apparatus. The
Germans continue to work in their section, but start to feel the heat from the French fires.
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her distress over the stories about fires and explosions in the mine. The next morning, he stops in to say goodbye to her before she leaves for Paris, then he and her brother, Jean, another miner, leave for work.
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Although the scenes which take place inside the mine look extremely real, they were, in fact, sets designed by Erno
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and miners from the
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cinematography by Fritz Arno Wagner and Robert
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regions, along the border between France and
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miners from an underground fire and explosion. The story takes place in the
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are some superfluous scenes but this is an outstanding film."
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about the film's theatrical/home media releases, and legacy.
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When the film was released in the United States in 1932,
325:) is a 1931 dramatic film directed by Austrian director
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751:(9 November 1932). Last accessed: 11 December 2007.
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495:as Grandfather Jacques, Le Vieux Mineur
371:, France, where rescue efforts after a
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1357:Films produced by Seymour Nebenzal
832:. Last accessed: 12 December 2007.
694:. Last accessed: 11 December 2007.
636:as the Best Foreign Film of 1932.
513:Georges Tourreil as Engineer Vidal
489:Andrée Ducret as Françoise Leclerc
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646:List of German films 1919-1933
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1352:Films directed by G. W. Pabst
1397:German black-and-white films
1372:Films of the Weimar Republic
1362:French black-and-white films
476:Oskar Höcker as Mine foreman
1387:1930s German-language films
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572:As with his previous film,
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1278:The Confession of Ina Kahr
225:17 November 1931
198:Gaumont-Franco Film-Aubert
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784:5001 Nights at the Movies
688:"Kameradschaft" (article)
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255:8 November 1932
240:29 January 1932
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828:11 December 2007 at the
761:"Review: 'Kameradschaft'
634:National Board of Review
510:Marcel Lesieur as Albert
501:Georges Charlia as Emile
365:Courrières mine disaster
507:as German mine engineer
413:In 1919, at the end of
1038:The Love of Jeanne Ney
744:"Kameradschaft (1931)"
718:. Evanston, Illinois:
482:as Rose, Albert's wife
322:La Tragédie de la mine
36:is missing information
714:Curran, Daniel (ed.)
319:, known in France as
1108:The Threepenny Opera
1068:Diary of a Lost Girl
938:Criterion Collection
208:Vereinigte Star-Film
373:coal dust explosion
94:Peter Martin Lampel
1407:1930s German films
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1392:Films about mining
1382:German drama films
1367:French drama films
1238:Mysterious Shadows
1178:The Shanghai Drama
973:Films directed by
878:TCM Movie Database
601:The New York Times
598:, film critic for
548:. You can help by
212:Associated Cinemas
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1288:The Last Ten Days
1248:Call Over the Air
1218:Der Fall Molander
1188:Girls in Distress
1168:Street of Shadows
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802:978-0-8050-1367-2
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586:Critical response
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1138:Don Quixote
1128:L'Atlantide
975:G. W. Pabst
557:August 2019
461:as Wittkopp
459:Ernst Busch
449:as Wilderer
415:World War I
395:camaraderie
391:comradeship
367:in 1906 in
327:G. W. Pabst
316:Comradeship
143:Ernst Busch
117:Produced by
85:G. W. Pabst
81:Directed by
50:August 2019
1342:1931 films
1336:Categories
1208:Paracelsus
934:Lucy Sante
652:References
529:Production
399:fellowship
369:Courrières
313:(English:
280:88 minutes
259:1932-11-08
244:1932-01-29
229:1931-11-17
186:Production
111:Karl Otten
1308:Ballerina
1228:The Trial
720:Cinebooks
625:Accolades
473:as Kaplan
443:as Kasper
297:Languages
285:Countries
194:Nero-Film
188:companies
171:Jean Oser
167:Edited by
42:talk page
16:1931 film
889:AllMovie
842:"Awards"
826:Archived
781:(1991).
666:"Review"
640:See also
357:Lorraine
177:Music by
127:Starring
107:Story by
936:at the
876:at the
808:12 July
793:Picador
765:Variety
722:, 1989
692:TCM.com
609:Variety
351:rescue
257: (
242: (
235:Germany
227: (
210:Cineldé
1321:(1956)
1311:(1956)
1301:(1955)
1291:(1955)
1281:(1954)
1271:(1954)
1261:(1953)
1251:(1951)
1241:(1949)
1231:(1948)
1221:(1945)
1211:(1943)
1201:(1941)
1191:(1939)
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1131:(1932)
1121:(1931)
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1051:(1928)
1041:(1927)
1031:(1926)
1021:(1926)
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1001:(1924)
991:(1923)
921:German
799:
730:. p.85
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580:talkie
520:
387:German
353:French
349:miners
346:German
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331:French
329:. The
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300:German
292:France
263: (
250:France
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377:Paris
867:IMDb
810:2021
797:ISBN
724:ISBN
430:Cast
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887:at
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844:on
690:on
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552:.
397:or
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265:US
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