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182:, "Japanese painting traditions"), and the full work was published in 1693. Einō likely reworked material for this book his father had compiled earlier in the century, though the earlier work is only known to have covered a quarter of the artists who appeared in the
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work in Japan and has been a fundamental source for researchers. It provides biographies of over 400 artists from as far back as ancient Japan. Einō completed the
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probably by 1678; a shortened version appeared in 1691 in five woodblock-printed volumes entitled
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Copying the Master and
Stealing His Secrets: Talent and Training in Japanese Painting
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164:, "Japanese painting history"). The work is considered the earliest serious
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Hyōgo
Kenritsu Rekishi Hakubutsukan Henshū: Kanō Einō—sono tasai naru gagyō—
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Prefectural Museum of History: Kanō Einō and his multicoloured works
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of painting. He became head of the Kyō-ganō upon the death of his father
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folding screen, late 17th century, 1,530 mm × 3,610 mm
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More than as a painter Einō is remembered as editor of the
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who remained in Kyoto after the school relocated to
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16:Japanese painter (1631–1697)
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277:University of Hawaii Press
269:Jordan, Brenda G. (2003).
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294:Yamashita, Yūji (2004).
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81:. Einō compiled the
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23:Portrait of Kanō Einō
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377:at Wikimedia Commons
116:and the daughter of
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147:Tokugawa shogunate
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452:Kanō school
442:1697 deaths
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262:Works cited
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397:Biography
375:Kanō Einō
303:Heibonsha
45:Kanō Einō
321:64782262
128:Kyō-ganō
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60:Kyō-ganō
383:Portals
357:. 1999.
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161:本朝畫史
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