328:. Upon reaching a dead end, Mądry cries out that he has somebody to live for. When Halinka asks who, he tells her that he has a wife and child. She asks him to turn off his flashlight, and then shoots herself. Mądry finds an exit, but as soon as he has climbed out of the sewer he is disarmed by a German soldier and placed into the courtyard along with others who have come through the same manhole. Despondent, he kneels beside the bodies of others who have already been executed.
331:
Zadra, Kula and Smukły miss the exit at Wilcza Street but find another - however it is booby trapped. Smukły disarms two German grenades, but is killed by the third and last. Zadra and Kula emerge from the sewer to find themselves in a deserted part of the ruined city. When Zadra tells Kula to bring
316:
on the opposite wall, but cannot quite make it out. Daisy tells him it says "I love Janek", when the name is actually Jacek, Korab's first name. She decides that they should head in the direction of the river, which is only a short distance away and drives him on, not letting him stop. Finally, they
311:
Daisy, their guide, asks Zadra to let her help Korab, claiming that the others can find their way easily enough. Zadra consents. However, the pair fall further and further behind. When they reach the designated exit at Wilcza Street, Korab is too weak to climb the upward sloping tunnel, so they rest
296:
The composer Michał manages to telephone his wife and child in another part of the city that is being overrun by the
Germans. After a few words, she tells him that the Germans are clearing the building and that they are coming for her. Then the line goes dead. The next morning, 23-year-old Officer
320:
The main group follows Zadra for a while, but they become lost without Daisy. Finally, when Zadra tells
Sergeant Kula to order them onward after a brief rest, they remain where they are. Kula lies and tells Zadra they are following in order to get him to keep going. Eventually, the only remaining
630:
By the mid-1950s, two fundamental perceptions had become established among Poles regarding the event. One was a popular romantic image of gallant young martyrs who died defending the homeland. The second was official skepticism as to the purity of the high-command’s motives in committing men and
618:
One must bear in mind that the events in question were charged with controversy. The outbreak of the Rising on August 1, 1944 was ordered by the Home Army leaders in agreement with the
Government-in-Exile in London, but no clear understanding was made with the command of the approaching Soviet
483:
provoked widespread controversy and debate among Poles as to its merits. Donota
Niemitz and Stefan Steinberg remark that “the film was not received favorably in Poland. The futile death of the uprising’s heroes, covered in dirt and excrement, did not correspond to the idealized picture of the
42:
613:
was “an honest and valuable attempt to portray the complexity of Polish contemporary history and politics.” The film “masterfully” dramatizes the tragic fate of the men and women of a small unit of Polish Home Army resistance fighters. Biographer
Bolestaw Michalek provides the context:
550:
is “Polish heroism” and the notion that Poles have historically been prone to “acts of courage as futile as they desperate.” Wajda initially considered referencing some celebrated - and semi-suicidal - cavalry charges in Polish history, including those during the
Napoleonic era’s
1047:
Michalek, 1973 p. 30-31, And p. 53: “...two attitudes to this event were current in the public mind: skepticism…of what seemed another heroic but misguided episode in Polish history, and whole-hearted and unqualified acclamation of the legend of the valiant, indomitable young
567:
Here we have a definite comment “on Polish heroism”, an implicit critique of “Polishness”, the lack of political and social common sense, the propensity for disproportionately high sacrifices. According to this line of thinking, national history was one long chain of
572:
Historic manifestations of “romanticism and heroism” were deemed anachronistic in post-war Poland and challenged by appeals to “reason” and “political common sense.” Despite these political exposures, Wajda’s romantic, sensual style endows the characters in
595:
is permeated by a virtually unrelieved mood of despair, bitterness and resignation. The whole structure is pivoted on the idea that there is no way out, no hope, no chance of deliverance. As in Dante, there is only a succession of narrowing circles of
317:
see sunlight. By this time, Korab is half blind and at the end of his strength. He cannot see that the exit is closed off by metal bars. Daisy finally reveals her feelings for him, kissing him before telling him that he can rest for a while.
807:
Michalek, 1973 p. 25: Stawiński’s “experiences as a young officer in the underground Army the Warsaw Rising of August 1944…treatment of the events in which he had been directly involved…” And: “...story and screenplay…’ by
513:
will mark the beginning of the truth being told about history, about ourselves, about a whole generation. Perhaps it will prove to be art as a warning, art of purgation, a triumph of the heroism of life over the heroism of
518:
Biographer
Boleslaw Michalek adds that Jackiewicz placed emphasis on the skeptical note in the film, its confrontation with the legend of the Warsaw Rising, and by and large this was how reviewers hailed
297:
Cadet Korab apologizes after walking into a room to find the second in command, Lieutenant Mądry, and messenger girl
Halinka in bed together (Halinka later reveals that Mądry is her first lover). A
1057:
Niemtz and
Steinberg, 2016: “Controversy surrounded Wajda’s attitude towards national symbols and heroes…Wajda was widely criticized by some for accommodating himself to the Stalinist regime.”
623:. After two months of fighting, the Home Army command surrendered,,,the price paid for the Rising was several hundred thousand dead and the immolation of the homes of over one million people.
2338:
619:
armies…when a deadlock was reached at the Soviet front, a war of attrition was mounted against the insurgents…Gradually the remorseless German assault forced the insurgents to withdraw to
332:
up the rest of the men, Kula admits he lied and that they left them behind a long time ago. Enraged, Zadra shoots Kula and reluctantly heads back down into the sewer to search for his men.
1639:
1011:
Niemtz and
Steinberg, 2016: “...Wajda masterfully recreates the last days in the lives of several Warsaw uprising fighters who attempt to make their way through the city’s sewer system.”
308:
Surrounded by the enemy, Zadra is ordered to retreat through the sewers to the city centre. Now down to 27 fit to travel, including Korab, they slog through the filth.
795:
563:, reputedly on German tanks in 1939. These were to be presented in a pre-credit sequence of but ultimately were abandoned. Biographer Bolesław Michałek observes:
1632:
653:“Like all artists approaching this subject, Wajda has succumbed to certain pressures. On the one hand there was the rational pressure against delivering an
627:
Michalek adds that “Wajda’s treatment of the Warsaw Rising and the retreat through the sewers had a definite and deliberate historical and social edge.”
1066:
Michalek, 1973 p. 25: “...a streak of skepticism as to the purpose and price of the heroism.” And: p.33: The “moral and historical ambiguity” of Kanal.
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for the Rising and, on the other hand, the emotional pressure against taking a merciless criticism of the Rising. The film stopped halfway.
1002:
Niemitz and Steinberg, 2016: Kanal “an honest and valuable attempt to portray the complexity of Polish contemporary history and politics.”
760:
2363:
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commented on the contrasting “heroic dimensions” of the characters in Kanal and the “latent skepticism” concerning the 1944 uprising:
861:
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was one of the most politically and socially charged topics in post-war Poland. Like the other films in his war trilogy,
2343:
353:
88:
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1996:
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WSWS, 2019: “When the Nazis abandoned the city in early 1945, 85 percent of its pre-war buildings no longer existed.”
1930:
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Meanwhile, Mądry, Halinka and Michał are also lost. Eventually, Michał loses his mind and wanders away, playing an
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Zadra leads a unit of 43 soldiers and civilians to a new position amidst the ruins of the now isolated southern
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In April 2019, a restored version of the film was selected to be shown in the Cannes Classics section at the
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who himself survived in the sewers as an officer of Armia Krajowa (the Polish underground resistance
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1974:
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442:. The film is largely free of the overt communist propaganda that characterised its predecessor,
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41:
764:
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complained “This whole Warsaw, this whole Rising wallows in filth, in the gutters of history…”
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2010:
1938:
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556:
341:
78:
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2149:
1837:
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1351:
1335:
1123:
1112:
667:
535:
2219:
2157:
2113:
2105:
2097:
1843:
1164:
585:
581:
527:
347:
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83:
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1559:
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55:
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Michalek, 1973 p. 35: “...a disgruntled critic…”, And see footnote p. 172 for source
414:
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1900:
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785:
Niemitz and Steinberg, 2016: “Awarded the Silver Palm at the Cannes Film Festival…”
501:
444:
298:
252:
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Wajda, responding to these dual social outlooks, attempted to synthesis these in
17:
2203:
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1960:
1455:
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923:
2034:
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620:
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2263:
1725:
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403:
227:
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588:, and acknowledged as such by Wajda. Biographer Bolesław Michałek writes:
1511:
1153:
313:
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2165:
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247:
2040:
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75 years ago: Warsaw uprising violently suppressed by Nazi occupiers
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Michalek, 1973 p. 36: “The premiere took place on April 20, 1957…”
1204:
1621:
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Polish film and theatre director Andrzej Wajda dead at 90.
301:
attack is stopped, but Korab is wounded while disabling a
238:. The film is adapted from the story “They Loved Life” by
1124:
https://www.wsws.org/en/articles/2019/09/30/twih-s30.html
1113:
https://www.wsws.org/en/articles/2016/10/14/wajd-o14.html
413:
at Wytwornia Filmow Fabularnych (Feature Film Studio) in
321:
soldier following Zadra and Kula is the mechanic Smukły.
1094:
The Tanvity Press. A. S. Barnes and Company. New York.
386:
as Michał, the composer (credited as Władysław Sheybal)
530:, the film holds an approval rating of 100% based on
281:
It is 25 September 1944, during the last days of the
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1876:
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34:
2339:Films about Polish resistance during World War II
580:The descent into the sewers has been compared to
1122:. World Socialist Web Site. 30 September 2019.
651:
616:
605:The historical subject that Wajda addressed in
590:
565:
507:
796:Harry Potter and the Chamber of Secrets (film)
479:(1955) received a measured critical response,
1633:
1220:
1104:Niemitz, Dorata and Steinberg, Stefan. 2016.
406:) during the Warsaw Uprising of August 1944.
8:
740:"NAJLEPSZE FILMY HISTORYCZNE ANDRZEJA WAJDY"
222:. It was the first film made about the 1944
794:This scene is referenced toward the end of
1640:
1626:
1618:
1227:
1213:
1205:
40:
31:
448:. It was released after the fall of the
683:
484:nation’s martyrs.” Critic Leon Buko in
423:premiered in Warsaw on April 20, 1957.
631:women patriots to a doomed endeavor.
584:depiction of the souls damned in his
398:The story and script were written by
205:
7:
226:, telling the story of a company of
1544:The Condemnation of Franciszek Klos
246:is the second film of Wajda's War
25:
523:as a landmark in Polish cinema.”
230:resistance fighters escaping the
2005:Don't Forget You're Going to Die
1480:A Chronicle of Amorous Accidents
924:"Kanal (1961) - Rotten Tomatoes"
2354:Films directed by Andrzej Wajda
2349:Works about the Warsaw Uprising
1649:Cannes Film Festival Jury Prize
1118:World Socialist Web Site. 2019
546:One of the principal themes in
265:The film was the winner of the
456:, which followed the death of
1:
673:List of Polish language films
559:in WWI and the legend of the
312:for a while. He notices some
234:onslaught through the city's
2334:Polish black-and-white films
1092:The Cinema of Andrzej Wajda.
720:Niemitz and Steinberg, 2016.
389:Teresa Berezowska as Halinka
2329:1950s German-language films
2324:1950s Polish-language films
2063:Songs from the Second Floor
1607:Film New Europe Association
886:Niemitz and Steinberg, 2016
837:"Festival de Cannes: Kanał"
2380:
1931:A Short Film About Killing
1384:Landscape After the Battle
577:with “heroic dimensions.”
46:Theatrical release poster.
2364:Polish World War II films
1756:Mother Joan of the Angels
1242:
640:Krzysztof Teodor Toeplitz
475:While Wajda’s debut film
465:2019 Cannes Film Festival
440:1957 Cannes Film Festival
409:The film was produced by
39:
2090:At Five in the Afternoon
1860:The Hourglass Sanatorium
1830:The Strawberry Statement
1764:The Trial of Joan of Arc
1109:World Socialist Web Site
1923:Shinran: Path to Purity
1664:The Battle of the Rails
1448:The Orchestra Conductor
1075:Michalek, 1973 p. 34-35
362:as Sgt. "Kula" (Bullet)
2319:Polish war drama films
1704:The Mystery of Picasso
1504:The Crowned-Eagle Ring
1126:Retrieved 8 July 2022.
1115:Retrieved 4 July 2022.
862:"Cannes Classics 2019"
659:
625:
598:
570:
516:
400:Jerzy Stefan Stawiński
344:as "Stokrotka" (Daisy)
240:Jerzy Stefan Stawinski
66:Jerzy Stefan Stawiński
2314:1950s war drama films
2182:Like Father, Like Son
1320:Siberian Lady Macbeth
817:Michalek, 1973 p. 160
729:Michalek, 1973 p. 160
490:Aleksander Jackiewicz
411:Zespół Filmowy "Kadr"
374:as Lt. "Mądry" (Wise)
203:Polish pronunciation:
1680:We Are All Murderers
1180:Criterion Collection
1038:Michalek, 1973 p. 30
1020:Michalek, 1973 p. 30
993:Michalek, 1973 p. 30
984:Michałek, 1973 p. 30
975:Michałek, 1973 p. 34
966:Michałek, 1973 p. 33
957:Michałek, 1973 p. 33
948:Michałek, 1973 p. 33
913:Michalek, 1973 p. 36
904:Michalek, 1973 p. 36
761:"festivalcannes.com"
711:Michalek, 1973 p. 25
601:Political assessment
553:Battle of Samosierra
303:Goliath tracked mine
293:district of Warsaw.
271:Cannes Film Festival
2344:Films set in Warsaw
2270:The Eight Mountains
2196:Goodbye to Language
2082:Divine Intervention
1975:An Independent Life
1885:The Constant Factor
1852:Slaughterhouse-Five
1576:Walesa: Man of Hope
1360:Everything for Sale
1111:, 14 October 2016.
928:Rotten Tomatoes.com
841:festival-cannes.com
360:Tadeusz Gwiazdowski
354:Wieńczysław Gliński
94:Tadeusz Gwiazdowski
89:Wieńczysław Gliński
1792:Woman in the Dunes
1602:Zespół Filmowy "X"
1440:The Maids of Wilko
1432:Without Anesthesia
1304:Innocent Sorcerers
1288:Ashes and Diamonds
1088:Michalek, Boleslaw
866:Festival de Cannes
767:on 6 February 2015
561:Charge at Krojanty
538:rating of 8.1/10.
436:Special Jury Prize
378:Maciej Maciejewski
368:as "Smukły" (Slim)
366:Stanisław Mikulski
350:as "Korab" (Jacek)
267:Special Jury Award
259:Ashes and Diamonds
109:Maciej Maciejewski
99:Stanisław Mikulski
2296:
2295:
2174:The Angels' Share
1939:Jesus of Montreal
1784:The Cassandra Cat
1615:
1614:
1472:A Love in Germany
1408:The Promised Land
1392:Pilate and Others
1344:Gates to Paradise
1197:Andrzej Wajda on
930:. Rotten Tomatoes
557:Charge of Rokitna
434:earned Wajda the
218:film directed by
194:
193:
118:Teresa Berezowska
18:Kanał (1956 film)
16:(Redirected from
2371:
2359:1957 drama films
1983:The Puppetmaster
1718:The Seventh Seal
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763:. Archived from
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668:Cinema of Poland
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638:. Polish critic
536:weighted average
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256:and followed by
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207:[ˈkanaw]
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27:1957 Polish film
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2158:A Screaming Man
2106:Shanghai Dreams
2098:Tropical Malady
2069:
1997:La Reine Margot
1872:
1688:Knave of Hearts
1651:
1646:
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1590:
1416:The Shadow Line
1272:Towards the Sun
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1165:Rotten Tomatoes
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868:. 26 April 2019
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528:Rotten Tomatoes
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348:Tadeusz Janczar
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283:Warsaw Uprising
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2246:
2242:Les Misérables
2232:
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2216:
2212:American Honey
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2186:
2178:
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2015:
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1989:Raining Stones
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1969:Dream of Light
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1696:Lost Continent
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2286:Emilia Pérez
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2128:Silent Light
2126:
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2074:2002–present
2061:
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2017:
2009:
2003:
1995:
1987:
1981:
1973:
1967:
1959:
1953:
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1937:
1929:
1921:
1915:
1907:
1901:Colonel Redl
1899:
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1264:A Generation
1262:
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1174:an essay by
1170:
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1007:
998:
989:
980:
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944:
932:. Retrieved
927:
918:
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900:
891:
882:
870:. Retrieved
865:
856:
844:. Retrieved
840:
831:
822:
813:
803:
790:
781:
769:. Retrieved
765:the original
755:
743:. Retrieved
734:
725:
716:
707:
695:. Retrieved
686:
654:
652:
635:
633:
629:
626:
617:
610:
606:
604:
592:
591:
579:
574:
571:
566:
547:
545:
525:
520:
517:
510:
508:
502:Trybuna Ludu
500:
485:
480:
477:A Generation
476:
474:
462:
445:A Generation
443:
431:
430:
420:
419:
408:
397:
330:
323:
319:
310:
307:
295:
280:
269:at the 1957
264:
257:
253:A Generation
251:
243:
214:) is a 1957
211:
197:
196:
195:
166:Running time
143:Release date
29:
2250:Ahed's Knee
2204:The Lobster
2057:Blackboards
1961:Out of Life
1824:The Falcons
1742:L'Avventura
1552:The Revenge
1536:Pan Tadeusz
1528:Miss Nobody
1456:Man of Iron
1400:The Wedding
1247:Filmography
643: [
493: [
380:as "Gustaw"
52:Directed by
2309:1957 films
2303:Categories
2122:Persepolis
2049:The Letter
2035:Class Trip
2011:Carrington
1584:Afterimage
1568:Sweet Rush
1176:John Simon
846:8 February
808:Stawiński.
771:6 February
452:regime of
417:, Poland.
394:Production
287:Lieutenant
170:95 minutes
127:Production
62:Written by
2228:Capernaum
2150:Fish Tank
1877:1980–2000
1770:L'Eclisse
1726:Mon Oncle
1656:1946–1973
1595:Companies
1520:Holy Week
1336:The Ashes
679:Footnotes
534:, with a
532:8 reviews
499:, of the
471:Reception
450:Stalinist
404:Home Army
228:Home Army
2220:Loveless
2114:Red Road
1844:Joe Hill
1778:Harakiri
1512:Nastasja
1193:database
1154:AllMovie
1090:. 1973.
872:26 April
745:20 April
697:20 April
662:See also
655:apologia
596:torment.
427:Releases
314:graffiti
185:Language
72:Starring
2256:Memoria
2236:Bacurau
2166:Polisse
2136:Il Divo
2027:Western
1909:Thérèse
1800:Kwaidan
1496:Korczak
1178:at the
1082:Sources
1048:Poles.”
798:(2002).
692:"Kanał"
621:Mokotów
586:Inferno
582:Dante’s
514:death.”
505:wrote:
438:at the
326:ocarina
291:Mokotów
248:Trilogy
175:Country
152: (
129:company
2289:(2024)
2281:(2023)
2273:(2022)
2259:(2021)
2245:(2019)
2231:(2018)
2223:(2017)
2215:(2016)
2207:(2015)
2199:(2014)
2185:(2013)
2177:(2012)
2169:(2011)
2161:(2010)
2153:(2009)
2144:Thirst
2139:(2008)
2131:(2007)
2117:(2006)
2109:(2005)
2101:(2004)
2093:(2003)
2085:(2002)
2066:(2000)
2052:(1999)
2044:(1998)
2041:Festen
2030:(1997)
2022:(1996)
2014:(1995)
2000:(1994)
1992:(1993)
1978:(1992)
1964:(1991)
1955:Europa
1950:(1990)
1942:(1989)
1934:(1988)
1926:(1987)
1917:Yeelen
1912:(1986)
1904:(1985)
1896:(1983)
1893:Kharij
1888:(1980)
1869:(1973)
1855:(1972)
1847:(1971)
1833:(1970)
1819:(1969)
1811:(1966)
1803:(1965)
1795:(1964)
1787:(1963)
1773:(1962)
1759:(1961)
1751:(1960)
1737:(1959)
1729:(1958)
1721:(1957)
1707:(1956)
1699:(1955)
1691:(1954)
1683:(1952)
1675:(1951)
1667:(1946)
1587:(2016)
1579:(2013)
1571:(2009)
1563:(2007)
1555:(2002)
1547:(2000)
1539:(1999)
1531:(1996)
1523:(1995)
1515:(1994)
1507:(1993)
1499:(1990)
1491:(1988)
1483:(1986)
1475:(1983)
1467:(1983)
1464:Danton
1459:(1981)
1451:(1980)
1443:(1979)
1435:(1978)
1427:(1977)
1419:(1976)
1411:(1975)
1403:(1972)
1395:(1972)
1387:(1970)
1379:(1970)
1371:(1969)
1363:(1969)
1355:(1968)
1347:(1968)
1339:(1965)
1331:(1962)
1323:(1962)
1315:(1961)
1312:Samson
1307:(1960)
1299:(1959)
1291:(1958)
1283:(1957)
1275:(1955)
1267:(1955)
1098:
934:6 July
555:, the
509:Maybe
299:German
236:sewers
216:Polish
189:Polish
179:Poland
2190:Mommy
2019:Crash
1808:Alfie
1734:Stars
1712:Kanał
1560:Katyń
1296:Lotna
1280:Kanał
1199:Kanał
1186:Kanał
1171:Kanał
1160:Kanal
1149:Kanał
1138:Kanal
647:]
636:Kanal
611:Kanal
607:Kanal
593:Kanał
575:Kanał
548:Kanał
542:Theme
521:Kanal
511:Kanal
497:]
481:Kanal
432:Kanał
421:Kanal
244:Kanał
212:Sewer
198:Kanał
35:Kanał
1838:Love
1143:IMDb
1096:ISBN
936:2024
874:2019
848:2009
773:2015
747:2020
699:2020
415:Łódź
336:Cast
277:Plot
232:Nazi
154:1957
150:1957
135:KADR
1189:on
1163:at
1152:at
1141:at
526:On
2305::
2267:/
2264:EO
2253:/
2239:/
2193:/
2147:/
2125:/
2060:/
2038:/
2008:/
1986:/
1972:/
1958:/
1920:/
1863:/
1841:/
1827:/
1781:/
1767:/
1745:/
1715:/
926:.
864:.
839:.
645:pl
495:pl
467:.
460:.
305:.
285:.
273:.
262:.
242:.
210:,
1816:Z
1641:e
1634:t
1627:v
1228:e
1221:t
1214:v
938:.
876:.
850:.
775:.
749:.
701:.
201:(
156:)
20:)
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