349:, Joel Calero's second feature, tells the story of a couple in the process of divorce that has not been seen in 19 years, following the steps during a single afternoon. This film has gone through different festivals obtaining important awards as Best Actress for Katherina D'Onofrio at the Punta del Este Film Festival and Best Director for Joel Calero at the Guadalajara Film Festival. Zielinski intervenes in the last scene of the film because at the time of post-production the team realized that there was a void that needed to be told in another way, according to her own words:
33:
356:
Between 2016 and 2017 she moved to
Barcelona to study a Master in Soundtracks and music for Audiovisual Media at the Superior School of Music of Catalonia, where she had the opportunity to collaborate for the first time with the Bratislava Symphony Orchestra. When returning to Lima, Zielinski
243:
Zielinski studied a career in
Communication Sciences at the University of Lima, a career that sparked her interest in film and audiovisual. Other studies include classical guitar, piano, singing, vocal jazz, harmony, composition and electronic music. She also has a Master in soundtracks and
351:
It is a film that flows alone through its dialogues and that only needs that final push of the music in the last scene, when its characters just stop talking. Music then becomes the dialogue that unites both characters in the epilogue, becomes their voice imperceptibly and leads us to the
206:
She began to compose her first instrumental pieces from the age of 13. After taking studies in classical guitar, she began to write songs and to take singing lessons, which led her to compose different songs and to end up forming part of the first generation of singers of the vocal group
230:
At the beginning of 2010 she began producing her first solo album. She makes a compilation of 10 of her subjects that talk about different situations in her life as a university student, about her hometown Lima and about the things that disturb her, that 's how
357:
begins to work in the sound track of Django: sangre de mi sangre, a policeman directed by the emblematic director Aldo
Salvini. For this film, Zielinski returns to the Bratislava Symphony Orchestra to record the original music.
287:, first feature film by director Adrian Saba. Her work got very good criticism and an award in 2013 for Best Original Music at the Punta del Este International Film Festival, standing out among more than 25 Ibero-American films.
194:, directed by Adrian Saba, a work that earned her an Audience Award for Best Original Music at the International Film Festival of Punta del Este, as well as a nomination for Best Original Music in the first edition of the 2014
190:, April 24, 1982) is a Peruvian composer, record producer and singer who works in musical and audiovisual projects in her country. Among her most outstanding works is the creation of the soundtrack for the Peruvian film
218:
Her professional musical career began in 2005, forming the vocal jazz trio
Ezquilache with the singers Maria Laura Bustamante (Alejandro and María Laura) and Yoly García. With Ezquilache they would release a first album,
327:, written by Fernando Ampuero del Bosque and directed by Ciccia. In this work she had the opportunity to delve into genres that have more to do with her Peruvian roots and reconnect with Authors of the
227: was one of the most sold jazz albums in Peru in 2007 and the group had relative success in the local scene in Lima. But in 2008 each member would undertake their own projects and finally they would separate.
283:
with her partner Raúl Astete. In it they begin to work in diverse audio-visual and musical projects. It is in that same year that she starts working on the soundtrack for the
Peruvian film
309: of the Ibero-American Film Awards 2014, where she was able to compete with 2 great international composers with a long career, the Argentine Emilio Kauderer and the Spanish Joan Valent.
312:
This same year
Zielinski works on the original music of the television documentary Camino a la Hoyada, a documentary by Andrés Cotler that talks about enforced disappearances in the
235:
was born, an indie folk – pop album, which stands out for its arrangements of winds, strings, guitars and keyboards. It was released on June 10, 2014, receiving very good reviews.
719:
543:
690:
215: at that time directed by Gabriel Alegría. This stage was very important to start acquiring other tools that later would be used in her career as a composer.
761:
592:
521:
641:
276:, based on the illustrated album of the well-known Peruvian artist Fito Espinosa. With this work she launches an EP with the music of the film.
766:
223:(2007), where they would experiment with different genres such as jazz, funk, R&B, pop and their fusion with Afro-Peruvian sounds.
570:
776:
547:
305:
was selected among more than 700 Ibero-American films, obtaining a nomination for Best
Original Music at the first edition of
694:
294:, directed by Alex Hidalgo, first musical about the marinera made in Peru. She also began to work on music for the staging of
618:
756:
32:
771:
342:(2015), is the story of a complex love triangle that triggers a series of events and changes in the three characters.
272:, among others and this is how in 2010 she has the opportunity to create the soundtrack for the animated short film
335:
596:
664:
457:
434:
388:
284:
191:
781:
720:"Karin Zielinski es una compositora peruana con 6 películas en su haber y aquí puedes escuchar su música"
252:
She begins to work on the development of soundtracks for different short films and documentaries such as
751:
338:, an emblematic Peruvian director and with whom she had the opportunity to work on his latest film,
244:
audiovisual media awarded by the Higher School of Music of
Catalonia, ESMUC (Barcelona, Spain).
317:
447:
306:
195:
745:
382:
93:
642:"Cobertura 27 festival Mar del Plata El Limpiador de Adrian Saba (I) (SPA)"
298:
by Maria Elena Walsh and under the direction of master Alberto Isola.
313:
522:"Filme peruano El Limpiador se alza en Festival de Punta del Este"
323:
She is summoned by
Giovanni Ciccia to work in music for the play
328:
187:
101:
73:
544:"Premios Platino El Limpiador y sigo siendo fueron nominadas"
169:
619:"Entrevista a Karin Zielenski nuestra artista de la semana"
290:
In 2013 he starts working on the soundtrack for the film
693:(in Spanish). Perú21. September 28, 2014. Archived from
397:
Camino a la Hoyada, Original Motion
Picture Soundtrack
211:
directed by Mónica Gastelumendi and belonging to the
279:
In 2011, she founded her own post-production studio
164:
160:
150:
133:
110:
80:
57:
47:
42:
23:
714:
712:
640:Sarmiento Hinojosa, José (November 19, 2012).
428:International Film Festival of Punta del Este
8:
691:"Traición poética en 'Un fraude epistolar'"
571:"Nunca pensé en mi misma como una cantante"
595:(in Spanish). La República. Archived from
546:(in Spanish). La República. Archived from
20:
593:"Nota Musical: El ritmo negro de corazón"
407:
513:
431:Audience Award for Best Original Music
334:In 2015, the opportunity to work with
7:
316: region during the era of
762:21st-century Peruvian women singers
663:Linden, Sheri (January 18, 2013).
391:Original Motion Picture Soundtrack
37:Karin Zielinski in her study, 2014
14:
524:(in Spanish). RPP. March 22, 2013
491:Best Original Score of The Month
31:
569:Pajares, Diego (June 3, 2014).
488:The Monthly Film Festival TMFF
726:(in Spanish). November 6, 2016
248:Cinema, theater and television
213:Cultural Association Jazz Peru
1:
767:21st-century Peruvian singers
404:Awards and nominations
665:"The Cleaner: Palm Springs"
798:
573:(in Spanish). El Comericio
470:Premios Luces El Comercio
30:
777:Peruvian women composers
644:(in Spanish). Desistfilm
450:of Ibero-American Film
369:(2007), with Ezquilache
669:The Hollywood Reporter
621:(in Spanish). Sonorama
43:Background information
477:Manzanas en el suelo
301:In 2014, her work at
473:Best New Artist 2014
379:Manzanas en el suelo
296:Canciones para Mirar
233:Manzanas en el suelo
757:Musicians from Lima
697:on October 14, 2014
599:on October 15, 2014
550:on October 15, 2014
453:Best Original Music
325:Un Fraude Epistolar
772:Peruvian composers
399:(2017), Soundtrack
393:(2014), Soundtrack
375:(2011), Soundtrack
373:El mundo invisible
336:Francisco Lombardi
274:El mundo invisible
202:Musical beginnings
505:
504:
318:Terrorism in Peru
178:
177:
16:Peruvian musician
789:
736:
735:
733:
731:
716:
707:
706:
704:
702:
687:
681:
680:
678:
676:
660:
654:
653:
651:
649:
637:
631:
630:
628:
626:
615:
609:
608:
606:
604:
589:
583:
582:
580:
578:
566:
560:
559:
557:
555:
540:
534:
533:
531:
529:
518:
408:
292:Sueños de Gloria
254:El niño y el mar
174:
171:
153:
71:
67:
65:
50:
35:
21:
797:
796:
792:
791:
790:
788:
787:
786:
742:
741:
740:
739:
729:
727:
718:
717:
710:
700:
698:
689:
688:
684:
674:
672:
662:
661:
657:
647:
645:
639:
638:
634:
624:
622:
617:
616:
612:
602:
600:
591:
590:
586:
576:
574:
568:
567:
563:
553:
551:
542:
541:
537:
527:
525:
520:
519:
515:
510:
492:
474:
454:
406:
363:
347:La Última Tarde
307:Premios Platino
250:
241:
204:
184:Karin Zielinski
181:
168:
151:
146:
129:
106:
72:
69:
63:
61:
53:Karin Zielinski
48:
38:
26:
25:Karin Zielinski
17:
12:
11:
5:
795:
793:
785:
784:
779:
774:
769:
764:
759:
754:
744:
743:
738:
737:
708:
682:
655:
632:
610:
584:
561:
535:
512:
511:
509:
506:
503:
502:
499:
496:
493:
489:
485:
484:
481:
478:
475:
471:
467:
466:
463:
460:
455:
451:
448:Platino Awards
444:
443:
440:
437:
432:
429:
425:
424:
421:
418:
415:
412:
405:
402:
401:
400:
394:
385:
376:
370:
367:A tierra negra
362:
359:
331:of 1900.
320:in the 1980s.
262:Intensive Care
249:
246:
240:
237:
225:A Tierra Negra
221:A Tierra Negra
209:Voces del Jazz
203:
200:
196:Platino Awards
180:Musical artist
179:
176:
175:
170:karinzielinski
166:
162:
161:
158:
157:
154:
148:
147:
145:
144:
141:
137:
135:
131:
130:
128:
127:
124:
121:
118:
114:
112:
108:
107:
105:
104:
99:
96:
91:
88:
84:
82:
78:
77:
68:April 24, 1982
59:
55:
54:
51:
45:
44:
40:
39:
36:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
794:
783:
782:Living people
780:
778:
775:
773:
770:
768:
765:
763:
760:
758:
755:
753:
750:
749:
747:
725:
721:
715:
713:
709:
696:
692:
686:
683:
670:
666:
659:
656:
643:
636:
633:
620:
614:
611:
598:
594:
588:
585:
572:
565:
562:
549:
545:
539:
536:
523:
517:
514:
507:
500:
497:
494:
490:
487:
486:
482:
479:
476:
472:
469:
468:
464:
461:
459:
456:
452:
449:
446:
445:
441:
438:
436:
433:
430:
427:
426:
422:
419:
416:
413:
410:
409:
403:
398:
395:
392:
390:
386:
384:
380:
377:
374:
371:
368:
365:
364:
360:
358:
354:
353:
348:
343:
341:
337:
332:
330:
326:
321:
319:
315:
310:
308:
304:
299:
297:
293:
288:
286:
282:
277:
275:
271:
267:
263:
259:
255:
247:
245:
238:
236:
234:
228:
226:
222:
216:
214:
210:
201:
199:
197:
193:
189:
185:
173:
167:
163:
159:
155:
149:
142:
139:
138:
136:
132:
125:
122:
119:
116:
115:
113:
109:
103:
100:
97:
95:
92:
89:
86:
85:
83:
79:
75:
70:(age 42)
60:
56:
52:
46:
41:
34:
29:
22:
19:
730:February 12,
728:. Retrieved
723:
701:February 12,
699:. Retrieved
695:the original
685:
675:February 12,
673:. Retrieved
671:(in Spanish)
668:
658:
648:February 12,
646:. Retrieved
635:
625:February 12,
623:. Retrieved
613:
603:February 12,
601:. Retrieved
597:the original
587:
577:February 12,
575:. Retrieved
564:
554:February 12,
552:. Retrieved
548:the original
538:
528:February 12,
526:. Retrieved
516:
458:El limpiador
435:El limpiador
396:
389:El limpiador
387:
378:
372:
366:
355:
350:
346:
344:
339:
333:
324:
322:
311:
303:El Limpiador
302:
300:
295:
291:
289:
285:El limpiador
281:Stereomonkey
280:
278:
273:
269:
265:
261:
257:
253:
251:
242:
232:
229:
224:
220:
217:
212:
208:
205:
192:El limpiador
183:
182:
156:2005–present
152:Years active
18:
752:1982 births
361:Discography
134:Instruments
111:Occupations
746:Categories
480:Nominated
462:Nominated
270:Dinosaurio
188:Lima, Peru
120:songwriter
94:indie folk
87:Soundtrack
64:1982-04-24
49:Birth name
414:Category
340:Dos Besos
724:Utero.pe
381:(2014),
345:In 2016
314:Ayacucho
239:Training
126:composer
123:producer
117:Musician
498:Winner
495:Humano
439:Winner
420:Result
411:Awards
383:Soloist
165:Website
266:Faique
143:guitar
140:Vocals
81:Genres
76:, Peru
508:Notes
501:2018
483:2014
465:2014
442:2013
423:Year
417:Work
732:2019
703:2019
677:2019
650:2019
627:2019
605:2019
579:2019
556:2019
530:2019
352:end.
329:Lima
172:.com
102:jazz
90:rock
74:Lima
58:Born
258:Bsb
98:pop
748::
722:.
711:^
667:.
268:,
264:,
260:,
256:,
198:.
66:)
734:.
705:.
679:.
652:.
629:.
607:.
581:.
558:.
532:.
186:(
62:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
