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437:. Reviews of the ensemble demonstrate that the Schnabels mastered the challenges of four-hand playing with skill and passion: "The four hand piano concert came closer to perfection than any recital we have heard this year They achieved a sheer transparency of sound, at once the most important and the most difficult requisite of four-hand piano music. It is incredibly difficult for two people to play a piece on one piano and be exactly together in timing, phrasing, and expression, yet the Schnabels were beautifully together and made of every note a work of art."
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421:, among others. Four-hand performance, Schnabel remarked, was an entirely different enterprise than solo performance: "Four-hand playing is a complex art that requires enormous time and patience. You are half of a whole rather than a whole in yourself. The four-hand repertory possesses qualities of chamber music, symphonic music, and virtuoso music -- sometimes all in the same piece."
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Schnabel's teaching was characterized by a fine attention to emotion. Most pianists, he believed, played using just three or four emotions. But music demanded more than that: "To be really interesting, you must play with all the emotions." He asked his students to make lists of all the emotions they
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Schnabel's passion for teaching led him to theorize extensively about how to achieve the correct relationship between piano technique and musical expression--the former "was always to remain in the service of the spirit of the music." He emphasized a technique that required "arm participation": the
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in Berlin. His daughter Ann
Schnabel Mottier currently manages the Schnabel Music Foundation, together with her husband Francois Mottier. Their son Claude Alain Mottier (1972-2002), who was a pianist as well, died as an innocent victim in a traffic accident and was buried in the family grave. In
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Mozart: Sonata in C Major, K. 521. Dvorák: Legend Op. 59, No. 4. Schubert: Fantasy in F Minor, Op. 103. Weber: Rondo and Adagio. Schubert: Sonata in B Flat Major, Op. 30. Mozart: Andante with
Variations in G Major, K. 501. Bizet: Five Pieces from “Jeux d’enfants,” Op. 22. Mendelssohn: Andante
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Schnabel's extra-musical interests included rock-climbing and photography. For several years, he was active producing motion pictures; in 1932, he was producer, director and cinematographer of a feature-length film based on a German fairy tale. As a young man, he participated in table tennis
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Schumann: Papillons, Op. 2. Chopin: Scherzo No. 3 in C Sharp Minor, Op. 39. Liszt: Années de Pélérinage; Canzonetta del
Salvator Rosa; Au bord d’une source; Sonetto del Petrarca No. 123; La Chapelle de Guillaume Tell. (LP: Urania 8001) (in part contained on CD: Town Hall, 2 Disc Set, THCD58
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Schubert: Marches
Militaires (3), D. 733. Marches, D. 819, Nos. 2 and 3. Rondo in A, D. 951. Divertissement à l’hongroise, D. 818. Andantino Varié, D. 823, No. 2. Allegro in A Minor (“Lebensstürme”), D. 947. (CD: Arabesque Z-6571/5 – “Schnabel Plays Schubert” Volumes
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Karl Ulrich
Schnabel started duo performances and recordings with his father as partner. Some of these early performances are memorialized on record. The two switched Primo and Secondo parts, and made a pact never to reveal who played which part on the recordings.
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Mozart: Sonata in F Major, K. 497. Schubert: Divertissement (Sonata in E minor) on
Original French Themes Op. 63 and Op. 84 D. 823. Schubert: Eight Variations on a Theme from Hérold’s Opera “Marie” Op. 82, No. 1, D. 908. (CD: Town Hall
596:(1950). This volume has been translated from the original English into Italian, Korean, Chinese, and other languages. He even developed techniques to crescendo on a note and to achieve vibrato, which he explains on camera in the film
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In 1939, he and his wife, American pianist Helen Fogel, founded the Piano Duo
Schnabel, which performed concertos for two pianos and orchestra as well as recitals for one piano, four hands. In 1956, the duo participated at the
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Karl Ulrich
Schnabel is best known today as an internationally celebrated teacher of the piano. He began teaching at the age of 13 as his father's assistant. In 1940, he became head of all the instrumental departments at
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Karl Ulrich
Schnabel inherited from his parents an approach that united dramatic intensity of expression with absolute fidelity to the printed text. He is remembered for his imaginative interpretation of the
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Mozart: Concerto for Two Pianos in E Flat, K. 365; Concerto for Three Pianos in F, K. 242 (with Ilse von
Alpenheim, piano). Vienna Symphony Orchestra, conducted by Bernhard Paumgartner.(LP: Epic LC 3259)
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could think of. One of his students came up with a list of over five hundred emotions, and "her playing was never dull again." He also had a flair for imagery, describing the grotesque of Schumann's
305:(1911–74), with whom he played a large repertory of piano duets. They had a daughter, Ann. During World War II he interrupted his musical career to do war work as head of an electronic laboratory in
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Schubert: Fantasy in F Minor, D. 940. Four Polonaises, D. 824. Variations in A Flat on an Original Theme, D. 813. Four Ländler, D. 814. Rondo in D Major, D. 608. (CD: Sheffield Lab 10054-2F)
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2006, the municipality of Schwyz declared the grave site a protected monument wherefore it is exempted from regulations that stipulate the removal of the remains after a certain period.
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The Schnabels – A Musical Legacy, Unpublished and Lost Historic Recordings. Mozart, Schumann, Schubert, C.P.E. Bach, J.S. Bach, Mendelssohn, Paradisi. (CD: TownHall Records THCD74A-B)
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pianist should use wrists and arms as well as fingers. He paid scrupulous attention to the subtle yet meaningful effects achieved through pedaling, setting these down in the book
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Chopin: Polonaise in E Flat Minor, Op. 26, No. 2; Nocturne in B, Op. 32, No. 1. Liszt: Il Pensieroso. Debussy: Preludes Book 1, La sérénade interrompue, La danse de Puck. (LP:
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song cycles. In 1926 he made his recital début in Berlin, and subsequently gave recitals throughout Europe, North and South America, Russia, Japan, Australia, and New Zealand.
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came to power, settling briefly at Lake Como; he emigrated to the United States in 1939, shortly before World War II. In the same year he married the American pianist
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Mendelssohn: Sonata in E Major, Op. 6. Schubert: Waltzes, Ländler, and German Dances. (LP: Sheffield/Town Hall M-8/S-8) (CD: Town Hall, 2 Disc Set, THCD58 A-B)
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Helen and Karl Ulrich Schnabel – The Four-Hand Recordings of the 1950s, Vol. 2. Mozart, Brahms, Schubert, Mendelssohn, Weber. (CD: TownHall Records THCD77A-B)
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He accompanied his mother at home and for concerts and recordings. Beginning at an early age he played for her voice lessons and coached her students.
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tournaments. During this time, Karl Ulrich Schnabel also maintained an elaborate miniature electric train set, complete with timetables. Family friend
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Helen and Karl Ulrich Schnabel – One Piano, Four Hands; Mozart, Dvorak, Schubert, Weber, Bizet, Mendelssohn, Brahms. (CD: TownHall Records THCD19A-B)
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Beginning in the early 1960s he taught numerous master classes throughout the world. Pianists who have played in Schnabel's master classes include
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Helen and Karl Ulrich Schnabel – The Four-Hand Recordings of the 1950s, Vol. 1. Bizet, Debussy, Schubert, Mozart. (CD: TownHall Records THCD76A-B)
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as "Poseidon stirring up the waves with his big fork." Such vivid language features prominently in English author Richard Rhodes's new book
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Schubert: Fantasy in F. Minor, D. 940. Brahms: Hungarian Dances Nos. 4, 3, 2, 11, 1, 12, 13 and 17. (LP: Philips N 00255 L, Epic LC 3183)
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Mozart: Fantasy in C Minor, K. 475; Piano Sonata in C Minor, K. 457; Andante in F Major, K. 616. (LP: Musical Heritage Society MHS 1700)
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Beethoven: Variations on a theme by Count Waldstein; March in C Major, Op. 45, No. 4; Mozart: Sonata, F Major, K. 497 (LP: Sonic Arts)
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Mendelssohn: Allegro brilliant; Andante and Variations. Weber: Five Pieces, Op. 10, No. 5 and Op. 60, Nos. 5, 6, 7 and 8. (LP: SPA 50)
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Schubert: Eight Variations in A Flat, D. 813. Four Variations in B Flat, D. 603. Eight Variations in C, D. 908. (LP: Philips 06046 R)
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Mozart: Concerto for Two Pianos in E Flat, K. 365. London Symphony Orchestra, conducted by Sir Adrian Boult. (CD: Arabesque Z 6590)
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Schnabel dedicated himself passionately to the revival of the largely neglected music for piano four hands, recording music by
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tranquillo with Variations, Op. 83a. Brahms: Two Hungarian Dances. (LP: Sheffield/Town Hall, Album S-19, ACM158A-B, ACM159A-B)
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Schubert: Four Polonaises, D. 824. Debussy: Epigraphes antiques, Nos. 1, 2 and 4. (LP: Philips NBE 11004; Philips 402024 E)
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Mozart: Sonata in D Major, K. 448. Sonata in D Major, K. 381. Tema con variazioni in G Major, K. 501. (LP: Philips A 00326)
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Beethoven: Sonata No. 15 in D Major, Op. 28; Sonata No. 30 in E Major, Op. 109. (LP: Musical Heritage Society MHS 3296 L)
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Bach: Concerto for Two Pianos in C, BWV 1061. London Symphony Orchestra, conducted by Sir Adrian Boult. (CD: Pearl 9399)
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Bach: Capriccio on the Departure of a Beloved Brother, BWV 992. Paradies: Sonata No. 10 in D. (78 Victor 4293/4)
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Mendelssohn: Songs Without Words, Nos. 12, 22, 23, 24, 28, 30, 32, 34, 35, 45, 47, 48. (78 Victor Set M-226)
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Five years after his wife’s death, in 1979, Karl Ulrich Schnabel formed a new duo with the Canadian pianist
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616:, in which Rhodes, a long-time amateur student of Schnabel's, discusses Schnabel's comments on works by
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Chayes, Mary Lou (2001). "Karl Ulrich Schnabel: Master Teacher of Piano". In GrĂĽnzweig, Werner (ed.).
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Mottier, Claude (2001). "Karl Ulrich Schnabel's Approach to Expression". In GrĂĽnzweig, Werner (ed.).
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Schubert: Introduction and Variations in B Flat, D. 603. Grand Duo, Op. 140. (CD: Town Hall THCD-37)
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Rowland, Joan (2001). "Playing Four-Hands with Karl Ulrich Schnabel: The Art of Communication". In
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Schubert: Sonata in A Minor, Op. 42; Six moments musicaux. (LP: Musical Heritage Society MHS 1245)
461:. Beginning in 1947, he resumed a family tradition: annual international summer master courses at
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Karl Ulrich Schnabel, Piano. 100th Birthday Celebration. Schubert. (CD: TownHall Records THCD-69)
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on August 6, 1909. He began studying piano at the age of five. From 1922–1926 he studied at the
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294:. He had a distinguished career as a master piano teacher and as an international performer.
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171:(August 6, 1909 – August 27, 2001) was an Austrian pianist. Schnabel was the son of pianist
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Dvorák: From the Bohemian Forest, Op. 68. Ten Legends, Op. 59. (CD: Town Hall THCD-49)
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Schubert: Wanderer Fantasy. Twenty Dances. (LP: WCFM-Washington 17, McIntosh MM 1104)
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as "a whole army of three-legged trolls advancing" and the turbulence of Chopin's
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Karl Ulrich Schnabel, Piano. Mozart and Beethoven. (CD: TownHall Records THCD-68)
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Schubert: Sonata in B Flat Major, Op. 30; Four Polonaises, D. 824. (LP: SPA 49)
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in five performances with orchestra, and in 1972 they performed at the
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Artur Schnabel. Bericht ĂĽber das Internationale Symposion Berlin 2001
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Artur Schnabel. Bericht ĂĽber das Internationale Symposion Berlin 2001
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Lon Tuck (January 10, 1983). "Schnabel and Rowland: Spirited Piano".
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Artur Schnabel. Bericht ĂĽber das Internationale Symposion Berlin 2001
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Chopin: Rondo in C. (78 Victor 11618) (CD: Town Hall, THCD58 A)
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with Artur Schnabel, Therese Behr Schnabel, and Helen Schnabel
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884:"Karl Ulrich Schnabel, Pianist, 92; Favored 4-Hand Repertory"
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in 1985, and remained there until his retirement in 2000.
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389:, among others. He was the author of the well-known book
1012:. Stiftung Archiv der Akademie der KĂĽnste. p. 190.
979:. Stiftung Archiv der Akademie der KĂĽnste. p. 174.
909:. Stiftung Archiv der Akademie der KĂĽnste. p. 180.
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Schubert: Trio in B Flat, Op. 99. (78 Victor Set M-429)
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Con Brio. Karl Ulrich Schnabel: Master Teacher of Piano
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Schnabel made many recordings, solo and four-hand, for
393:(1950). He also published editions of compositions by
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You may listen to Karl Ulrich Schnabel and his father
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Not to be confused with Helen Fogel the jazz singer.
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Modern Technique of the Piano: A Piano Pedal Study.
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with Alphonse Onnou, violin, and Robert Maas, cello
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465:, Italy. In addition, he taught master courses in
252:Concerto for Two Pianos in E-flat major, K. 365
8:
576:, studied with Karl Ulrich Schnabel, as did
923:. Vassar Miscellany News. February 6, 1963.
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817:The Teaching of Karl Ulrich Schnabel.
525:. He became a faculty member at the
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1128:Berlin University of the Arts alumni
992:The Teaching of Karl Ulrich Schnabel
614:The Teaching of Karl Ulrich Schnabel
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854:"Where is the Schnabel Grave Site"
297:Schnabel left Berlin in 1933 when
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1133:Manhattan School of Music faculty
448:Karl Ulrich Schnabel as a teacher
324:The family grave in January 2024.
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882:Allan Kozinn (August 30, 2001).
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1108:20th-century classical pianists
552:. His former students include
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1029:New Grove Dictionary of Opera
594:Modern Technique of the Pedal
391:Modern Technique of the Pedal
328:Karl Ulrich Schnabel died in
826:Milan: Edizioni Curci, 1950.
27:Austrian pianist (1909–2001)
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117:Manhattan School of Music
990:Rhodes, Richard (2013).
757:with Joan Rowland, piano
383:Musical Heritage Society
822:Schnabel, Karl Ulrich.
578:Van Cliburn competition
248:Wolfgang Amadeus Mozart
950:"Karl Ulrich Schnabel"
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1123:Musicians from Berlin
819:Hofheim: Wolke, 2013.
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1103:Classical piano duos
582:Stanislav Ioudenitch
330:Danbury, Connecticut
212:Stanislav Ioudenitch
169:Karl Ulrich Schnabel
73:Danbury, Connecticut
34:Karl Ulrich Schnabel
18:Karl-Ulrich Schnabel
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570:Anne Louise-Turgeon
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342:Akademie der KĂĽnste
265:here on archive.org
888:The New York Times
435:Edinburgh Festival
349:Performance career
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170:
161:
158:
154:
151:
147:
144:
140:
136:
132:
129:
126:
122:
118:
115:
111:
108:
104:
101:
99:Occupation(s)
97:
94:
91:
87:
83:
79:
74:
64:
60:
55:
50:6 August 1909
42:
38:
31:
19:
1027:
1009:
991:
985:
976:
953:. Retrieved
944:
935:
929:
915:
906:
896:
887:
861:. Retrieved
857:
848:
839:
823:
816:
613:
602:
597:
593:
590:
562:Peter Serkin
558:Claude Frank
531:
451:
442:Joan Rowland
439:
427:
423:
408:
390:
368:
365:
357:
327:
311:
299:Adolf Hitler
296:
277:
264:
256:Adrian Boult
224:Peter Serkin
200:Claude Frank
188:Therese Behr
168:
167:
150:Therese Behr
67:(2001-08-27)
1083:2001 deaths
1078:1909 births
644:Discography
584:(2001) and
511:New Zealand
338:Switzerland
303:Helen Fogel
246:performing
128:Helen Fogel
119:(1985-2000)
81:Citizenship
1072:Categories
863:2024-01-17
831:References
649:Piano solo
405:Piano duos
46:1909-08-06
675:VIS Radio
622:Beethoven
610:Fantaisie
507:Australia
463:Lake Como
292:Paul Juon
274:Biography
180:contralto
162:(brother)
156:Relatives
142:Parent(s)
107:Professor
56:, Germany
994:. Wolke.
769:THCD-41)
638:Schumann
634:Schubert
606:Fantasie
600:(2001).
588:(1997).
580:winners
471:Scotland
419:Schumann
411:Schubert
395:Schubert
387:TownHall
361:Schubert
262:in 1936
177:operatic
134:Children
113:Employer
84:Austrian
1021:Sources
955:Jun 27,
905:(ed.).
487:Austria
483:Germany
467:England
379:Philips
186:singer
103:Pianist
1044:
1036:
636:, and
630:Mozart
626:Chopin
560:, and
515:Canada
499:Brazil
495:Israel
475:France
417:, and
415:Mozart
334:Schwyz
280:Berlin
222:, and
184:lieder
124:Spouse
75:, U.S.
54:Berlin
503:Japan
491:Spain
479:Italy
399:Weber
286:with
254:with
1042:ISBN
1040:and
1034:ISBN
957:2020
705:1-5)
670:A-B)
618:Bach
568:and
548:and
397:and
354:Solo
290:and
182:and
175:and
148:and
62:Died
40:Born
457:’s
375:EMI
371:HMV
250:'s
137:Ann
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48:)
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