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After 1970 Kvaran began painting much larger works in oil. Static formal shapes were replaced by more fluid constructions in intense shades of red, yellow, and blue, accompanied by areas of black and whites. This style is said to have reached the climax of its development around 1979. His work was
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At the beginning of the 1950s Kvaran abandoned figurative art for geometrical abstraction, using pure, uniform color to create two-dimensional geometric forms. Kvaran was one of a number of
Icelandic artists who contributed to a flourishing geometric abstraction movement during the 1950s.
191:. Kvaran's work was featured in a 1998 exhibition at the National Gallery of Iceland in Reykjavík, "The Dream of Pure Form, Geometric Art of the 1950s". His work also featured in the 1998 National Gallery of Iceland exhibition "Icelandic 20th Century Art".
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In the early part of his career (1942–52) he worked in a French-influenced post-Cubist style. The sculpted, "hammered" surface texture of his strongly composed paintings was created using regular, abrupt brush strokes.
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Kvaran is considered one of the main links between French-derived abstract painting and
Minimalism. His daring use of intense color matched with graphic skills marks him as a bridge between abstraction and Pop Art.
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Between 1958 and 1970 the structure of his large gouache paintings and pen-and-ink drawings became more relaxed, with straight lines replaced by a more rhythmic interplay of curved and circular shapes.
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The
National Gallery of Iceland showed a retrospective of Kvaran's work in November 2010. A number of Kvaran's works and a picture of the artist are displayed at the Frost and Fire Guesthouse website
156:, an innovative development of the 1940s. Iceland experienced a period of prosperity in the post-war era and for the first time painters and writers began to form groups and movements. Kvaran and
183:, Gudmunda Andrésdóttir, Gudmundur Benediktsson, Hafsteinn Austmann, Hjörleifur Sigurdsson, Hördur Ágústsson, Jóhannes Jóhannesson, Jón Benediktsson, Kjartan Gudjónsson,
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ASÍ Art Museum: “Living Art of the Harbor”, painting by Karl Kvaran of the coal crane in
Reykjavik at the harbor
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has composed a violin tribute to Kvaran, a close friend, "Offerto (In
Memoriam Karl Kvaran)".
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characterized by thriftiness of style alongside increasingly complex dimensional interplay.
356:"Haflidi Hallgrímsson - Offerto (In Memoriam Karl Kvaran) (1991) - Music Sales Classical"
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377:"Guony Gudmundsdottir [JP]: Classical CD Reviews- December 2003 MusicWeb(UK)"
306:"Chronologie - 1998 - Exposition. The Dream of Pure Form, Geometric Art of the 1950s"
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were important figures in the development of the geometric abstractionist school.
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Along with
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331:"Chronologie - 1998 - Exposition. Icelandic 20th Century Art"
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436:Royal Danish Academy of Fine Arts alumni
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200:The Icelandic musician and composer
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406:Studio Stafn gallery: Karl Kvaran
114:Royal Danish Academy of Fine Arts
16:Icelandic painter and draughtsman
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132:in western Iceland and died in
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379:. musicweb-international.com
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446:20th-century male artists
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108:Kvaran studied at the
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358:. chesternovello.com
202:Haflidi Hallgrímsson
189:Thorvaldur Skúlason
185:Nína Tryggvadóttir
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96:painter and
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63:(1989-08-09)
431:1989 deaths
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98:draughtsman
90:Karl Kvaran
80:Nationality
33:Karl Kvaran
23:Karl Kvaran
420:Categories
383:2016-05-20
362:2016-05-20
341:2010-07-23
316:2016-05-20
277:2010-07-11
241:2016-05-20
208:References
39:1924-11-17
134:Reykjavík
104:Education
94:Icelandic
83:Icelandic
69:Reykjavík
130:Borðeyri
47:Borðeyri
73:Iceland
51:Iceland
140:Career
152:and
124:Life
58:Died
29:Born
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