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diligently in their studio to perfect their skills. At this point she was allowed to draw human figures, at first from plaster casts and then from models dressed in historical or ornamental costumes, skills she applied during the summers in
Rolleston. However, she was unable to fully master human anatomy; frustrated that nude models were not permitted in the women's classes, she enrolled in night classes at
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371:, where Poynter was head master. Determined to break from Henry Cole's rigid curriculum, he exhorted students to become more expressive and creative, concepts alien to Greenaway whose long early years of training consisted solely of copying and work with geometric designs. She struggled at Heatherley and once again was frustrated that women were segregated from men in the life class.
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232:, where she opened a children's dress shop that attracted well-to-do clients. The family lived in the flat above the shop, and young Kate, often left to her own devices to explore, spent many hours in the enclosed courtyard garden, later writing about it in her unfinished autobiography as a place filled with "richness of colour and depth of shade."
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described as a "bearded, velvet-skull-capped and cold-searching-eyed man." Greenaway was quite shy and thought of herself as plain and unattractive compared to the other students. Yet she became friends with the much more popular
Thompson, with whom she shared a studio. The two young women worked
276:, writing later that children "often don’t care a bit about the books people think they will and I think they often like grown-up books – at least I did." Her father's engravings exposed her to weekly news stories, some of which were quite grisly, such as the series of his illustrations for the
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hired
Greenaway in 1871 on a freelance basis. With its reputation for high quality work, the Belfast firm was one of the pre-eminent card printers of the Victorian era. Her designs sold well and they said of her work that “her special talent was in the direction of costume figures and dainty
378:, setting a path towards specialization in children's books. Her reputation was built on the awards she had won while completing the National Art Courses, and buttressed with early exhibitions. She exhibited a set of fairy watercolours in 1868, which she sold to
316:, was meant to train artisans in designing decorative wallpaper, tiles, and carpets. It emphasised strict adherence to copying geometric and botanical elements without creativity. There were four stages of courses, which she completed in 1864 before going to the
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225:, the period was to Greenaway "crucial ... she felt it to be her real home, a country of the mind that she could always reimagine". After returning to grimy London streets Rolleston became a place to visit in her mind and constantly embellish.
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The depictions of children in imaginary 18th-century costumes in a Queen Anne style were extremely popular in
England and internationally, sparking the Kate Greenaway style. Within a few years of the publication of
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The new, popular and lucrative card market coincided with the end of
Greenaway's formal training. Greetings cards first appeared in the 1840s, and by the 1860s the market had exploded. Card maker
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The publisher who commissioned John
Greenaway's work went bankrupt, leaving the family without an income. When Elizabeth Greenaway returned from Rolleston with the children, the family moved to
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adapted Kate
Greenaway's drawings as designs for actual children's clothes. A full generation of mothers in the liberal-minded "artistic" British circles who called themselves
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241:. He frequently worked on the wood carving throughout the night in front of the fire. Kate enjoyed watching him, and through his work was exposed to illustrations by
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John
Greenaway provided for his mother and two sisters as well as for his own family. He took piecemeal engraving jobs, usually for weekly publications, such as
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146:. She began her career designing for the burgeoning greetings card market, producing Christmas and Valentine's cards. In 1879 wood-block engraver and printer
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207:' engraving firm to strike out on his own. When Greenaway was very young, he accepted a commission to provide the engraved illustrations to a new edition of
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217:, sending his young family away to relatives in the countryside to give himself solitude while producing the engravings. Kate's earliest memories are of
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Kate
Greenaway: Catalogue of an Exhibition of Original Artworks and Related Materials Selected from the Frances Hooper Collection at the Hunt Institute
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While she was still in school, Greenaway received commissions for children's book illustrations. The first came in 1867 for a frontispiece for
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Thomson, Susan Ruth (1977). "Kate
Greenaway: A Catalogue of the Kate Greenaway Collection, Rare Book Room, Detroit Public Library".
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221:, which affected her deeply. It was a place she returned to frequently in her childhood. According to children's literature scholar
199:, London, the second of four children, to a working-class family. Her mother, Elizabeth, was a dress maker and her father, John, an
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156:, an instant best-seller, which established her reputation. Her collaboration with Evans continued throughout the 1880s and 1890s.
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As a young child Greenaway's parents taught her at home; later she was sent to various dame schools; she was an avid reader of
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illustrations. She received her education in graphic design and art between 1858 and 1871 from the Finsbury School of Art, the
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dressed their daughters in Kate Greenaway pantaloons and bonnets in the 1880s and 1890s. The style was often used by painter
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in the decorative arts. Night courses, open only to women, were offered in drawing, porcelain painting, wood engraving, and
562:"Kate Greenaway" children, all of them girls and boys too young to be put in trousers, were dressed in her own versions of
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Danger, Sara R. "Producing the Romance of Mass Childhood: Kate Greenaway's 'Under the Window' and the Education Acts".
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She was aware that the work she produced was overly gaudy, in part because she lacked technical knowledge of the
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402:'s fairy tales, which she illustrated. That year she continued with her classes and earned more than 70 pounds.
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926:, London, Routledge, c. 1885. Engraved and colour printed by Edmund Evans. (only eight copies were printed)
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1007:, London, Society for Promoting Christian Knowledge, 1889. Engraved and colour printed by Edmund Evans.
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1014:, London and New York, Macmillan, 1900. The first use of colour-lithography on any of Kate’s Books.
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Carpenter, Humphrey, and Mari Prichard. (1984). "Kate Greenaway" in Carpenter and Prichard (eds.)
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1937:
1595:
The Making of Women Artists in Victorian England: The Education and Careers of Six Professional
409:
process. To gain a better understanding of the colour process, she made frequent visits to the
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In 1857, at age 12, she began night classes at nearby Finsbury School, a local branch of
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she especially liked. At that time, she gained access to the manuscript room at the
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398:, which took a year to complete. In 1871 Gall & Inglis published an edition of
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colours.” Her cards sold well, and early Valentines sold 25,000 copies in weeks.
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for girls. The influence of children's clothes in portraits by British painter
1886:
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981:, London, George Routledge, 1887. Engraved and colour printed by Edmund Evans.
901:, London, George Routledge, 1884. Engraved and colour printed by Edmund Evans.
822:, London, George Routledge, 1880. Engraved and colour printed by Edmund Evans.
815:, London, George Routledge, 1879. Engraved and colour printed by Edmund Evans.
486:
265:
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1034:, London, Routledge, 1883–1895. Engraved and colour printed by Edmund Evans.
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Greenaway died of breast cancer in 1901, at the age of 55. She is buried in
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61:
547:. Through the 1880s and 1890s, her only rivals in popularity in children's
1507:"Women's Art at the World's Columbian Fair & Exposition, Chicago 1893"
2325:
1904:
1687:
962:, Chatto & Windus, 1886. Engraved and colour printed by Edmund Evans.
257:
2409:
1145:
1000:, London, Routledge, 1889. Engraved and colour printed by Edmund Evans.
988:, London, Routledge, 1888. Engraved and colour printed by Edmund Evans.
955:, London, Routledge, 1886. Engraved and colour printed by Edmund Evans.
942:, London, Routledge, 1885. Engraved and colour printed by Edmund Evans.
932:, London, Routledge, 1885. Engraved and colour printed by Edmund Evans.
920:, London, Routledge, 1885. Engraved and colour printed by Edmund Evans.
895:, London, Routledge, 1884. Engraved and colour printed by Edmund Evans.
882:, London, Routledge, 1883. Engraved and colour printed by Edmund Evans.
861:, London, Routledge, 1882. Engraved and colour printed by Edmund Evans.
854:, London, Routledge, 1881. Engraved and colour printed by Edmund Evans.
521:
475:
470:
165:
80:
1916:
Baldwin Library of Historical Children's Literature Digital Collection
768:
Pollock, Walter Herries, Amateur Theatricals, London, Macmillan, 1879.
386:. He set them to verse and printed them in his magazine. A year later
975:, Cassell and Co., 1887. Engraved and colour printed by Edmund Evans.
196:
57:
1671:
Frances, Spiegel. (2003) "Lettering & Illustration in Harmony".
906:
Songs for the Nursery: A Collection of Children’s Poems, Old and New
1900:
1638:
Words about Pictures: The Narrative Art of Children’s Picture Books
1621:
Huneault, Kristina. (1997) "Kate Greenaway", in Gaze, Delia (ed.)
469:
459:
350:
312:. She enrolled full-time a year later. The curriculum, devised by
291:
183:
610:, established in her honour in 1955, is awarded annually by the
126:(17 March 1846 – 6 November 1901) was an English
1941:
1698:
The Art of Kate Greenaway: A Nostalgic Portrait of Childhood
612:
Chartered Institute of Library and Information Professionals
2516:
Members of the Royal Institute of Painters in Water Colours
1928:
de Grummond Collection, University of Southern Mississippi
1734:
Children’s Books in England: Five Centuries of Social Life
1581:
Children’s Books in England: Five Centuries of Social Life
2310:
List of 19th-century British children's literature titles
1652:
The Illustrator and the book in England from 1790 to 1914
728:
Starlight Stories Told to Bright Eyes and Listening Ears
1529:. Cleveland Museum of Art. Retrieved September 18, 2017
390:
purchased six illustrations for a toy book edition of "
1719:
Benezit Dictionary of Graphic Artists and Illustrators
2362:
1541:. University of Delaware.Retrieved September 18, 2017
323:
The headmaster at the Royal Female School of Art was
1721:, Vol 1. (2012). New York: Oxford University Press.
582:(1758–1810) may have provided her some inspiration.
2334:
2318:
2302:
2199:
1973:
1414:, USM de Grummond Library. Accessed October 4, 2017
524:, London, although she spent summers in Rolleston.
110:
100:
92:
69:
39:
23:
866:Flowers and Fancies; Valentines Ancient and Modern
643:Aunt Louisa's London Toy Books: Diamonds and Toads
574:for boys, high-waisted pinafores and dresses with
630:Infant Amusements, or How to Make a Nursery Happy
614:in the UK to an illustrator of children's books.
497:elements with flowing vines and floral patterns.
1774:Shuster, Thomas E. and Rodney K. Engen. (1986).
1640:. Athens, Georgia: University of Georgia Press.
947:Dame Wiggins of Lee and Her Seven Wonderful Cats
807:The Two Gray Girls and Their Opposite Neighbours
1379:
1377:
1066:The Cherry Woman - Kate Greenaway - 62 1924 118
260:versions of fairy tales – her favourites were "
1736:. Ed. Brian Alderson, New York: Cambridge UP.
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1078:The Garden Seat - Kate Greenaway - 62 1924 111
1021:(with others), London, George Routledge, 1903.
1953:
1748:The Oxford Companion to Children's Literature
1556:The Oxford Companion to Children's Literature
1431:
1429:
1405:
1403:
1401:
1246:Grave of Kate Greenaway in Hampstead Cemetery
1054:The Stick Fire - Kate Greenaway - 62 1924 114
1028:(with others), London, Macmillan, 1908, 1911.
188:Pencil drawing of John Greenaway at work, by
8:
1776:Printed Kate Greenaway: A Catalogue Raisonné
1470:
1468:
749:Topo: A Tale About English Children in Italy
715:Seven Birthdays; or, The Children of Fortune
502:Royal Institute of Painters in Water Colours
485:In the 1880s, the most popular designers of
2461:Alumni of the Heatherley School of Fine Art
953:A Apple Pie: An Old-Fashioned Alphabet Book
864:Ranking, Montgomerie and Tully, Thomas K.,
826:Freddie’s Letter: Stories For Little People
795:, London, Cassell, Petter, Gilpin, c. 1879.
500:Greenaway was elected to membership of the
1960:
1946:
1938:
1391:
1389:
773:Trot’s Journey and Other Poems and Stories
721:Quiver of Love, a Collection of Valentines
458:(1879), a collection of simple, perfectly
31:
20:
1303:
1301:
1299:
800:Three Brown Boys and Other Happy Children
539:Greenaway's paintings were reproduced by
462:verses about children, was a bestseller.
1932:Frances Hooper Kate Greenaway Collection
873:The Illustrated Children’s Birthday Book
852:Mother Goose; or, The Old Nursery Rhymes
744:, London, Cassell, Petter, Gilpin, 1878.
2369:
1575:Darton, F. J. (2011 ed). "The Sixties,
1261:
1044:
809:, New York, Cassell & Co., c. 1879.
802:, New York, Cassell & Co., c. 1879.
787:The “Little Folks” Nature Painting Book
723:(with Walter Crane), Marcus Ward, 1876.
504:in 1889. She exhibited her work at the
272:" – as well as illustrated editions of
1668:, Vol 52, No. 3, 406, 408-411 (Review)
1664:Rudikoff, Sonya. "A Past Recaptured".
848:, London, Macmillan and Company, 1881.
841:, London, Macmillan and Company, 1881.
564:late 18th century and Regency fashions
512:in Chicago, Illinois. She lived in an
1750:. New York: Oxford University Press.
1579:and After". in Alderson, Brian (ed),
1558:. New York: Oxford University Press.
1152:'s version of the tale. Engraving by
875:(with others), London, W. Mack, 1882.
489:were Greenaway, along with Crane and
7:
2496:Deaths from breast cancer in England
2471:British children's book illustrators
1625:, Vol 1. Fitzborn Dearborn: London.
930:Marigold Garden: Pictures and Rhymes
914:, London: George Routledge, c. 1884.
834:, London, George Routledge, c. 1880.
657:Fairy Gifts; or, A Wallet of Wonders
652:, London, Griffith and Farran, 1871.
413:, where she studied masters such as
1968:Victorian-era children's literature
775:, New York, R. Worthington, c. 1879
203:who gave up steady employment with
2466:Alumni of the Royal College of Art
2441:19th-century British women artists
1934:Carnegie Mellon University Library
1572:. Vol 31, No 4, Dec. 2009. 311-333
1539:Color Printing in the 19th century
130:artist and writer, known for her
14:
2456:19th-century British illustrators
1692:. London: Adam and Charles Black.
1005:The Royal Progress of King Pepito
912:Kate Greenaway’s Christmas Carols
899:A Painting Book By Kate Greenaway
793:A Favorite Album of Fun and Fancy
756:Heartsease; or The Brother’s Wife
702:Melcomb Manor: A Family Chronicle
493:. Their work exhibited intricate
164:Greenaway's work was imitated in
2408:
2396:
2384:
2372:
1908:
1892:Works by or about Kate Greenaway
1239:
1221:
1215:: An Old-Fashioned Alphabet Book
1203:
1189:
1175:
1161:
1140:Greenaway's illustration of the
1133:
1119:
1097:
1083:
1071:
1059:
1047:
1019:Littledom Castle and Other Tales
979:Queen Victoria's Jubilee Garland
782:, Cassell, Petter, Gilpin, 1879.
780:The “Little Folks” Painting Book
789:, Cassell, Petter, Gilpin 1879.
710:, London, Marcus Ward, c. 1875.
598:in her depictions of children.
306:National Course of Art Training
1760:Robert W. Kiger (ed.). (1980)
1012:The April Baby's Book of Tunes
998:Kate Greenaway's Book of Games
994:, New York, Worthington, 1888.
820:Kate Greenaway's Birthday Book
730:, Griffith & Farran, 1877.
717:, Griffith & Farran, 1875.
666:, Griffith & Farran, 1874.
659:, Griffith & Farran, 1874.
639:, 9 v., Gall and Inglis, 1871.
302:South Kensington School of Art
136:South Kensington School of Art
1:
2511:British women watercolourists
2491:Burials at Hampstead Cemetery
2446:19th-century English painters
1700:. Gretna, LA: Pelican Books.
1597:. Jefferson, NC: Macfarland.
949:, London, George Allen, 1885.
889:, London, Sonnenschein, 1883.
664:The Children of the Parsonage
637:Madame D'Aulnoy's Fairy Tales
334:Heatherley School of Fine Art
105:Heatherley School of Fine Art
1918:, Greenaway images from the
1854:Resources in other libraries
1830:Resources in other libraries
1650:Ray, Gordon Norton. (1991).
1611:. New York: Schocken Books.
1144:leading the children out of
1109:The Queen of the Pirate Isle
968:, London, Marcus Ward, 1886.
960:The Queen of the Pirate Isle
737:, London, Marcus Ward, 1877.
704:, London, Marcus Ward, 1875.
700:Potter, Frederick Scarlett,
697:, London, Marcus Ward, 1875.
690:, London, Marcus Ward, 1875.
516:house she commissioned from
510:World's Columbian Exposition
478:built for Kate Greenaway by
367:In 1871 she enrolled in the
2521:19th-century women painters
2451:Illustrators of fairy tales
1907:(public domain audiobooks)
1623:Dictionary of Women Artists
1609:Kate Greenaway: A biography
1583:. New York: Cambridge UP.
1570:Nineteenth-Century Contexts
238:The Illustrated London News
195:Kate Greenaway was born in
2537:
2486:British women illustrators
2476:British children's writers
1229:April Baby's Book of Tunes
904:Ellice, Robert, compiler,
880:Little Ann and Other Poems
828:, London, Routledge, 1880.
318:Royal Female School of Art
219:Rolleston, Nottinghamshire
2176:Charlotte Elizabeth Tonna
2001:Christabel Rose Coleridge
1849:Resources in your library
1825:Resources in your library
1636:Nodelman, Perry. (1990).
1026:De Libris Prose and Verse
986:The Pied Piper of Hamelin
973:Rhymes for the Young Folk
918:Kate Greenaway's Alphabet
576:mobcaps and straw bonnets
30:
2352:Frederick Warne & Co
2146:Elizabeth Missing Sewell
1485:The Art of the Bookplate
1003:Cresswell, Beatrice F.,
592:Arts and Crafts movement
388:Frederick Warne & Co
369:Slade School of Fine Art
361:Frederick Warne & Co
288:Education and early work
144:Slade School of Fine Art
140:Heatherley School of Art
2501:English watercolourists
2066:Frances Hodgson Burnett
1981:Henry Cadwallader Adams
1901:Works by Kate Greenaway
1883:Works by Kate Greenaway
1873:Works by Kate Greenaway
1864:Works by Kate Greenaway
1673:Letters and arts review
1197:A Little Girl in a Muff
859:A Day in a Child’s Life
857:Foster, Myles Burkett,
761:Yonge, Charlotte Mary,
754:Yonge, Charlotte Mary,
650:My School Days in Paris
427:illuminated manuscripts
355:Greenaway illustrated "
280:in 1856 about murderer
278:Illustrated London News
2181:Charlotte Maria Tucker
2166:Robert Louis Stevenson
2111:Mary Louisa Molesworth
1991:Lucy Lyttelton Cameron
1732:Darton, F. J. (2011).
1607:Engen, Rodney. (1981)
1593:Devereux, Jo. (2016).
1487:. Barnes & Noble.
1483:Keenan, James. (2003)
945:Ruskin, John, editor,
924:Kate Greenaway's Album
878:Taylor, Ann and Jane,
747:Campbell, Lady Colin,
482:
396:Joseph Martin Kronheim
364:
297:
192:
2403:Children's literature
2347:Marcus Ward & Co.
2136:William Brighty Rands
2031:Juliana Horatia Ewing
1920:University of Florida
1746:Hahn, Daniel. (2015)
1696:Taylor, Ina. (1991).
1017:Spielmann, Mabel H.,
1010:Arnim, Mary Annette,
940:English Spelling Book
763:The Heir of Redclyffe
733:Russell, Rutherford,
688:A Cruise in the Acorn
514:Arts and Crafts style
473:
466:Later years and death
354:
295:
187:
2481:British illustrators
2274:Harold Robert Millar
2186:Charlotte Mary Yonge
2156:Mary Martha Sherwood
2026:Evelyn Everett-Green
1666:The American Scholar
971:Allingham, William,
966:Baby's Birthday Book
868:, Marcus Ward, 1882.
751:, Marcus Ward, 1878.
740:Hunt, Mrs. Bonavia,
693:Clark, Mary Senior,
683:, Marcus Ward, 1874.
673:, Marcus Ward, 1874.
648:Jeune, Margaret S.,
608:Kate Greenaway Medal
439:Marcus Ward & Co
425:, where she studied
270:Beauty and the Beast
1654:. New York: Dover.
1233:Elizabeth von Arnim
893:Language of Flowers
887:Tales from the Edda
844:Locker, Frederick,
818:Barker, Mrs. Sale,
785:Weatherly, George,
778:Weatherly, George,
735:Tom Seven Years Old
628:Kingston, William,
518:Richard Norman Shaw
506:Palace of Fine Arts
480:Richard Norman Shaw
296:Greenaway at age 16
214:The Pickwick Papers
124:Catherine Greenaway
44:Catherine Greenaway
2506:People from Hoxton
2217:Randolph Caldecott
2207:Eleanor Vere Boyle
2141:Talbot Baines Reed
2126:Frances Mary Peard
2036:Frederic W. Farrar
984:Browning, Robert,
871:Weatherly, F. E.,
765:, Macmillan, 1879.
758:, Macmillan, 1879.
726:LaBlanche, Fanny,
669:Mulholland, Rosa,
557:Randolph Caldecott
529:Hampstead Cemetery
483:
419:Arnolfini Portrait
392:Diamonds and Toads
365:
357:Diamonds and Toads
338:Edward Burne-Jones
329:Elizabeth Thompson
298:
223:Humphrey Carpenter
193:
2360:
2359:
2342:Blackie & Son
2289:Millicent Sowerby
2264:Sydney Prior Hall
2232:George Cruikshank
2161:Flora Annie Steel
2101:Frederick Marryat
2086:W. H. G. Kingston
2076:Richard Jefferies
2006:Harry Collingwood
1868:Project Gutenberg
1838:By Kate Greenaway
1806:Library resources
1756:978-0-19-969514-0
1727:978-0-19-992305-2
1603:978-0-7864-9409-5
832:The Old Farm Gate
695:Turnaside Cottage
681:The Fairy Spinner
618:Books illustrated
590:and embraced the
584:Liberty of London
549:book illustration
384:People's Magazine
376:Infant Amusements
304:participating in
205:Ebenezer Landells
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2081:Charles Kingsley
1986:R. M. Ballantyne
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1926:Greenaway Papers
1912:
1911:
1896:Internet Archive
1706:978-0882-898-674
1693:
1680:Spielmann, M. H.
1675:. Vol. 18, no. 2
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992:Around the House
908:, W. Mack, 1884.
885:Zimmern, Helen,
813:Under the Window
713:Knox, Kathleen,
708:Children’s Songs
686:Jerrold, Alice,
671:Puck and Blossom
655:Knox, Kathleen,
541:chromoxylography
491:Aubrey Beardsley
455:Under the Window
452:Her first book,
447:Under the Window
411:National Gallery
407:Chromoxylography
382:, publisher of
325:Richard Burchett
162:Under the Window
153:Under the Window
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2227:Walter Crane
2222:Thomas Crane
2200:Illustrators
2041:G. E. Farrow
2016:Frank Cowper
2011:E. E. Cowper
1844:Online books
1837:
1820:Online books
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1510:. Retrieved
1500:
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1435:Devereux, 60
1419:
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1331:Devereux, 53
1319:Devereux, 50
1228:
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1183:The Elf Ring
1182:
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1154:Edmund Evans
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545:Edmund Evans
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114:Creation of
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18:
2436:1901 deaths
2431:1846 births
2415:Visual Arts
2269:Edward Lear
2151:Anna Sewell
2116:Kirk Munroe
2096:Andrew Lang
2061:G. A. Henty
2056:L. T. Meade
1729:p. 488
1474:Danger, 311
1307:Spiegel, 53
1231:(1900), by
839:The Library
495:art nouveau
310:lithography
274:Shakespeare
93:Nationality
2425:Categories
2335:Publishers
2255:(engraver)
2239:(engraver)
1887:HathiTrust
1877:Faded Page
1252:References
1142:Pied Piper
1113:Bret Harte
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487:bookplates
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266:Cinderella
243:John Leech
172:, and the
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