230:" and then with Hens' Teeth, a women's comedy show." The show, what participant Madeline McNamara has called "feminist devised comedy," debuted in Wellington's Circa Theatre in December 1988 and "broke box office records." According to Hannah Banks, "A typical Hens' Teeth show would always start with the Mother Chook, Lee Hatherly," who would warm up the audience with direct—sometimes physically direct—interaction with the audience; "then what followed really was like a variety show. So it had its roots in music hall." "Hen's Teeth performed as a company regularly throughout the 1990s and then after a sixteen-year hiatus, they performed again at Circa Theatre in 2017 as part of WTF! Women's TheatreFestival." The group's producer throughout its existence, JasonSmith rarely appeared as a performer, although she was sometimes the MC. Comedians, actors, and musicians, and dozens of other major figures in New Zealand theatre, film, and television who were involved in the group included Dame
317:
screaming overhead, crawling around the hospital tents on their knees, the constant stream of wounded and dying soldiers. Not all her stories were tragic, most had a lighter side, a twist, a punchline. Award-winning director and actor JasonSmith brings to life the dramatic and often humorous tale of her mother's life in this acclaimed show about war, courage and romance." Acting the various characters involved in her mother's experiences, JasonSmith makes use of her skill with accents from various languages and regions.
123:"My first job at 18 was as an actress. Following fast upon the heels of the heady glory was the disgust that all the good parts were written for men. When I asked why, I was told 'Because women don't do anything interesting.' The real horror of that statement was that for years I believed it, in spite of the wealth of evidence around me to the contrary. Finally I asked the right question, why women weren't writing plays and was told 'You're a woman, why don't
147:
their own way of seeing things, based on the premise that men and women view life from very different perspectives in a male-dominated world, women's different insights and different kinds of creativity are too often scorned by the male critics." Hens' Teeth likewise included many sketches that involved the "deconstruction of gender on stage," as theatre historian Hannah Banks said with regard to regular acts involving irony resulting from
521:
honours in the green category, beating such competitors as "the Estee Lauder subsidiary Aveda." The award led to access to the US market as well as "inquiries from South Africa, Australia and the UK"; half their product already went "mainly to the tourist markets in Fiji and Hawaii but also to various stores in Canada and
Australia, and to online retailers." In 2011 the company was selling "about 30,000 pots of cream perfume annually."
22:
143:
they got married and had children.' To make it worse, Sam Neill applied at the same time for the same position and was accepted." JasonSmith was also among a number of women who "were told they couldn't be camerawomen because the gear was too heavy—even though in Kate's case she had been carrying heavy mail bags up and down the hills of
Wellington while working as a postie."
305:
is that ... as an Irish
Protestant, Phyllis knows her mother will never accept her Irish Catholic beau, but there is no denying the love and friendship that springs up between them amidst the violent explosions of wartime Europe. ... She has seen first-hand the impact of religious hatred and bigotry, and she will never allow these feelings to take root within her."
158:, "New Zealand's national playwriting agency," released statistical research on "what was being performed" over a given period of time in the country's major theatres, including information about the involvement of women relative to men. The later research "depicted the significant difference in the amount of works by women" that were performed. Adopting
183:, in which she "made the observation that corporate talk of goals and list making were not applicable to the theatrical life – career paths were replaced by "people who just do stuff." Nonetheless, as the hui closed "JasonSmith introduced the concept of 50/50 by 20/20, meaning a goal of 50% participation and recognition of women in theatre by 2020."
316:
had a month-long run there in 2019. Promotional material for this iteration of the play described it as follows: "Irish-born
Phyllis was one of only two New Zealand women ever to have been honoured with France's highest decoration, the Légion d'Honneur, for extreme bravery in WWII. She spoke of bombs
304:
in 2019, noted "the underbelly of racism and religious intolerance in our communities. Against this backdrop, the story of
Phyllis JasonSmith's experiences as a nurse in the last days of World War II is all the more poignant, all the more valid. ... Probably the most poignant aspect of Phyllis' story
142:
and thought: 'I'd be quite a good person because I've spent two years working as a professional actor and I've got a year at Design School. So I wrote and said I was interested in being trained as a director. And they wrote a letter back to me saying that they didn't train women as directors because
520:
With her partner, Francesca Brice, JasonSmith set up
Pacific Perfumes in 2002, through which they sell perfumes and other products in Aotearoa New Zealand as well as overseas. In 2011 the company participated in an international competition, the HBA International Package Design Awards, and won top
146:
In 1976, JasonSmith, along with Donna Cross, Christine Poland, and Nina
Dawidowska, formed "a women-only art studio-gallery ... called Nga Tamahine Marama—the daughters of light, sun, moon and stars." Located in Wellington, it was established with the aim of encouraging "women to work according to
296:
in
November 2018 and toured around New Zealand over the next few months. One early reviewer called the play "a show about the life of an ordinary woman who achieved extraordinary things" and said that it managed "to create an effective balance between personal experience and the larger historical
409:
for television." Working through her own
Meridian Films production company, and increasingly "concerned about the lack of New Zealand drama, and more importantly the lack of women's perspective on television, gathered together an impressive line-up of female film-makers and produced a four-part
372:
JasonSmith's work as a film and television director from 1985 through 1996 has included short, semi-experimental student films, a dramatic short drama, an episode of a television arts program, and a short drama commissioned by the
Wellington South Community Law Centre "exploring legal issues for
162:
practice, JasonSmith called a "Hui on Women in Theatre" "to discuss the representation of women in New Zealand theatre," which was held "on the 19th September 2016, the 123rd anniversary of women gaining the right to vote in Aotearoa. ... Around one hundred people attended the two sessions at
170:
JasonSmith gave the first of two introductory presentations at this meeting, in which she "welcomed everyone and spoke of the times she has experienced injustice and discrimination against women in the New Zealand theatre industry." Among other things, this led to an interview broadcast on
115:
were tutors for acting on screen at the Performing Arts Centre, Wellington. In 2002/03 JasonSmith researched the funding available for women working in New Zealand theatre, film, and television as well as statistics on roles for women both on stage/in front of the camera and behind the
321:'s reviewer wrote that she "is a brisk and lively solo storyteller, and her facility for accents helps her paint a picture of those times through its characters, particularly when she inhabits her wide-eyed young Irish mother and the much older woman reminiscing with the young Kate."
485:
and Anna Campion in a discussion of themes appearing towards the end of that period. They all present "the family as a melting pot of chaotic and perverse emotions" along with "the vulnerability of the young girl caught up in perplexing adult emotions."
377:(1981), for example, is a 2-minute film, shown at the Sydney 8mm film festival that involves images interpreting a poem read in voice-over; "I was trying to do to poetry what people were just starting at that time to do to music with video clips."
76:; her father, Jason Lewis Francis Smith, was an officer during the war, and an architect by trade after the war. Both Irish, her parents emigrated to New Zealand in part because her mother was Protestant and her father was Catholic.
209:
The name Hens' Teeth "pointed to the scarcity of female comedians"; the group's creation followed JasonSmith's "attendance at a women's comedy festival in Sydney." Under the larger heading of "Social issues on stage,"
284:
that led to their emigrating from Ireland to New Zealand, and the impact of this background and her mother's experience on JasonSmith herself. As well as being among the few nurses at the front from
1899:
381:(1988) is set in a Sydney café, features an elderly male protagonist, and uses the café's glass window in part to reflect the man's memories as well as show the present. It was edited by
866:
1924:
512:, who was part of the Hens' Teeth company. Following passage in 1985 of the Adult Adoption Information Act, adoption remained a current issue for discussion into the 1990s.
103:) award to do research on the number and type of female roles on New Zealand stages and screens for the 2002 year; the results were part of work she did toward a BA (Hons).
167:
in Wellington, ... made up ... predominantly of women, of all ages and stages in their careers including actors, directors, designers, writers, producers and academics."
1919:
462:
and of the love and hate between two sisters." Executive produced by Robin Laing and produced and edited by Annie Collins, a 50-minute version of it aired on
994:
490:
shares Kiwi Christmas traditions combined with a beach setting with contemporaneous examples of Kiwi film and theatre, e.g., Dorthe Scheffmann's short film
720:
127:
write plays.' It was good advice—the reason I've created anything of importance in my life is because I've given up waiting for someone else to do it.'"
1110:
1564:
Shepard, Deborah (1993). "Feminist Perspectives: Women's Film in Aotearoa New Zealand 1973-1993". In Barton, Christina; Lawler-Dormer, Deborah (eds.).
1939:
1929:
191:
In 1969 JasonSmith toured with a group called "Children's Art Theatre that used to go round all the primary schools in New Zealand." An early play,
179:. The follow-up meeting, an "all-day event" held on 11 March 2017 and "convened by Linda Wilson and Kate JasonSmith," featured a keynote address by
211:
88:
470:
series in 1993. It also had a screening at Wellington's City Gallery on 28 November 1993 as part of a series of film screenings to celebrate the
48:
female actors, musicians, and comedians that became a staple of the New Zealand theatre and comedy scene between 1988 and 1996. Her short film,
1894:
1879:
1934:
1889:
1884:
253:
1914:
1392:
1078:
471:
56:
has received national and international praise for both the play, which she wrote, and her performance. JasonSmith is a member of the
52:(1992), won the Best Drama – Television award in the New Zealand Film and Television Awards of 1994. From 2018 on, the one-woman show
1573:
1269:
1047:
700:
341:
92:
40:, as a theatre and film practitioner, she has been most recognised throughout her career for her role in establishing and producing
201:, a play written by Lorae Parry, that had its premiere at Circa Theatre in 2016 and was "a finalist for the 2016 Adam Play Award."
154:
This interest in women's opportunities within the creative arts has been a life-long concern for JasonSmith. In 2016 and in 2018,
369:
The bulk of her other film work (apart from acting) "reflects her interest in exploring her experiences and choices as a woman."
289:
1874:
57:
351:(1993), as well as other New Zealand films and television productions. "In the 1970s she worked as a television designer in
414:
series." The individual films were "ultimately screened in two different slots, including as the first Kiwi entries on the
277:
96:
502:
which was first performed on stage in 1992 and then adapted for television and broadcast around Christmastime in 1993.
1210:
347:
117:
1524:
1838:
1740:
1499:
1445:
1420:
32:(born 1950) is a New Zealand actor, film producer, playwright, filmmaker, photographer, and businesswoman. Based in
508:
also "broke new ground" in its portrayal of "the fierce ambivalence between sisters," played by Joanne Simpson and
100:
1869:
463:
309:
227:
495:
1909:
80:
477:
Writing about "women's film in Aotearoa New Zealand in 1973–1993," Deborah Shepard includes JasonSmith's
442:, both well-known New Zealand authors at that point; editors Dell King and Annie Collins, and composers
403:"In the early 90s, having been offered a number of projects that were too long to be short films, Laing
301:
1065:
Any Parts for Women? A Survey of the Proportion of Female Roles on New Zealand Stage and Screen in 2002
509:
1816:
215:
1904:
219:
72:, England, in 1950. Her mother, Phyllis Garvin JasonSmith, was a nurse on the European front during
1154:
139:
695:. Wellington, New Zealand: City Gallery, Wellington; Auckland City Art Gallery. pp. 96, 111.
272:), written and acted by JasonSmith, honours Phyllis JasonSmith, JasonSmith's mother, covering her
821:
131:
36:, she has studied and worked elsewhere, including Australia, Ireland, and the United Kingdom. A
1079:"[Theatre programmes for drama productions in New Zealand, mostly Wellington, in 2000]"
1569:
1265:
1043:
696:
447:
197:
176:
926:
895:
1568:. Wellington and Auckland: City Gallery, Wellington; Auckland City Art Gallery. p. 88.
630:
406:
335:
273:
159:
21:
1473:
952:"Kate JasonSmith – New Zealand Society of Authors (PEN NZ Inc) Te Puni Kaituhi O Aotearoa"
833:
281:
235:
180:
1615:
816:. Wellington, New Zealand: Victoria University of Wellington. pp. 74, 121, 122, 123.
1367:
748:
1184:
148:
41:
1791:
366:... a non-linear narrative on the margin of memory and fantasy in an old man's mind."
1863:
1766:
1320:
541:(documentary; co-film maker with Annie Collins, Donna Cross, Jerry Smith, and others)
382:
330:
231:
164:
45:
482:
435:
390:
386:
293:
73:
1640:
951:
1235:
1117:(Segment of weekly radio program entitled Standing Room Only). 25 September 2016
443:
249:
195:, "was performed on the London stage in 1978." Later in her career she directed
112:
1691:
439:
261:
257:
155:
69:
33:
458:
in colour, celebrates 1950s New Zealand culture while presenting "a story of
362:
In 1987 "Kate JasonSmith and a collective of Australian film-makers directed
1292:
135:
1666:
782:"Funny As: The Story of New Zealand Comedy; Episode 5: Safety in Numbers".
87:
also studied) before obtaining a Dip Film Planning and Production from the
288:
on, Phyllis was among the small number of medical personnel who went into
562:(15 min; experimental; writer, director, producer; New Zealand/Australia)
459:
37:
1589:
1345:
276:
background, her experiences as a nurse during WWII that earned her the
84:
134:
were training people as directors. She had just completed a tour with
693:
alter/image: Feminism and Representation in New Zealand Art 1973–1993
352:
1566:
alter/image:Feminism and Representation in New Zealand art 1973–1993
222:
also picked up on the power of cabaret, initially with JasonSmith's
814:
A Stage of Our Own: Women Devising Theatre in Aotearoa New Zealand
285:
20:
1042:. Auckland: HarperCollins. pp. 34, 101, 125, 139, 140, 253.
995:"Architectural Wellington landmark on the market for first time"
455:
385:
and features Australian as well as New Zealand actors such as
356:
91:
in Sydney in 1987. She received a BA in Theatre and Film from
968:
1139:
Zavos, Judy (27 April 1976). "Art Gallery for Women Only".
1716:
Baker, Glenn (October 2011). "Another sale in paradise".
691:
Barton, Christina; Lawler-Dormer, Deborah, eds. (1993).
849:
OnFilm: New Zealand Film, Television and Video Magazine
1185:"Report on Women in Theatre Hui No. 2 –The Next Stage"
1067:(BA (Hons) thesis). Victoria University of Wellington.
721:"Understanding the healing power of female friendship"
54:
I'll Tell You This for Nothing: My Mother the War Hero
1262:
Kiwi Jokers: The Rise and Rise of New Zealand Comedy
1900:
20th-century New Zealand dramatists and playwrights
418:series." The directors included Gaylene Preston (
345:(2012). She also had a role in Gaylene Preston's
252:, produced by Shirley Domb, with a soundscape by
867:"Theatre Review: I'll Tell You This For Nothing"
393:, along with JasonSmith's own mother, Phyllis.
79:JasonSmith completed a Dip Design in 1967 from
1040:Reframing Women: A History of New Zealand Film
629:Isabel (Short film: Brian Challis, director;
292:once it was liberated. The play premiered at
8:
1925:New Zealand women dramatists and playwrights
454:(1992), a short drama of 52 minutes made on
300:Another reviewer, writing shortly after the
1616:"Joyful and Triumphant: An Incidental Epic"
786:(5-part television series). 18 August 2019.
204:
60:/Te Puni Kaituhi O Aotearoa (PEN NZ Inc.).
1839:"The Edge [SERIES 1 PROGRAMME 17]"
1111:"Gender Inequality in New Zealand Theatre"
749:"Social Issues on Stage: Feminist Cabaret"
241:
1155:"Report from the Hui on Women in Theatre"
175:, a weekly arts show aired nationally by
1741:"Pacific Perfumes: The smell of success"
1264:. Auckland: HarperCollins. p. 109.
654:Featured Extra (Peter Jackson, director)
647:Female Guest No. 1 (as Kate Jason Smith)
329:As an actor, JasonSmith has appeared in
308:Cut to just under 60 minutes to fit the
1671:Te Ara: The Encyclopedia of New Zealand
753:Te Ara: The Encyclopedia of New Zealand
664:
212:Te Ara: The Encyclopedia of New Zealand
89:New South Wales Institute of Technology
1920:20th-century New Zealand women writers
1735:
1733:
1731:
1415:
1413:
1178:
1176:
1105:
1103:
1101:
1099:
829:
819:
1468:
1466:
1315:
1313:
1287:
1285:
1283:
1281:
1134:
1132:
1033:
1031:
1029:
1027:
1025:
1023:
1021:
1019:
1017:
1015:
963:
961:
889:
887:
860:
858:
777:
775:
773:
771:
769:
714:
712:
297:events through which Phyllis moves."
7:
1817:"Separation City Full Cast and Crew"
1667:"Adoption: From Secrecy to Openness"
1211:"Theatre Review: Scarlet & Gold"
920:
918:
916:
894:Stevenson, Tim (19 September 2018).
807:
805:
803:
801:
799:
797:
795:
793:
743:
741:
686:
684:
682:
680:
678:
676:
674:
672:
670:
668:
472:Centenary of Suffrage in New Zealand
130:In 1971 JasonSmith "heard that the
993:Hawkes, Colleen (3 November 2017).
1209:Coleman, Ewen (27 November 2016).
1183:Austin, Margaret (13 March 2017).
925:Timms-Dean, Kate (29 March 2019).
576:(TV arts series; episode director)
516:Additional professional activities
205:Hens' Teeth Women's Comedy Company
14:
719:Catherall, Sarah (9 March 2019).
93:Victoria University of Wellington
16:New Zealand actress and filmmaker
1940:New Zealand television actresses
1930:New Zealand women film producers
969:"I'll Tell You This for Nothing"
865:Pollock, David (7 August 2019).
95:in 1998. In 2002 she received a
1553:. 26 November 1993. p. 32.
1397:National Library of New Zealand
1083:National Library of New Zealand
927:"A Lesson for Us All for Today"
640:Mrs Bond (NZ television series)
583:(children's TV drama; director)
314:I'll Tell You This for Nothing
266:I'll Tell You This for Nothing
243:I'll Tell You This for Nothing
58:New Zealand Society of Authors
1:
1895:New Zealand women in business
1843:Nga Taonga Sound & Vision
1692:"About us | Pacific Perfumes"
1529:Nga Taonga Sound & Vision
1450:Nga Taonga Sound & Vision
97:Society for Research on Women
1525:"Work of Art – Xmas for Lou"
1425:Nga Tanga Sound & Vision
812:Banks, Hannah Joyce (2018).
622:Doctor (NZ television drama)
548:(2 min; director; Australia)
405:came up with the idea of an
101:New Horizons for Women Trust
68:Kate JasonSmith was born in
1880:New Zealand stage actresses
1594:New Zealand Film Commission
1504:Nga Taonga Sound and Vision
847:"And the winners are ...".
615:(Gaylene Preston, director)
44:, a platform for dozens of
1956:
1935:New Zealand film actresses
1890:New Zealand film directors
1885:New Zealand film producers
608:– Peter Jackson, director)
604:Mother at Park (US title:
1915:Actresses from Eastbourne
1665:Else, Anne (5 May 2011).
1063:JasonSmith, Kate (2003).
1038:Shepard, Deborah (2000).
310:Edinburgh Fringe Festival
228:Unity Theatre, Wellington
214:devotes its paragraph on
1393:"Lesbians & the law"
851:. July 1994. p. 11.
590:(14 min drama; director)
434:); the writers included
64:Early life and education
278:French Légion d'honneur
1745:The New Zealand Herald
1260:Elliott, Matt (1997).
896:"A Mighty Achievement"
500:Joyful and Triumphant,
464:New Zealand television
416:Montana Sunday Theatre
270:My Mother the War Hero
81:Wellington Polytechnic
26:
1875:New Zealand comedians
1696:PacificPerfumes.co.nz
1641:"Robert Lord: Writer"
302:Christchurch massacre
280:, her marriage to an
264:, the one-woman play
99:(administered by the
24:
1614:Wilson, Sue (2016).
1236:"Scarlet & Gold"
588:Lesbians and the Law
581:Mel's Amazing Movies
569:(TV drama; director)
481:along with films by
422:), Shereen Maloney (
220:Second-wave feminism
430:), and JasonSmith (
339:(1992), as well as
333:'s splatstick film
325:Film and television
140:New Zealand Players
1446:"The Quick Window"
1346:"Kate Jason-Smith"
973:KateJasonSmith.com
555:(drama – director)
198:Scarlet & Gold
173:Standing Room Only
27:
25:JasonSmith in 2020
1368:"Bread and Roses"
1293:"Kate JasonSmith"
1141:The Listener (NZ)
1115:Radio New Zealand
510:Madeline McNamara
448:Michelle Scullion
428:Matrons of Honour
224:The carefree show
177:Radio New Zealand
1947:
1870:Feminist artists
1854:
1853:
1851:
1849:
1835:
1829:
1828:
1826:
1824:
1813:
1807:
1806:
1804:
1802:
1788:
1782:
1781:
1779:
1777:
1763:
1757:
1756:
1754:
1752:
1737:
1726:
1725:
1713:
1707:
1706:
1704:
1702:
1688:
1682:
1681:
1679:
1677:
1662:
1656:
1655:
1653:
1651:
1637:
1631:
1630:
1628:
1626:
1611:
1605:
1604:
1602:
1600:
1586:
1580:
1579:
1561:
1555:
1554:
1551:The Evening Post
1546:
1540:
1539:
1537:
1535:
1521:
1515:
1514:
1512:
1510:
1496:
1490:
1489:
1487:
1485:
1470:
1461:
1460:
1458:
1456:
1442:
1436:
1435:
1433:
1431:
1417:
1408:
1407:
1405:
1403:
1389:
1383:
1382:
1380:
1378:
1364:
1358:
1357:
1355:
1353:
1342:
1336:
1335:
1333:
1331:
1325:Edinburgh Fringe
1317:
1308:
1307:
1305:
1303:
1289:
1276:
1275:
1257:
1251:
1250:
1248:
1246:
1232:
1226:
1225:
1223:
1221:
1206:
1200:
1199:
1197:
1195:
1180:
1171:
1170:
1168:
1166:
1161:. 6 October 2016
1151:
1145:
1144:
1136:
1127:
1126:
1124:
1122:
1107:
1094:
1093:
1091:
1089:
1075:
1069:
1068:
1060:
1054:
1053:
1035:
1010:
1009:
1007:
1005:
990:
984:
983:
981:
979:
965:
956:
955:
948:
942:
941:
939:
937:
922:
911:
910:
908:
906:
891:
882:
881:
879:
877:
862:
853:
852:
844:
838:
837:
831:
827:
825:
817:
809:
788:
787:
779:
764:
763:
761:
759:
745:
736:
735:
733:
731:
716:
707:
706:
688:
631:Ainsley Gardiner
560:The Quick Window
407:anthology series
379:The Quick Window
364:The Quick Window
274:Irish Protestant
256:and the help of
218:to JasonSmith: "
216:feminist cabaret
111:In 2000 she and
1955:
1954:
1950:
1949:
1948:
1946:
1945:
1944:
1860:
1859:
1858:
1857:
1847:
1845:
1837:
1836:
1832:
1822:
1820:
1815:
1814:
1810:
1800:
1798:
1790:
1789:
1785:
1775:
1773:
1765:
1764:
1760:
1750:
1748:
1739:
1738:
1729:
1715:
1714:
1710:
1700:
1698:
1690:
1689:
1685:
1675:
1673:
1664:
1663:
1659:
1649:
1647:
1639:
1638:
1634:
1624:
1622:
1613:
1612:
1608:
1598:
1596:
1588:
1587:
1583:
1576:
1563:
1562:
1558:
1548:
1547:
1543:
1533:
1531:
1523:
1522:
1518:
1508:
1506:
1498:
1497:
1493:
1483:
1481:
1472:
1471:
1464:
1454:
1452:
1444:
1443:
1439:
1429:
1427:
1419:
1418:
1411:
1401:
1399:
1391:
1390:
1386:
1376:
1374:
1366:
1365:
1361:
1351:
1349:
1344:
1343:
1339:
1329:
1327:
1319:
1318:
1311:
1301:
1299:
1291:
1290:
1279:
1272:
1259:
1258:
1254:
1244:
1242:
1234:
1233:
1229:
1219:
1217:
1215:Stuff (company)
1208:
1207:
1203:
1193:
1191:
1182:
1181:
1174:
1164:
1162:
1153:
1152:
1148:
1138:
1137:
1130:
1120:
1118:
1109:
1108:
1097:
1087:
1085:
1077:
1076:
1072:
1062:
1061:
1057:
1050:
1037:
1036:
1013:
1003:
1001:
999:Stuff (company)
992:
991:
987:
977:
975:
967:
966:
959:
950:
949:
945:
935:
933:
924:
923:
914:
904:
902:
893:
892:
885:
875:
873:
864:
863:
856:
846:
845:
841:
828:
818:
811:
810:
791:
781:
780:
767:
757:
755:
747:
746:
739:
729:
727:
725:Stuff (company)
718:
717:
710:
703:
690:
689:
666:
661:
645:Separation City
613:Bread and Roses
597:
534:
527:
518:
466:as part of the
412:Anthology Drama
401:
387:Jennifer Ludlam
348:Bread and Roses
327:
246:
236:Gaylene Preston
207:
189:
181:Gaylene Preston
109:
66:
30:Kate JasonSmith
17:
12:
11:
5:
1953:
1951:
1943:
1942:
1937:
1932:
1927:
1922:
1917:
1912:
1907:
1902:
1897:
1892:
1887:
1882:
1877:
1872:
1862:
1861:
1856:
1855:
1830:
1808:
1783:
1758:
1747:. 24 July 2011
1727:
1708:
1683:
1657:
1632:
1606:
1581:
1574:
1556:
1541:
1516:
1500:"Xmas for Lou"
1491:
1462:
1437:
1409:
1384:
1359:
1337:
1309:
1277:
1270:
1252:
1227:
1201:
1172:
1146:
1128:
1095:
1070:
1055:
1048:
1011:
985:
957:
943:
912:
883:
854:
839:
789:
765:
737:
708:
701:
663:
662:
660:
657:
656:
655:
648:
641:
634:
623:
616:
609:
596:
593:
592:
591:
584:
577:
570:
563:
556:
549:
542:
533:
530:
526:
523:
517:
514:
498:'s last play,
426:, Pat Robins (
424:Mother Tongue)
400:
395:
326:
323:
282:Irish Catholic
245:
240:
206:
203:
188:
185:
160:Māori cultural
149:cross-dressing
118:below the line
108:
105:
65:
62:
15:
13:
10:
9:
6:
4:
3:
2:
1952:
1941:
1938:
1936:
1933:
1931:
1928:
1926:
1923:
1921:
1918:
1916:
1913:
1911:
1910:Living people
1908:
1906:
1903:
1901:
1898:
1896:
1893:
1891:
1888:
1886:
1883:
1881:
1878:
1876:
1873:
1871:
1868:
1867:
1865:
1844:
1840:
1834:
1831:
1818:
1812:
1809:
1797:
1793:
1787:
1784:
1772:
1768:
1762:
1759:
1746:
1742:
1736:
1734:
1732:
1728:
1723:
1719:
1712:
1709:
1697:
1693:
1687:
1684:
1672:
1668:
1661:
1658:
1646:
1642:
1636:
1633:
1621:
1617:
1610:
1607:
1595:
1591:
1585:
1582:
1577:
1575:0-908818-14-9
1571:
1567:
1560:
1557:
1552:
1549:"What's On".
1545:
1542:
1530:
1526:
1520:
1517:
1505:
1501:
1495:
1492:
1480:. 13 May 2019
1479:
1475:
1474:"Robin Laing"
1469:
1467:
1463:
1451:
1447:
1441:
1438:
1426:
1422:
1421:"Reflections"
1416:
1414:
1410:
1398:
1394:
1388:
1385:
1373:
1369:
1363:
1360:
1347:
1341:
1338:
1326:
1322:
1316:
1314:
1310:
1298:
1294:
1288:
1286:
1284:
1282:
1278:
1273:
1271:1-86950-248-5
1267:
1263:
1256:
1253:
1241:
1240:Circa Theatre
1237:
1231:
1228:
1216:
1212:
1205:
1202:
1190:
1186:
1179:
1177:
1173:
1160:
1156:
1150:
1147:
1142:
1135:
1133:
1129:
1116:
1112:
1106:
1104:
1102:
1100:
1096:
1084:
1080:
1074:
1071:
1066:
1059:
1056:
1051:
1049:1-86950-314-7
1045:
1041:
1034:
1032:
1030:
1028:
1026:
1024:
1022:
1020:
1018:
1016:
1012:
1000:
996:
989:
986:
974:
970:
964:
962:
958:
953:
947:
944:
932:
928:
921:
919:
917:
913:
901:
897:
890:
888:
884:
872:
868:
861:
859:
855:
850:
843:
840:
835:
823:
815:
808:
806:
804:
802:
800:
798:
796:
794:
790:
785:
778:
776:
774:
772:
770:
766:
754:
750:
744:
742:
738:
726:
722:
715:
713:
709:
704:
702:0-908818-14-9
698:
694:
687:
685:
683:
681:
679:
677:
675:
673:
671:
669:
665:
658:
653:
649:
646:
642:
639:
635:
632:
628:
624:
621:
620:Mirror Mirror
617:
614:
610:
607:
603:
599:
598:
594:
589:
585:
582:
578:
575:
571:
568:
564:
561:
557:
554:
550:
547:
543:
540:
536:
535:
531:
529:
524:
522:
515:
513:
511:
507:
503:
501:
497:
493:
489:
484:
480:
475:
473:
469:
465:
461:
457:
453:
449:
445:
441:
437:
433:
429:
425:
421:
417:
413:
408:
404:
399:
396:
394:
392:
388:
384:
383:Annie Collins
380:
376:
370:
367:
365:
360:
358:
354:
350:
349:
344:
343:
338:
337:
332:
331:Peter Jackson
324:
322:
320:
315:
311:
306:
303:
298:
295:
291:
290:Bergen Belsen
287:
283:
279:
275:
271:
267:
263:
259:
255:
251:
244:
239:
237:
233:
232:Kate Harcourt
229:
225:
221:
217:
213:
202:
200:
199:
194:
186:
184:
182:
178:
174:
168:
166:
165:Circa Theatre
161:
157:
152:
150:
144:
141:
137:
133:
128:
126:
121:
119:
114:
106:
104:
102:
98:
94:
90:
86:
82:
77:
75:
71:
63:
61:
59:
55:
51:
47:
43:
39:
35:
31:
23:
19:
1846:. Retrieved
1842:
1833:
1821:. Retrieved
1811:
1799:. Retrieved
1796:NZ On Screen
1795:
1786:
1774:. Retrieved
1771:NZ On Screen
1770:
1761:
1751:18 September
1749:. Retrieved
1744:
1721:
1717:
1711:
1699:. Retrieved
1695:
1686:
1674:. Retrieved
1670:
1660:
1648:. Retrieved
1645:NZ On Screen
1644:
1635:
1623:. Retrieved
1619:
1609:
1597:. Retrieved
1593:
1584:
1565:
1559:
1550:
1544:
1532:. Retrieved
1528:
1519:
1507:. Retrieved
1503:
1494:
1482:. Retrieved
1478:NZ On Screen
1477:
1453:. Retrieved
1449:
1440:
1428:. Retrieved
1424:
1400:. Retrieved
1396:
1387:
1375:. Retrieved
1372:NZ On Screen
1371:
1362:
1350:. Retrieved
1340:
1328:. Retrieved
1324:
1300:. Retrieved
1296:
1261:
1255:
1245:18 September
1243:. Retrieved
1239:
1230:
1220:18 September
1218:. Retrieved
1214:
1204:
1194:20 September
1192:. Retrieved
1188:
1163:. Retrieved
1158:
1149:
1140:
1119:. Retrieved
1114:
1086:. Retrieved
1082:
1073:
1064:
1058:
1039:
1002:. Retrieved
998:
988:
976:. Retrieved
972:
946:
934:. Retrieved
930:
903:. Retrieved
899:
874:. Retrieved
871:The Scotsman
870:
848:
842:
813:
783:
756:. Retrieved
752:
728:. Retrieved
724:
692:
651:
644:
637:
626:
619:
612:
605:
601:
587:
580:
573:
567:Xmas for Lou
566:
559:
552:
545:
538:
528:
519:
506:Xmas for Lou
505:
504:
499:
491:
488:Xmas for Lou
487:
483:Jane Campion
479:Xmas for Lou
478:
476:
467:
452:Xmas for Lou
451:
436:Sue McCauley
432:Xmas for Lou
431:
427:
423:
419:
415:
411:
402:
398:Xmas for Lou
397:
391:Cathy Downes
378:
374:
371:
368:
363:
361:
355:and for the
346:
340:
334:
328:
319:The Scotsman
318:
313:
307:
299:
294:BATS Theatre
269:
265:
254:David Downes
248:Directed by
247:
242:
223:
208:
196:
192:
190:
172:
169:
153:
151:characters.
145:
129:
124:
122:
110:
78:
74:World War II
67:
53:
50:Xmas for Lou
49:
29:
28:
18:
1905:1950 births
1724:(9): 16–17.
1718:NZ Business
1590:"The Beach"
1321:"What's on"
1189:Theatreview
1165:2 September
1159:Circa.co.nz
1121:2 September
931:Theatreview
900:Theatreview
830:|work=
636:2003–2005,
633:, producer)
546:Reflections
525:Filmography
496:Robert Lord
494:(1995) and
468:Work of Art
444:Jan Preston
375:Reflections
373:lesbians."
268:(subtitled
250:Jan Bolwell
113:Lorae Parry
42:Hens' Teeth
1864:Categories
659:References
652:The Hobbit
606:Dead Alive
440:Joy Cowley
342:The Hobbit
262:dramaturge
258:Deb Filler
226:(1976) at
156:Playmarket
70:Eastbourne
34:Wellington
1848:28 August
1823:20 August
1676:18 August
1650:18 August
1625:18 August
1599:18 August
1534:20 August
1509:18 August
1455:28 August
1430:28 August
1402:31 August
1377:29 August
1297:GCM.co.nz
1088:29 August
936:10 August
876:10 August
832:ignored (
822:cite book
730:29 August
602:Braindead
539:Meanwhile
492:The Beach
336:Braindead
234:and Dame
136:Sam Neill
132:Film Unit
1801:3 August
1792:"Freaky"
1776:3 August
1484:3 August
574:The Edge
553:Shifting
532:Director
460:adoption
312:format,
138:and the
38:feminist
1701:27 July
1352:29 July
1330:19 July
1302:29 July
1004:27 July
978:19 July
905:19 July
758:24 July
420:Married
187:Theatre
116:scenes/
85:Len Lye
83:(where
1819:. IMDb
1767:"Ouch"
1572:
1348:. IMDb
1268:
1046:
699:
650:2012,
643:2009,
638:Freaky
625:1999,
618:1997,
611:1993,
600:1992,
586:1996,
579:1995,
572:1993,
565:1992,
558:1987,
551:1982,
544:1982,
537:1975,
353:Dublin
193:Charge
107:Career
1620:Circa
595:Actor
286:D-Day
1850:2019
1825:2019
1803:2019
1778:2019
1753:2019
1703:2019
1678:2019
1652:2019
1627:2019
1601:2019
1570:ISBN
1536:2019
1511:2019
1486:2019
1457:2019
1432:2019
1404:2019
1379:2019
1354:2019
1332:2019
1304:2019
1266:ISBN
1247:2019
1222:2019
1196:2019
1167:2019
1123:2019
1090:2019
1044:ISBN
1006:2019
980:2019
938:2019
907:2019
878:2019
834:help
784:TVNZ
760:2019
732:2019
697:ISBN
627:Ouch
456:16mm
446:and
438:and
389:and
46:Kiwi
359:."
357:BBC
260:as
125:you
1866::
1841:.
1794:.
1769:.
1743:.
1730:^
1722:25
1720:.
1694:.
1669:.
1643:.
1618:.
1592:.
1527:.
1502:.
1476:.
1465:^
1448:.
1423:.
1412:^
1395:.
1370:.
1323:.
1312:^
1295:.
1280:^
1238:.
1213:.
1187:.
1175:^
1157:.
1131:^
1113:.
1098:^
1081:.
1014:^
997:.
971:.
960:^
929:.
915:^
898:.
886:^
869:.
857:^
826::
824:}}
820:{{
792:^
768:^
751:.
740:^
723:.
711:^
667:^
474:.
450:.
238:.
120:.
1852:.
1827:.
1805:.
1780:.
1755:.
1705:.
1680:.
1654:.
1629:.
1603:.
1578:.
1538:.
1513:.
1488:.
1459:.
1434:.
1406:.
1381:.
1356:.
1334:.
1306:.
1274:.
1249:.
1224:.
1198:.
1169:.
1143:.
1125:.
1092:.
1052:.
1008:.
982:.
954:.
940:.
909:.
880:.
836:)
762:.
734:.
705:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
