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Kathleen Ni Houlihan

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106: 34: 264:. After the groom makes his decision and leaves, one character notes that the old woman has become a beautiful young woman with the walk of a queen. Yeats and Gregory's treatment of Kathleen Ni Houlihan is fairly typical of this myth. The groom's choice – and eventual death in the failed rebellion – rejuvenates Kathleen Ni Houlihan to some degree. 248:(1902), she arrives at an Irish family's home as they are making preparations for the marriage of their oldest son. In Yeats and Gregory's play, Kathleen Ni Houlihan tells the family her sad tale, interspersed with songs about famous Irish 237:
Kathleen Ni Houlihan is generally portrayed as an old woman without a home. Frequently it is hinted that this is because she has been dispossessed of her home which comprised a farmhouse and "four green fields" (symbolising the four
178:, and similar appellations. Kathleen Ni Houlihan is generally depicted as an old woman who needs the help of young Irish men willing to fight and die to free Ireland from colonial rule, usually resulting in the young men becoming 342:(1923) quotes the last line of Carbery's "The Passing of the Gael," as the character Seumas Shields complains about various aspects of Irish culture. O'Casey's treatment of the myth is generally viewed as 638: 91: 145:
found in literature and art, sometimes representing Ireland as a personified woman. The figure of Kathleen Ni Houlihan has also been invoked in nationalist
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longed for their homeland. Carbery refers to Kathleen Ni Houlihan by name as the personification of Ireland that the emigrants miss.
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Richard Kearney (1988, p. 218) suggests that the Kathleen Ni Houlihan myth represents the view that the blood
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and tradition of martyrdom (Kearney, p. 220). This use of sacrificial martyrdom can also be seen in various
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that had given their life for her. She ultimately lures the young groom away to join in the failed
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Three Dublin Plays: The Shadow of the Gunman, Juno and the Paycock, The Plough and the Stars
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concepts of "seasonal rejuvenation" and the sacrificial aspects of Christianity in the
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who introduces characters named Kathleen and Mr Holohan in his story "A Mother" (in
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is needed to free and redeem Ireland. At the same time, these heroic sacrificial
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are rewarded by being "remembered for ever" (Kearney, p. 218). This
229:) to illustrate the ideological shallowness of an Irish revival festival. 1281: 1076: 876: 394: 289: 211:. Other authors that have used Kathleen Ni Houlihan in some way include 191: 1251: 1156: 1056: 1041: 986: 485:, By James Flannery, Contributor, August/September 2011, Irish America 1051: 1006: 661: 281: 179: 138: 134: 786: 771: 343: 104: 89: 776: 277: 249: 620: 27: 304:
prisoners in the 1980s and other periods (Kearney, ch. 11).
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The figure of Kathleen Ni Houlihan has appeared in several
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As a literary figure, Kathleen Ni Houlihan was featured by
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at the end of the play when she returns to a young woman.
153:, and the figure is also sometimes referred to as the 130:, literally, "Kathleen, daughter of Houlihan") is a 233:General features and Yeats and Gregory's treatment 578:The Four Winds of Eirinn: Poems by Ethna Carbery 600:The Shadow of the Gunman: A Tragedy in Two Acts 514:Transitions: Narratives in Modern Irish Culture 149:. Kathleen Ni Houlihan is sometimes spelled as 324:during the 19th century (partly because of the 16:Mythical symbol and emblem of Irish nationalism 632: 353:has suggested that the character of Sarah in 182:for this cause, the colonial power being the 8: 190:in Northern Ireland, especially during the 155: 639: 625: 617: 407:'s 2011 Irish state visit, on arrival at 78:Learn how and when to remove this message 308:Selected literary treatments of the myth 41:This article includes a list of general 475: 19:For the play by Yeats and Gregory, see 288:sacrificial mythology can be tied to 165: 109:Scene From Yeats and Gregory's play, 7: 606:(1923; London: Faber, 1998) 1–62. 483:The Last Word: The Walk of a Queen 47:it lacks sufficient corresponding 14: 658:Afghanistan, Iran and Tajikistan 170:, often spelled phonetically as " 588:and Mary Mark Ockerbloom, 2003, 32: 702:Personification of the Americas 268:Sacrificial aspects of the myth 582:A Celebration of Women Writers 464:List of Ireland-related topics 1: 167:[ˈʃanˠˌvʲanˠˈwɔxt̪ˠ] 1436:Personifications of Ireland 518:Manchester University Press 326:Great Famine of that period 242:). In Yeats and Gregory's 1457: 752:Preah Thong and Neang Neak 590:University of Pennsylvania 444:Hibernia (personification) 18: 1441:National personifications 1400: 654: 648:National personifications 563:Times Literary Supplement 262:French Revolutionary Wars 232: 1405:Other symbols of Liberty 340:The Shadow of the Gunman 328:), suggested that Irish 217:The Shadow of the Gunman 574:The Passing of the Gael 393:(1914) the selection " 254:Irish Rebellion of 1798 115:, circa 1912 production 62:more precise citations. 376:'s Celtic/folk song, " 156: 127: 116: 102: 712:Little Boy from Manly 682:Effigies of Argentina 439:The Sean-Bhean bhocht 302:Irish Republican Army 188:Irish Republican Army 128:Caitlín Ní Uallacháin 108: 93: 997:Kathleen Ni Houlihan 952:Lady of the Mountain 507:Cathleen Ni Houlihan 503:Lady Augusta Gregory 499:William Butler Yeats 417:Cathleen ni Houlihan 245:Cathleen Ní Houlihan 240:provinces of Ireland 208:Cathleen Ní Houlihan 203:Lady Augusta Gregory 199:William Butler 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Index

Cathleen ni Houlihan
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Abbey Theatre

Cathleen Ní Houlihan
Irish
mythical
symbol
emblem
Irish nationalism
Irish politics
[ˈʃanˠˌvʲanˠˈwɔxt̪ˠ]
martyrs
United Kingdom
Irish Republican Army
Troubles
William Butler Yeats
Lady Augusta Gregory
Cathleen Ní Houlihan
Seán O'Casey
James Joyce
Dubliners
provinces of Ireland
Cathleen Ní Houlihan
heroes

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