Knowledge

Kauyumari

Source 📝

67:. In the score program note, Ortiz wrote, "Each year, these Native Mexicans embark on a symbolic journey to 'hunt' the blue deer, making offerings in gratitude for having been granted access to the invisible world, through which they also are able to heal the wounds of the soul." The music thus quotes a traditional Huichol melody, which the composer had previously used in the final movement of her 1997 string quartet 197:
was more critical of the piece, describing it "elusive" and opining, "It opened promisingly with distant thunder in the timpani, a drip of percussion rain, and a 'sunrise' for brass and winds, then settled into a phrase repeated over and over with changing orchestration, in what might be called a bit
157:
praised the piece as "magical" and wrote, "With her kaleidoscopic eyes (and ears), this Gaby in the sky with diamonds turned the jaunty tune into a ravishing vision, its repetitious rhythms keeping a listener glued while the changing instrumental colors created the unnerving effect of feeling
158:
unglued. The Huichol melody was always there, but you never could predict where or how it would turn up in the orchestra. We thought we knew what was happening, but Ortiz kept reminding us that we didn't, which felt exactly of our own moment. I suspect (and hope)
170:
depicts a journey, over the course of a brief six minutes, from the shadowy rumblings of a bass drum and gong, to shafts of radiant light peeling forth in the brass, much the same way they do in
386: 180:. Ultimately, the spirit of a Mexican folk dance makes its entrance as a solo piccolo, then grows into a rhythmically interweaving, pulsating explosion of hope and renewal." 381: 371: 339: 257: 311: 166:
similarly described the performance as "quite special," remarking, "Imbued with the musical flavors of her native Mexico,
285: 376: 176: 37: 29: 198:
of Meximalism." He added, "this deer proved as hard to discern in Ortiz's circling score as the 'enigma' in
92: 231: 316: 185: 235: 262: 203: 153: 56: 52: 33: 227: 140: 25: 365: 171: 124: 108: 199: 258:"Review: For Dudamel, Erivo and the L.A. Phil, an incomparable 'Homecoming' gala" 112: 100: 136: 84: 120: 132: 116: 104: 88: 60: 340:"Violinist Meyers shines in a night of shlock with L.A. Philharmonic" 64: 63:
that is encountered during a pilgrimage on the hallucinogenic cactus
24:
is an orchestral composition written in 2021 by the Mexican composer
312:"Review: Gustavo Dudamel Comes to Town, Megawatt Appeal on Display" 128: 96: 193:
as "a churning engine of sound." However, David Wright of the
55:
and lasts about 7 minutes. The title means "blue deer" in the
162:
will join the orchestral hit parade." Jim Farber of the
32:, which first performed the piece under the conductor 387:Music commissioned by the Los Angeles Philharmonic 286:"LA Phil Celebrates Its Disney Hall Homecoming" 151:Reviewing the world premiere, Mark Swed of the 8: 222: 220: 218: 214: 7: 382:Compositions for symphony orchestra 59:and refers to a spiritual guide in 28:. The work was commissioned by the 14: 338:Wright, David (27 October 2022). 310:Zahr, Oussama (27 October 2022). 16:Orchestral work by Gabriela Ortiz 284:Farber, Jim (11 October 2021). 83:The work is scored for a large 372:Compositions by Gabriela Ortiz 256:Swed, Mark (10 October 2021). 1: 290:San Francisco Classical Voice 164:San Francisco Classical Voice 403: 177:Fanfare for the Common Man 344:New York Classical Review 195:New York Classical Review 38:Walt Disney Concert Hall 30:Los Angeles Philharmonic 135:, four percussionists, 51:is written in a single 40:on October 9, 2021. 236:Boosey & Hawkes 317:The New York Times 186:The New York Times 377:2021 compositions 263:Los Angeles Times 154:Los Angeles Times 73:Altar of the Dead 394: 355: 354: 352: 350: 335: 329: 328: 326: 324: 307: 301: 300: 298: 296: 281: 275: 274: 272: 270: 253: 247: 246: 244: 242: 224: 183:Oussama Zahr of 69:Altar de Muertos 61:Huichol folklore 57:Huichol language 402: 401: 397: 396: 395: 393: 392: 391: 362: 361: 358: 348: 346: 337: 336: 332: 322: 320: 309: 308: 304: 294: 292: 283: 282: 278: 268: 266: 255: 254: 250: 240: 238: 228:Ortiz, Gabriela 226: 225: 216: 212: 149: 81: 79:Instrumentation 46: 34:Gustavo Dudamel 17: 12: 11: 5: 400: 398: 390: 389: 384: 379: 374: 364: 363: 357: 356: 330: 302: 276: 248: 213: 211: 208: 148: 145: 80: 77: 45: 42: 26:Gabriela Ortiz 15: 13: 10: 9: 6: 4: 3: 2: 399: 388: 385: 383: 380: 378: 375: 373: 370: 369: 367: 360: 345: 341: 334: 331: 319: 318: 313: 306: 303: 291: 287: 280: 277: 265: 264: 259: 252: 249: 237: 233: 229: 223: 221: 219: 215: 209: 207: 205: 201: 196: 192: 188: 187: 181: 179: 178: 173: 172:Aaron Copland 169: 165: 161: 156: 155: 146: 144: 142: 138: 134: 130: 126: 125:bass trombone 122: 118: 114: 110: 109:contrabassoon 106: 102: 98: 94: 90: 86: 78: 76: 74: 70: 66: 62: 58: 54: 50: 43: 41: 39: 35: 31: 27: 23: 22: 359: 347:. Retrieved 343: 333: 321:. Retrieved 315: 305: 293:. Retrieved 289: 279: 267:. Retrieved 261: 251: 239:. Retrieved 194: 190: 184: 182: 175: 167: 163: 159: 152: 150: 82: 72: 68: 48: 47: 20: 19: 18: 232:"Kauyumari" 101:cor anglais 87:comprising 44:Composition 366:Categories 210:References 204:variations 349:10 August 323:10 August 295:10 August 269:10 August 241:10 August 191:Kauyumari 168:Kauyumari 160:Kauyumari 147:Reception 121:trombones 85:orchestra 49:Kauyumari 21:Kauyumari 230:(2021). 117:trumpets 105:bassoons 53:movement 189:lauded 141:strings 133:timpani 115:, four 111:, four 89:piccolo 36:at the 139:, and 119:, two 103:, two 95:, two 93:flutes 91:, two 65:peyote 200:Elgar 113:horns 97:oboes 351:2023 325:2023 297:2023 271:2023 243:2023 137:harp 129:tuba 206:." 202:'s 174:'s 75:). 368:: 342:. 314:. 288:. 260:. 234:. 217:^ 143:. 131:, 127:, 123:, 107:, 99:, 353:. 327:. 299:. 273:. 245:. 71:(

Index

Gabriela Ortiz
Los Angeles Philharmonic
Gustavo Dudamel
Walt Disney Concert Hall
movement
Huichol language
Huichol folklore
peyote
orchestra
piccolo
flutes
oboes
cor anglais
bassoons
contrabassoon
horns
trumpets
trombones
bass trombone
tuba
timpani
harp
strings
Los Angeles Times
Aaron Copland
Fanfare for the Common Man
The New York Times
Elgar
variations

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.